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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F55F5B it is the complementary color #0AA0A4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F55F5B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F55F5B shade: #FA5F56, #FF7169, #FF837C, #FF958F and #FFA7A2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F55F5B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F55F5B shade: #F55F5B, #E44D48, #D33B35, #C22922 and #B1170F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F55F5B shade: #F55F5B and #F55B5B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F55F5B shade: #F55F5B, #F5885B, #F5B25B, #F5DB5B and #E5F55B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F55F5B shade matches the following richer shades: #F55F5B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F55F5B shade: #F55F5B, #E76C69, #D97977, #CB8785 and #BD9493

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F55F5B shade: #F55BAA, #F55B81, #F55D5B, #F5865B and #F5B05B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F55F5B shade: #F0130D, #F33934, #F55F5B, #F78582 and #FAABA9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F55F5B shade: #F55F5B, #D4F55B and #5B96F5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F55F5B shade: #F55F5B, #5BF55D and #5D5BF5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F55F5B shade: #F55F5B, #D4F55B, #5BF2F5 and #7C5BF5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F55F5B shade: #F55F5B, #A5F55B, #5BF2F5 and #AA5BF5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 61 / 63 / 4

HEX #F55F5B

RGB 245 95 91

HSL 1.56, 0.89%, 0.66%

LAB 60.21, 57.25, 32.73

 

Complementary color

CMYK 94 / 2 / 0 / 36

HEX #0AA0A4

RGB 10 160 164

HSL 181.56, 0.89%, 0.34%

LAB 59.79, -32.29, -11.95

 

CMYK 0 / 62 / 66 / 2

HEX #FA5F56

RGB 250 95 86

HSL 3.29, 0.94%, 0.66%

LAB 60.94, 58.62, 36.62

 

CMYK 0 / 56 / 59 / 0

HEX #FF7169

RGB 255 113 105

HSL 3.2, 1%, 0.71%

LAB 65.03, 53.52, 31.34

 

CMYK 0 / 49 / 51 / 0

HEX #FF837C

RGB 255 131 124

HSL 3.21, 1%, 0.74%

LAB 68.71, 46.38, 25.59

 

CMYK 0 / 42 / 44 / 0

HEX #FF958F

RGB 255 149 143

HSL 3.21, 1%, 0.78%

LAB 72.72, 39.1, 20.52

 

CMYK 0 / 35 / 36 / 0

HEX #FFA7A2

RGB 255 167 162

HSL 3.23, 1%, 0.82%

LAB 76.98, 31.86, 16.04

 

CMYK 0 / 61 / 63 / 4

HEX #F55F5B

RGB 245 95 91

HSL 1.56, 0.89%, 0.66%

LAB 60.21, 57.25, 32.73

 

CMYK 0 / 66 / 68 / 11

HEX #E44D48

RGB 228 77 72

HSL 1.92, 0.74%, 0.59%

LAB 54.31, 58.09, 35.61

 

CMYK 0 / 72 / 75 / 17

HEX #D33B35

RGB 211 59 53

HSL 2.28, 0.64%, 0.52%

LAB 48.55, 58.63, 38.91

 

CMYK 0 / 79 / 82 / 24

HEX #C22922

RGB 194 41 34

HSL 2.63, 0.7%, 0.45%

LAB 43.02, 58.67, 42.54

 

CMYK 0 / 87 / 92 / 31

HEX #B1170F

RGB 177 23 15

HSL 2.96, 0.84%, 0.38%

LAB 37.83, 57.86, 45.91

 

CMYK 0 / 61 / 63 / 4

HEX #F55F5B

RGB 245 95 91

HSL 1.56, 0.89%, 0.66%

LAB 60.21, 57.25, 32.73

 

CMYK 0 / 63 / 63 / 4

HEX #F55B5B

RGB 245 91 91

HSL 0, 0.89%, 0.66%

LAB 59.57, 58.95, 31.93

 

CMYK 0 / 61 / 63 / 4

HEX #F55F5B

RGB 245 95 91

HSL 1.56, 0.89%, 0.66%

LAB 60.21, 57.25, 32.73

 

CMYK 0 / 44 / 63 / 4

HEX #F5885B

RGB 245 136 91

HSL 17.53, 0.89%, 0.66%

LAB 67.86, 37.69, 42.12

 

CMYK 0 / 27 / 63 / 4

HEX #F5B25B

RGB 245 178 91

HSL 33.9, 0.89%, 0.66%

LAB 77.29, 15.73, 53.12

 

CMYK 0 / 11 / 63 / 4

HEX #F5DB5B

RGB 245 219 91

HSL 49.87, 0.89%, 0.66%

LAB 87.4, -5.47, 64.31

 

CMYK 7 / 0 / 63 / 4

HEX #E5F55B

RGB 229 245 91

HSL 66.23, 0.89%, 0.66%

LAB 92.89, -24.69, 69.78

 

CMYK 0 / 61 / 63 / 4

HEX #F55F5B

RGB 245 95 91

HSL 1.56, 0.89%, 0.66%

LAB 60.21, 57.25, 32.73

 

CMYK 0 / 61 / 63 / 4

HEX #F55F5B

RGB 245 95 91

HSL 1.56, 0.89%, 0.66%

LAB 60.21, 57.25, 32.73

 

CMYK 0 / 53 / 55 / 9

HEX #E76C69

RGB 231 108 105

HSL 1.43, 0.72%, 0.66%

LAB 60.55, 47.44, 24.8

 

CMYK 0 / 44 / 45 / 15

HEX #D97977

RGB 217 121 119

HSL 1.22, 0.56%, 0.66%

LAB 61.45, 37.04, 17.69

 

CMYK 0 / 33 / 34 / 20

HEX #CB8785

RGB 203 135 133

HSL 1.71, 0.4%, 0.66%

LAB 63.11, 25.82, 11.79

 

CMYK 0 / 22 / 22 / 26

HEX #BD9493

RGB 189 148 147

HSL 1.43, 0.24%, 0.66%

LAB 65.05, 15.23, 6.42

 

CMYK 0 / 63 / 31 / 4

HEX #F55BAA

RGB 245 91 170

HSL 329.22, 0.89%, 0.66%

LAB 61.48, 66.01, -11.09

 

CMYK 0 / 63 / 47 / 4

HEX #F55B81

RGB 245 91 129

HSL 345.19, 0.89%, 0.66%

LAB 60.32, 61.77, 10.98

 

CMYK 0 / 62 / 63 / 4

HEX #F55D5B

RGB 245 93 91

HSL 0.78, 0.89%, 0.66%

LAB 59.89, 58.1, 32.33

 

CMYK 0 / 45 / 63 / 4

HEX #F5865B

RGB 245 134 91

HSL 16.75, 0.89%, 0.66%

LAB 67.44, 38.71, 41.62

 

CMYK 0 / 28 / 63 / 4

HEX #F5B05B

RGB 245 176 91

HSL 33.12, 0.89%, 0.66%

LAB 76.81, 16.78, 52.58

 

CMYK 0 / 92 / 95 / 6

HEX #F0130D

RGB 240 19 13

HSL 1.59, 0.9%, 0.5%

LAB 50.71, 75.02, 61.03

 

CMYK 0 / 77 / 79 / 5

HEX #F33934

RGB 243 57 52

HSL 1.57, 0.89%, 0.58%

LAB 54.27, 68.81, 47.3

 

CMYK 0 / 61 / 63 / 4

HEX #F55F5B

RGB 245 95 91

HSL 1.56, 0.89%, 0.66%

LAB 60.21, 57.25, 32.73

 

CMYK 0 / 46 / 47 / 3

HEX #F78582

RGB 247 133 130

HSL 1.54, 0.88%, 0.74%

LAB 68.14, 43.03, 21.29

 

CMYK 0 / 32 / 32 / 2

HEX #FAABA9

RGB 250 171 169

HSL 1.48, 0.89%, 0.82%

LAB 77.47, 28.76, 12.83

 

CMYK 0 / 61 / 63 / 4

HEX #F55F5B

RGB 245 95 91

HSL 1.56, 0.89%, 0.66%

LAB 60.21, 57.25, 32.73

 

CMYK 13 / 0 / 63 / 4

HEX #D4F55B

RGB 212 245 91

HSL 72.86, 0.89%, 0.66%

LAB 91.71, -31.36, 68.17

 

CMYK 63 / 39 / 0 / 4

HEX #5B96F5

RGB 91 150 245

HSL 217.01, 0.89%, 0.66%

LAB 62.19, 9.71, -53.32

 

CMYK 0 / 61 / 63 / 4

HEX #F55F5B

RGB 245 95 91

HSL 1.56, 0.89%, 0.66%

LAB 60.21, 57.25, 32.73

 

CMYK 63 / 0 / 62 / 4

HEX #5BF55D

RGB 91 245 93

HSL 120.78, 0.89%, 0.66%

LAB 86.17, -69.01, 59.7

 

CMYK 62 / 63 / 0 / 4

HEX #5D5BF5

RGB 93 91 245

HSL 240.78, 0.89%, 0.66%

LAB 47.5, 45.53, -76.99

 

CMYK 0 / 61 / 63 / 4

HEX #F55F5B

RGB 245 95 91

HSL 1.56, 0.89%, 0.66%

LAB 60.21, 57.25, 32.73

 

CMYK 13 / 0 / 63 / 4

HEX #D4F55B

RGB 212 245 91

HSL 72.86, 0.89%, 0.66%

LAB 91.71, -31.36, 68.17

 

CMYK 63 / 1 / 0 / 4

HEX #5BF2F5

RGB 91 242 245

HSL 181.17, 0.89%, 0.66%

LAB 88.12, -38.44, -13.3

 

CMYK 49 / 63 / 0 / 4

HEX #7C5BF5

RGB 124 91 245

HSL 252.86, 0.89%, 0.66%

LAB 49.93, 50.62, -72.92

 

CMYK 0 / 61 / 63 / 4

HEX #F55F5B

RGB 245 95 91

HSL 1.56, 0.89%, 0.66%

LAB 60.21, 57.25, 32.73

 

CMYK 33 / 0 / 63 / 4

HEX #A5F55B

RGB 165 245 91

HSL 91.17, 0.89%, 0.66%

LAB 88.95, -48.59, 64.39

 

CMYK 63 / 1 / 0 / 4

HEX #5BF2F5

RGB 91 242 245

HSL 181.17, 0.89%, 0.66%

LAB 88.12, -38.44, -13.3

 

CMYK 31 / 63 / 0 / 4

HEX #AA5BF5

RGB 170 91 245

HSL 270.78, 0.89%, 0.66%

LAB 54.68, 59.77, -65.01

 

Description

Color code: HEX #F55F5B | qconv.com Color code: HEX #F55F5B | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 245 red, 95 green and 91 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
245 95 91 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 61 magenta, 63 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 61% 63% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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