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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F4BCD5 it is the complementary color #0B432A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F4BCD5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F4BCD5 shade: #F9BCD0, #FFCEE3, #FFE0F6 and #FFF2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F4BCD5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F4BCD5 shade: #F4BCD5, #E3AAC2, #D298AF, #C1869C and #B07489

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F4BCD5 shade: #F4BDD5, #F4BDC6 and #F4BDBD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F4BCD5 shade: #F4BDD5, #F4BDE4, #F4BDF3, #E6BDF4 and #D7BDF4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F4BCD5 shade matches the following richer shades: #F4BDD5 and #FAB7D5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F4BCD5 shade: #F4BDD5, #EEC3D6, #E7C9D7, #E1CFD7 and #DBD5D8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F4BCD5 shade: #F4BDF3, #F4BDE4, #F4BDD5, #F4BDC7 and #F4C1BD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F4BCD5 shade: #E876A9, #EE99BF, #F4BDD5 and #FAE0EC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F4BCD5 shade: #F4BCD5, #F4E6BD and #BDECF4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F4BCD5 shade: #F4BCD5, #D5F4BD and #BDD5F4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F4BCD5 shade: #F4BCD5, #F4E6BD, #BDF4DB and #BDCAF4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F4BCD5 shade: #F4BCD5, #F1F4BD, #BDF4DB and #BFBDF4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 23 / 13 / 4

HEX #F4BCD5

RGB 244 188 213

HSL 333.21, 0.72%, 0.85%

LAB 81.84, 23.93, -4.73

 

Complementary color

CMYK 84 / 0 / 37 / 74

HEX #0B432A

RGB 11 67 42

HSL 153.21, 0.72%, 0.15%

LAB 24.49, -24.59, 10.25

 

CMYK 0 / 24 / 16 / 2

HEX #F9BCD0

RGB 249 188 208

HSL 340.33, 0.84%, 0.86%

LAB 82.2, 24.89, -1.46

 

CMYK 0 / 19 / 11 / 0

HEX #FFCEE3

RGB 255 206 227

HSL 334.29, 1%, 0.9%

LAB 87.46, 20.52, -3.8

 

CMYK 0 / 12 / 4 / 0

HEX #FFE0F6

RGB 255 224 246

HSL 317.42, 1%, 0.94%

LAB 92.23, 14.32, -6.76

 

CMYK 0 / 5 / 0 / 0

HEX #FFF2FF

RGB 255 242 255

HSL 300, 1%, 0.97%

LAB 96.81, 6.61, -4.68

 

CMYK 0 / 23 / 13 / 4

HEX #F4BCD5

RGB 244 188 213

HSL 333.21, 0.72%, 0.85%

LAB 81.84, 23.93, -4.73

 

CMYK 0 / 25 / 15 / 11

HEX #E3AAC2

RGB 227 170 194

HSL 334.74, 0.5%, 0.78%

LAB 75.44, 24.52, -4.06

 

CMYK 0 / 28 / 17 / 18

HEX #D298AF

RGB 210 152 175

HSL 336.21, 0.39%, 0.71%

LAB 68.93, 25.17, -3.34

 

CMYK 0 / 31 / 19 / 24

HEX #C1869C

RGB 193 134 156

HSL 337.63, 0.32%, 0.64%

LAB 62.33, 25.87, -2.57

 

CMYK 0 / 34 / 22 / 31

HEX #B07489

RGB 176 116 137

HSL 339, 0.28%, 0.57%

LAB 55.61, 26.64, -1.71

 

CMYK 0 / 23 / 13 / 4

HEX #F4BDD5

RGB 244 189 213

HSL 333.82, 0.71%, 0.85%

LAB 82.07, 23.4, -4.39

 

CMYK 0 / 23 / 19 / 4

HEX #F4BDC6

RGB 244 189 198

HSL 350.18, 0.71%, 0.85%

LAB 81.68, 21.06, 3.1

 

CMYK 0 / 23 / 23 / 4

HEX #F4BDBD

RGB 244 189 189

HSL 0, 0.71%, 0.85%

LAB 81.46, 19.74, 7.62

 

CMYK 0 / 23 / 13 / 4

HEX #F4BDD5

RGB 244 189 213

HSL 333.82, 0.71%, 0.85%

LAB 82.07, 23.4, -4.39

 

CMYK 0 / 23 / 7 / 4

HEX #F4BDE4

RGB 244 189 228

HSL 317.45, 0.71%, 0.85%

LAB 82.5, 25.9, -11.8

 

CMYK 0 / 23 / 0 / 4

HEX #F4BDF3

RGB 244 189 243

HSL 301.09, 0.71%, 0.85%

LAB 82.97, 28.55, -19.13

 

CMYK 6 / 23 / 0 / 4

HEX #E6BDF4

RGB 230 189 244

HSL 284.73, 0.71%, 0.85%

LAB 81.7, 24.21, -21.7

 

CMYK 12 / 23 / 0 / 4

HEX #D7BDF4

RGB 215 189 244

HSL 268.36, 0.71%, 0.85%

LAB 80.39, 19.44, -23.82

 

CMYK 0 / 23 / 13 / 4

HEX #F4BDD5

RGB 244 189 213

HSL 333.82, 0.71%, 0.85%

LAB 82.07, 23.4, -4.39

 

CMYK 0 / 27 / 15 / 2

HEX #FAB7D5

RGB 250 183 213

HSL 333.13, 0.87%, 0.85%

LAB 81.29, 28.65, -5.48

 

CMYK 0 / 23 / 13 / 4

HEX #F4BDD5

RGB 244 189 213

HSL 333.82, 0.71%, 0.85%

LAB 82.07, 23.4, -4.39

 

CMYK 0 / 18 / 10 / 7

HEX #EEC3D6

RGB 238 195 214

HSL 333.49, 0.56%, 0.85%

LAB 82.95, 18.3, -3.7

 

CMYK 0 / 13 / 7 / 9

HEX #E7C9D7

RGB 231 201 215

HSL 332, 0.38%, 0.85%

LAB 83.79, 12.86, -3.06

 

CMYK 0 / 8 / 4 / 12

HEX #E1CFD7

RGB 225 207 215

HSL 333.33, 0.23%, 0.85%

LAB 84.76, 7.62, -1.7

 

CMYK 0 / 3 / 1 / 14

HEX #DBD5D8

RGB 219 213 216

HSL 330, 0.08%, 0.85%

LAB 85.81, 2.59, -0.76

 

CMYK 0 / 23 / 0 / 4

HEX #F4BDF3

RGB 244 189 243

HSL 301.09, 0.71%, 0.85%

LAB 82.97, 28.55, -19.13

 

CMYK 0 / 23 / 7 / 4

HEX #F4BDE4

RGB 244 189 228

HSL 317.45, 0.71%, 0.85%

LAB 82.5, 25.9, -11.8

 

CMYK 0 / 23 / 13 / 4

HEX #F4BDD5

RGB 244 189 213

HSL 333.82, 0.71%, 0.85%

LAB 82.07, 23.4, -4.39

 

CMYK 0 / 23 / 18 / 4

HEX #F4BDC7

RGB 244 189 199

HSL 349.09, 0.71%, 0.85%

LAB 81.7, 21.21, 2.6

 

CMYK 0 / 21 / 23 / 4

HEX #F4C1BD

RGB 244 193 189

HSL 4.36, 0.71%, 0.85%

LAB 82.4, 17.63, 8.97

 

CMYK 0 / 49 / 27 / 9

HEX #E876A9

RGB 232 118 169

HSL 333.16, 0.71%, 0.69%

LAB 64.14, 49.72, -6.75

 

CMYK 0 / 36 / 20 / 7

HEX #EE99BF

RGB 238 153 191

HSL 333.18, 0.71%, 0.77%

LAB 72.71, 36.94, -6.31

 

CMYK 0 / 23 / 13 / 4

HEX #F4BDD5

RGB 244 189 213

HSL 333.82, 0.71%, 0.85%

LAB 82.07, 23.4, -4.39

 

CMYK 0 / 10 / 6 / 2

HEX #FAE0EC

RGB 250 224 236

HSL 332.31, 0.72%, 0.93%

LAB 91.55, 10.91, -2.59

 

CMYK 0 / 23 / 13 / 4

HEX #F4BCD5

RGB 244 188 213

HSL 333.21, 0.72%, 0.85%

LAB 81.84, 23.93, -4.73

 

CMYK 0 / 6 / 23 / 4

HEX #F4E6BD

RGB 244 230 189

HSL 44.73, 0.71%, 0.85%

LAB 91.46, -1.58, 21.72

 

CMYK 23 / 3 / 0 / 4

HEX #BDECF4

RGB 189 236 244

HSL 188.73, 0.71%, 0.85%

LAB 90.48, -13.28, -8.84

 

CMYK 0 / 23 / 13 / 4

HEX #F4BCD5

RGB 244 188 213

HSL 333.21, 0.72%, 0.85%

LAB 81.84, 23.93, -4.73

 

CMYK 13 / 0 / 23 / 4

HEX #D5F4BD

RGB 213 244 189

HSL 93.82, 0.71%, 0.85%

LAB 92.8, -19.66, 23.23

 

CMYK 23 / 13 / 0 / 4

HEX #BDD5F4

RGB 189 213 244

HSL 213.82, 0.71%, 0.85%

LAB 84.45, -1.44, -17.85

 

CMYK 0 / 23 / 13 / 4

HEX #F4BCD5

RGB 244 188 213

HSL 333.21, 0.72%, 0.85%

LAB 81.84, 23.93, -4.73

 

CMYK 0 / 6 / 23 / 4

HEX #F4E6BD

RGB 244 230 189

HSL 44.73, 0.71%, 0.85%

LAB 91.46, -1.58, 21.72

 

CMYK 23 / 0 / 10 / 4

HEX #BDF4DB

RGB 189 244 219

HSL 152.73, 0.71%, 0.85%

LAB 91.97, -22.34, 6.36

 

CMYK 23 / 17 / 0 / 4

HEX #BDCAF4

RGB 189 202 244

HSL 225.82, 0.71%, 0.85%

LAB 81.62, 4.4, -22.14

 

CMYK 0 / 23 / 13 / 4

HEX #F4BCD5

RGB 244 188 213

HSL 333.21, 0.72%, 0.85%

LAB 81.84, 23.93, -4.73

 

CMYK 1 / 0 / 23 / 4

HEX #F1F4BD

RGB 241 244 189

HSL 63.27, 0.71%, 0.85%

LAB 94.77, -9.72, 26.24

 

CMYK 23 / 0 / 10 / 4

HEX #BDF4DB

RGB 189 244 219

HSL 152.73, 0.71%, 0.85%

LAB 91.97, -22.34, 6.36

 

CMYK 22 / 23 / 0 / 4

HEX #BFBDF4

RGB 191 189 244

HSL 242.18, 0.71%, 0.85%

LAB 78.46, 12.03, -26.93

 

Description

Color code: HEX #F4BCD5 | qconv.com Color code: HEX #F4BCD5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 244 red, 188 green and 213 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
244 188 213 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 23 magenta, 13 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 23% 13% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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