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Color name
HEX #F594DC

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F594DC it is the complementary color #0A6B23. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F594DC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F594DC shade: #FA94D7, #FFA6EA, #FFB8FD, #FFCAFF and #FFDCFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F594DC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F594DC shade: #F594DC, #E482C9, #D370B6, #C25EA3 and #B14C90

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F594DC shade: #F593DB, #F593C1, #F593A7 and #F59393

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F594DC shade: #F593DB, #F393F5, #D993F5, #BF93F5 and #A593F5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F594DC shade matches the following richer shades: #F593DB and #FE8AE0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F594DC shade: #F593DB, #EB9DD7, #E2A6D2, #D8B0CE and #CFB9C9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F594DC shade: #D993F5, #F393F5, #F593DC, #F593C2 and #F593A8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F594DC shade: #EE48C3, #F16DCF, #F593DB, #F8B9E8 and #FCDFF4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F594DC shade: #F594DC, #F5BF93 and #93F5E6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F594DC shade: #F594DC, #DCF593 and #93DCF5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F594DC shade: #F594DC, #F5BF93, #93F5AC and #93C9F5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F594DC shade: #F594DC, #F5DC93, #93F5AC and #93ACF5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 40 / 10 / 4

HEX #F594DC

RGB 245 148 220

HSL 315.46, 0.83%, 0.77%

LAB 73.39, 46.38, -21.18

 

Complementary color

CMYK 91 / 0 / 67 / 58

HEX #0A6B23

RGB 10 107 35

HSL 135.46, 0.83%, 0.23%

LAB 39.07, -41.83, 32.25

 

CMYK 0 / 41 / 14 / 2

HEX #FA94D7

RGB 250 148 215

HSL 320.59, 0.91%, 0.78%

LAB 73.81, 47.17, -17.74

 

CMYK 0 / 35 / 8 / 0

HEX #FFA6EA

RGB 255 166 234

HSL 314.16, 1%, 0.83%

LAB 78.74, 42.6, -20.59

 

CMYK 0 / 28 / 1 / 0

HEX #FFB8FD

RGB 255 184 253

HSL 301.69, 1%, 0.86%

LAB 83.25, 36.51, -23.94

 

CMYK 0 / 21 / 0 / 0

HEX #FFCAFF

RGB 255 202 255

HSL 300, 1%, 0.9%

LAB 87.35, 27.42, -18.79

 

CMYK 0 / 14 / 0 / 0

HEX #FFDCFF

RGB 255 220 255

HSL 300, 1%, 0.93%

LAB 91.53, 17.99, -12.51

 

CMYK 0 / 40 / 10 / 4

HEX #F594DC

RGB 245 148 220

HSL 315.46, 0.83%, 0.77%

LAB 73.39, 46.38, -21.18

 

CMYK 0 / 43 / 12 / 11

HEX #E482C9

RGB 228 130 201

HSL 316.53, 0.64%, 0.7%

LAB 67.03, 47.12, -20.51

 

CMYK 0 / 47 / 14 / 17

HEX #D370B6

RGB 211 112 182

HSL 317.58, 0.53%, 0.63%

LAB 60.62, 47.85, -19.75

 

CMYK 0 / 52 / 16 / 24

HEX #C25EA3

RGB 194 94 163

HSL 318.6, 0.45%, 0.56%

LAB 54.15, 48.55, -18.85

 

CMYK 0 / 57 / 19 / 31

HEX #B14C90

RGB 177 76 144

HSL 319.6, 0.4%, 0.5%

LAB 47.66, 49.13, -17.75

 

CMYK 0 / 40 / 11 / 4

HEX #F593DB

RGB 245 147 219

HSL 315.92, 0.83%, 0.77%

LAB 73.15, 46.72, -20.99

 

CMYK 0 / 40 / 21 / 4

HEX #F593C1

RGB 245 147 193

HSL 331.84, 0.83%, 0.77%

LAB 72.32, 42.73, -7.9

 

CMYK 0 / 40 / 32 / 4

HEX #F593A7

RGB 245 147 167

HSL 347.76, 0.83%, 0.77%

LAB 71.6, 39.22, 5.48

 

CMYK 0 / 40 / 40 / 4

HEX #F59393

RGB 245 147 147

HSL 0, 0.83%, 0.77%

LAB 71.14, 36.88, 15.93

 

CMYK 0 / 40 / 11 / 4

HEX #F593DB

RGB 245 147 219

HSL 315.92, 0.83%, 0.77%

LAB 73.15, 46.72, -20.99

 

CMYK 1 / 40 / 0 / 4

HEX #F393F5

RGB 243 147 245

HSL 298.78, 0.83%, 0.77%

LAB 73.88, 50.56, -34.11

 

CMYK 11 / 40 / 0 / 4

HEX #D993F5

RGB 217 147 245

HSL 282.86, 0.83%, 0.77%

LAB 71.02, 42.92, -38.78

 

CMYK 22 / 40 / 0 / 4

HEX #BF93F5

RGB 191 147 245

HSL 266.94, 0.83%, 0.77%

LAB 68.41, 35.42, -43.04

 

CMYK 33 / 40 / 0 / 4

HEX #A593F5

RGB 165 147 245

HSL 251.02, 0.83%, 0.77%

LAB 66.1, 28.24, -46.83

 

CMYK 0 / 40 / 11 / 4

HEX #F593DB

RGB 245 147 219

HSL 315.92, 0.83%, 0.77%

LAB 73.15, 46.72, -20.99

 

CMYK 0 / 46 / 12 / 0

HEX #FE8AE0

RGB 254 138 224

HSL 315.52, 0.98%, 0.77%

LAB 72.65, 54.81, -24.41

 

CMYK 0 / 40 / 11 / 4

HEX #F593DB

RGB 245 147 219

HSL 315.92, 0.83%, 0.77%

LAB 73.15, 46.72, -20.99

 

CMYK 0 / 33 / 9 / 8

HEX #EB9DD7

RGB 235 157 215

HSL 315.38, 0.66%, 0.77%

LAB 73.99, 37.64, -17.64

 

CMYK 0 / 27 / 7 / 11

HEX #E2A6D2

RGB 226 166 210

HSL 316, 0.51%, 0.77%

LAB 74.88, 29, -13.64

 

CMYK 0 / 19 / 5 / 15

HEX #D8B0CE

RGB 216 176 206

HSL 315, 0.34%, 0.77%

LAB 76.13, 19.49, -9.69

 

CMYK 0 / 11 / 3 / 19

HEX #CFB9C9

RGB 207 185 201

HSL 316.36, 0.19%, 0.77%

LAB 77.39, 10.61, -5.2

 

CMYK 11 / 40 / 0 / 4

HEX #D993F5

RGB 217 147 245

HSL 282.86, 0.83%, 0.77%

LAB 71.02, 42.92, -38.78

 

CMYK 1 / 40 / 0 / 4

HEX #F393F5

RGB 243 147 245

HSL 298.78, 0.83%, 0.77%

LAB 73.88, 50.56, -34.11

 

CMYK 0 / 40 / 10 / 4

HEX #F593DC

RGB 245 147 220

HSL 315.31, 0.83%, 0.77%

LAB 73.19, 46.89, -21.49

 

CMYK 0 / 40 / 21 / 4

HEX #F593C2

RGB 245 147 194

HSL 331.22, 0.83%, 0.77%

LAB 72.35, 42.88, -8.41

 

CMYK 0 / 40 / 31 / 4

HEX #F593A8

RGB 245 147 168

HSL 347.14, 0.83%, 0.77%

LAB 71.63, 39.35, 4.97

 

CMYK 0 / 70 / 18 / 7

HEX #EE48C3

RGB 238 72 195

HSL 315.54, 0.83%, 0.61%

LAB 58.74, 74.41, -29.73

 

CMYK 0 / 55 / 14 / 5

HEX #F16DCF

RGB 241 109 207

HSL 315.45, 0.83%, 0.69%

LAB 65.08, 62.1, -26.72

 

CMYK 0 / 40 / 11 / 4

HEX #F593DB

RGB 245 147 219

HSL 315.92, 0.83%, 0.77%

LAB 73.15, 46.72, -20.99

 

CMYK 0 / 25 / 6 / 3

HEX #F8B9E8

RGB 248 185 232

HSL 315.24, 0.82%, 0.85%

LAB 82.1, 30.04, -14.51

 

CMYK 0 / 12 / 3 / 1

HEX #FCDFF4

RGB 252 223 244

HSL 316.55, 0.83%, 0.93%

LAB 91.69, 13.48, -6.55

 

CMYK 0 / 40 / 10 / 4

HEX #F594DC

RGB 245 148 220

HSL 315.46, 0.83%, 0.77%

LAB 73.39, 46.38, -21.18

 

CMYK 0 / 22 / 40 / 4

HEX #F5BF93

RGB 245 191 147

HSL 26.94, 0.83%, 0.77%

LAB 81.17, 13.75, 29.62

 

CMYK 40 / 0 / 6 / 4

HEX #93F5E6

RGB 147 245 230

HSL 170.82, 0.83%, 0.77%

LAB 90.42, -32.28, -1.86

 

CMYK 0 / 40 / 10 / 4

HEX #F594DC

RGB 245 148 220

HSL 315.46, 0.83%, 0.77%

LAB 73.39, 46.38, -21.18

 

CMYK 10 / 0 / 40 / 4

HEX #DCF593

RGB 220 245 147

HSL 75.31, 0.83%, 0.77%

LAB 92.85, -23.24, 44.44

 

CMYK 40 / 10 / 0 / 4

HEX #93DCF5

RGB 147 220 245

HSL 195.31, 0.83%, 0.77%

LAB 83.96, -16.46, -19.36

 

CMYK 0 / 40 / 10 / 4

HEX #F594DC

RGB 245 148 220

HSL 315.46, 0.83%, 0.77%

LAB 73.39, 46.38, -21.18

 

CMYK 0 / 22 / 40 / 4

HEX #F5BF93

RGB 245 191 147

HSL 26.94, 0.83%, 0.77%

LAB 81.17, 13.75, 29.62

 

CMYK 40 / 0 / 30 / 4

HEX #93F5AC

RGB 147 245 172

HSL 135.31, 0.83%, 0.77%

LAB 89.15, -43.96, 26.32

 

CMYK 40 / 18 / 0 / 4

HEX #93C9F5

RGB 147 201 245

HSL 206.94, 0.83%, 0.77%

LAB 78.79, -6.58, -27.22

 

CMYK 0 / 40 / 10 / 4

HEX #F594DC

RGB 245 148 220

HSL 315.46, 0.83%, 0.77%

LAB 73.39, 46.38, -21.18

 

CMYK 0 / 10 / 40 / 4

HEX #F5DC93

RGB 245 220 147

HSL 44.69, 0.83%, 0.77%

LAB 88.31, -1.28, 39

 

CMYK 40 / 0 / 30 / 4

HEX #93F5AC

RGB 147 245 172

HSL 135.31, 0.83%, 0.77%

LAB 89.15, -43.96, 26.32

 

CMYK 40 / 30 / 0 / 4

HEX #93ACF5

RGB 147 172 245

HSL 224.69, 0.83%, 0.77%

LAB 71.08, 9.29, -39.13

 

Description

Color code: HEX #F594DC | qconv.com Color code: HEX #F594DC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 245 red, 148 green and 220 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
245 148 220 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 40 magenta, 10 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 40% 10% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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