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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F50FA2 it is the complementary color #0AF05D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F50FA2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F50FA2 shade: #FA0F9D, #FF21B0, #FF33C3, #FF45D6 and #FF57E9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F50FA2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F50FA2 shade: #F50FA2, #E4008F, #D3007C, #C20069 and #B10056

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F50FA2 shade: #F50FA2, #F50F64, #F50F26 and #F50F0F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F50FA2 shade: #F50FA2, #F50FE0, #CB0FF5, #8D0FF5 and #4F0FF5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F50FA2 shade matches the following richer shades: #F50FA2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F50FA2 shade: #F50FA2, #E0239C, #CC3796, #B84B91 and #A45F8B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F50FA2 shade: #CA0FF5, #F50FE1, #F50FA4, #F50F67 and #F50F29

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F50FA2 shade: #AA076F, #D20889, #F50FA2, #F636B1 and #F85EC0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F50FA2 shade: #F50FA2, #F58D0F and #0FF5E9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F50FA2 shade: #F50FA2, #A4F50F and #0FA4F5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F50FA2 shade: #F50FA2, #F58D0F, #0FF55F and #0F76F5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F50FA2 shade: #F50FA2, #F5D20F, #0FF55F and #0F31F5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 94 / 34 / 4

HEX #F50FA2

RGB 245 15 162

HSL 321.65, 0.92%, 0.51%

LAB 54.41, 84.32, -17.11

 

Complementary color

CMYK 96 / 0 / 61 / 6

HEX #0AF05D

RGB 10 240 93

HSL 141.65, 0.92%, 0.49%

LAB 83.53, -76.68, 56.43

 

CMYK 0 / 94 / 37 / 2

HEX #FA0F9D

RGB 250 15 157

HSL 323.74, 0.96%, 0.52%

LAB 55.18, 84.86, -12.9

 

CMYK 0 / 87 / 31 / 0

HEX #FF21B0

RGB 255 33 176

HSL 321.35, 1%, 0.56%

LAB 57.54, 85.61, -20.37

 

CMYK 0 / 80 / 24 / 0

HEX #FF33C3

RGB 255 51 195

HSL 317.65, 1%, 0.6%

LAB 59.5, 84.24, -28.33

 

CMYK 0 / 73 / 16 / 0

HEX #FF45D6

RGB 255 69 214

HSL 313.23, 1%, 0.64%

LAB 61.97, 81.84, -35.3

 

CMYK 0 / 66 / 9 / 0

HEX #FF57E9

RGB 255 87 233

HSL 307.86, 1%, 0.67%

LAB 64.93, 78.54, -41.32

 

CMYK 0 / 94 / 34 / 4

HEX #F50FA2

RGB 245 15 162

HSL 321.65, 0.92%, 0.51%

LAB 54.41, 84.32, -17.11

 

CMYK 0 / 100 / 37 / 11

HEX #E4008F

RGB 228 0 143

HSL 322.37, 1%, 0.45%

LAB 50.07, 80.14, -12.67

 

CMYK 0 / 100 / 41 / 17

HEX #D3007C

RGB 211 0 124

HSL 324.74, 1%, 0.41%

LAB 46.05, 74.87, -7.49

 

CMYK 0 / 100 / 46 / 24

HEX #C20069

RGB 194 0 105

HSL 327.53, 1%, 0.38%

LAB 41.98, 69.57, -2.09

 

CMYK 0 / 100 / 51 / 31

HEX #B10056

RGB 177 0 86

HSL 330.85, 1%, 0.35%

LAB 37.88, 64.23, 3.59

 

CMYK 0 / 94 / 34 / 4

HEX #F50FA2

RGB 245 15 162

HSL 321.65, 0.92%, 0.51%

LAB 54.41, 84.32, -17.11

 

CMYK 0 / 94 / 59 / 4

HEX #F50F64

RGB 245 15 100

HSL 337.83, 0.92%, 0.51%

LAB 52.59, 79.44, 17.48

 

CMYK 0 / 94 / 84 / 4

HEX #F50F26

RGB 245 15 38

HSL 354, 0.92%, 0.51%

LAB 51.72, 77.03, 52.2

 

CMYK 0 / 94 / 94 / 4

HEX #F50F0F

RGB 245 15 15

HSL 0, 0.92%, 0.51%

LAB 51.6, 76.69, 61.48

 

CMYK 0 / 94 / 34 / 4

HEX #F50FA2

RGB 245 15 162

HSL 321.65, 0.92%, 0.51%

LAB 54.41, 84.32, -17.11

 

CMYK 0 / 94 / 9 / 4

HEX #F50FE0

RGB 245 15 224

HSL 305.48, 0.92%, 0.51%

LAB 57.21, 91.5, -48.56

 

CMYK 17 / 94 / 0 / 4

HEX #CB0FF5

RGB 203 15 245

HSL 289.04, 0.92%, 0.51%

LAB 51.42, 88.06, -70.06

 

CMYK 42 / 94 / 0 / 4

HEX #8D0FF5

RGB 141 15 245

HSL 272.87, 0.92%, 0.51%

LAB 42.15, 80.6, -85.59

 

CMYK 68 / 94 / 0 / 4

HEX #4F0FF5

RGB 79 15 245

HSL 256.7, 0.92%, 0.51%

LAB 35.2, 76.11, -97.32

 

CMYK 0 / 94 / 34 / 4

HEX #F50FA2

RGB 245 15 162

HSL 321.65, 0.92%, 0.51%

LAB 54.41, 84.32, -17.11

 

CMYK 0 / 94 / 34 / 4

HEX #F50FA2

RGB 245 15 162

HSL 321.65, 0.92%, 0.51%

LAB 54.41, 84.32, -17.11

 

CMYK 0 / 84 / 30 / 12

HEX #E0239C

RGB 224 35 156

HSL 321.59, 0.75%, 0.51%

LAB 51.21, 76.51, -18.79

 

CMYK 0 / 73 / 26 / 20

HEX #CC3796

RGB 204 55 150

HSL 321.74, 0.59%, 0.51%

LAB 49.22, 65.9, -18.57

 

CMYK 0 / 59 / 21 / 28

HEX #B84B91

RGB 184 75 145

HSL 321.47, 0.43%, 0.51%

LAB 48.59, 51.85, -16.83

 

CMYK 0 / 42 / 15 / 36

HEX #A45F8B

RGB 164 95 139

HSL 321.74, 0.27%, 0.51%

LAB 49.42, 34.3, -12.26

 

CMYK 18 / 94 / 0 / 4

HEX #CA0FF5

RGB 202 15 245

HSL 288.78, 0.92%, 0.51%

LAB 51.26, 87.92, -70.33

 

CMYK 0 / 94 / 8 / 4

HEX #F50FE1

RGB 245 15 225

HSL 305.22, 0.92%, 0.51%

LAB 57.26, 91.63, -49.04

 

CMYK 0 / 94 / 33 / 4

HEX #F50FA4

RGB 245 15 164

HSL 321.13, 0.92%, 0.51%

LAB 54.48, 84.52, -18.17

 

CMYK 0 / 94 / 58 / 4

HEX #F50F67

RGB 245 15 103

HSL 337.04, 0.92%, 0.51%

LAB 52.66, 79.62, 15.75

 

CMYK 0 / 94 / 83 / 4

HEX #F50F29

RGB 245 15 41

HSL 353.22, 0.92%, 0.51%

LAB 51.74, 77.09, 50.72

 

CMYK 0 / 96 / 35 / 33

HEX #AA076F

RGB 170 7 111

HSL 321.72, 0.92%, 0.35%

LAB 37.56, 64.13, -12.99

 

CMYK 0 / 96 / 35 / 18

HEX #D20889

RGB 210 8 137

HSL 321.68, 0.93%, 0.43%

LAB 46.55, 75.21, -14.7

 

CMYK 0 / 94 / 34 / 4

HEX #F50FA2

RGB 245 15 162

HSL 321.65, 0.92%, 0.51%

LAB 54.41, 84.32, -17.11

 

CMYK 0 / 78 / 28 / 4

HEX #F636B1

RGB 246 54 177

HSL 321.56, 0.91%, 0.59%

LAB 57.47, 79.44, -21.2

 

CMYK 0 / 62 / 23 / 3

HEX #F85EC0

RGB 248 94 192

HSL 321.82, 0.92%, 0.67%

LAB 63.15, 68.37, -21.11

 

CMYK 0 / 94 / 34 / 4

HEX #F50FA2

RGB 245 15 162

HSL 321.65, 0.92%, 0.51%

LAB 54.41, 84.32, -17.11

 

CMYK 0 / 42 / 94 / 4

HEX #F58D0F

RGB 245 141 15

HSL 32.87, 0.92%, 0.51%

LAB 68.39, 32.41, 72.05

 

CMYK 94 / 0 / 5 / 4

HEX #0FF5E9

RGB 15 245 233

HSL 176.87, 0.92%, 0.51%

LAB 87.63, -49.72, -7.87

 

CMYK 0 / 94 / 34 / 4

HEX #F50FA2

RGB 245 15 162

HSL 321.65, 0.92%, 0.51%

LAB 54.41, 84.32, -17.11

 

CMYK 33 / 0 / 94 / 4

HEX #A4F50F

RGB 164 245 15

HSL 81.13, 0.92%, 0.51%

LAB 88.56, -52.38, 84.24

 

CMYK 94 / 33 / 0 / 4

HEX #0FA4F5

RGB 15 164 245

HSL 201.13, 0.92%, 0.51%

LAB 64.36, -6.12, -49.99

 

CMYK 0 / 94 / 34 / 4

HEX #F50FA2

RGB 245 15 162

HSL 321.65, 0.92%, 0.51%

LAB 54.41, 84.32, -17.11

 

CMYK 0 / 42 / 94 / 4

HEX #F58D0F

RGB 245 141 15

HSL 32.87, 0.92%, 0.51%

LAB 68.39, 32.41, 72.05

 

CMYK 94 / 0 / 61 / 4

HEX #0FF55F

RGB 15 245 95

HSL 140.87, 0.92%, 0.51%

LAB 85.11, -77.75, 57.39

 

CMYK 94 / 52 / 0 / 4

HEX #0F76F5

RGB 15 118 245

HSL 213.13, 0.92%, 0.51%

LAB 51.44, 21.59, -70.69

 

CMYK 0 / 94 / 34 / 4

HEX #F50FA2

RGB 245 15 162

HSL 321.65, 0.92%, 0.51%

LAB 54.41, 84.32, -17.11

 

CMYK 0 / 14 / 94 / 4

HEX #F5D20F

RGB 245 210 15

HSL 50.87, 0.92%, 0.51%

LAB 84.76, -3.53, 83.8

 

CMYK 94 / 0 / 61 / 4

HEX #0FF55F

RGB 15 245 95

HSL 140.87, 0.92%, 0.51%

LAB 85.11, -77.75, 57.39

 

CMYK 94 / 80 / 0 / 4

HEX #0F31F5

RGB 15 49 245

HSL 231.13, 0.92%, 0.51%

LAB 35.77, 62.78, -96.44

 

Description

Color code: HEX #F50FA2 | qconv.com Color code: HEX #F50FA2 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 245 red, 15 green and 162 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
245 15 162 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 94 magenta, 34 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 94% 34% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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