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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F57649 it is the complementary color #0A89B6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F57649. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F57649 shade: #FA7644, #FF8857, #FF9A6A, #FFAC7D and #FFBE90

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F57649. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F57649 shade: #F57649, #E46436, #D35223, #C24010 and #B12E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F57649 shade: #F57446 and #F54646

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F57649 shade: #F57446, #F5A346, #F5D246, #E8F546 and #B9F546

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F57649 shade matches the following richer shades: #F57446

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F57649 shade: #F57446, #E57C56, #D58366, #C68A75 and #B69285

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F57649 shade: #F54678, #F54649, #F57246, #F5A146 and #F5CF46

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F57649 shade: #DD420B, #F3571F, #F57446, #F7926E and #F9AF95

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F57649 shade: #F57649, #A6F546 and #4661F5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F57649 shade: #F57649, #46F572 and #7246F5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F57649 shade: #F57649, #A6F546, #46C9F5 and #9546F5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F57649 shade: #F57649, #72F546, #46C9F5 and #C946F5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 52 / 70 / 4

HEX #F57649

RGB 245 118 73

HSL 15.7, 0.9%, 0.62%

LAB 64.04, 45.67, 47

 

Complementary color

CMYK 95 / 25 / 0 / 29

HEX #0A89B6

RGB 10 137 182

HSL 195.7, 0.9%, 0.38%

LAB 53.31, -14.23, -32.13

 

CMYK 0 / 53 / 73 / 2

HEX #FA7644

RGB 250 118 68

HSL 16.48, 0.95%, 0.62%

LAB 64.72, 47.3, 50.47

 

CMYK 0 / 47 / 66 / 0

HEX #FF8857

RGB 255 136 87

HSL 17.5, 1%, 0.67%

LAB 69.15, 41.28, 46.05

 

CMYK 0 / 40 / 58 / 0

HEX #FF9A6A

RGB 255 154 106

HSL 19.33, 1%, 0.71%

LAB 73.16, 33.34, 41.03

 

CMYK 0 / 33 / 51 / 0

HEX #FFAC7D

RGB 255 172 125

HSL 21.69, 1%, 0.75%

LAB 77.43, 25.48, 36.46

 

CMYK 0 / 25 / 44 / 0

HEX #FFBE90

RGB 255 190 144

HSL 24.86, 1%, 0.78%

LAB 81.89, 17.86, 32.33

 

CMYK 0 / 52 / 70 / 4

HEX #F57649

RGB 245 118 73

HSL 15.7, 0.9%, 0.62%

LAB 64.04, 45.67, 47

 

CMYK 0 / 56 / 76 / 11

HEX #E46436

RGB 228 100 54

HSL 15.86, 0.76%, 0.55%

LAB 57.92, 47.19, 49.19

 

CMYK 0 / 61 / 83 / 17

HEX #D35223

RGB 211 82 35

HSL 16.02, 0.72%, 0.48%

LAB 51.84, 48.7, 51.27

 

CMYK 0 / 67 / 92 / 24

HEX #C24010

RGB 194 64 16

HSL 16.18, 0.85%, 0.41%

LAB 45.87, 50.11, 52.66

 

CMYK 0 / 74 / 100 / 31

HEX #B12E00

RGB 177 46 0

HSL 15.59, 1%, 0.35%

LAB 40.08, 51.17, 52.51

 

CMYK 0 / 53 / 71 / 4

HEX #F57446

RGB 245 116 70

HSL 15.77, 0.9%, 0.62%

LAB 63.63, 46.5, 48.07

 

CMYK 0 / 71 / 71 / 4

HEX #F54646

RGB 245 70 70

HSL 0, 0.9%, 0.62%

LAB 56.32, 65.91, 39.85

 

CMYK 0 / 53 / 71 / 4

HEX #F57446

RGB 245 116 70

HSL 15.77, 0.9%, 0.62%

LAB 63.63, 46.5, 48.07

 

CMYK 0 / 33 / 71 / 4

HEX #F5A346

RGB 245 163 70

HSL 31.89, 0.9%, 0.62%

LAB 73.58, 22.46, 58.69

 

CMYK 0 / 14 / 71 / 4

HEX #F5D246

RGB 245 210 70

HSL 48, 0.9%, 0.62%

LAB 84.97, -2.03, 70.19

 

CMYK 5 / 0 / 71 / 4

HEX #E8F546

RGB 232 245 70

HSL 64.46, 0.9%, 0.62%

LAB 92.97, -24.64, 77.58

 

CMYK 24 / 0 / 71 / 4

HEX #B9F546

RGB 185 245 70

HSL 80.57, 0.9%, 0.62%

LAB 89.89, -42.9, 73.53

 

CMYK 0 / 53 / 71 / 4

HEX #F57446

RGB 245 116 70

HSL 15.77, 0.9%, 0.62%

LAB 63.63, 46.5, 48.07

 

CMYK 0 / 53 / 71 / 4

HEX #F57446

RGB 245 116 70

HSL 15.77, 0.9%, 0.62%

LAB 63.63, 46.5, 48.07

 

CMYK 0 / 46 / 62 / 10

HEX #E57C56

RGB 229 124 86

HSL 15.94, 0.73%, 0.62%

LAB 63.13, 37.32, 38.56

 

CMYK 0 / 38 / 52 / 16

HEX #D58366

RGB 213 131 102

HSL 15.68, 0.57%, 0.62%

LAB 62.79, 28.58, 28.96

 

CMYK 0 / 30 / 41 / 22

HEX #C68A75

RGB 198 138 117

HSL 15.56, 0.42%, 0.62%

LAB 62.9, 20.29, 20.43

 

CMYK 0 / 20 / 27 / 29

HEX #B69285

RGB 182 146 133

HSL 15.92, 0.25%, 0.62%

LAB 63.5, 11.56, 12.01

 

CMYK 0 / 71 / 51 / 4

HEX #F54678

RGB 245 70 120

HSL 342.86, 0.9%, 0.62%

LAB 57.22, 68.94, 11.9

 

CMYK 0 / 71 / 70 / 4

HEX #F54649

RGB 245 70 73

HSL 358.97, 0.9%, 0.62%

LAB 56.36, 66.04, 38.21

 

CMYK 0 / 53 / 71 / 4

HEX #F57246

RGB 245 114 70

HSL 15.09, 0.9%, 0.62%

LAB 63.25, 47.46, 47.66

 

CMYK 0 / 34 / 71 / 4

HEX #F5A146

RGB 245 161 70

HSL 31.2, 0.9%, 0.62%

LAB 73.12, 23.51, 58.21

 

CMYK 0 / 16 / 71 / 4

HEX #F5CF46

RGB 245 207 70

HSL 46.97, 0.9%, 0.62%

LAB 84.22, -0.5, 69.44

 

CMYK 0 / 70 / 95 / 13

HEX #DD420B

RGB 221 66 11

HSL 15.71, 0.91%, 0.45%

LAB 51.03, 58.3, 59.78

 

CMYK 0 / 64 / 87 / 5

HEX #F3571F

RGB 243 87 31

HSL 15.85, 0.9%, 0.54%

LAB 58.01, 57.61, 60.2

 

CMYK 0 / 53 / 71 / 4

HEX #F57446

RGB 245 116 70

HSL 15.77, 0.9%, 0.62%

LAB 63.63, 46.5, 48.07

 

CMYK 0 / 41 / 55 / 3

HEX #F7926E

RGB 247 146 110

HSL 15.77, 0.9%, 0.7%

LAB 70.5, 34.67, 35.36

 

CMYK 0 / 30 / 40 / 2

HEX #F9AF95

RGB 249 175 149

HSL 15.6, 0.89%, 0.78%

LAB 77.86, 23.94, 24.16

 

CMYK 0 / 52 / 70 / 4

HEX #F57649

RGB 245 118 73

HSL 15.7, 0.9%, 0.62%

LAB 64.04, 45.67, 47

 

CMYK 32 / 0 / 71 / 4

HEX #A6F546

RGB 166 245 70

HSL 87.09, 0.9%, 0.62%

LAB 88.85, -49.72, 72.16

 

CMYK 71 / 60 / 0 / 4

HEX #4661F5

RGB 70 97 245

HSL 230.74, 0.9%, 0.62%

LAB 47.55, 38.92, -76.96

 

CMYK 0 / 52 / 70 / 4

HEX #F57649

RGB 245 118 73

HSL 15.7, 0.9%, 0.62%

LAB 64.04, 45.67, 47

 

CMYK 71 / 0 / 53 / 4

HEX #46F572

RGB 70 245 114

HSL 135.09, 0.9%, 0.62%

LAB 85.92, -70.26, 50.07

 

CMYK 53 / 71 / 0 / 4

HEX #7246F5

RGB 114 70 245

HSL 255.09, 0.9%, 0.62%

LAB 45.01, 59.97, -80.99

 

CMYK 0 / 52 / 70 / 4

HEX #F57649

RGB 245 118 73

HSL 15.7, 0.9%, 0.62%

LAB 64.04, 45.67, 47

 

CMYK 32 / 0 / 71 / 4

HEX #A6F546

RGB 166 245 70

HSL 87.09, 0.9%, 0.62%

LAB 88.85, -49.72, 72.16

 

CMYK 71 / 18 / 0 / 4

HEX #46C9F5

RGB 70 201 245

HSL 195.09, 0.9%, 0.62%

LAB 75.86, -21.61, -31.96

 

CMYK 39 / 71 / 0 / 4

HEX #9546F5

RGB 149 70 245

HSL 267.09, 0.9%, 0.62%

LAB 48.71, 65.48, -74.79

 

CMYK 0 / 52 / 70 / 4

HEX #F57649

RGB 245 118 73

HSL 15.7, 0.9%, 0.62%

LAB 64.04, 45.67, 47

 

CMYK 53 / 0 / 71 / 4

HEX #72F546

RGB 114 245 70

HSL 104.91, 0.9%, 0.62%

LAB 86.66, -65.66, 69.25

 

CMYK 71 / 18 / 0 / 4

HEX #46C9F5

RGB 70 201 245

HSL 195.09, 0.9%, 0.62%

LAB 75.86, -21.61, -31.96

 

CMYK 18 / 71 / 0 / 4

HEX #C946F5

RGB 201 70 245

HSL 284.91, 0.9%, 0.62%

LAB 55.47, 75.05, -63.52

 

Description

Color code: HEX #F57649 | qconv.com Color code: HEX #F57649 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 245 red, 118 green and 73 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
245 118 73 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 52 magenta, 70 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 52% 70% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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