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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F4E004 it is the complementary color #0B1FFB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F4E004. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F4E004 shade: #F9E000, #FFF212, #FFFF25, #FFFF38 and #FFFF4B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F4E004. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F4E004 shade: #F4E004, #E3CE00, #D2BC00, #C1AA00 and #B09800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F4E004 shade: #F6E103, #F6A003, #F65F03, #F61D03 and #F60303

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F4E004 shade: #F6E103, #C8F603, #87F603, #46F603 and #04F603

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F4E004 shade matches the following richer shades: #F6E103

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F4E004 shade: #F6E103, #E1D117, #CDC02C, #B9AF40 and #A59E54

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F4E004 shade: #F66003, #F6A103, #F6E103, #C9F603 and #89F603

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F4E004 shade: #A49702, #CDBC03, #F6E103, #FBEA27 and #FCED50

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F4E004 shade: #F4E004, #03F620 and #8003F6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F4E004 shade: #F4E004, #03F6E1 and #E103F6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F4E004 shade: #F4E004, #03F620, #0317F6 and #F603D9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F4E004 shade: #F4E004, #03F668, #0317F6 and #F60391

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 8 / 98 / 4

HEX #F4E004

RGB 244 224 4

HSL 55, 0.97%, 0.49%

LAB 88.23, -11.07, 87.29

 

Complementary color

CMYK 96 / 88 / 0 / 2

HEX #0B1FFB

RGB 11 31 251

HSL 235, 0.97%, 0.51%

LAB 34.02, 71.76, -102.75

 

CMYK 0 / 10 / 100 / 2

HEX #F9E000

RGB 249 224 0

HSL 53.98, 1%, 0.49%

LAB 88.66, -8.99, 88.12

 

CMYK 0 / 5 / 93 / 0

HEX #FFF212

RGB 255 242 18

HSL 56.71, 1%, 0.54%

LAB 93.8, -15.17, 90.6

 

CMYK 0 / 0 / 85 / 0

HEX #FFFF25

RGB 255 255 37

HSL 60, 1%, 0.57%

LAB 97.19, -21.12, 90.49

 

CMYK 0 / 0 / 78 / 0

HEX #FFFF38

RGB 255 255 56

HSL 60, 1%, 0.61%

LAB 97.25, -20.62, 86.3

 

CMYK 0 / 0 / 71 / 0

HEX #FFFF4B

RGB 255 255 75

HSL 60, 1%, 0.65%

LAB 97.34, -19.9, 80.72

 

CMYK 0 / 8 / 98 / 4

HEX #F4E004

RGB 244 224 4

HSL 55, 0.97%, 0.49%

LAB 88.23, -11.07, 87.29

 

CMYK 0 / 9 / 100 / 11

HEX #E3CE00

RGB 227 206 0

HSL 54.45, 1%, 0.45%

LAB 82.09, -9.35, 82.53

 

CMYK 0 / 10 / 100 / 18

HEX #D2BC00

RGB 210 188 0

HSL 53.71, 1%, 0.41%

LAB 75.87, -7.54, 77.37

 

CMYK 0 / 12 / 100 / 24

HEX #C1AA00

RGB 193 170 0

HSL 52.85, 1%, 0.38%

LAB 69.53, -5.68, 72.13

 

CMYK 0 / 14 / 100 / 31

HEX #B09800

RGB 176 152 0

HSL 51.82, 1%, 0.35%

LAB 63.08, -3.76, 66.79

 

CMYK 0 / 9 / 99 / 4

HEX #F6E103

RGB 246 225 3

HSL 54.81, 0.98%, 0.49%

LAB 88.66, -10.73, 87.76

 

CMYK 0 / 35 / 99 / 4

HEX #F6A003

RGB 246 160 3

HSL 38.77, 0.98%, 0.49%

LAB 72.72, 22.8, 76.63

 

CMYK 0 / 61 / 99 / 4

HEX #F65F03

RGB 246 95 3

HSL 22.72, 0.98%, 0.49%

LAB 59.69, 54.92, 68.6

 

CMYK 0 / 88 / 99 / 4

HEX #F61D03

RGB 246 29 3

HSL 6.42, 0.98%, 0.49%

LAB 52.37, 75.12, 65.01

 

CMYK 0 / 99 / 99 / 4

HEX #F60303

RGB 246 3 3

HSL 0, 0.98%, 0.49%

LAB 51.46, 77.76, 64.65

 

CMYK 0 / 9 / 99 / 4

HEX #F6E103

RGB 246 225 3

HSL 54.81, 0.98%, 0.49%

LAB 88.66, -10.73, 87.76

 

CMYK 19 / 0 / 99 / 4

HEX #C8F603

RGB 200 246 3

HSL 71.36, 0.98%, 0.49%

LAB 90.87, -39.51, 87.87

 

CMYK 45 / 0 / 99 / 4

HEX #87F603

RGB 135 246 3

HSL 87.41, 0.98%, 0.49%

LAB 87.52, -62.47, 83.83

 

CMYK 72 / 0 / 99 / 4

HEX #46F603

RGB 70 246 3

HSL 103.46, 0.98%, 0.49%

LAB 85.62, -77.92, 81.52

 

CMYK 98 / 0 / 99 / 4

HEX #04F603

RGB 4 246 3

HSL 119.75, 0.98%, 0.49%

LAB 84.97, -83.71, 80.73

 

CMYK 0 / 9 / 99 / 4

HEX #F6E103

RGB 246 225 3

HSL 54.81, 0.98%, 0.49%

LAB 88.66, -10.73, 87.76

 

CMYK 0 / 9 / 99 / 4

HEX #F6E103

RGB 246 225 3

HSL 54.81, 0.98%, 0.49%

LAB 88.66, -10.73, 87.76

 

CMYK 0 / 7 / 90 / 12

HEX #E1D117

RGB 225 209 23

HSL 55.25, 0.81%, 0.49%

LAB 82.74, -11.46, 80.4

 

CMYK 0 / 6 / 79 / 20

HEX #CDC02C

RGB 205 192 44

HSL 55.16, 0.65%, 0.49%

LAB 76.59, -10.92, 69.85

 

CMYK 0 / 5 / 65 / 27

HEX #B9AF40

RGB 185 175 64

HSL 55.04, 0.49%, 0.49%

LAB 70.42, -9.84, 56.07

 

CMYK 0 / 4 / 49 / 35

HEX #A59E54

RGB 165 158 84

HSL 54.81, 0.33%, 0.49%

LAB 64.24, -7.91, 39.28

 

CMYK 0 / 61 / 99 / 4

HEX #F66003

RGB 246 96 3

HSL 22.96, 0.98%, 0.49%

LAB 59.86, 54.49, 68.69

 

CMYK 0 / 35 / 99 / 4

HEX #F6A103

RGB 246 161 3

HSL 39.01, 0.98%, 0.49%

LAB 72.95, 22.27, 76.78

 

CMYK 0 / 9 / 99 / 4

HEX #F6E103

RGB 246 225 3

HSL 54.81, 0.98%, 0.49%

LAB 88.66, -10.73, 87.76

 

CMYK 18 / 0 / 99 / 4

HEX #C9F603

RGB 201 246 3

HSL 71.11, 0.98%, 0.49%

LAB 90.93, -39.12, 87.95

 

CMYK 44 / 0 / 99 / 4

HEX #89F603

RGB 137 246 3

HSL 86.91, 0.98%, 0.49%

LAB 87.6, -61.86, 83.93

 

CMYK 0 / 8 / 99 / 36

HEX #A49702

RGB 164 151 2

HSL 55.19, 0.98%, 0.33%

LAB 61.68, -8.65, 64.97

 

CMYK 0 / 8 / 99 / 20

HEX #CDBC03

RGB 205 188 3

HSL 54.95, 0.97%, 0.41%

LAB 75.42, -9.7, 76.53

 

CMYK 0 / 9 / 99 / 4

HEX #F6E103

RGB 246 225 3

HSL 54.81, 0.98%, 0.49%

LAB 88.66, -10.73, 87.76

 

CMYK 0 / 7 / 84 / 2

HEX #FBEA27

RGB 251 234 39

HSL 55.19, 0.96%, 0.57%

LAB 91.46, -12.58, 85.31

 

CMYK 0 / 6 / 68 / 1

HEX #FCED50

RGB 252 237 80

HSL 54.77, 0.97%, 0.65%

LAB 92.51, -12.16, 74.16

 

CMYK 0 / 8 / 98 / 4

HEX #F4E004

RGB 244 224 4

HSL 55, 0.97%, 0.49%

LAB 88.23, -11.07, 87.29

 

CMYK 99 / 0 / 87 / 4

HEX #03F620

RGB 3 246 32

HSL 127.16, 0.98%, 0.49%

LAB 85.01, -83.09, 77.32

 

CMYK 48 / 99 / 0 / 4

HEX #8003F6

RGB 128 3 246

HSL 270.86, 0.98%, 0.49%

LAB 40.09, 80.98, -89.6

 

CMYK 0 / 8 / 98 / 4

HEX #F4E004

RGB 244 224 4

HSL 55, 0.97%, 0.49%

LAB 88.23, -11.07, 87.29

 

CMYK 99 / 0 / 9 / 4

HEX #03F6E1

RGB 3 246 225

HSL 174.81, 0.98%, 0.49%

LAB 87.66, -52.61, -3.64

 

CMYK 9 / 99 / 0 / 4

HEX #E103F6

RGB 225 3 246

HSL 294.81, 0.98%, 0.49%

LAB 54.79, 92.27, -64.99

 

CMYK 0 / 8 / 98 / 4

HEX #F4E004

RGB 244 224 4

HSL 55, 0.97%, 0.49%

LAB 88.23, -11.07, 87.29

 

CMYK 99 / 0 / 87 / 4

HEX #03F620

RGB 3 246 32

HSL 127.16, 0.98%, 0.49%

LAB 85.01, -83.09, 77.32

 

CMYK 99 / 91 / 0 / 4

HEX #0317F6

RGB 3 23 246

HSL 235.06, 0.98%, 0.49%

LAB 32.45, 72.76, -102.55

 

CMYK 0 / 99 / 12 / 4

HEX #F603D9

RGB 246 3 217

HSL 307.16, 0.98%, 0.49%

LAB 56.75, 91.56, -45.31

 

CMYK 0 / 8 / 98 / 4

HEX #F4E004

RGB 244 224 4

HSL 55, 0.97%, 0.49%

LAB 88.23, -11.07, 87.29

 

CMYK 99 / 0 / 58 / 4

HEX #03F668

RGB 3 246 104

HSL 144.94, 0.98%, 0.49%

LAB 85.47, -77.31, 53.89

 

CMYK 99 / 91 / 0 / 4

HEX #0317F6

RGB 3 23 246

HSL 235.06, 0.98%, 0.49%

LAB 32.45, 72.76, -102.55

 

CMYK 0 / 99 / 41 / 4

HEX #F60391

RGB 246 3 145

HSL 324.94, 0.98%, 0.49%

LAB 53.71, 83.81, -8.05

 

Description

Color code: HEX #F4E004 | qconv.com Color code: HEX #F4E004 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 244 red, 224 green and 4 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
244 224 4 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 8 magenta, 98 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 8% 98% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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