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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F58E7E it is the complementary color #0A7181. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F58E7E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F58E7E shade: #FA8E79, #FFA08C, #FFB29F, #FFC4B2 and #FFD6C5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F58E7E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F58E7E shade: #F58E7E, #E47C6B, #D36A58, #C25845 and #B14632

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F58E7E shade: #F58E7E and #F57E7E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F58E7E shade: #F58E7E, #F5AE7E, #F5CE7E, #F5EE7E and #DCF57E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F58E7E shade matches the following richer shades: #F58E7E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F58E7E shade: #F58E7E, #EA978A, #DF9F95, #D3A7A0 and #C8AFAB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F58E7E shade: #F57EAE, #F57E8E, #F58E7E, #F5AE7E and #F5CD7E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F58E7E shade: #EF4B32, #F26D58, #F58E7E, #F8B0A5 and #FBD2CB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F58E7E shade: #F58E7E, #CDF57E and #7E9EF5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F58E7E shade: #F58E7E, #7EF58E and #8E7EF5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F58E7E shade: #F58E7E, #CDF57E, #7EE5F5 and #A67EF5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F58E7E shade: #F58E7E, #AAF57E, #7EE5F5 and #C97EF5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 42 / 49 / 4

HEX #F58E7E

RGB 245 142 126

HSL 8.07, 0.86%, 0.73%

LAB 69.66, 37.34, 25.52

 

Complementary color

CMYK 92 / 12 / 0 / 49

HEX #0A7181

RGB 10 113 129

HSL 188.07, 0.86%, 0.27%

LAB 43.45, -20.26, -16.34

 

CMYK 0 / 43 / 52 / 2

HEX #FA8E79

RGB 250 142 121

HSL 9.77, 0.93%, 0.73%

LAB 70.21, 38.77, 29.11

 

CMYK 0 / 37 / 45 / 0

HEX #FFA08C

RGB 255 160 140

HSL 10.43, 1%, 0.77%

LAB 75.01, 33.13, 25.28

 

CMYK 0 / 30 / 38 / 0

HEX #FFB29F

RGB 255 178 159

HSL 11.88, 1%, 0.81%

LAB 79.39, 25.76, 20.99

 

CMYK 0 / 23 / 30 / 0

HEX #FFC4B2

RGB 255 196 178

HSL 14.03, 1%, 0.85%

LAB 83.94, 18.62, 17.17

 

CMYK 0 / 16 / 23 / 0

HEX #FFD6C5

RGB 255 214 197

HSL 17.59, 1%, 0.89%

LAB 88.63, 11.79, 13.73

 

CMYK 0 / 42 / 49 / 4

HEX #F58E7E

RGB 245 142 126

HSL 8.07, 0.86%, 0.73%

LAB 69.66, 37.34, 25.52

 

CMYK 0 / 46 / 53 / 11

HEX #E47C6B

RGB 228 124 107

HSL 8.43, 0.69%, 0.66%

LAB 63.32, 38.51, 27.25

 

CMYK 0 / 50 / 58 / 17

HEX #D36A58

RGB 211 106 88

HSL 8.78, 0.58%, 0.59%

LAB 56.94, 39.77, 29.21

 

CMYK 0 / 55 / 64 / 24

HEX #C25845

RGB 194 88 69

HSL 9.12, 0.51%, 0.52%

LAB 50.54, 41.09, 31.45

 

CMYK 0 / 60 / 72 / 31

HEX #B14632

RGB 177 70 50

HSL 9.45, 0.56%, 0.45%

LAB 44.17, 42.41, 34.04

 

CMYK 0 / 42 / 49 / 4

HEX #F58E7E

RGB 245 142 126

HSL 8.07, 0.86%, 0.73%

LAB 69.66, 37.34, 25.52

 

CMYK 0 / 49 / 49 / 4

HEX #F57E7E

RGB 245 126 126

HSL 0, 0.86%, 0.73%

LAB 66.4, 45.44, 21.12

 

CMYK 0 / 42 / 49 / 4

HEX #F58E7E

RGB 245 142 126

HSL 8.07, 0.86%, 0.73%

LAB 69.66, 37.34, 25.52

 

CMYK 0 / 29 / 49 / 4

HEX #F5AE7E

RGB 245 174 126

HSL 24.2, 0.86%, 0.73%

LAB 76.79, 20.58, 34.9

 

CMYK 0 / 16 / 49 / 4

HEX #F5CE7E

RGB 245 206 126

HSL 40.34, 0.86%, 0.73%

LAB 84.52, 3.83, 44.7

 

CMYK 0 / 3 / 49 / 4

HEX #F5EE7E

RGB 245 238 126

HSL 56.47, 0.86%, 0.73%

LAB 92.6, -12.34, 54.58

 

CMYK 10 / 0 / 49 / 4

HEX #DCF57E

RGB 220 245 126

HSL 72.61, 0.86%, 0.73%

LAB 92.59, -25.43, 54.11

 

CMYK 0 / 42 / 49 / 4

HEX #F58E7E

RGB 245 142 126

HSL 8.07, 0.86%, 0.73%

LAB 69.66, 37.34, 25.52

 

CMYK 0 / 42 / 49 / 4

HEX #F58E7E

RGB 245 142 126

HSL 8.07, 0.86%, 0.73%

LAB 69.66, 37.34, 25.52

 

CMYK 0 / 35 / 41 / 8

HEX #EA978A

RGB 234 151 138

HSL 8.13, 0.7%, 0.73%

LAB 70.5, 29.68, 19.82

 

CMYK 0 / 29 / 33 / 13

HEX #DF9F95

RGB 223 159 149

HSL 8.11, 0.54%, 0.73%

LAB 71.32, 22.5, 14.7

 

CMYK 0 / 21 / 24 / 17

HEX #D3A7A0

RGB 211 167 160

HSL 8.24, 0.37%, 0.73%

LAB 72.24, 15.1, 9.78

 

CMYK 0 / 13 / 15 / 22

HEX #C8AFAB

RGB 200 175 171

HSL 8.28, 0.21%, 0.73%

LAB 73.47, 8.35, 5.35

 

CMYK 0 / 49 / 29 / 4

HEX #F57EAE

RGB 245 126 174

HSL 335.8, 0.86%, 0.73%

LAB 67.57, 50.7, -4.32

 

CMYK 0 / 49 / 42 / 4

HEX #F57E8E

RGB 245 126 142

HSL 351.93, 0.86%, 0.73%

LAB 66.74, 46.99, 12.57

 

CMYK 0 / 42 / 49 / 4

HEX #F58E7E

RGB 245 142 126

HSL 8.07, 0.86%, 0.73%

LAB 69.66, 37.34, 25.52

 

CMYK 0 / 29 / 49 / 4

HEX #F5AE7E

RGB 245 174 126

HSL 24.2, 0.86%, 0.73%

LAB 76.79, 20.58, 34.9

 

CMYK 0 / 16 / 49 / 4

HEX #F5CD7E

RGB 245 205 126

HSL 39.83, 0.86%, 0.73%

LAB 84.27, 4.35, 44.39

 

CMYK 0 / 69 / 79 / 6

HEX #EF4B32

RGB 239 75 50

HSL 7.94, 0.86%, 0.57%

LAB 55.7, 61.51, 49.52

 

CMYK 0 / 55 / 64 / 5

HEX #F26D58

RGB 242 109 88

HSL 8.18, 0.86%, 0.65%

LAB 62.1, 49.71, 36.65

 

CMYK 0 / 42 / 49 / 4

HEX #F58E7E

RGB 245 142 126

HSL 8.07, 0.86%, 0.73%

LAB 69.66, 37.34, 25.52

 

CMYK 0 / 29 / 33 / 3

HEX #F8B0A5

RGB 248 176 165

HSL 7.95, 0.86%, 0.81%

LAB 78.3, 24.89, 16.14

 

CMYK 0 / 16 / 19 / 2

HEX #FBD2CB

RGB 251 210 203

HSL 8.75, 0.86%, 0.89%

LAB 87.44, 13.29, 8.83

 

CMYK 0 / 42 / 49 / 4

HEX #F58E7E

RGB 245 142 126

HSL 8.07, 0.86%, 0.73%

LAB 69.66, 37.34, 25.52

 

CMYK 16 / 0 / 49 / 4

HEX #CDF57E

RGB 205 245 126

HSL 80.17, 0.86%, 0.73%

LAB 91.59, -31.07, 52.68

 

CMYK 49 / 36 / 0 / 4

HEX #7E9EF5

RGB 126 158 245

HSL 223.87, 0.86%, 0.73%

LAB 66.12, 12.13, -46.98

 

CMYK 0 / 42 / 49 / 4

HEX #F58E7E

RGB 245 142 126

HSL 8.07, 0.86%, 0.73%

LAB 69.66, 37.34, 25.52

 

CMYK 49 / 0 / 42 / 4

HEX #7EF58E

RGB 126 245 142

HSL 128.07, 0.86%, 0.73%

LAB 87.82, -54.54, 39.44

 

CMYK 42 / 49 / 0 / 4

HEX #8E7EF5

RGB 142 126 245

HSL 248.07, 0.86%, 0.73%

LAB 59.22, 34.5, -57.87

 

CMYK 0 / 42 / 49 / 4

HEX #F58E7E

RGB 245 142 126

HSL 8.07, 0.86%, 0.73%

LAB 69.66, 37.34, 25.52

 

CMYK 16 / 0 / 49 / 4

HEX #CDF57E

RGB 205 245 126

HSL 80.17, 0.86%, 0.73%

LAB 91.59, -31.07, 52.68

 

CMYK 49 / 7 / 0 / 4

HEX #7EE5F5

RGB 126 229 245

HSL 188.07, 0.86%, 0.73%

LAB 85.54, -25.85, -17.07

 

CMYK 32 / 49 / 0 / 4

HEX #A67EF5

RGB 166 126 245

HSL 260.17, 0.86%, 0.73%

LAB 61.33, 40.35, -54.39

 

CMYK 0 / 42 / 49 / 4

HEX #F58E7E

RGB 245 142 126

HSL 8.07, 0.86%, 0.73%

LAB 69.66, 37.34, 25.52

 

CMYK 31 / 0 / 49 / 4

HEX #AAF57E

RGB 170 245 126

HSL 97.82, 0.86%, 0.73%

LAB 89.56, -43.47, 49.74

 

CMYK 49 / 7 / 0 / 4

HEX #7EE5F5

RGB 126 229 245

HSL 188.07, 0.86%, 0.73%

LAB 85.54, -25.85, -17.07

 

CMYK 18 / 49 / 0 / 4

HEX #C97EF5

RGB 201 126 245

HSL 277.82, 0.86%, 0.73%

LAB 64.91, 49.51, -48.48

 

Description

Color code: HEX #F58E7E | qconv.com Color code: HEX #F58E7E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 245 red, 142 green and 126 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
245 142 126 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 42 magenta, 49 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 42% 49% 4% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

25% - flatcolor.png (1900x...
Link: http://i0.wp.com

Verification of their color palette as a manufacturer!

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