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Color name
HEX #F53782

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F53782 it is the complementary color #0AC87D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F53782. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F53782 shade: #FA377D, #FF4990, #FF5BA3, #FF6DB6 and #FF7FC9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F53782. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F53782 shade: #F53782, #E4256F, #D3135C, #C20149 and #B10036

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F53782 shade: #F43882, #F4384F and #F43838

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F53782 shade: #F43882, #F438B5, #F438E8, #CE38F4 and #9B38F4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F53782 shade matches the following richer shades: #F43882

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F53782 shade: #F43882, #E34986, #D25A89, #C16B8D and #B07C90

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F53782 shade: #F438E7, #F438B5, #F43883, #F43851 and #F45138

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F53782 shade: #CF0A58, #F2116A, #F43882, #F65F9B and #F886B3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F53782 shade: #F53782, #F4CE38 and #38CEF4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F53782 shade: #F53782, #83F438 and #3883F4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F53782 shade: #F53782, #F4CE38, #38F4A9 and #385DF4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F53782 shade: #F53782, #E1F438, #38F4A9 and #4B38F4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 78 / 47 / 4

HEX #F53782

RGB 245 55 130

HSL 336.32, 0.9%, 0.59%

LAB 55.84, 74.32, 4.01

 

Complementary color

CMYK 95 / 0 / 38 / 22

HEX #0AC87D

RGB 10 200 125

HSL 156.32, 0.9%, 0.41%

LAB 71.46, -58.84, 26.1

 

CMYK 0 / 78 / 50 / 2

HEX #FA377D

RGB 250 55 125

HSL 338.46, 0.95%, 0.6%

LAB 56.62, 75.2, 8.22

 

CMYK 0 / 71 / 44 / 0

HEX #FF4990

RGB 255 73 144

HSL 336.59, 1%, 0.64%

LAB 59.92, 72.72, 1.88

 

CMYK 0 / 64 / 36 / 0

HEX #FF5BA3

RGB 255 91 163

HSL 333.66, 1%, 0.68%

LAB 62.83, 68.07, -4.88

 

CMYK 0 / 57 / 29 / 0

HEX #FF6DB6

RGB 255 109 182

HSL 330, 1%, 0.71%

LAB 66.19, 62.76, -10.73

 

CMYK 0 / 50 / 21 / 0

HEX #FF7FC9

RGB 255 127 201

HSL 325.31, 1%, 0.75%

LAB 69.93, 57.01, -15.78

 

CMYK 0 / 78 / 47 / 4

HEX #F53782

RGB 245 55 130

HSL 336.32, 0.9%, 0.59%

LAB 55.84, 74.32, 4.01

 

CMYK 0 / 84 / 51 / 11

HEX #E4256F

RGB 228 37 111

HSL 336.75, 0.78%, 0.52%

LAB 50.65, 72.9, 7.58

 

CMYK 0 / 91 / 56 / 17

HEX #D3135C

RGB 211 19 92

HSL 337.19, 0.83%, 0.45%

LAB 45.75, 70.54, 11.91

 

CMYK 0 / 99 / 62 / 24

HEX #C20149

RGB 194 1 73

HSL 337.62, 0.99%, 0.38%

LAB 41.17, 67.22, 17.04

 

CMYK 0 / 100 / 69 / 31

HEX #B10036

RGB 177 0 54

HSL 341.69, 1%, 0.35%

LAB 37.14, 62.26, 23.22

 

CMYK 0 / 77 / 47 / 4

HEX #F43882

RGB 244 56 130

HSL 336.38, 0.9%, 0.59%

LAB 55.76, 73.79, 3.86

 

CMYK 0 / 77 / 68 / 4

HEX #F4384F

RGB 244 56 79

HSL 352.66, 0.9%, 0.59%

LAB 54.68, 70.43, 32.7

 

CMYK 0 / 77 / 77 / 4

HEX #F43838

RGB 244 56 56

HSL 0, 0.9%, 0.59%

LAB 54.39, 69.51, 45.36

 

CMYK 0 / 77 / 47 / 4

HEX #F43882

RGB 244 56 130

HSL 336.38, 0.9%, 0.59%

LAB 55.76, 73.79, 3.86

 

CMYK 0 / 77 / 26 / 4

HEX #F438B5

RGB 244 56 181

HSL 320.11, 0.9%, 0.59%

LAB 57.46, 78.92, -23.56

 

CMYK 0 / 77 / 5 / 4

HEX #F438E8

RGB 244 56 232

HSL 303.83, 0.9%, 0.59%

LAB 59.79, 85.62, -48.99

 

CMYK 16 / 77 / 0 / 4

HEX #CE38F4

RGB 206 56 244

HSL 287.87, 0.9%, 0.59%

LAB 54.53, 80.39, -64.44

 

CMYK 36 / 77 / 0 / 4

HEX #9B38F4

RGB 155 56 244

HSL 271.6, 0.9%, 0.59%

LAB 47.4, 71.85, -76.34

 

CMYK 0 / 77 / 47 / 4

HEX #F43882

RGB 244 56 130

HSL 336.38, 0.9%, 0.59%

LAB 55.76, 73.79, 3.86

 

CMYK 0 / 77 / 47 / 4

HEX #F43882

RGB 244 56 130

HSL 336.38, 0.9%, 0.59%

LAB 55.76, 73.79, 3.86

 

CMYK 0 / 68 / 41 / 11

HEX #E34986

RGB 227 73 134

HSL 336.23, 0.73%, 0.59%

LAB 54.88, 63.98, -0.15

 

CMYK 0 / 57 / 35 / 18

HEX #D25A89

RGB 210 90 137

HSL 336.5, 0.57%, 0.59%

LAB 54.89, 51.98, -2.24

 

CMYK 0 / 45 / 27 / 24

HEX #C16B8D

RGB 193 107 141

HSL 336.28, 0.41%, 0.59%

LAB 55.86, 38.29, -3.43

 

CMYK 0 / 30 / 18 / 31

HEX #B07C90

RGB 176 124 144

HSL 336.92, 0.25%, 0.59%

LAB 57.71, 23.26, -2.69

 

CMYK 0 / 77 / 5 / 4

HEX #F438E7

RGB 244 56 231

HSL 304.15, 0.9%, 0.59%

LAB 59.74, 85.47, -48.51

 

CMYK 0 / 77 / 26 / 4

HEX #F438B5

RGB 244 56 181

HSL 320.11, 0.9%, 0.59%

LAB 57.46, 78.92, -23.56

 

CMYK 0 / 77 / 46 / 4

HEX #F43883

RGB 244 56 131

HSL 336.06, 0.9%, 0.59%

LAB 55.79, 73.87, 3.31

 

CMYK 0 / 77 / 67 / 4

HEX #F43851

RGB 244 56 81

HSL 352.02, 0.9%, 0.59%

LAB 54.72, 70.53, 31.57

 

CMYK 0 / 67 / 77 / 4

HEX #F45138

RGB 244 81 56

HSL 7.98, 0.9%, 0.59%

LAB 57.47, 61.02, 48.56

 

CMYK 0 / 95 / 57 / 19

HEX #CF0A58

RGB 207 10 88

HSL 336.24, 0.91%, 0.43%

LAB 44.5, 70.33, 12.55

 

CMYK 0 / 93 / 56 / 5

HEX #F2116A

RGB 242 17 106

HSL 336.27, 0.9%, 0.51%

LAB 52.2, 78.93, 13.2

 

CMYK 0 / 77 / 47 / 4

HEX #F43882

RGB 244 56 130

HSL 336.38, 0.9%, 0.59%

LAB 55.76, 73.79, 3.86

 

CMYK 0 / 61 / 37 / 4

HEX #F65F9B

RGB 246 95 155

HSL 336.16, 0.89%, 0.67%

LAB 61.78, 62.96, -1.98

 

CMYK 0 / 46 / 28 / 3

HEX #F886B3

RGB 248 134 179

HSL 336.32, 0.89%, 0.75%

LAB 69.66, 48.39, -4

 

CMYK 0 / 78 / 47 / 4

HEX #F53782

RGB 245 55 130

HSL 336.32, 0.9%, 0.59%

LAB 55.84, 74.32, 4.01

 

CMYK 0 / 16 / 77 / 4

HEX #F4CE38

RGB 244 206 56

HSL 47.87, 0.9%, 0.59%

LAB 83.79, -0.99, 73.92

 

CMYK 77 / 16 / 0 / 4

HEX #38CEF4

RGB 56 206 244

HSL 192.13, 0.9%, 0.59%

LAB 76.99, -26.03, -29.72

 

CMYK 0 / 78 / 47 / 4

HEX #F53782

RGB 245 55 130

HSL 336.32, 0.9%, 0.59%

LAB 55.84, 74.32, 4.01

 

CMYK 46 / 0 / 77 / 4

HEX #83F438

RGB 131 244 56

HSL 96.06, 0.9%, 0.59%

LAB 86.9, -61.44, 74.17

 

CMYK 77 / 46 / 0 / 4

HEX #3883F4

RGB 56 131 244

HSL 216.06, 0.9%, 0.59%

LAB 55.69, 15.88, -63.23

 

CMYK 0 / 78 / 47 / 4

HEX #F53782

RGB 245 55 130

HSL 336.32, 0.9%, 0.59%

LAB 55.84, 74.32, 4.01

 

CMYK 0 / 16 / 77 / 4

HEX #F4CE38

RGB 244 206 56

HSL 47.87, 0.9%, 0.59%

LAB 83.79, -0.99, 73.92

 

CMYK 77 / 0 / 31 / 4

HEX #38F4A9

RGB 56 244 169

HSL 156.06, 0.9%, 0.59%

LAB 86.21, -62.33, 23.41

 

CMYK 77 / 62 / 0 / 4

HEX #385DF4

RGB 56 93 244

HSL 228.19, 0.9%, 0.59%

LAB 45.91, 39.56, -79.11

 

CMYK 0 / 78 / 47 / 4

HEX #F53782

RGB 245 55 130

HSL 336.32, 0.9%, 0.59%

LAB 55.84, 74.32, 4.01

 

CMYK 8 / 0 / 77 / 4

HEX #E1F438

RGB 225 244 56

HSL 66.06, 0.9%, 0.59%

LAB 92.13, -27.56, 80.9

 

CMYK 77 / 0 / 31 / 4

HEX #38F4A9

RGB 56 244 169

HSL 156.06, 0.9%, 0.59%

LAB 86.21, -62.33, 23.41

 

CMYK 69 / 77 / 0 / 4

HEX #4B38F4

RGB 75 56 244

HSL 246.06, 0.9%, 0.59%

LAB 39.34, 62.04, -89.89

 

Description

Color code: HEX #F53782 | qconv.com Color code: HEX #F53782 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 245 red, 55 green and 130 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
245 55 130 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 78 magenta, 47 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 78% 47% 4% C M Y K

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