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Color name
HEX #F5890F

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F5890F it is the complementary color #0A76F0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F5890F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F5890F shade: #FA890A, #FF9B1D, #FFAD30, #FFBF43 and #FFD156

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F5890F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F5890F shade: #F5890F, #E47700, #D36500, #C25300 and #B14100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F5890F shade: #F5890F, #F54B0F and #F50F0F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F5890F shade: #F5890F, #F5C70F, #E4F50F, #A6F50F and #68F50F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F5890F shade matches the following richer shades: #F5890F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F5890F shade: #F5890F, #E08723, #CC8637, #B8854B and #A4845F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F5890F shade: #F50F12, #F5480F, #F5850F, #F5C30F and #E9F50F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F5890F shade: #AA5D07, #D27308, #F5890F, #F69C36 and #F8B05E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F5890F shade: #F5890F, #50F50F and #290FF5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F5890F shade: #F5890F, #0FF585 and #850FF5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F5890F shade: #F5890F, #50F50F, #0F7EF5 and #B30FF5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F5890F shade: #F5890F, #0FF512, #0F7EF5 and #F50FF1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 44 / 94 / 4

HEX #F5890F

RGB 245 137 15

HSL 31.83, 0.92%, 0.51%

LAB 67.53, 34.47, 71.46

 

Complementary color

CMYK 96 / 51 / 0 / 6

HEX #0A76F0

RGB 10 118 240

HSL 211.83, 0.92%, 0.49%

LAB 51.05, 19.52, -68.54

 

CMYK 0 / 45 / 96 / 2

HEX #FA890A

RGB 250 137 10

HSL 31.75, 0.96%, 0.51%

LAB 68.2, 36.43, 73

 

CMYK 0 / 39 / 89 / 0

HEX #FF9B1D

RGB 255 155 29

HSL 33.45, 1%, 0.56%

LAB 72.75, 29.46, 72.89

 

CMYK 0 / 32 / 81 / 0

HEX #FFAD30

RGB 255 173 48

HSL 36.23, 1%, 0.59%

LAB 76.9, 20.53, 70.78

 

CMYK 0 / 25 / 74 / 0

HEX #FFBF43

RGB 255 191 67

HSL 39.57, 1%, 0.63%

LAB 81.25, 11.83, 68.01

 

CMYK 0 / 18 / 66 / 0

HEX #FFD156

RGB 255 209 86

HSL 43.67, 1%, 0.67%

LAB 85.77, 3.46, 64.95

 

CMYK 0 / 44 / 94 / 4

HEX #F5890F

RGB 245 137 15

HSL 31.83, 0.92%, 0.51%

LAB 67.53, 34.47, 71.46

 

CMYK 0 / 48 / 100 / 11

HEX #E47700

RGB 228 119 0

HSL 31.32, 1%, 0.45%

LAB 61.38, 36.69, 68.66

 

CMYK 0 / 52 / 100 / 17

HEX #D36500

RGB 211 101 0

HSL 28.72, 1%, 0.41%

LAB 55.23, 39.04, 63.72

 

CMYK 0 / 57 / 100 / 24

HEX #C25300

RGB 194 83 0

HSL 25.67, 1%, 0.38%

LAB 49.08, 41.31, 58.8

 

CMYK 0 / 63 / 100 / 31

HEX #B14100

RGB 177 65 0

HSL 22.03, 1%, 0.35%

LAB 42.96, 43.39, 53.93

 

CMYK 0 / 44 / 94 / 4

HEX #F5890F

RGB 245 137 15

HSL 31.83, 0.92%, 0.51%

LAB 67.53, 34.47, 71.46

 

CMYK 0 / 69 / 94 / 4

HEX #F54B0F

RGB 245 75 15

HSL 15.65, 0.92%, 0.51%

LAB 56.56, 62.72, 64.34

 

CMYK 0 / 94 / 94 / 4

HEX #F50F0F

RGB 245 15 15

HSL 0, 0.92%, 0.51%

LAB 51.6, 76.69, 61.48

 

CMYK 0 / 44 / 94 / 4

HEX #F5890F

RGB 245 137 15

HSL 31.83, 0.92%, 0.51%

LAB 67.53, 34.47, 71.46

 

CMYK 0 / 19 / 94 / 4

HEX #F5C70F

RGB 245 199 15

HSL 48, 0.92%, 0.51%

LAB 82, 2.1, 81.76

 

CMYK 7 / 0 / 94 / 4

HEX #E4F50F

RGB 228 245 15

HSL 64.43, 0.92%, 0.51%

LAB 92.5, -27.76, 89.01

 

CMYK 32 / 0 / 94 / 4

HEX #A6F50F

RGB 166 245 15

HSL 80.61, 0.92%, 0.51%

LAB 88.66, -51.67, 84.36

 

CMYK 58 / 0 / 94 / 4

HEX #68F50F

RGB 104 245 15

HSL 96.78, 0.92%, 0.51%

LAB 86.15, -70.51, 81.29

 

CMYK 0 / 44 / 94 / 4

HEX #F5890F

RGB 245 137 15

HSL 31.83, 0.92%, 0.51%

LAB 67.53, 34.47, 71.46

 

CMYK 0 / 44 / 94 / 4

HEX #F5890F

RGB 245 137 15

HSL 31.83, 0.92%, 0.51%

LAB 67.53, 34.47, 71.46

 

CMYK 0 / 40 / 84 / 12

HEX #E08723

RGB 224 135 35

HSL 31.75, 0.75%, 0.51%

LAB 64.4, 27.23, 62.84

 

CMYK 0 / 34 / 73 / 20

HEX #CC8637

RGB 204 134 55

HSL 31.81, 0.59%, 0.51%

LAB 61.79, 20.02, 51.64

 

CMYK 0 / 28 / 59 / 28

HEX #B8854B

RGB 184 133 75

HSL 31.93, 0.43%, 0.51%

LAB 59.41, 13.2, 38.57

 

CMYK 0 / 20 / 42 / 36

HEX #A4845F

RGB 164 132 95

HSL 32.17, 0.27%, 0.51%

LAB 57.29, 7.11, 24.6

 

CMYK 0 / 94 / 93 / 4

HEX #F50F12

RGB 245 15 18

HSL 359.22, 0.92%, 0.51%

LAB 51.61, 76.72, 60.53

 

CMYK 0 / 71 / 94 / 4

HEX #F5480F

RGB 245 72 15

HSL 14.87, 0.92%, 0.51%

LAB 56.17, 63.81, 64.1

 

CMYK 0 / 46 / 94 / 4

HEX #F5850F

RGB 245 133 15

HSL 30.78, 0.92%, 0.51%

LAB 66.69, 36.51, 70.89

 

CMYK 0 / 20 / 94 / 4

HEX #F5C30F

RGB 245 195 15

HSL 46.96, 0.92%, 0.51%

LAB 81, 4.16, 81.03

 

CMYK 5 / 0 / 94 / 4

HEX #E9F50F

RGB 233 245 15

HSL 63.13, 0.92%, 0.51%

LAB 92.87, -25.72, 89.44

 

CMYK 0 / 45 / 96 / 33

HEX #AA5D07

RGB 170 93 7

HSL 31.66, 0.92%, 0.35%

LAB 47.48, 26.37, 54.31

 

CMYK 0 / 45 / 96 / 18

HEX #D27308

RGB 210 115 8

HSL 31.78, 0.93%, 0.43%

LAB 58.02, 31.5, 63.92

 

CMYK 0 / 44 / 94 / 4

HEX #F5890F

RGB 245 137 15

HSL 31.83, 0.92%, 0.51%

LAB 67.53, 34.47, 71.46

 

CMYK 0 / 37 / 78 / 4

HEX #F69C36

RGB 246 156 54

HSL 31.88, 0.91%, 0.59%

LAB 71.98, 25.89, 63.78

 

CMYK 0 / 29 / 62 / 3

HEX #F8B05E

RGB 248 176 94

HSL 31.95, 0.92%, 0.67%

LAB 77.17, 18.21, 51.64

 

CMYK 0 / 44 / 94 / 4

HEX #F5890F

RGB 245 137 15

HSL 31.83, 0.92%, 0.51%

LAB 67.53, 34.47, 71.46

 

CMYK 67 / 0 / 94 / 4

HEX #50F50F

RGB 80 245 15

HSL 103.04, 0.92%, 0.51%

LAB 85.53, -75.69, 80.53

 

CMYK 83 / 94 / 0 / 4

HEX #290FF5

RGB 41 15 245

HSL 246.78, 0.92%, 0.51%

LAB 32.71, 74.84, -101.52

 

CMYK 0 / 44 / 94 / 4

HEX #F5890F

RGB 245 137 15

HSL 31.83, 0.92%, 0.51%

LAB 67.53, 34.47, 71.46

 

CMYK 94 / 0 / 46 / 4

HEX #0FF585

RGB 15 245 133

HSL 150.78, 0.92%, 0.51%

LAB 85.55, -72.38, 40.5

 

CMYK 46 / 94 / 0 / 4

HEX #850FF5

RGB 133 15 245

HSL 270.78, 0.92%, 0.51%

LAB 41.09, 79.85, -87.37

 

CMYK 0 / 44 / 94 / 4

HEX #F5890F

RGB 245 137 15

HSL 31.83, 0.92%, 0.51%

LAB 67.53, 34.47, 71.46

 

CMYK 67 / 0 / 94 / 4

HEX #50F50F

RGB 80 245 15

HSL 103.04, 0.92%, 0.51%

LAB 85.53, -75.69, 80.53

 

CMYK 94 / 49 / 0 / 4

HEX #0F7EF5

RGB 15 126 245

HSL 211.04, 0.92%, 0.51%

LAB 53.62, 16.57, -67.17

 

CMYK 27 / 94 / 0 / 4

HEX #B30FF5

RGB 179 15 245

HSL 282.78, 0.92%, 0.51%

LAB 47.65, 84.87, -76.36

 

CMYK 0 / 44 / 94 / 4

HEX #F5890F

RGB 245 137 15

HSL 31.83, 0.92%, 0.51%

LAB 67.53, 34.47, 71.46

 

CMYK 94 / 0 / 93 / 4

HEX #0FF512

RGB 15 245 18

HSL 120.78, 0.92%, 0.51%

LAB 84.72, -82.84, 79.2

 

CMYK 94 / 49 / 0 / 4

HEX #0F7EF5

RGB 15 126 245

HSL 211.04, 0.92%, 0.51%

LAB 53.62, 16.57, -67.17

 

CMYK 0 / 94 / 2 / 4

HEX #F50FF1

RGB 245 15 241

HSL 301.04, 0.92%, 0.51%

LAB 58.14, 93.8, -56.64

 

Description

Color code: HEX #F5890F | qconv.com Color code: HEX #F5890F | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 245 red, 137 green and 15 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
245 137 15 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 44 magenta, 94 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 44% 94% 4% C M Y K

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Provide designers and agencies with accurate color values.

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