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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F4C999 it is the complementary color #0B3666. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F4C999. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F4C999 shade: #F9C994, #FFDBA7, #FFEDBA, #FFFFCD and #FFFFE0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F4C999. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F4C999 shade: #F4C999, #E3B786, #D2A573, #C19360 and #B0814D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F4C999 shade: #F4C999, #F4B099 and #F49999

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F4C999 shade: #F4C999, #F4E199, #EEF499, #D5F499 and #BDF499

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F4C999 shade matches the following richer shades: #F4C999 and #FDC990

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F4C999 shade: #F4C999, #EBC8A2, #E2C8AB, #D9C7B4 and #D0C7BD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F4C999 shade: #F4999A, #F4B099, #F4C899, #F4E099 and #EFF499

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F4C999 shade: #ECA14E, #F0B574, #F4C999, #F8DDBE and #FCF0E4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F4C999 shade: #F4C999, #B3F499 and #A499F4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F4C999 shade: #F4C999, #99F4C8 and #C899F4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F4C999 shade: #F4C999, #B3F499, #99C5F4 and #DA99F4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F4C999 shade: #F4C999, #99F49A, #99C5F4 and #F499F2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 18 / 37 / 4

HEX #F4C999

RGB 244 201 153

HSL 31.65, 0.81%, 0.78%

LAB 83.6, 8.79, 29.71

 

Complementary color

CMYK 89 / 47 / 0 / 60

HEX #0B3666

RGB 11 54 102

HSL 211.65, 0.81%, 0.22%

LAB 22.54, 5.66, -32.22

 

CMYK 0 / 19 / 41 / 2

HEX #F9C994

RGB 249 201 148

HSL 31.49, 0.89%, 0.78%

LAB 83.99, 10.19, 32.91

 

CMYK 0 / 14 / 35 / 0

HEX #FFDBA7

RGB 255 219 167

HSL 35.45, 1%, 0.83%

LAB 89.26, 5.33, 30.22

 

CMYK 0 / 7 / 27 / 0

HEX #FFEDBA

RGB 255 237 186

HSL 44.35, 1%, 0.86%

LAB 94.04, -1.48, 26.96

 

CMYK 0 / 0 / 20 / 0

HEX #FFFFCD

RGB 255 255 205

HSL 60, 1%, 0.9%

LAB 98.9, -7.91, 23.96

 

CMYK 0 / 0 / 12 / 0

HEX #FFFFE0

RGB 255 255 224

HSL 60, 1%, 0.94%

LAB 99.28, -5.1, 14.83

 

CMYK 0 / 18 / 37 / 4

HEX #F4C999

RGB 244 201 153

HSL 31.65, 0.81%, 0.78%

LAB 83.6, 8.79, 29.71

 

CMYK 0 / 19 / 41 / 11

HEX #E3B786

RGB 227 183 134

HSL 31.61, 0.62%, 0.71%

LAB 77.23, 9.46, 30.91

 

CMYK 0 / 21 / 45 / 18

HEX #D2A573

RGB 210 165 115

HSL 31.58, 0.51%, 0.64%

LAB 70.77, 10.22, 32.2

 

CMYK 0 / 24 / 50 / 24

HEX #C19360

RGB 193 147 96

HSL 31.55, 0.44%, 0.57%

LAB 64.2, 11.1, 33.57

 

CMYK 0 / 27 / 56 / 31

HEX #B0814D

RGB 176 129 77

HSL 31.52, 0.39%, 0.5%

LAB 57.53, 12.14, 35.03

 

CMYK 0 / 18 / 37 / 4

HEX #F4C999

RGB 244 201 153

HSL 31.65, 0.81%, 0.78%

LAB 83.6, 8.79, 29.71

 

CMYK 0 / 28 / 37 / 4

HEX #F4B099

RGB 244 176 153

HSL 15.16, 0.81%, 0.78%

LAB 77.63, 21.94, 21.61

 

CMYK 0 / 37 / 37 / 4

HEX #F49999

RGB 244 153 153

HSL 0, 0.81%, 0.78%

LAB 72.44, 34.06, 14.41

 

CMYK 0 / 18 / 37 / 4

HEX #F4C999

RGB 244 201 153

HSL 31.65, 0.81%, 0.78%

LAB 83.6, 8.79, 29.71

 

CMYK 0 / 8 / 37 / 4

HEX #F4E199

RGB 244 225 153

HSL 47.47, 0.81%, 0.78%

LAB 89.57, -3.56, 37.6

 

CMYK 2 / 0 / 37 / 4

HEX #EEF499

RGB 238 244 153

HSL 63.96, 0.81%, 0.78%

LAB 93.96, -15.32, 43.18

 

CMYK 13 / 0 / 37 / 4

HEX #D5F499

RGB 213 244 153

HSL 80.44, 0.81%, 0.78%

LAB 92.2, -24.63, 40.56

 

CMYK 23 / 0 / 37 / 4

HEX #BDF499

RGB 189 244 153

HSL 96.26, 0.81%, 0.78%

LAB 90.7, -33.17, 38.32

 

CMYK 0 / 18 / 37 / 4

HEX #F4C999

RGB 244 201 153

HSL 31.65, 0.81%, 0.78%

LAB 83.6, 8.79, 29.71

 

CMYK 0 / 21 / 43 / 1

HEX #FDC990

RGB 253 201 144

HSL 31.38, 0.96%, 0.78%

LAB 84.31, 11.34, 35.47

 

CMYK 0 / 18 / 37 / 4

HEX #F4C999

RGB 244 201 153

HSL 31.65, 0.81%, 0.78%

LAB 83.6, 8.79, 29.71

 

CMYK 0 / 15 / 31 / 8

HEX #EBC8A2

RGB 235 200 162

HSL 31.23, 0.65%, 0.78%

LAB 82.69, 6.93, 23.61

 

CMYK 0 / 12 / 24 / 11

HEX #E2C8AB

RGB 226 200 171

HSL 31.64, 0.49%, 0.78%

LAB 82.06, 4.72, 17.86

 

CMYK 0 / 8 / 17 / 15

HEX #D9C7B4

RGB 217 199 180

HSL 30.81, 0.33%, 0.78%

LAB 81.23, 3.22, 11.79

 

CMYK 0 / 4 / 9 / 18

HEX #D0C7BD

RGB 208 199 189

HSL 31.58, 0.17%, 0.78%

LAB 80.7, 1.41, 6.11

 

CMYK 0 / 37 / 37 / 4

HEX #F4999A

RGB 244 153 154

HSL 359.34, 0.81%, 0.78%

LAB 72.46, 34.17, 13.89

 

CMYK 0 / 28 / 37 / 4

HEX #F4B099

RGB 244 176 153

HSL 15.16, 0.81%, 0.78%

LAB 77.63, 21.94, 21.61

 

CMYK 0 / 18 / 37 / 4

HEX #F4C899

RGB 244 200 153

HSL 30.99, 0.81%, 0.78%

LAB 83.36, 9.32, 29.38

 

CMYK 0 / 8 / 37 / 4

HEX #F4E099

RGB 244 224 153

HSL 46.81, 0.81%, 0.78%

LAB 89.32, -3.05, 37.27

 

CMYK 2 / 0 / 37 / 4

HEX #EFF499

RGB 239 244 153

HSL 63.3, 0.81%, 0.78%

LAB 94.03, -14.94, 43.29

 

CMYK 0 / 32 / 67 / 7

HEX #ECA14E

RGB 236 161 78

HSL 31.52, 0.81%, 0.62%

LAB 72.14, 20.2, 53.22

 

CMYK 0 / 25 / 52 / 6

HEX #F0B574

RGB 240 181 116

HSL 31.45, 0.81%, 0.7%

LAB 77.78, 13.98, 41.22

 

CMYK 0 / 18 / 37 / 4

HEX #F4C999

RGB 244 201 153

HSL 31.65, 0.81%, 0.78%

LAB 83.6, 8.79, 29.71

 

CMYK 0 / 11 / 23 / 3

HEX #F8DDBE

RGB 248 221 190

HSL 32.07, 0.81%, 0.86%

LAB 89.57, 4.63, 18.63

 

CMYK 0 / 5 / 10 / 1

HEX #FCF0E4

RGB 252 240 228

HSL 30, 0.8%, 0.94%

LAB 95.42, 2.05, 7.22

 

CMYK 0 / 18 / 37 / 4

HEX #F4C999

RGB 244 201 153

HSL 31.65, 0.81%, 0.78%

LAB 83.6, 8.79, 29.71

 

CMYK 27 / 0 / 37 / 4

HEX #B3F499

RGB 179 244 153

HSL 102.86, 0.81%, 0.78%

LAB 90.13, -36.57, 37.47

 

CMYK 33 / 37 / 0 / 4

HEX #A499F4

RGB 164 153 244

HSL 247.25, 0.81%, 0.78%

LAB 67.43, 24.31, -44.2

 

CMYK 0 / 18 / 37 / 4

HEX #F4C999

RGB 244 201 153

HSL 31.65, 0.81%, 0.78%

LAB 83.6, 8.79, 29.71

 

CMYK 37 / 0 / 18 / 4

HEX #99F4C8

RGB 153 244 200

HSL 150.99, 0.81%, 0.78%

LAB 89.69, -36.63, 12.72

 

CMYK 18 / 37 / 0 / 4

HEX #C899F4

RGB 200 153 244

HSL 270.99, 0.81%, 0.78%

LAB 70.59, 34.5, -39.03

 

CMYK 0 / 18 / 37 / 4

HEX #F4C999

RGB 244 201 153

HSL 31.65, 0.81%, 0.78%

LAB 83.6, 8.79, 29.71

 

CMYK 27 / 0 / 37 / 4

HEX #B3F499

RGB 179 244 153

HSL 102.86, 0.81%, 0.78%

LAB 90.13, -36.57, 37.47

 

CMYK 37 / 19 / 0 / 4

HEX #99C5F4

RGB 153 197 244

HSL 210.99, 0.81%, 0.78%

LAB 78.01, -3.14, -27.84

 

CMYK 11 / 37 / 0 / 4

HEX #DA99F4

RGB 218 153 244

HSL 282.86, 0.81%, 0.78%

LAB 72.37, 39.82, -36.11

 

CMYK 0 / 18 / 37 / 4

HEX #F4C999

RGB 244 201 153

HSL 31.65, 0.81%, 0.78%

LAB 83.6, 8.79, 29.71

 

CMYK 37 / 0 / 37 / 4

HEX #99F49A

RGB 153 244 154

HSL 120.66, 0.81%, 0.78%

LAB 88.83, -44.71, 35.02

 

CMYK 37 / 19 / 0 / 4

HEX #99C5F4

RGB 153 197 244

HSL 210.99, 0.81%, 0.78%

LAB 78.01, -3.14, -27.84

 

CMYK 0 / 37 / 1 / 4

HEX #F499F2

RGB 244 153 242

HSL 301.32, 0.81%, 0.78%

LAB 75.09, 47.25, -30.6

 

Description

Color code: HEX #F4C999 | qconv.com Color code: HEX #F4C999 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 244 red, 201 green and 153 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
244 201 153 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 18 magenta, 37 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 18% 37% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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