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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F58665 it is the complementary color #0A799A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F58665. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F58665 shade: #FA8660, #FF9873, #FFAA86, #FFBC99 and #FFCEAC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F58665. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F58665 shade: #F58665, #E47452, #D3623F, #C2502C and #B13E19

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F58665 shade: #F58665 and #F56565

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F58665 shade: #F58665, #F5AD65, #F5D365, #EFF565 and #C8F565

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F58665 shade matches the following richer shades: #F58665

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F58665 shade: #F58665, #E88D72, #DA947F, #CD9B8D and #C0A39A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F58665 shade: #F56593, #F5656C, #F58465, #F5AB65 and #F5D165

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F58665 shade: #F04918, #F2683E, #F58665, #F7A48C and #FAC3B3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F58665 shade: #F58665, #B9F565 and #657FF5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F58665 shade: #F58665, #65F584 and #8465F5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F58665 shade: #F58665, #B9F565, #65D6F5 and #A165F5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F58665 shade: #F58665, #8EF565, #65D6F5 and #CC65F5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 45 / 59 / 4

HEX #F58665

RGB 245 134 101

HSL 13.75, 0.88%, 0.68%

LAB 67.58, 39.38, 36.46

 

Complementary color

CMYK 94 / 21 / 0 / 40

HEX #0A799A

RGB 10 121 154

HSL 193.75, 0.88%, 0.32%

LAB 47.07, -15.59, -25.6

 

CMYK 0 / 46 / 62 / 2

HEX #FA8660

RGB 250 134 96

HSL 14.81, 0.94%, 0.68%

LAB 68.18, 40.94, 40.03

 

CMYK 0 / 40 / 55 / 0

HEX #FF9873

RGB 255 152 115

HSL 15.86, 1%, 0.73%

LAB 72.86, 35.05, 35.91

 

CMYK 0 / 33 / 47 / 0

HEX #FFAA86

RGB 255 170 134

HSL 17.85, 1%, 0.76%

LAB 77.12, 27.34, 31.31

 

CMYK 0 / 26 / 40 / 0

HEX #FFBC99

RGB 255 188 153

HSL 20.59, 1%, 0.8%

LAB 81.58, 19.85, 27.18

 

CMYK 0 / 19 / 33 / 0

HEX #FFCEAC

RGB 255 206 172

HSL 24.58, 1%, 0.84%

LAB 86.2, 12.65, 23.46

 

CMYK 0 / 45 / 59 / 4

HEX #F58665

RGB 245 134 101

HSL 13.75, 0.88%, 0.68%

LAB 67.58, 39.38, 36.46

 

CMYK 0 / 49 / 64 / 11

HEX #E47452

RGB 228 116 82

HSL 13.97, 0.73%, 0.61%

LAB 61.3, 40.75, 38.47

 

CMYK 0 / 54 / 70 / 17

HEX #D3623F

RGB 211 98 63

HSL 14.19, 0.63%, 0.54%

LAB 55.01, 42.21, 40.68

 

CMYK 0 / 59 / 77 / 24

HEX #C2502C

RGB 194 80 44

HSL 14.4, 0.63%, 0.47%

LAB 48.75, 43.7, 43.04

 

CMYK 0 / 65 / 86 / 31

HEX #B13E19

RGB 177 62 25

HSL 14.61, 0.75%, 0.4%

LAB 42.56, 45.15, 45.3

 

CMYK 0 / 45 / 59 / 4

HEX #F58665

RGB 245 134 101

HSL 13.75, 0.88%, 0.68%

LAB 67.58, 39.38, 36.46

 

CMYK 0 / 59 / 59 / 4

HEX #F56565

RGB 245 101 101

HSL 0, 0.88%, 0.68%

LAB 61.36, 55.27, 28.54

 

CMYK 0 / 45 / 59 / 4

HEX #F58665

RGB 245 134 101

HSL 13.75, 0.88%, 0.68%

LAB 67.58, 39.38, 36.46

 

CMYK 0 / 29 / 59 / 4

HEX #F5AD65

RGB 245 173 101

HSL 30, 0.88%, 0.68%

LAB 76.22, 19.04, 47.01

 

CMYK 0 / 14 / 59 / 4

HEX #F5D365

RGB 245 211 101

HSL 45.83, 0.88%, 0.68%

LAB 85.47, -0.75, 57.78

 

CMYK 2 / 0 / 59 / 4

HEX #EFF565

RGB 239 245 101

HSL 62.5, 0.88%, 0.68%

LAB 93.71, -20.07, 66.82

 

CMYK 18 / 0 / 59 / 4

HEX #C8F565

RGB 200 245 101

HSL 78.75, 0.88%, 0.68%

LAB 91.02, -35.2, 63.09

 

CMYK 0 / 45 / 59 / 4

HEX #F58665

RGB 245 134 101

HSL 13.75, 0.88%, 0.68%

LAB 67.58, 39.38, 36.46

 

CMYK 0 / 45 / 59 / 4

HEX #F58665

RGB 245 134 101

HSL 13.75, 0.88%, 0.68%

LAB 67.58, 39.38, 36.46

 

CMYK 0 / 39 / 51 / 9

HEX #E88D72

RGB 232 141 114

HSL 13.73, 0.72%, 0.68%

LAB 67.59, 31.8, 29.07

 

CMYK 0 / 32 / 42 / 15

HEX #DA947F

RGB 218 148 127

HSL 13.85, 0.55%, 0.68%

LAB 67.74, 23.89, 21.82

 

CMYK 0 / 24 / 31 / 20

HEX #CD9B8D

RGB 205 155 141

HSL 13.13, 0.39%, 0.68%

LAB 68.27, 16.7, 14.58

 

CMYK 0 / 15 / 20 / 25

HEX #C0A39A

RGB 192 163 154

HSL 14.21, 0.23%, 0.68%

LAB 69.28, 9.18, 8.61

 

CMYK 0 / 59 / 40 / 4

HEX #F56593

RGB 245 101 147

HSL 340.83, 0.88%, 0.68%

LAB 62.36, 59.24, 3.47

 

CMYK 0 / 59 / 56 / 4

HEX #F5656C

RGB 245 101 108

HSL 357.08, 0.88%, 0.68%

LAB 61.48, 55.77, 24.71

 

CMYK 0 / 46 / 59 / 4

HEX #F58465

RGB 245 132 101

HSL 12.92, 0.88%, 0.68%

LAB 67.17, 40.4, 35.95

 

CMYK 0 / 30 / 59 / 4

HEX #F5AB65

RGB 245 171 101

HSL 29.17, 0.88%, 0.68%

LAB 75.75, 20.1, 46.45

 

CMYK 0 / 15 / 59 / 4

HEX #F5D165

RGB 245 209 101

HSL 45, 0.88%, 0.68%

LAB 84.97, 0.28, 57.21

 

CMYK 0 / 70 / 90 / 6

HEX #F04918

RGB 240 73 24

HSL 13.61, 0.88%, 0.52%

LAB 55.44, 61.98, 60.53

 

CMYK 0 / 57 / 74 / 5

HEX #F2683E

RGB 242 104 62

HSL 14, 0.87%, 0.6%

LAB 60.89, 50.72, 49.01

 

CMYK 0 / 45 / 59 / 4

HEX #F58665

RGB 245 134 101

HSL 13.75, 0.88%, 0.68%

LAB 67.58, 39.38, 36.46

 

CMYK 0 / 34 / 43 / 3

HEX #F7A48C

RGB 247 164 140

HSL 13.46, 0.87%, 0.76%

LAB 74.96, 28, 25.05

 

CMYK 0 / 22 / 28 / 2

HEX #FAC3B3

RGB 250 195 179

HSL 13.52, 0.88%, 0.84%

LAB 83.24, 17.41, 15.57

 

CMYK 0 / 45 / 59 / 4

HEX #F58665

RGB 245 134 101

HSL 13.75, 0.88%, 0.68%

LAB 67.58, 39.38, 36.46

 

CMYK 24 / 0 / 59 / 4

HEX #B9F565

RGB 185 245 101

HSL 85, 0.88%, 0.68%

LAB 90.12, -40.73, 61.83

 

CMYK 59 / 48 / 0 / 4

HEX #657FF5

RGB 101 127 245

HSL 229.17, 0.88%, 0.68%

LAB 56.62, 25.26, -62.19

 

CMYK 0 / 45 / 59 / 4

HEX #F58665

RGB 245 134 101

HSL 13.75, 0.88%, 0.68%

LAB 67.58, 39.38, 36.46

 

CMYK 59 / 0 / 46 / 4

HEX #65F584

RGB 101 245 132

HSL 132.92, 0.88%, 0.68%

LAB 86.87, -62, 42.92

 

CMYK 46 / 59 / 0 / 4

HEX #8465F5

RGB 132 101 245

HSL 252.92, 0.88%, 0.68%

LAB 52.74, 46.6, -68.34

 

CMYK 0 / 45 / 59 / 4

HEX #F58665

RGB 245 134 101

HSL 13.75, 0.88%, 0.68%

LAB 67.58, 39.38, 36.46

 

CMYK 24 / 0 / 59 / 4

HEX #B9F565

RGB 185 245 101

HSL 85, 0.88%, 0.68%

LAB 90.12, -40.73, 61.83

 

CMYK 59 / 13 / 0 / 4

HEX #65D6F5

RGB 101 214 245

HSL 192.92, 0.88%, 0.68%

LAB 80.43, -23.4, -24.88

 

CMYK 34 / 59 / 0 / 4

HEX #A165F5

RGB 161 101 245

HSL 265, 0.88%, 0.68%

LAB 55.56, 52.75, -63.64

 

CMYK 0 / 45 / 59 / 4

HEX #F58665

RGB 245 134 101

HSL 13.75, 0.88%, 0.68%

LAB 67.58, 39.38, 36.46

 

CMYK 42 / 0 / 59 / 4

HEX #8EF565

RGB 142 245 101

HSL 102.92, 0.88%, 0.68%

LAB 87.97, -55.12, 58.82

 

CMYK 59 / 13 / 0 / 4

HEX #65D6F5

RGB 101 214 245

HSL 192.92, 0.88%, 0.68%

LAB 80.43, -23.4, -24.88

 

CMYK 17 / 59 / 0 / 4

HEX #CC65F5

RGB 204 101 245

HSL 282.92, 0.88%, 0.68%

LAB 60.55, 62.72, -55.37

 

Description

Color code: HEX #F58665 | qconv.com Color code: HEX #F58665 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 245 red, 134 green and 101 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
245 134 101 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 45 magenta, 59 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 45% 59% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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