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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F58356 it is the complementary color #0A7CA9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F58356. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F58356 shade: #FA8351, #FF9564, #FFA777, #FFB98A and #FFCB9D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F58356. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F58356 shade: #F58356, #E47143, #D35F30, #C24D1D and #B13B0A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F58356 shade: #F58356, #F55856 and #F55656

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F58356 shade: #F58356, #F5AE56, #F5D856, #E6F556 and #BBF556

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F58356 shade matches the following richer shades: #F58356

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F58356 shade: #F58356, #E68964, #D88F73, #C99681 and #BB9C90

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F58356 shade: #F55680, #F55656, #F58056, #F5AB56 and #F5D556

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F58356 shade: #EB4C0D, #F2662F, #F58356, #F79F7D and #F9BCA4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F58356 shade: #F58356, #ABF556 and #566BF5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F58356 shade: #F58356, #56F580 and #8056F5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F58356 shade: #F58356, #ABF556, #56CAF5 and #A056F5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F58356 shade: #F58356, #7BF556, #56CAF5 and #D056F5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 47 / 65 / 4

HEX #F58356

RGB 245 131 86

HSL 16.98, 0.89%, 0.65%

LAB 66.76, 39.92, 43.43

 

Complementary color

CMYK 94 / 27 / 0 / 34

HEX #0A7CA9

RGB 10 124 169

HSL 196.98, 0.89%, 0.35%

LAB 48.69, -11.71, -31.85

 

CMYK 0 / 48 / 68 / 2

HEX #FA8351

RGB 250 131 81

HSL 17.75, 0.94%, 0.65%

LAB 67.39, 41.55, 46.91

 

CMYK 0 / 42 / 61 / 0

HEX #FF9564

RGB 255 149 100

HSL 18.97, 1%, 0.7%

LAB 72.01, 35.49, 42.74

 

CMYK 0 / 35 / 53 / 0

HEX #FFA777

RGB 255 167 119

HSL 21.18, 1%, 0.73%

LAB 76.21, 27.59, 38.05

 

CMYK 0 / 27 / 46 / 0

HEX #FFB98A

RGB 255 185 138

HSL 24.1, 1%, 0.77%

LAB 80.62, 19.88, 33.8

 

CMYK 0 / 20 / 38 / 0

HEX #FFCB9D

RGB 255 203 157

HSL 28.16, 1%, 0.81%

LAB 85.2, 12.46, 29.95

 

CMYK 0 / 47 / 65 / 4

HEX #F58356

RGB 245 131 86

HSL 16.98, 0.89%, 0.65%

LAB 66.76, 39.92, 43.43

 

CMYK 0 / 50 / 71 / 11

HEX #E47143

RGB 228 113 67

HSL 17.14, 0.75%, 0.58%

LAB 60.52, 41.42, 45.47

 

CMYK 0 / 55 / 77 / 17

HEX #D35F30

RGB 211 95 48

HSL 17.3, 0.65%, 0.51%

LAB 54.29, 43.01, 47.57

 

CMYK 0 / 60 / 85 / 24

HEX #C24D1D

RGB 194 77 29

HSL 17.45, 0.74%, 0.44%

LAB 48.09, 44.63, 49.47

 

CMYK 0 / 67 / 94 / 31

HEX #B13B0A

RGB 177 59 10

HSL 17.6, 0.89%, 0.37%

LAB 42, 46.17, 50.42

 

CMYK 0 / 47 / 65 / 4

HEX #F58356

RGB 245 131 86

HSL 16.98, 0.89%, 0.65%

LAB 66.76, 39.92, 43.43

 

CMYK 0 / 64 / 65 / 4

HEX #F55856

RGB 245 88 86

HSL 0.75, 0.89%, 0.65%

LAB 59.03, 59.9, 34.09

 

CMYK 0 / 65 / 65 / 4

HEX #F55656

RGB 245 86 86

HSL 0, 0.89%, 0.65%

LAB 58.73, 60.71, 33.72

 

CMYK 0 / 47 / 65 / 4

HEX #F58356

RGB 245 131 86

HSL 16.98, 0.89%, 0.65%

LAB 66.76, 39.92, 43.43

 

CMYK 0 / 29 / 65 / 4

HEX #F5AE56

RGB 245 174 86

HSL 33.21, 0.89%, 0.65%

LAB 76.29, 17.53, 54.35

 

CMYK 0 / 12 / 65 / 4

HEX #F5D856

RGB 245 216 86

HSL 49.06, 0.89%, 0.65%

LAB 86.6, -4.25, 65.54

 

CMYK 6 / 0 / 65 / 4

HEX #E6F556

RGB 230 245 86

HSL 65.66, 0.89%, 0.65%

LAB 92.93, -24.6, 71.78

 

CMYK 24 / 0 / 65 / 4

HEX #BBF556

RGB 187 245 86

HSL 81.89, 0.89%, 0.65%

LAB 90.11, -41.16, 67.97

 

CMYK 0 / 47 / 65 / 4

HEX #F58356

RGB 245 131 86

HSL 16.98, 0.89%, 0.65%

LAB 66.76, 39.92, 43.43

 

CMYK 0 / 47 / 65 / 4

HEX #F58356

RGB 245 131 86

HSL 16.98, 0.89%, 0.65%

LAB 66.76, 39.92, 43.43

 

CMYK 0 / 40 / 57 / 10

HEX #E68964

RGB 230 137 100

HSL 17.08, 0.72%, 0.65%

LAB 66.24, 31.95, 34.9

 

CMYK 0 / 34 / 47 / 15

HEX #D88F73

RGB 216 143 115

HSL 16.63, 0.56%, 0.65%

LAB 66.12, 24.54, 26.23

 

CMYK 0 / 25 / 36 / 21

HEX #C99681

RGB 201 150 129

HSL 17.5, 0.4%, 0.65%

LAB 66.38, 16.33, 18.55

 

CMYK 0 / 17 / 23 / 27

HEX #BB9C90

RGB 187 156 144

HSL 16.74, 0.24%, 0.65%

LAB 66.79, 9.59, 10.56

 

CMYK 0 / 65 / 48 / 4

HEX #F55680

RGB 245 86 128

HSL 344.15, 0.89%, 0.65%

LAB 59.55, 63.71, 10.48

 

CMYK 0 / 65 / 65 / 4

HEX #F55656

RGB 245 86 86

HSL 0, 0.89%, 0.65%

LAB 58.73, 60.71, 33.72

 

CMYK 0 / 48 / 65 / 4

HEX #F58056

RGB 245 128 86

HSL 15.85, 0.89%, 0.65%

LAB 66.15, 41.43, 42.71

 

CMYK 0 / 30 / 65 / 4

HEX #F5AB56

RGB 245 171 86

HSL 32.08, 0.89%, 0.65%

LAB 75.58, 19.11, 53.56

 

CMYK 0 / 13 / 65 / 4

HEX #F5D556

RGB 245 213 86

HSL 47.92, 0.89%, 0.65%

LAB 85.84, -2.73, 64.74

 

CMYK 0 / 68 / 94 / 8

HEX #EB4C0D

RGB 235 76 13

HSL 17.03, 0.9%, 0.49%

LAB 54.93, 59.09, 62.93

 

CMYK 0 / 58 / 81 / 5

HEX #F2662F

RGB 242 102 47

HSL 16.92, 0.88%, 0.57%

LAB 60.41, 51.11, 55.64

 

CMYK 0 / 47 / 65 / 4

HEX #F58356

RGB 245 131 86

HSL 16.98, 0.89%, 0.65%

LAB 66.76, 39.92, 43.43

 

CMYK 0 / 36 / 49 / 3

HEX #F79F7D

RGB 247 159 125

HSL 16.72, 0.88%, 0.73%

LAB 73.58, 29.17, 31.29

 

CMYK 0 / 24 / 34 / 2

HEX #F9BCA4

RGB 249 188 164

HSL 16.94, 0.88%, 0.81%

LAB 81.17, 18.82, 20.68

 

CMYK 0 / 47 / 65 / 4

HEX #F58356

RGB 245 131 86

HSL 16.98, 0.89%, 0.65%

LAB 66.76, 39.92, 43.43

 

CMYK 30 / 0 / 65 / 4

HEX #ABF556

RGB 171 245 86

HSL 87.92, 0.89%, 0.65%

LAB 89.22, -46.9, 66.76

 

CMYK 65 / 56 / 0 / 4

HEX #566BF5

RGB 86 107 245

HSL 232.08, 0.89%, 0.65%

LAB 50.79, 34.92, -71.65

 

CMYK 0 / 47 / 65 / 4

HEX #F58356

RGB 245 131 86

HSL 16.98, 0.89%, 0.65%

LAB 66.76, 39.92, 43.43

 

CMYK 65 / 0 / 48 / 4

HEX #56F580

RGB 86 245 128

HSL 135.85, 0.89%, 0.65%

LAB 86.43, -65.59, 44.21

 

CMYK 48 / 65 / 0 / 4

HEX #8056F5

RGB 128 86 245

HSL 255.85, 0.89%, 0.65%

LAB 49.3, 54.03, -73.94

 

CMYK 0 / 47 / 65 / 4

HEX #F58356

RGB 245 131 86

HSL 16.98, 0.89%, 0.65%

LAB 66.76, 39.92, 43.43

 

CMYK 30 / 0 / 65 / 4

HEX #ABF556

RGB 171 245 86

HSL 87.92, 0.89%, 0.65%

LAB 89.22, -46.9, 66.76

 

CMYK 65 / 18 / 0 / 4

HEX #56CAF5

RGB 86 202 245

HSL 196.23, 0.89%, 0.65%

LAB 76.57, -19.85, -30.85

 

CMYK 35 / 65 / 0 / 4

HEX #A056F5

RGB 160 86 245

HSL 267.92, 0.89%, 0.65%

LAB 52.64, 60.12, -68.35

 

CMYK 0 / 47 / 65 / 4

HEX #F58356

RGB 245 131 86

HSL 16.98, 0.89%, 0.65%

LAB 66.76, 39.92, 43.43

 

CMYK 50 / 0 / 65 / 4

HEX #7BF556

RGB 123 245 86

HSL 106.04, 0.89%, 0.65%

LAB 87.09, -62, 63.84

 

CMYK 65 / 18 / 0 / 4

HEX #56CAF5

RGB 86 202 245

HSL 196.23, 0.89%, 0.65%

LAB 76.57, -19.85, -30.85

 

CMYK 15 / 65 / 0 / 4

HEX #D056F5

RGB 208 86 245

HSL 286.04, 0.89%, 0.65%

LAB 58.66, 70.26, -58.36

 

Description

Color code: HEX #F58356 | qconv.com Color code: HEX #F58356 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 245 red, 131 green and 86 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
245 131 86 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 47 magenta, 65 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 47% 65% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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