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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F550F5 it is the complementary color #0AAF0A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F550F5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F550F5 shade: #FA50F0, #FF62FF, #FF74FF, #FF86FF and #FF98FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F550F5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F550F5 shade: #F550F5, #E43EE2, #D32CCF, #C21ABC and #B108A9

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F550F5 shade: #F451F4, #F451C8, #F4519C, #F45170 and #F45151

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F550F5 shade: #F451F4, #C851F4, #9C51F4, #7051F4 and #5151F4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F550F5 shade matches the following richer shades: #F451F4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F550F5 shade: #F451F4, #E660E6, #D76FD7, #C87EC8 and #B98CB9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F550F5 shade: #9D51F4, #C951F4, #F451F4, #F451C9 and #F4519D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F550F5 shade: #E60DE6, #F22AF2, #F451F4, #F778F7 and #F99FF9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F550F5 shade: #F550F5, #F47251 and #51F4B3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F550F5 shade: #F550F5, #F4F451 and #51F4F4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F550F5 shade: #F550F5, #F47251, #51F451 and #51D4F4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F550F5 shade: #F550F5, #F4A351, #51F451 and #51A3F4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 67 / 0 / 4

HEX #F550F5

RGB 245 80 245

HSL 300, 0.89%, 0.64%

LAB 63.13, 80.59, -50.92

 

Complementary color

CMYK 94 / 0 / 94 / 31

HEX #0AAF0A

RGB 10 175 10

HSL 120, 0.89%, 0.36%

LAB 62.29, -64.24, 61.49

 

CMYK 0 / 68 / 4 / 2

HEX #FA50F0

RGB 250 80 240

HSL 303.53, 0.94%, 0.65%

LAB 63.63, 80.9, -47.31

 

CMYK 0 / 62 / 0 / 0

HEX #FF62FF

RGB 255 98 255

HSL 300, 1%, 0.69%

LAB 67.44, 77.81, -49.53

 

CMYK 0 / 55 / 0 / 0

HEX #FF74FF

RGB 255 116 255

HSL 300, 1%, 0.73%

LAB 70.16, 70.36, -45.25

 

CMYK 0 / 47 / 0 / 0

HEX #FF86FF

RGB 255 134 255

HSL 300, 1%, 0.76%

LAB 73.24, 62.13, -40.43

 

CMYK 0 / 40 / 0 / 0

HEX #FF98FF

RGB 255 152 255

HSL 300, 1%, 0.8%

LAB 76.64, 53.33, -35.15

 

CMYK 0 / 67 / 0 / 4

HEX #F550F5

RGB 245 80 245

HSL 300, 0.89%, 0.64%

LAB 63.13, 80.59, -50.92

 

CMYK 0 / 73 / 1 / 11

HEX #E43EE2

RGB 228 62 226

HSL 300.72, 0.75%, 0.57%

LAB 57.49, 79.85, -49.41

 

CMYK 0 / 79 / 2 / 17

HEX #D32CCF

RGB 211 44 207

HSL 301.44, 0.65%, 0.5%

LAB 52.01, 78.48, -47.49

 

CMYK 0 / 87 / 3 / 24

HEX #C21ABC

RGB 194 26 188

HSL 302.14, 0.76%, 0.43%

LAB 46.76, 76.2, -45.02

 

CMYK 0 / 95 / 5 / 31

HEX #B108A9

RGB 177 8 169

HSL 302.84, 0.91%, 0.36%

LAB 41.82, 72.74, -41.84

 

CMYK 0 / 67 / 0 / 4

HEX #F451F4

RGB 244 81 244

HSL 300, 0.88%, 0.64%

LAB 63.05, 79.87, -50.5

 

CMYK 0 / 67 / 18 / 4

HEX #F451C8

RGB 244 81 200

HSL 316.2, 0.88%, 0.64%

LAB 61.04, 73.39, -28.96

 

CMYK 0 / 67 / 36 / 4

HEX #F4519C

RGB 244 81 156

HSL 332.39, 0.88%, 0.64%

LAB 59.45, 68.06, -6.03

 

CMYK 0 / 67 / 54 / 4

HEX #F45170

RGB 244 81 112

HSL 348.59, 0.88%, 0.64%

LAB 58.31, 64.06, 18.09

 

CMYK 0 / 67 / 67 / 4

HEX #F45151

RGB 244 81 81

HSL 0, 0.88%, 0.64%

LAB 57.76, 62.1, 35.32

 

CMYK 0 / 67 / 0 / 4

HEX #F451F4

RGB 244 81 244

HSL 300, 0.88%, 0.64%

LAB 63.05, 79.87, -50.5

 

CMYK 18 / 67 / 0 / 4

HEX #C851F4

RGB 200 81 244

HSL 283.8, 0.88%, 0.64%

LAB 56.78, 70.41, -60.88

 

CMYK 36 / 67 / 0 / 4

HEX #9C51F4

RGB 156 81 244

HSL 267.61, 0.88%, 0.64%

LAB 51.25, 61.49, -70.07

 

CMYK 54 / 67 / 0 / 4

HEX #7051F4

RGB 112 81 244

HSL 251.41, 0.88%, 0.64%

LAB 46.79, 53.73, -77.53

 

CMYK 67 / 67 / 0 / 4

HEX #5151F4

RGB 81 81 244

HSL 240, 0.88%, 0.64%

LAB 44.47, 49.41, -81.42

 

CMYK 0 / 67 / 0 / 4

HEX #F451F4

RGB 244 81 244

HSL 300, 0.88%, 0.64%

LAB 63.05, 79.87, -50.5

 

CMYK 0 / 67 / 0 / 4

HEX #F451F4

RGB 244 81 244

HSL 300, 0.88%, 0.64%

LAB 63.05, 79.87, -50.5

 

CMYK 0 / 58 / 0 / 10

HEX #E660E6

RGB 230 96 230

HSL 300, 0.73%, 0.64%

LAB 62.42, 68.53, -43.84

 

CMYK 0 / 48 / 0 / 16

HEX #D76FD7

RGB 215 111 215

HSL 300, 0.57%, 0.64%

LAB 62.27, 55.11, -35.83

 

CMYK 0 / 37 / 0 / 22

HEX #C87EC8

RGB 200 126 200

HSL 300, 0.4%, 0.64%

LAB 62.82, 40.21, -26.7

 

CMYK 0 / 24 / 0 / 27

HEX #B98CB9

RGB 185 140 185

HSL 300, 0.24%, 0.64%

LAB 63.81, 24.78, -16.87

 

CMYK 36 / 67 / 0 / 4

HEX #9D51F4

RGB 157 81 244

HSL 267.98, 0.88%, 0.64%

LAB 51.36, 61.68, -69.88

 

CMYK 18 / 67 / 0 / 4

HEX #C951F4

RGB 201 81 244

HSL 284.17, 0.88%, 0.64%

LAB 56.91, 70.62, -60.65

 

CMYK 0 / 67 / 0 / 4

HEX #F451F4

RGB 244 81 244

HSL 300, 0.88%, 0.64%

LAB 63.05, 79.87, -50.5

 

CMYK 0 / 67 / 18 / 4

HEX #F451C9

RGB 244 81 201

HSL 315.83, 0.88%, 0.64%

LAB 61.08, 73.53, -29.46

 

CMYK 0 / 67 / 36 / 4

HEX #F4519D

RGB 244 81 157

HSL 332.02, 0.88%, 0.64%

LAB 59.48, 68.16, -6.57

 

CMYK 0 / 94 / 0 / 10

HEX #E60DE6

RGB 230 13 230

HSL 300, 0.89%, 0.48%

LAB 54.89, 89.99, -55.8

 

CMYK 0 / 83 / 0 / 5

HEX #F22AF2

RGB 242 42 242

HSL 300, 0.88%, 0.56%

LAB 58.92, 89.82, -55.97

 

CMYK 0 / 67 / 0 / 4

HEX #F451F4

RGB 244 81 244

HSL 300, 0.88%, 0.64%

LAB 63.05, 79.87, -50.5

 

CMYK 0 / 51 / 0 / 3

HEX #F778F7

RGB 247 120 247

HSL 300, 0.89%, 0.72%

LAB 69.41, 65.15, -42.11

 

CMYK 0 / 36 / 0 / 2

HEX #F99FF9

RGB 249 159 249

HSL 300, 0.88%, 0.8%

LAB 77.15, 46.93, -31.18

 

CMYK 0 / 67 / 0 / 4

HEX #F550F5

RGB 245 80 245

HSL 300, 0.89%, 0.64%

LAB 63.13, 80.59, -50.92

 

CMYK 0 / 53 / 67 / 4

HEX #F47251

RGB 244 114 81

HSL 12.15, 0.88%, 0.64%

LAB 63.23, 47.65, 41.86

 

CMYK 67 / 0 / 27 / 4

HEX #51F4B3

RGB 81 244 179

HSL 156.07, 0.88%, 0.64%

LAB 86.85, -56.89, 19.23

 

CMYK 0 / 67 / 0 / 4

HEX #F550F5

RGB 245 80 245

HSL 300, 0.89%, 0.64%

LAB 63.13, 80.59, -50.92

 

CMYK 0 / 0 / 67 / 4

HEX #F4F451

RGB 244 244 81

HSL 60, 0.88%, 0.64%

LAB 93.68, -18.78, 74.75

 

CMYK 67 / 0 / 0 / 4

HEX #51F4F4

RGB 81 244 244

HSL 180, 0.88%, 0.64%

LAB 88.44, -41.04, -12.33

 

CMYK 0 / 67 / 0 / 4

HEX #F550F5

RGB 245 80 245

HSL 300, 0.89%, 0.64%

LAB 63.13, 80.59, -50.92

 

CMYK 0 / 53 / 67 / 4

HEX #F47251

RGB 244 114 81

HSL 12.15, 0.88%, 0.64%

LAB 63.23, 47.65, 41.86

 

CMYK 67 / 0 / 67 / 4

HEX #51F451

RGB 81 244 81

HSL 120, 0.88%, 0.64%

LAB 85.53, -71.78, 63.75

 

CMYK 67 / 13 / 0 / 4

HEX #51D4F4

RGB 81 212 244

HSL 191.78, 0.88%, 0.64%

LAB 79.25, -25.95, -26.21

 

CMYK 0 / 67 / 0 / 4

HEX #F550F5

RGB 245 80 245

HSL 300, 0.89%, 0.64%

LAB 63.13, 80.59, -50.92

 

CMYK 0 / 33 / 67 / 4

HEX #F4A351

RGB 244 163 81

HSL 30.18, 0.88%, 0.64%

LAB 73.56, 22.62, 53.63

 

CMYK 67 / 0 / 67 / 4

HEX #51F451

RGB 81 244 81

HSL 120, 0.88%, 0.64%

LAB 85.53, -71.78, 63.75

 

CMYK 67 / 33 / 0 / 4

HEX #51A3F4

RGB 81 163 244

HSL 209.82, 0.88%, 0.64%

LAB 65.34, 0.18, -47.81

 

Description

Color code: HEX #F550F5 | qconv.com Color code: HEX #F550F5 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 245 red, 80 green and 245 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
245 80 245 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 67 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 67% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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