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Color name
HEX #F4E323

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F4E323 it is the complementary color #0B1CDC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F4E323. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F4E323 shade: #F9E31E, #FFF531, #FFFF44, #FFFF57 and #FFFF6A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F4E323. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F4E323 shade: #F4E323, #E3D110, #D2BF00, #C1AD00 and #B09B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F4E323 shade: #F3E224, #F3AB24, #F37324, #F33B24 and #F32424

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F4E323 shade: #F3E224, #CCF324, #94F324, #5DF324 and #25F324

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F4E323 shade matches the following richer shades: #F3E224

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F4E323 shade: #F3E224, #E0D337, #CEC34A, #BBB45C and #A9A46F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F4E323 shade: #F37424, #F3AB24, #F3E224, #CDF324 and #96F324

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F4E323 shade: #BCAD09, #E3D10B, #F3E224, #F5E74C and #F7EC73

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F4E323 shade: #F4E323, #24F33D and #8F24F3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F4E323 shade: #F4E323, #24F3E2 and #E224F3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F4E323 shade: #F4E323, #24F33D, #2436F3 and #F324DB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F4E323 shade: #F4E323, #24F37B, #2436F3 and #F3249D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 7 / 86 / 4

HEX #F4E323

RGB 244 227 35

HSL 55.12, 0.9%, 0.55%

LAB 89.06, -12.15, 83.94

 

Complementary color

CMYK 95 / 87 / 0 / 14

HEX #0B1CDC

RGB 11 28 220

HSL 235.12, 0.9%, 0.45%

LAB 29.59, 64.2, -92.5

 

CMYK 0 / 9 / 88 / 2

HEX #F9E31E

RGB 249 227 30

HSL 53.97, 0.95%, 0.55%

LAB 89.47, -10.15, 85.38

 

CMYK 0 / 4 / 81 / 0

HEX #FFF531

RGB 255 245 49

HSL 57.09, 1%, 0.6%

LAB 94.65, -16.03, 85.82

 

CMYK 0 / 0 / 73 / 0

HEX #FFFF44

RGB 255 255 68

HSL 60, 1%, 0.63%

LAB 97.31, -20.19, 82.92

 

CMYK 0 / 0 / 66 / 0

HEX #FFFF57

RGB 255 255 87

HSL 60, 1%, 0.67%

LAB 97.42, -19.31, 76.59

 

CMYK 0 / 0 / 58 / 0

HEX #FFFF6A

RGB 255 255 106

HSL 60, 1%, 0.71%

LAB 97.56, -18.18, 69.3

 

CMYK 0 / 7 / 86 / 4

HEX #F4E323

RGB 244 227 35

HSL 55.12, 0.9%, 0.55%

LAB 89.06, -12.15, 83.94

 

CMYK 0 / 8 / 93 / 11

HEX #E3D110

RGB 227 209 16

HSL 54.88, 0.87%, 0.48%

LAB 82.9, -10.71, 81.57

 

CMYK 0 / 9 / 100 / 18

HEX #D2BF00

RGB 210 191 0

HSL 54.57, 1%, 0.41%

LAB 76.66, -9.08, 77.94

 

CMYK 0 / 10 / 100 / 24

HEX #C1AD00

RGB 193 173 0

HSL 53.78, 1%, 0.38%

LAB 70.33, -7.25, 72.7

 

CMYK 0 / 12 / 100 / 31

HEX #B09B00

RGB 176 155 0

HSL 52.84, 1%, 0.35%

LAB 63.9, -5.36, 67.37

 

CMYK 0 / 7 / 85 / 5

HEX #F3E224

RGB 243 226 36

HSL 55.07, 0.9%, 0.55%

LAB 88.72, -12.05, 83.42

 

CMYK 0 / 30 / 85 / 5

HEX #F3AB24

RGB 243 171 36

HSL 39.13, 0.9%, 0.55%

LAB 75.02, 16.21, 72.26

 

CMYK 0 / 53 / 85 / 5

HEX #F37324

RGB 243 115 36

HSL 22.9, 0.9%, 0.55%

LAB 62.88, 45.06, 62.29

 

CMYK 0 / 76 / 85 / 5

HEX #F33B24

RGB 243 59 36

HSL 6.67, 0.9%, 0.55%

LAB 54.35, 67.8, 55.22

 

CMYK 0 / 85 / 85 / 5

HEX #F32424

RGB 243 36 36

HSL 0, 0.9%, 0.55%

LAB 52.34, 73.51, 53.53

 

CMYK 0 / 7 / 85 / 5

HEX #F3E224

RGB 243 226 36

HSL 55.07, 0.9%, 0.55%

LAB 88.72, -12.05, 83.42

 

CMYK 16 / 0 / 85 / 5

HEX #CCF324

RGB 204 243 36

HSL 71.3, 0.9%, 0.55%

LAB 90.35, -36.1, 83.57

 

CMYK 39 / 0 / 85 / 5

HEX #94F324

RGB 148 243 36

HSL 87.54, 0.9%, 0.55%

LAB 87.25, -56.57, 79.71

 

CMYK 62 / 0 / 85 / 5

HEX #5DF324

RGB 93 243 36

HSL 103.48, 0.9%, 0.55%

LAB 85.28, -71.85, 77.23

 

CMYK 85 / 0 / 85 / 5

HEX #25F324

RGB 37 243 36

HSL 119.71, 0.9%, 0.55%

LAB 84.29, -80.39, 75.98

 

CMYK 0 / 7 / 85 / 5

HEX #F3E224

RGB 243 226 36

HSL 55.07, 0.9%, 0.55%

LAB 88.72, -12.05, 83.42

 

CMYK 0 / 7 / 85 / 5

HEX #F3E224

RGB 243 226 36

HSL 55.07, 0.9%, 0.55%

LAB 88.72, -12.05, 83.42

 

CMYK 0 / 6 / 75 / 12

HEX #E0D337

RGB 224 211 55

HSL 55.38, 0.73%, 0.55%

LAB 83.29, -12.02, 73.13

 

CMYK 0 / 5 / 64 / 19

HEX #CEC34A

RGB 206 195 74

HSL 55, 0.57%, 0.55%

LAB 77.67, -10.59, 60.06

 

CMYK 0 / 4 / 51 / 27

HEX #BBB45C

RGB 187 180 92

HSL 55.58, 0.41%, 0.55%

LAB 72.22, -9.5, 45.31

 

CMYK 0 / 3 / 34 / 34

HEX #A9A46F

RGB 169 164 111

HSL 54.83, 0.25%, 0.55%

LAB 66.62, -6.47, 28.2

 

CMYK 0 / 52 / 85 / 5

HEX #F37424

RGB 243 116 36

HSL 23.19, 0.9%, 0.55%

LAB 63.07, 44.57, 62.45

 

CMYK 0 / 30 / 85 / 5

HEX #F3AB24

RGB 243 171 36

HSL 39.13, 0.9%, 0.55%

LAB 75.02, 16.21, 72.26

 

CMYK 0 / 7 / 85 / 5

HEX #F3E224

RGB 243 226 36

HSL 55.07, 0.9%, 0.55%

LAB 88.72, -12.05, 83.42

 

CMYK 16 / 0 / 85 / 5

HEX #CDF324

RGB 205 243 36

HSL 71.01, 0.9%, 0.55%

LAB 90.42, -35.71, 83.65

 

CMYK 38 / 0 / 85 / 5

HEX #96F324

RGB 150 243 36

HSL 86.96, 0.9%, 0.55%

LAB 87.35, -55.91, 79.83

 

CMYK 0 / 8 / 95 / 26

HEX #BCAD09

RGB 188 173 9

HSL 54.97, 0.91%, 0.39%

LAB 69.89, -9.37, 71.1

 

CMYK 0 / 8 / 95 / 11

HEX #E3D10B

RGB 227 209 11

HSL 55, 0.91%, 0.47%

LAB 82.89, -10.76, 82.1

 

CMYK 0 / 7 / 85 / 5

HEX #F3E224

RGB 243 226 36

HSL 55.07, 0.9%, 0.55%

LAB 88.72, -12.05, 83.42

 

CMYK 0 / 6 / 69 / 4

HEX #F5E74C

RGB 245 231 76

HSL 55.03, 0.89%, 0.63%

LAB 90.36, -12.28, 73.3

 

CMYK 0 / 4 / 53 / 3

HEX #F7EC73

RGB 247 236 115

HSL 55, 0.89%, 0.71%

LAB 92.13, -11.47, 59.12

 

CMYK 0 / 7 / 86 / 4

HEX #F4E323

RGB 244 227 35

HSL 55.12, 0.9%, 0.55%

LAB 89.06, -12.15, 83.94

 

CMYK 85 / 0 / 75 / 5

HEX #24F33D

RGB 36 243 61

HSL 127.25, 0.9%, 0.55%

LAB 84.39, -79.09, 69.44

 

CMYK 41 / 85 / 0 / 5

HEX #8F24F3

RGB 143 36 243

HSL 271.01, 0.9%, 0.55%

LAB 43.61, 76.28, -82.04

 

CMYK 0 / 7 / 86 / 4

HEX #F4E323

RGB 244 227 35

HSL 55.12, 0.9%, 0.55%

LAB 89.06, -12.15, 83.94

 

CMYK 85 / 0 / 7 / 5

HEX #24F3E2

RGB 36 243 226

HSL 175.07, 0.9%, 0.55%

LAB 86.98, -49.89, -5.15

 

CMYK 7 / 85 / 0 / 5

HEX #E224F3

RGB 226 36 243

HSL 295.07, 0.9%, 0.55%

LAB 55.99, 88.35, -61.38

 

CMYK 0 / 7 / 86 / 4

HEX #F4E323

RGB 244 227 35

HSL 55.12, 0.9%, 0.55%

LAB 89.06, -12.15, 83.94

 

CMYK 85 / 0 / 75 / 5

HEX #24F33D

RGB 36 243 61

HSL 127.25, 0.9%, 0.55%

LAB 84.39, -79.09, 69.44

 

CMYK 85 / 78 / 0 / 5

HEX #2436F3

RGB 36 54 243

HSL 234.78, 0.9%, 0.55%

LAB 36.9, 60.3, -93.42

 

CMYK 0 / 85 / 10 / 5

HEX #F324DB

RGB 243 36 219

HSL 306.96, 0.9%, 0.55%

LAB 57.49, 87.87, -45.3

 

CMYK 0 / 7 / 86 / 4

HEX #F4E323

RGB 244 227 35

HSL 55.12, 0.9%, 0.55%

LAB 89.06, -12.15, 83.94

 

CMYK 85 / 0 / 49 / 5

HEX #24F37B

RGB 36 243 123

HSL 145.22, 0.9%, 0.55%

LAB 84.95, -72.18, 44.57

 

CMYK 85 / 78 / 0 / 5

HEX #2436F3

RGB 36 54 243

HSL 234.78, 0.9%, 0.55%

LAB 36.9, 60.3, -93.42

 

CMYK 0 / 85 / 35 / 5

HEX #F3249D

RGB 243 36 157

HSL 324.93, 0.9%, 0.55%

LAB 54.81, 80.61, -13.58

 

Description

Color code: HEX #F4E323 | qconv.com Color code: HEX #F4E323 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 244 red, 227 green and 35 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
244 227 35 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 7 magenta, 86 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 7% 86% 4% C M Y K

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