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Color name
HEX #F537F4

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F537F4 it is the complementary color #0AC80B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F537F4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F537F4 shade: #FA37EF, #FF49FF, #FF5BFF, #FF6DFF and #FF7FFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F537F4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F537F4 shade: #F537F4, #E425E1, #D313CE, #C201BB and #B100A8

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F537F4 shade: #F438F3, #F438C0, #F4388E, #F4385B and #F43838

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F537F4 shade: #F438F3, #C238F4, #9038F4, #5D38F4 and #3838F4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F537F4 shade matches the following richer shades: #F438F3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F537F4 shade: #F438F3, #E349E2, #D25AD2, #C16BC1 and #B07CB0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F537F4 shade: #9038F4, #C238F4, #F438F4, #F438C2 and #F43890

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F537F4 shade: #CF0ACE, #F211F1, #F438F3, #F65FF5 and #F886F8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F537F4 shade: #F537F4, #F45D38 and #38F4A9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F537F4 shade: #F537F4, #F4F438 and #38F4F4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F537F4 shade: #F537F4, #F45D38, #38F438 and #38CEF4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F537F4 shade: #F537F4, #F49638, #38F438 and #3896F4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 78 / 0 / 4

HEX #F537F4

RGB 245 55 244

HSL 300.32, 0.9%, 0.59%

LAB 60.5, 87.82, -54.55

 

Complementary color

CMYK 95 / 0 / 95 / 22

HEX #0AC80B

RGB 10 200 11

HSL 120.32, 0.9%, 0.41%

LAB 70.45, -71.14, 68.15

 

CMYK 0 / 78 / 4 / 2

HEX #FA37EF

RGB 250 55 239

HSL 303.38, 0.95%, 0.6%

LAB 61.04, 88.04, -50.86

 

CMYK 0 / 71 / 0 / 0

HEX #FF49FF

RGB 255 73 255

HSL 300, 1%, 0.64%

LAB 64.36, 86.49, -54.4

 

CMYK 0 / 64 / 0 / 0

HEX #FF5BFF

RGB 255 91 255

HSL 300, 1%, 0.68%

LAB 66.49, 80.46, -51.02

 

CMYK 0 / 57 / 0 / 0

HEX #FF6DFF

RGB 255 109 255

HSL 300, 1%, 0.71%

LAB 69.05, 73.36, -46.99

 

CMYK 0 / 50 / 0 / 0

HEX #FF7FFF

RGB 255 127 255

HSL 300, 1%, 0.75%

LAB 72, 65.41, -42.36

 

CMYK 0 / 78 / 0 / 4

HEX #F537F4

RGB 245 55 244

HSL 300.32, 0.9%, 0.59%

LAB 60.5, 87.82, -54.55

 

CMYK 0 / 84 / 1 / 11

HEX #E425E1

RGB 228 37 225

HSL 300.94, 0.78%, 0.52%

LAB 55.33, 85.8, -52.29

 

CMYK 0 / 91 / 2 / 17

HEX #D313CE

RGB 211 19 206

HSL 301.56, 0.83%, 0.45%

LAB 50.42, 82.82, -49.45

 

CMYK 0 / 99 / 4 / 24

HEX #C201BB

RGB 194 1 187

HSL 302.18, 0.99%, 0.38%

LAB 45.74, 78.89, -46.06

 

CMYK 0 / 100 / 5 / 31

HEX #B100A8

RGB 177 0 168

HSL 303.05, 1%, 0.35%

LAB 41.49, 73.4, -41.77

 

CMYK 0 / 77 / 0 / 4

HEX #F438F3

RGB 244 56 243

HSL 300.32, 0.9%, 0.59%

LAB 60.37, 87.24, -54.21

 

CMYK 0 / 77 / 21 / 4

HEX #F438C0

RGB 244 56 192

HSL 316.6, 0.9%, 0.59%

LAB 57.91, 80.24, -29.22

 

CMYK 0 / 77 / 42 / 4

HEX #F4388E

RGB 244 56 142

HSL 332.55, 0.9%, 0.59%

LAB 56.1, 74.84, -2.76

 

CMYK 0 / 77 / 63 / 4

HEX #F4385B

RGB 244 56 91

HSL 348.83, 0.9%, 0.59%

LAB 54.88, 71.06, 25.9

 

CMYK 0 / 77 / 77 / 4

HEX #F43838

RGB 244 56 56

HSL 0, 0.9%, 0.59%

LAB 54.39, 69.51, 45.36

 

CMYK 0 / 77 / 0 / 4

HEX #F438F3

RGB 244 56 243

HSL 300.32, 0.9%, 0.59%

LAB 60.37, 87.24, -54.21

 

CMYK 20 / 77 / 0 / 4

HEX #C238F4

RGB 194 56 244

HSL 284.04, 0.9%, 0.59%

LAB 52.76, 78.28, -67.39

 

CMYK 41 / 77 / 0 / 4

HEX #9038F4

RGB 144 56 244

HSL 268.09, 0.9%, 0.59%

LAB 46.03, 70.19, -78.64

 

CMYK 62 / 77 / 0 / 4

HEX #5D38F4

RGB 93 56 244

HSL 251.81, 0.9%, 0.59%

LAB 40.71, 63.73, -87.57

 

CMYK 77 / 77 / 0 / 4

HEX #3838F4

RGB 56 56 244

HSL 240, 0.9%, 0.59%

LAB 38.2, 60.64, -91.81

 

CMYK 0 / 77 / 0 / 4

HEX #F438F3

RGB 244 56 243

HSL 300.32, 0.9%, 0.59%

LAB 60.37, 87.24, -54.21

 

CMYK 0 / 77 / 0 / 4

HEX #F438F3

RGB 244 56 243

HSL 300.32, 0.9%, 0.59%

LAB 60.37, 87.24, -54.21

 

CMYK 0 / 68 / 0 / 11

HEX #E349E2

RGB 227 73 226

HSL 300.39, 0.73%, 0.59%

LAB 58.59, 76.08, -47.68

 

CMYK 0 / 57 / 0 / 18

HEX #D25AD2

RGB 210 90 210

HSL 300, 0.57%, 0.59%

LAB 57.72, 62.68, -40.19

 

CMYK 0 / 45 / 0 / 24

HEX #C16BC1

RGB 193 107 193

HSL 300, 0.41%, 0.59%

LAB 57.75, 46.77, -30.63

 

CMYK 0 / 30 / 0 / 31

HEX #B07CB0

RGB 176 124 176

HSL 300, 0.25%, 0.59%

LAB 58.77, 28.95, -19.51

 

CMYK 41 / 77 / 0 / 4

HEX #9038F4

RGB 144 56 244

HSL 268.09, 0.9%, 0.59%

LAB 46.03, 70.19, -78.64

 

CMYK 20 / 77 / 0 / 4

HEX #C238F4

RGB 194 56 244

HSL 284.04, 0.9%, 0.59%

LAB 52.76, 78.28, -67.39

 

CMYK 0 / 77 / 0 / 4

HEX #F438F4

RGB 244 56 244

HSL 300, 0.9%, 0.59%

LAB 60.42, 87.39, -54.68

 

CMYK 0 / 77 / 20 / 4

HEX #F438C2

RGB 244 56 194

HSL 315.96, 0.9%, 0.59%

LAB 58, 80.49, -30.24

 

CMYK 0 / 77 / 41 / 4

HEX #F43890

RGB 244 56 144

HSL 331.91, 0.9%, 0.59%

LAB 56.16, 75.03, -3.85

 

CMYK 0 / 95 / 0 / 19

HEX #CF0ACE

RGB 207 10 206

HSL 300.3, 0.91%, 0.43%

LAB 49.42, 83.03, -51.09

 

CMYK 0 / 93 / 0 / 5

HEX #F211F1

RGB 242 17 241

HSL 300.27, 0.9%, 0.51%

LAB 57.68, 93.15, -57.39

 

CMYK 0 / 77 / 0 / 4

HEX #F438F3

RGB 244 56 243

HSL 300.32, 0.9%, 0.59%

LAB 60.37, 87.24, -54.21

 

CMYK 0 / 61 / 0 / 4

HEX #F65FF5

RGB 246 95 245

HSL 300.4, 0.89%, 0.67%

LAB 65.26, 75.27, -47.56

 

CMYK 0 / 46 / 0 / 3

HEX #F886F8

RGB 248 134 248

HSL 300, 0.89%, 0.75%

LAB 72.08, 58.98, -38.48

 

CMYK 0 / 78 / 0 / 4

HEX #F537F4

RGB 245 55 244

HSL 300.32, 0.9%, 0.59%

LAB 60.5, 87.82, -54.55

 

CMYK 0 / 62 / 77 / 4

HEX #F45D38

RGB 244 93 56

HSL 11.81, 0.9%, 0.59%

LAB 59.29, 56.1, 50.43

 

CMYK 77 / 0 / 31 / 4

HEX #38F4A9

RGB 56 244 169

HSL 156.06, 0.9%, 0.59%

LAB 86.21, -62.33, 23.41

 

CMYK 0 / 78 / 0 / 4

HEX #F537F4

RGB 245 55 244

HSL 300.32, 0.9%, 0.59%

LAB 60.5, 87.82, -54.55

 

CMYK 0 / 0 / 77 / 4

HEX #F4F438

RGB 244 244 56

HSL 60, 0.9%, 0.59%

LAB 93.55, -19.85, 82.7

 

CMYK 77 / 0 / 0 / 4

HEX #38F4F4

RGB 56 244 244

HSL 180, 0.9%, 0.59%

LAB 88, -43.83, -13.02

 

CMYK 0 / 78 / 0 / 4

HEX #F537F4

RGB 245 55 244

HSL 300.32, 0.9%, 0.59%

LAB 60.5, 87.82, -54.55

 

CMYK 0 / 62 / 77 / 4

HEX #F45D38

RGB 244 93 56

HSL 11.81, 0.9%, 0.59%

LAB 59.29, 56.1, 50.43

 

CMYK 77 / 0 / 77 / 4

HEX #38F438

RGB 56 244 56

HSL 120, 0.9%, 0.59%

LAB 84.91, -77.61, 71.57

 

CMYK 77 / 16 / 0 / 4

HEX #38CEF4

RGB 56 206 244

HSL 192.13, 0.9%, 0.59%

LAB 76.99, -26.03, -29.72

 

CMYK 0 / 78 / 0 / 4

HEX #F537F4

RGB 245 55 244

HSL 300.32, 0.9%, 0.59%

LAB 60.5, 87.82, -54.55

 

CMYK 0 / 39 / 77 / 4

HEX #F49638

RGB 244 150 56

HSL 30, 0.9%, 0.59%

LAB 70.41, 28.28, 61.41

 

CMYK 77 / 0 / 77 / 4

HEX #38F438

RGB 56 244 56

HSL 120, 0.9%, 0.59%

LAB 84.91, -77.61, 71.57

 

CMYK 77 / 39 / 0 / 4

HEX #3896F4

RGB 56 150 244

HSL 210, 0.9%, 0.59%

LAB 60.94, 4.43, -54.82

 

Description

Color code: HEX #F537F4 | qconv.com Color code: HEX #F537F4 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 245 red, 55 green and 244 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
245 55 244 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 78 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 78% 0% 4% C M Y K

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Provide designers and agencies with accurate color values.

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