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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F50EC3 it is the complementary color #0AF13C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F50EC3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F50EC3 shade: #FA0EBE, #FF20D1, #FF32E4, #FF44F7 and #FF56FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F50EC3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F50EC3 shade: #F50EC3, #E400B0, #D3009D, #C2008A and #B10077

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F50EC3 shade: #F50FC3, #F50F85, #F50F47 and #F50F0F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F50EC3 shade: #F50FC3, #E80FF5, #AA0FF5, #6C0FF5 and #2E0FF5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F50EC3 shade matches the following richer shades: #F50FC3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F50EC3 shade: #F50FC3, #E023B7, #CC37AC, #B84BA0 and #A45F95

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F50EC3 shade: #A80FF5, #E50FF5, #F50FC7, #F50F89 and #F50F4C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F50EC3 shade: #AA0787, #D208A6, #F50FC3, #F636CD and #F85ED6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F50EC3 shade: #F50EC3, #F56B0F and #0FF5C7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F50EC3 shade: #F50EC3, #C7F50F and #0FC7F5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F50EC3 shade: #F50EC3, #F56B0F, #0FF53D and #0F99F5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F50EC3 shade: #F50EC3, #F5B00F, #0FF53D and #0F54F5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 94 / 20 / 4

HEX #F50EC3

RGB 245 14 195

HSL 312.99, 0.92%, 0.51%

LAB 55.75, 87.96, -34.29

 

Complementary color

CMYK 96 / 0 / 75 / 5

HEX #0AF13C

RGB 10 241 60

HSL 132.99, 0.92%, 0.49%

LAB 83.6, -80.05, 68.93

 

CMYK 0 / 94 / 24 / 2

HEX #FA0EBE

RGB 250 14 190

HSL 315.25, 0.96%, 0.52%

LAB 56.44, 88.33, -30.26

 

CMYK 0 / 87 / 18 / 0

HEX #FF20D1

RGB 255 32 209

HSL 312.38, 1%, 0.56%

LAB 58.88, 89.48, -37.3

 

CMYK 0 / 80 / 11 / 0

HEX #FF32E4

RGB 255 50 228

HSL 307.9, 1%, 0.6%

LAB 60.91, 88.63, -44.85

 

CMYK 0 / 73 / 3 / 0

HEX #FF44F7

RGB 255 68 247

HSL 302.57, 1%, 0.63%

LAB 63.43, 86.76, -51.45

 

CMYK 0 / 66 / 0 / 0

HEX #FF56FF

RGB 255 86 255

HSL 300, 1%, 0.67%

LAB 65.85, 82.25, -52.03

 

CMYK 0 / 94 / 20 / 4

HEX #F50EC3

RGB 245 14 195

HSL 312.99, 0.92%, 0.51%

LAB 55.75, 87.96, -34.29

 

CMYK 0 / 100 / 23 / 11

HEX #E400B0

RGB 228 0 176

HSL 313.68, 1%, 0.45%

LAB 51.41, 83.59, -30.23

 

CMYK 0 / 100 / 26 / 17

HEX #D3009D

RGB 211 0 157

HSL 315.36, 1%, 0.41%

LAB 47.34, 78.21, -25.54

 

CMYK 0 / 100 / 29 / 24

HEX #C2008A

RGB 194 0 138

HSL 317.32, 1%, 0.38%

LAB 43.22, 72.76, -20.69

 

CMYK 0 / 100 / 33 / 31

HEX #B10077

RGB 177 0 119

HSL 319.66, 1%, 0.35%

LAB 39.03, 67.25, -15.65

 

CMYK 0 / 94 / 20 / 4

HEX #F50FC3

RGB 245 15 195

HSL 313.04, 0.92%, 0.51%

LAB 55.78, 87.88, -34.25

 

CMYK 0 / 94 / 46 / 4

HEX #F50F85

RGB 245 15 133

HSL 329.22, 0.92%, 0.51%

LAB 53.44, 81.73, -1.29

 

CMYK 0 / 94 / 71 / 4

HEX #F50F47

RGB 245 15 71

HSL 345.39, 0.92%, 0.51%

LAB 52.07, 78.02, 34.27

 

CMYK 0 / 94 / 94 / 4

HEX #F50F0F

RGB 245 15 15

HSL 0, 0.92%, 0.51%

LAB 51.6, 76.69, 61.48

 

CMYK 0 / 94 / 20 / 4

HEX #F50FC3

RGB 245 15 195

HSL 313.04, 0.92%, 0.51%

LAB 55.78, 87.88, -34.25

 

CMYK 5 / 94 / 0 / 4

HEX #E80FF5

RGB 232 15 245

HSL 296.61, 0.92%, 0.51%

LAB 56.18, 92.33, -62.14

 

CMYK 31 / 94 / 0 / 4

HEX #AA0FF5

RGB 170 15 245

HSL 280.43, 0.92%, 0.51%

LAB 46.29, 83.77, -78.64

 

CMYK 56 / 94 / 0 / 4

HEX #6C0FF5

RGB 108 15 245

HSL 264.26, 0.92%, 0.51%

LAB 38.06, 77.82, -92.48

 

CMYK 81 / 94 / 0 / 4

HEX #2E0FF5

RGB 46 15 245

HSL 248.09, 0.92%, 0.51%

LAB 32.95, 74.95, -101.12

 

CMYK 0 / 94 / 20 / 4

HEX #F50FC3

RGB 245 15 195

HSL 313.04, 0.92%, 0.51%

LAB 55.78, 87.88, -34.25

 

CMYK 0 / 94 / 20 / 4

HEX #F50FC3

RGB 245 15 195

HSL 313.04, 0.92%, 0.51%

LAB 55.78, 87.88, -34.25

 

CMYK 0 / 84 / 18 / 12

HEX #E023B7

RGB 224 35 183

HSL 313.02, 0.75%, 0.51%

LAB 52.36, 79.68, -32.91

 

CMYK 0 / 73 / 16 / 20

HEX #CC37AC

RGB 204 55 172

HSL 312.89, 0.59%, 0.51%

LAB 50.15, 68.79, -30.17

 

CMYK 0 / 59 / 13 / 28

HEX #B84BA0

RGB 184 75 160

HSL 313.21, 0.43%, 0.51%

LAB 49.2, 54.11, -24.81

 

CMYK 0 / 42 / 9 / 36

HEX #A45F95

RGB 164 95 149

HSL 313.04, 0.27%, 0.51%

LAB 49.79, 36.02, -17.63

 

CMYK 31 / 94 / 0 / 4

HEX #A80FF5

RGB 168 15 245

HSL 279.91, 0.92%, 0.51%

LAB 45.99, 83.53, -79.14

 

CMYK 7 / 94 / 0 / 4

HEX #E50FF5

RGB 229 15 245

HSL 295.83, 0.92%, 0.51%

LAB 55.68, 91.87, -62.97

 

CMYK 0 / 94 / 19 / 4

HEX #F50FC7

RGB 245 15 199

HSL 312, 0.92%, 0.51%

LAB 55.97, 88.35, -36.26

 

CMYK 0 / 94 / 44 / 4

HEX #F50F89

RGB 245 15 137

HSL 328.17, 0.92%, 0.51%

LAB 53.56, 82.05, -3.51

 

CMYK 0 / 94 / 69 / 4

HEX #F50F4C

RGB 245 15 76

HSL 344.09, 0.92%, 0.51%

LAB 52.15, 78.22, 31.39

 

CMYK 0 / 96 / 21 / 33

HEX #AA0787

RGB 170 7 135

HSL 312.88, 0.92%, 0.35%

LAB 38.63, 66.91, -26.33

 

CMYK 0 / 96 / 21 / 18

HEX #D208A6

RGB 210 8 166

HSL 313.07, 0.93%, 0.43%

LAB 47.79, 78.41, -30.23

 

CMYK 0 / 94 / 20 / 4

HEX #F50FC3

RGB 245 15 195

HSL 313.04, 0.92%, 0.51%

LAB 55.78, 87.88, -34.25

 

CMYK 0 / 78 / 17 / 4

HEX #F636CD

RGB 246 54 205

HSL 312.81, 0.91%, 0.59%

LAB 58.64, 82.83, -35.5

 

CMYK 0 / 62 / 14 / 3

HEX #F85ED6

RGB 248 94 214

HSL 313.25, 0.92%, 0.67%

LAB 64.01, 71.4, -32.21

 

CMYK 0 / 94 / 20 / 4

HEX #F50EC3

RGB 245 14 195

HSL 312.99, 0.92%, 0.51%

LAB 55.75, 87.96, -34.29

 

CMYK 0 / 56 / 94 / 4

HEX #F56B0F

RGB 245 107 15

HSL 24, 0.92%, 0.51%

LAB 61.62, 49.26, 67.52

 

CMYK 94 / 0 / 19 / 4

HEX #0FF5C7

RGB 15 245 199

HSL 168, 0.92%, 0.51%

LAB 86.77, -58.65, 8.63

 

CMYK 0 / 94 / 20 / 4

HEX #F50EC3

RGB 245 14 195

HSL 312.99, 0.92%, 0.51%

LAB 55.75, 87.96, -34.29

 

CMYK 19 / 0 / 94 / 4

HEX #C7F50F

RGB 199 245 15

HSL 72, 0.92%, 0.51%

LAB 90.54, -39.34, 86.65

 

CMYK 94 / 19 / 0 / 4

HEX #0FC7F5

RGB 15 199 245

HSL 192, 0.92%, 0.51%

LAB 74.53, -24.82, -34.08

 

CMYK 0 / 94 / 20 / 4

HEX #F50EC3

RGB 245 14 195

HSL 312.99, 0.92%, 0.51%

LAB 55.75, 87.96, -34.29

 

CMYK 0 / 56 / 94 / 4

HEX #F56B0F

RGB 245 107 15

HSL 24, 0.92%, 0.51%

LAB 61.62, 49.26, 67.52

 

CMYK 94 / 0 / 75 / 4

HEX #0FF53D

RGB 15 245 61

HSL 132, 0.92%, 0.51%

LAB 84.87, -80.9, 69.86

 

CMYK 94 / 38 / 0 / 4

HEX #0F99F5

RGB 15 153 245

HSL 204, 0.92%, 0.51%

LAB 61.2, 0.21, -55.01

 

CMYK 0 / 94 / 20 / 4

HEX #F50EC3

RGB 245 14 195

HSL 312.99, 0.92%, 0.51%

LAB 55.75, 87.96, -34.29

 

CMYK 0 / 28 / 94 / 4

HEX #F5B00F

RGB 245 176 15

HSL 42, 0.92%, 0.51%

LAB 76.37, 14.07, 77.68

 

CMYK 94 / 0 / 75 / 4

HEX #0FF53D

RGB 15 245 61

HSL 132, 0.92%, 0.51%

LAB 84.87, -80.9, 69.86

 

CMYK 94 / 66 / 0 / 4

HEX #0F54F5

RGB 15 84 245

HSL 222, 0.92%, 0.51%

LAB 42.82, 43.13, -84.79

 

Description

Color code: HEX #F50EC3 | qconv.com Color code: HEX #F50EC3 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 245 red, 14 green and 195 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
245 14 195 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 94 magenta, 20 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 94% 20% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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