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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F578B2 it is the complementary color #0A874D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F578B2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F578B2 shade: #FA78AD, #FF8AC0, #FF9CD3, #FFAEE6 and #FFC0F9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F578B2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F578B2 shade: #F578B2, #E4669F, #D3548C, #C24279 and #B13066

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F578B2 shade: #F57AB3, #F57A92 and #F57A7A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F578B2 shade: #F57AB3, #F57AD4, #F47AF5, #D37AF5 and #B27AF5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F578B2 shade matches the following richer shades: #F57AB3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F578B2 shade: #F57AB3, #E985B4, #DD91B4, #D29CB5 and #C6A8B6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F578B2 shade: #F57AF5, #F57AD4, #F57AB3, #F57A92 and #F5827A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F578B2 shade: #EF2D87, #F2539D, #F57AB3, #F7A0C9 and #FAC6DE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F578B2 shade: #F578B2, #F5D47A and #7AE4F5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F578B2 shade: #F578B2, #B3F57A and #7AB3F5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F578B2 shade: #F578B2, #F5D47A, #7AF5BB and #7A9AF5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F578B2 shade: #F578B2, #F0F57A, #7AF5BB and #7E7AF5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 51 / 27 / 4

HEX #F578B2

RGB 245 120 178

HSL 332.16, 0.86%, 0.72%

LAB 66.57, 54.12, -8.06

 

Complementary color

CMYK 93 / 0 / 43 / 47

HEX #0A874D

RGB 10 135 77

HSL 152.16, 0.86%, 0.28%

LAB 49.41, -44.88, 22.7

 

CMYK 0 / 52 / 31 / 2

HEX #FA78AD

RGB 250 120 173

HSL 335.54, 0.93%, 0.73%

LAB 67.11, 55.08, -4.36

 

CMYK 0 / 46 / 25 / 0

HEX #FF8AC0

RGB 255 138 192

HSL 332.31, 1%, 0.77%

LAB 71.72, 50.44, -8.1

 

CMYK 0 / 39 / 17 / 0

HEX #FF9CD3

RGB 255 156 211

HSL 326.67, 1%, 0.81%

LAB 75.91, 44.1, -12.33

 

CMYK 0 / 32 / 10 / 0

HEX #FFAEE6

RGB 255 174 230

HSL 318.52, 1%, 0.84%

LAB 80.32, 37.78, -16.04

 

CMYK 0 / 25 / 2 / 0

HEX #FFC0F9

RGB 255 192 249

HSL 305.71, 1%, 0.88%

LAB 84.89, 31.6, -19.31

 

CMYK 0 / 51 / 27 / 4

HEX #F578B2

RGB 245 120 178

HSL 332.16, 0.86%, 0.72%

LAB 66.57, 54.12, -8.06

 

CMYK 0 / 55 / 30 / 11

HEX #E4669F

RGB 228 102 159

HSL 332.86, 0.7%, 0.65%

LAB 60.34, 54.81, -6.72

 

CMYK 0 / 60 / 34 / 17

HEX #D3548C

RGB 211 84 140

HSL 333.54, 0.59%, 0.58%

LAB 54.11, 55.37, -5.14

 

CMYK 0 / 66 / 38 / 24

HEX #C24279

RGB 194 66 121

HSL 334.22, 0.51%, 0.51%

LAB 47.94, 55.69, -3.19

 

CMYK 0 / 73 / 42 / 31

HEX #B13066

RGB 177 48 102

HSL 334.88, 0.57%, 0.44%

LAB 41.88, 55.59, -0.75

 

CMYK 0 / 50 / 27 / 4

HEX #F57AB3

RGB 245 122 179

HSL 332.2, 0.86%, 0.72%

LAB 66.97, 53.29, -8.03

 

CMYK 0 / 50 / 40 / 4

HEX #F57A92

RGB 245 122 146

HSL 348.29, 0.86%, 0.72%

LAB 66.06, 49.37, 9.35

 

CMYK 0 / 50 / 50 / 4

HEX #F57A7A

RGB 245 122 122

HSL 0, 0.86%, 0.72%

LAB 65.54, 47.05, 22.21

 

CMYK 0 / 50 / 27 / 4

HEX #F57AB3

RGB 245 122 179

HSL 332.2, 0.86%, 0.72%

LAB 66.97, 53.29, -8.03

 

CMYK 0 / 50 / 13 / 4

HEX #F57AD4

RGB 245 122 212

HSL 316.1, 0.86%, 0.72%

LAB 68.08, 57.98, -24.85

 

CMYK 0 / 50 / 0 / 4

HEX #F47AF5

RGB 244 122 245

HSL 299.51, 0.86%, 0.72%

LAB 69.29, 63.08, -41.24

 

CMYK 14 / 50 / 0 / 4

HEX #D37AF5

RGB 211 122 245

HSL 283.41, 0.86%, 0.72%

LAB 65.25, 54.24, -47.87

 

CMYK 27 / 50 / 0 / 4

HEX #B27AF5

RGB 178 122 245

HSL 267.32, 0.86%, 0.72%

LAB 61.63, 45.61, -53.82

 

CMYK 0 / 50 / 27 / 4

HEX #F57AB3

RGB 245 122 179

HSL 332.2, 0.86%, 0.72%

LAB 66.97, 53.29, -8.03

 

CMYK 0 / 50 / 27 / 4

HEX #F57AB3

RGB 245 122 179

HSL 332.2, 0.86%, 0.72%

LAB 66.97, 53.29, -8.03

 

CMYK 0 / 43 / 23 / 9

HEX #E985B4

RGB 233 133 180

HSL 331.8, 0.69%, 0.72%

LAB 67.57, 44.02, -7.86

 

CMYK 0 / 34 / 19 / 13

HEX #DD91B4

RGB 221 145 180

HSL 332.37, 0.53%, 0.72%

LAB 68.69, 33.62, -6.36

 

CMYK 0 / 26 / 14 / 18

HEX #D29CB5

RGB 210 156 181

HSL 332.22, 0.38%, 0.72%

LAB 70.05, 23.96, -5.04

 

CMYK 0 / 15 / 8 / 22

HEX #C6A8B6

RGB 198 168 182

HSL 332, 0.21%, 0.72%

LAB 71.82, 13.28, -3.12

 

CMYK 0 / 50 / 0 / 4

HEX #F57AF5

RGB 245 122 245

HSL 300, 0.86%, 0.72%

LAB 69.42, 63.35, -41.03

 

CMYK 0 / 50 / 13 / 4

HEX #F57AD4

RGB 245 122 212

HSL 316.1, 0.86%, 0.72%

LAB 68.08, 57.98, -24.85

 

CMYK 0 / 50 / 27 / 4

HEX #F57AB3

RGB 245 122 179

HSL 332.2, 0.86%, 0.72%

LAB 66.97, 53.29, -8.03

 

CMYK 0 / 50 / 40 / 4

HEX #F57A92

RGB 245 122 146

HSL 348.29, 0.86%, 0.72%

LAB 66.06, 49.37, 9.35

 

CMYK 0 / 47 / 50 / 4

HEX #F5827A

RGB 245 130 122

HSL 3.9, 0.86%, 0.72%

LAB 67.11, 43.08, 24.32

 

CMYK 0 / 81 / 44 / 6

HEX #EF2D87

RGB 239 45 135

HSL 332.16, 0.86%, 0.56%

LAB 54, 75.77, -1.79

 

CMYK 0 / 66 / 35 / 5

HEX #F2539D

RGB 242 83 157

HSL 332.08, 0.86%, 0.64%

LAB 59.43, 66.84, -6.68

 

CMYK 0 / 50 / 27 / 4

HEX #F57AB3

RGB 245 122 179

HSL 332.2, 0.86%, 0.72%

LAB 66.97, 53.29, -8.03

 

CMYK 0 / 35 / 19 / 3

HEX #F7A0C9

RGB 247 160 201

HSL 331.72, 0.84%, 0.8%

LAB 75.53, 37.85, -7.51

 

CMYK 0 / 21 / 11 / 2

HEX #FAC6DE

RGB 250 198 222

HSL 332.31, 0.84%, 0.88%

LAB 84.99, 22.18, -4.84

 

CMYK 0 / 51 / 27 / 4

HEX #F578B2

RGB 245 120 178

HSL 332.16, 0.86%, 0.72%

LAB 66.57, 54.12, -8.06

 

CMYK 0 / 13 / 50 / 4

HEX #F5D47A

RGB 245 212 122

HSL 43.9, 0.86%, 0.72%

LAB 85.96, 0.39, 48.44

 

CMYK 50 / 7 / 0 / 4

HEX #7AE4F5

RGB 122 228 245

HSL 188.29, 0.86%, 0.72%

LAB 85.11, -26.21, -17.73

 

CMYK 0 / 51 / 27 / 4

HEX #F578B2

RGB 245 120 178

HSL 332.16, 0.86%, 0.72%

LAB 66.57, 54.12, -8.06

 

CMYK 27 / 0 / 50 / 4

HEX #B3F57A

RGB 179 245 122

HSL 92.2, 0.86%, 0.72%

LAB 90, -40.84, 52.24

 

CMYK 50 / 27 / 0 / 4

HEX #7AB3F5

RGB 122 179 245

HSL 212.2, 0.86%, 0.72%

LAB 71.53, -0.66, -38.52

 

CMYK 0 / 51 / 27 / 4

HEX #F578B2

RGB 245 120 178

HSL 332.16, 0.86%, 0.72%

LAB 66.57, 54.12, -8.06

 

CMYK 0 / 13 / 50 / 4

HEX #F5D47A

RGB 245 212 122

HSL 43.9, 0.86%, 0.72%

LAB 85.96, 0.39, 48.44

 

CMYK 50 / 0 / 24 / 4

HEX #7AF5BB

RGB 122 245 187

HSL 151.71, 0.86%, 0.72%

LAB 88.46, -47.59, 17.52

 

CMYK 50 / 37 / 0 / 4

HEX #7A9AF5

RGB 122 154 245

HSL 224.39, 0.86%, 0.72%

LAB 64.84, 13.54, -49.03

 

CMYK 0 / 51 / 27 / 4

HEX #F578B2

RGB 245 120 178

HSL 332.16, 0.86%, 0.72%

LAB 66.57, 54.12, -8.06

 

CMYK 2 / 0 / 50 / 4

HEX #F0F57A

RGB 240 245 122

HSL 62.44, 0.86%, 0.72%

LAB 93.98, -18.07, 57.97

 

CMYK 50 / 0 / 24 / 4

HEX #7AF5BB

RGB 122 245 187

HSL 151.71, 0.86%, 0.72%

LAB 88.46, -47.59, 17.52

 

CMYK 49 / 50 / 0 / 4

HEX #7E7AF5

RGB 126 122 245

HSL 241.95, 0.86%, 0.72%

LAB 57.02, 33.24, -61.45

 

Description

Color code: HEX #F578B2 | qconv.com Color code: HEX #F578B2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 245 red, 120 green and 178 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
245 120 178 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 51 magenta, 27 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 51% 27% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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