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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F561FC it is the complementary color #0A9E03. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F561FC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F561FC shade: #FA61F7, #FF73FF, #FF85FF, #FF97FF and #FFA9FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F561FC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F561FC shade: #F561FC, #E44FE9, #D33DD6, #C22BC3 and #B119B0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F561FC shade: #F45FFB, #FB5FD8, #FB5FAE, #FB5F84 and #FB5F5F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F561FC shade: #F45FFB, #CA5FFB, #A05FFB, #755FFB and #5F5FFB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F561FC shade matches the following richer shades: #F45FFB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F561FC shade: #F45FFB, #E86CEE, #DC79E1, #D086D4 and #C493C6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F561FC shade: #A05FFB, #CA5FFB, #F35FFB, #FB5FD9 and #FB5FB0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F561FC shade: #EF0EFA, #F236FA, #F45FFB, #F787FC and #F9AFFD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F561FC shade: #F561FC, #FB765F and #5FFBB5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F561FC shade: #F561FC, #FBF35F and #5FFBF3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F561FC shade: #F561FC, #FB765F, #66FB5F and #5FE4FB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F561FC shade: #F561FC, #FBA55F, #66FB5F and #5FB5FB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 62 / 0 / 1

HEX #F561FC

RGB 245 97 252

HSL 297.29, 0.96%, 0.68%

LAB 65.74, 75.4, -50.65

 

Complementary color

CMYK 94 / 0 / 98 / 38

HEX #0A9E03

RGB 10 158 3

HSL 117.29, 0.96%, 0.32%

LAB 56.61, -59.6, 57.78

 

CMYK 0 / 61 / 1 / 2

HEX #FA61F7

RGB 250 97 247

HSL 301.18, 0.94%, 0.68%

LAB 66.2, 75.75, -47.12

 

CMYK 0 / 55 / 0 / 0

HEX #FF73FF

RGB 255 115 255

HSL 300, 1%, 0.73%

LAB 69.99, 70.8, -45.51

 

CMYK 0 / 48 / 0 / 0

HEX #FF85FF

RGB 255 133 255

HSL 300, 1%, 0.76%

LAB 73.06, 62.61, -40.71

 

CMYK 0 / 41 / 0 / 0

HEX #FF97FF

RGB 255 151 255

HSL 300, 1%, 0.8%

LAB 76.44, 53.83, -35.45

 

CMYK 0 / 34 / 0 / 0

HEX #FFA9FF

RGB 255 169 255

HSL 300, 1%, 0.83%

LAB 80.1, 44.67, -29.82

 

CMYK 3 / 62 / 0 / 1

HEX #F561FC

RGB 245 97 252

HSL 297.29, 0.96%, 0.68%

LAB 65.74, 75.4, -50.65

 

CMYK 2 / 66 / 0 / 9

HEX #E44FE9

RGB 228 79 233

HSL 298.05, 0.78%, 0.61%

LAB 59.86, 75.29, -49.59

 

CMYK 1 / 71 / 0 / 16

HEX #D33DD6

RGB 211 61 214

HSL 298.82, 0.65%, 0.54%

LAB 54.07, 74.75, -48.22

 

CMYK 1 / 78 / 0 / 24

HEX #C22BC3

RGB 194 43 195

HSL 299.61, 0.64%, 0.47%

LAB 48.43, 73.56, -46.43

 

CMYK 0 / 86 / 1 / 31

HEX #B119B0

RGB 177 25 176

HSL 300.39, 0.75%, 0.4%

LAB 43.03, 71.45, -44.08

 

CMYK 3 / 62 / 0 / 2

HEX #F45FFB

RGB 244 95 251

HSL 297.31, 0.95%, 0.68%

LAB 65.27, 75.79, -50.87

 

CMYK 0 / 62 / 14 / 2

HEX #FB5FD8

RGB 251 95 216

HSL 313.46, 0.95%, 0.68%

LAB 64.69, 72.06, -32.26

 

CMYK 0 / 62 / 31 / 2

HEX #FB5FAE

RGB 251 95 174

HSL 329.62, 0.95%, 0.68%

LAB 63.14, 66.56, -10.81

 

CMYK 0 / 62 / 47 / 2

HEX #FB5F84

RGB 251 95 132

HSL 345.77, 0.95%, 0.68%

LAB 61.96, 62.24, 11.69

 

CMYK 0 / 62 / 62 / 2

HEX #FB5F5F

RGB 251 95 95

HSL 0, 0.95%, 0.68%

LAB 61.24, 59.48, 31.98

 

CMYK 3 / 62 / 0 / 2

HEX #F45FFB

RGB 244 95 251

HSL 297.31, 0.95%, 0.68%

LAB 65.27, 75.79, -50.87

 

CMYK 20 / 62 / 0 / 2

HEX #CA5FFB

RGB 202 95 251

HSL 281.15, 0.95%, 0.68%

LAB 59.62, 66.21, -60.19

 

CMYK 36 / 62 / 0 / 2

HEX #A05FFB

RGB 160 95 251

HSL 265, 0.95%, 0.68%

LAB 54.68, 57.11, -68.39

 

CMYK 53 / 62 / 0 / 2

HEX #755FFB

RGB 117 95 251

HSL 248.46, 0.95%, 0.68%

LAB 50.61, 48.89, -75.19

 

CMYK 62 / 62 / 0 / 2

HEX #5F5FFB

RGB 95 95 251

HSL 240, 0.95%, 0.68%

LAB 48.99, 45.39, -77.9

 

CMYK 3 / 62 / 0 / 2

HEX #F45FFB

RGB 244 95 251

HSL 297.31, 0.95%, 0.68%

LAB 65.27, 75.79, -50.87

 

CMYK 3 / 62 / 0 / 2

HEX #F45FFB

RGB 244 95 251

HSL 297.31, 0.95%, 0.68%

LAB 65.27, 75.79, -50.87

 

CMYK 3 / 55 / 0 / 7

HEX #E86CEE

RGB 232 108 238

HSL 297.23, 0.79%, 0.68%

LAB 65.01, 65.14, -44.21

 

CMYK 2 / 46 / 0 / 12

HEX #DC79E1

RGB 220 121 225

HSL 297.12, 0.63%, 0.68%

LAB 65.22, 53.38, -36.77

 

CMYK 2 / 37 / 0 / 17

HEX #D086D4

RGB 208 134 212

HSL 296.92, 0.48%, 0.68%

LAB 65.91, 40.68, -28.57

 

CMYK 1 / 26 / 0 / 22

HEX #C493C6

RGB 196 147 198

HSL 297.65, 0.31%, 0.68%

LAB 67.04, 27.08, -19.16

 

CMYK 36 / 62 / 0 / 2

HEX #A05FFB

RGB 160 95 251

HSL 265, 0.95%, 0.68%

LAB 54.68, 57.11, -68.39

 

CMYK 20 / 62 / 0 / 2

HEX #CA5FFB

RGB 202 95 251

HSL 281.15, 0.95%, 0.68%

LAB 59.62, 66.21, -60.19

 

CMYK 3 / 62 / 0 / 2

HEX #F35FFB

RGB 243 95 251

HSL 296.92, 0.95%, 0.68%

LAB 65.12, 75.56, -51.1

 

CMYK 0 / 62 / 14 / 2

HEX #FB5FD9

RGB 251 95 217

HSL 313.08, 0.95%, 0.68%

LAB 64.73, 72.2, -32.75

 

CMYK 0 / 62 / 30 / 2

HEX #FB5FB0

RGB 251 95 176

HSL 328.85, 0.95%, 0.68%

LAB 63.2, 66.8, -11.86

 

CMYK 4 / 94 / 0 / 2

HEX #EF0EFA

RGB 239 14 250

HSL 297.2, 0.96%, 0.52%

LAB 57.62, 94.22, -62.54

 

CMYK 3 / 78 / 0 / 2

HEX #F236FA

RGB 242 54 250

HSL 297.55, 0.95%, 0.6%

LAB 60.26, 88.42, -58.28

 

CMYK 3 / 62 / 0 / 2

HEX #F45FFB

RGB 244 95 251

HSL 297.31, 0.95%, 0.68%

LAB 65.27, 75.79, -50.87

 

CMYK 2 / 46 / 0 / 1

HEX #F787FC

RGB 247 135 252

HSL 297.44, 0.95%, 0.76%

LAB 72.32, 58.92, -40.31

 

CMYK 2 / 31 / 0 / 1

HEX #F9AFFD

RGB 249 175 253

HSL 296.92, 0.95%, 0.84%

LAB 80.68, 39.34, -27.91

 

CMYK 3 / 62 / 0 / 1

HEX #F561FC

RGB 245 97 252

HSL 297.29, 0.96%, 0.68%

LAB 65.74, 75.4, -50.65

 

CMYK 0 / 53 / 62 / 2

HEX #FB765F

RGB 251 118 95

HSL 8.85, 0.95%, 0.68%

LAB 65.19, 49.1, 36.93

 

CMYK 62 / 0 / 28 / 2

HEX #5FFBB5

RGB 95 251 181

HSL 153.08, 0.95%, 0.68%

LAB 89.28, -56.86, 21.62

 

CMYK 3 / 62 / 0 / 1

HEX #F561FC

RGB 245 97 252

HSL 297.29, 0.96%, 0.68%

LAB 65.74, 75.4, -50.65

 

CMYK 0 / 3 / 62 / 2

HEX #FBF35F

RGB 251 243 95

HSL 56.92, 0.95%, 0.68%

LAB 94.07, -14.68, 69.94

 

CMYK 62 / 0 / 3 / 2

HEX #5FFBF3

RGB 95 251 243

HSL 176.92, 0.95%, 0.68%

LAB 90.73, -42.41, -8.36

 

CMYK 3 / 62 / 0 / 1

HEX #F561FC

RGB 245 97 252

HSL 297.29, 0.96%, 0.68%

LAB 65.74, 75.4, -50.65

 

CMYK 0 / 53 / 62 / 2

HEX #FB765F

RGB 251 118 95

HSL 8.85, 0.95%, 0.68%

LAB 65.19, 49.1, 36.93

 

CMYK 59 / 0 / 62 / 2

HEX #66FB5F

RGB 102 251 95

HSL 117.31, 0.95%, 0.68%

LAB 88.28, -68.51, 61.32

 

CMYK 62 / 9 / 0 / 2

HEX #5FE4FB

RGB 95 228 251

HSL 188.85, 0.95%, 0.68%

LAB 84.42, -29.57, -22.01

 

CMYK 3 / 62 / 0 / 1

HEX #F561FC

RGB 245 97 252

HSL 297.29, 0.96%, 0.68%

LAB 65.74, 75.4, -50.65

 

CMYK 0 / 34 / 62 / 2

HEX #FBA55F

RGB 251 165 95

HSL 26.92, 0.95%, 0.68%

LAB 74.98, 25.27, 48.7

 

CMYK 59 / 0 / 62 / 2

HEX #66FB5F

RGB 102 251 95

HSL 117.31, 0.95%, 0.68%

LAB 88.28, -68.51, 61.32

 

CMYK 62 / 28 / 0 / 2

HEX #5FB5FB

RGB 95 181 251

HSL 206.92, 0.95%, 0.68%

LAB 71.18, -5.31, -42.42

 

Description

Color code: HEX #F561FC | qconv.com Color code: HEX #F561FC | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 245 red, 97 green and 252 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
245 97 252 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, 62 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 62% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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