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Color name
HEX #F52D98

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F52D98 it is the complementary color #0AD267. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F52D98. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F52D98 shade: #FA2D93, #FF3FA6, #FF51B9, #FF63CC and #FF75DF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F52D98. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F52D98 shade: #F52D98, #E41B85, #D30972, #C2005F and #B1004C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F52D98 shade: #F52D98, #F52D62 and #F52D2D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F52D98 shade: #F52D98, #F52DCE, #E62DF5, #B02DF5 and #7A2DF5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F52D98 shade matches the following richer shades: #F52D98

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F52D98 shade: #F52D98, #E33F97, #D15195, #BF6294 and #AE7493

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F52D98 shade: #E42DF5, #F52DD0, #F52D9B, #F52D66 and #F52D30

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F52D98 shade: #C6096E, #EE0B84, #F52D98, #F654AB and #F87CBE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F52D98 shade: #F52D98, #F5AF2D and #2DEBF5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F52D98 shade: #F52D98, #9BF52D and #2D9BF5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F52D98 shade: #F52D98, #F5AF2D, #2DF587 and #2D73F5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F52D98 shade: #F52D98, #F5EB2D, #2DF587 and #2D37F5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 82 / 38 / 4

HEX #F52D98

RGB 245 45 152

HSL 327.9, 0.91%, 0.57%

LAB 55.64, 78.76, -9.34

 

Complementary color

CMYK 95 / 0 / 51 / 18

HEX #0AD267

RGB 10 210 103

HSL 147.9, 0.91%, 0.43%

LAB 74.28, -66.14, 40.87

 

CMYK 0 / 82 / 41 / 2

HEX #FA2D93

RGB 250 45 147

HSL 330.15, 0.95%, 0.58%

LAB 56.39, 79.46, -5.17

 

CMYK 0 / 75 / 35 / 0

HEX #FF3FA6

RGB 255 63 166

HSL 327.81, 1%, 0.62%

LAB 59.5, 77.94, -11.59

 

CMYK 0 / 68 / 27 / 0

HEX #FF51B9

RGB 255 81 185

HSL 324.14, 1%, 0.66%

LAB 62.21, 74.28, -18.45

 

CMYK 0 / 61 / 20 / 0

HEX #FF63CC

RGB 255 99 204

HSL 319.62, 1%, 0.69%

LAB 65.39, 69.83, -24.37

 

CMYK 0 / 54 / 13 / 0

HEX #FF75DF

RGB 255 117 223

HSL 313.91, 1%, 0.73%

LAB 68.98, 64.83, -29.48

 

CMYK 0 / 82 / 38 / 4

HEX #F52D98

RGB 245 45 152

HSL 327.9, 0.91%, 0.57%

LAB 55.64, 78.76, -9.34

 

CMYK 0 / 88 / 42 / 11

HEX #E41B85

RGB 228 27 133

HSL 328.36, 0.79%, 0.5%

LAB 50.65, 76.53, -5.76

 

CMYK 0 / 96 / 46 / 17

HEX #D30972

RGB 211 9 114

HSL 328.81, 0.92%, 0.43%

LAB 45.99, 73.24, -1.42

 

CMYK 0 / 100 / 51 / 24

HEX #C2005F

RGB 194 0 95

HSL 330.62, 1%, 0.38%

LAB 41.68, 68.77, 3.78

 

CMYK 0 / 100 / 57 / 31

HEX #B1004C

RGB 177 0 76

HSL 334.24, 1%, 0.35%

LAB 37.61, 63.51, 9.65

 

CMYK 0 / 82 / 38 / 4

HEX #F52D98

RGB 245 45 152

HSL 327.9, 0.91%, 0.57%

LAB 55.64, 78.76, -9.34

 

CMYK 0 / 82 / 60 / 4

HEX #F52D62

RGB 245 45 98

HSL 344.1, 0.91%, 0.57%

LAB 54.21, 74.55, 20.87

 

CMYK 0 / 82 / 82 / 4

HEX #F52D2D

RGB 245 45 45

HSL 0, 0.91%, 0.57%

LAB 53.47, 72.32, 50.27

 

CMYK 0 / 82 / 38 / 4

HEX #F52D98

RGB 245 45 152

HSL 327.9, 0.91%, 0.57%

LAB 55.64, 78.76, -9.34

 

CMYK 0 / 82 / 16 / 4

HEX #F52DCE

RGB 245 45 206

HSL 311.7, 0.91%, 0.57%

LAB 57.79, 84.83, -37.41

 

CMYK 6 / 82 / 0 / 4

HEX #E62DF5

RGB 230 45 245

HSL 295.5, 0.91%, 0.57%

LAB 57.36, 87.57, -60.26

 

CMYK 28 / 82 / 0 / 4

HEX #B02DF5

RGB 176 45 245

HSL 279.3, 0.91%, 0.57%

LAB 49.13, 78.76, -73.96

 

CMYK 50 / 82 / 0 / 4

HEX #7A2DF5

RGB 122 45 245

HSL 263.1, 0.91%, 0.57%

LAB 42.16, 71.54, -85.64

 

CMYK 0 / 82 / 38 / 4

HEX #F52D98

RGB 245 45 152

HSL 327.9, 0.91%, 0.57%

LAB 55.64, 78.76, -9.34

 

CMYK 0 / 82 / 38 / 4

HEX #F52D98

RGB 245 45 152

HSL 327.9, 0.91%, 0.57%

LAB 55.64, 78.76, -9.34

 

CMYK 0 / 72 / 33 / 11

HEX #E33F97

RGB 227 63 151

HSL 327.8, 0.75%, 0.57%

LAB 54.15, 69.29, -11.31

 

CMYK 0 / 61 / 29 / 18

HEX #D15195

RGB 209 81 149

HSL 328.13, 0.58%, 0.57%

LAB 53.61, 57.18, -11.24

 

CMYK 0 / 49 / 23 / 25

HEX #BF6294

RGB 191 98 148

HSL 327.74, 0.42%, 0.57%

LAB 53.97, 43.3, -10.37

 

CMYK 0 / 33 / 16 / 32

HEX #AE7493

RGB 174 116 147

HSL 327.93, 0.26%, 0.57%

LAB 55.68, 27.51, -7.46

 

CMYK 7 / 82 / 0 / 4

HEX #E42DF5

RGB 228 45 245

HSL 294.9, 0.91%, 0.57%

LAB 57.04, 87.22, -60.79

 

CMYK 0 / 82 / 15 / 4

HEX #F52DD0

RGB 245 45 208

HSL 311.1, 0.91%, 0.57%

LAB 57.89, 85.09, -38.4

 

CMYK 0 / 82 / 37 / 4

HEX #F52D9B

RGB 245 45 155

HSL 327, 0.91%, 0.57%

LAB 55.74, 79.05, -10.96

 

CMYK 0 / 82 / 58 / 4

HEX #F52D66

RGB 245 45 102

HSL 342.9, 0.91%, 0.57%

LAB 54.29, 74.8, 18.58

 

CMYK 0 / 82 / 80 / 4

HEX #F52D30

RGB 245 45 48

HSL 359.1, 0.91%, 0.57%

LAB 53.5, 72.4, 48.76

 

CMYK 0 / 95 / 44 / 22

HEX #C6096E

RGB 198 9 110

HSL 327.94, 0.91%, 0.41%

LAB 43.25, 70.01, -3.26

 

CMYK 0 / 95 / 45 / 7

HEX #EE0B84

RGB 238 11 132

HSL 328.02, 0.91%, 0.49%

LAB 51.93, 80.46, -3.05

 

CMYK 0 / 82 / 38 / 4

HEX #F52D98

RGB 245 45 152

HSL 327.9, 0.91%, 0.57%

LAB 55.64, 78.76, -9.34

 

CMYK 0 / 66 / 30 / 4

HEX #F654AB

RGB 246 84 171

HSL 327.78, 0.9%, 0.65%

LAB 60.67, 69.15, -12.87

 

CMYK 0 / 50 / 23 / 3

HEX #F87CBE

RGB 248 124 190

HSL 328.06, 0.9%, 0.73%

LAB 68.09, 54.75, -12.51

 

CMYK 0 / 82 / 38 / 4

HEX #F52D98

RGB 245 45 152

HSL 327.9, 0.91%, 0.57%

LAB 55.64, 78.76, -9.34

 

CMYK 0 / 29 / 82 / 4

HEX #F5AF2D

RGB 245 175 45

HSL 39, 0.91%, 0.57%

LAB 76.23, 15.19, 70.73

 

CMYK 82 / 4 / 0 / 4

HEX #2DEBF5

RGB 45 235 245

HSL 183, 0.91%, 0.57%

LAB 85.28, -40.42, -17.64

 

CMYK 0 / 82 / 38 / 4

HEX #F52D98

RGB 245 45 152

HSL 327.9, 0.91%, 0.57%

LAB 55.64, 78.76, -9.34

 

CMYK 37 / 0 / 82 / 4

HEX #9BF52D

RGB 155 245 45

HSL 87, 0.91%, 0.57%

LAB 88.19, -54.71, 78.67

 

CMYK 82 / 37 / 0 / 4

HEX #2D9BF5

RGB 45 155 245

HSL 207, 0.91%, 0.57%

LAB 62.16, 0.8, -53.45

 

CMYK 0 / 82 / 38 / 4

HEX #F52D98

RGB 245 45 152

HSL 327.9, 0.91%, 0.57%

LAB 55.64, 78.76, -9.34

 

CMYK 0 / 29 / 82 / 4

HEX #F5AF2D

RGB 245 175 45

HSL 39, 0.91%, 0.57%

LAB 76.23, 15.19, 70.73

 

CMYK 82 / 0 / 45 / 4

HEX #2DF587

RGB 45 245 135

HSL 147, 0.91%, 0.57%

LAB 85.81, -70.15, 39.9

 

CMYK 82 / 53 / 0 / 4

HEX #2D73F5

RGB 45 115 245

HSL 219, 0.91%, 0.57%

LAB 51.17, 25.17, -71.12

 

CMYK 0 / 82 / 38 / 4

HEX #F52D98

RGB 245 45 152

HSL 327.9, 0.91%, 0.57%

LAB 55.64, 78.76, -9.34

 

CMYK 0 / 4 / 82 / 4

HEX #F5EB2D

RGB 245 235 45

HSL 57, 0.91%, 0.57%

LAB 91.24, -15.42, 83.57

 

CMYK 82 / 0 / 45 / 4

HEX #2DF587

RGB 45 245 135

HSL 147, 0.91%, 0.57%

LAB 85.81, -70.15, 39.9

 

CMYK 82 / 78 / 0 / 4

HEX #2D37F5

RGB 45 55 245

HSL 237, 0.91%, 0.57%

LAB 37.63, 60.82, -93.33

 

Description

Color code: HEX #F52D98 | qconv.com Color code: HEX #F52D98 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 245 red, 45 green and 152 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
245 45 152 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 82 magenta, 38 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 82% 38% 4% C M Y K

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