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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F59913 it is the complementary color #0A66EC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F59913. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F59913 shade: #FA990E, #FFAB21, #FFBD34, #FFCF47 and #FFE15A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F59913. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F59913 shade: #F59913, #E48700, #D37500, #C26300 and #B15100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F59913 shade: #F59913, #F55C13, #F52013 and #F51313

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F59913 shade: #F59913, #F5D613, #D7F513, #9AF513 and #5DF513

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F59913 shade matches the following richer shades: #F59913

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F59913 shade: #F59913, #E19527, #CD923B, #B98E4F and #A58A63

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F59913 shade: #F51F13, #F55B13, #F59713, #F5D313 and #DAF513

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F59913 shade: #AF6A07, #D68308, #F59913, #F6AA3B and #F8BB63

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F59913 shade: #F59913, #44F513 and #3D13F5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F59913 shade: #F59913, #13F597 and #9713F5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F59913 shade: #F59913, #44F513, #1371F5 and #C413F5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F59913 shade: #F59913, #13F526, #1371F5 and #F513E2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 38 / 92 / 4

HEX #F59913

RGB 245 153 19

HSL 35.58, 0.92%, 0.52%

LAB 71.04, 26.21, 73.21

 

Complementary color

CMYK 96 / 57 / 0 / 7

HEX #0A66EC

RGB 10 102 236

HSL 215.58, 0.92%, 0.48%

LAB 46.48, 28.18, -73.74

 

CMYK 0 / 39 / 94 / 2

HEX #FA990E

RGB 250 153 14

HSL 35.34, 0.96%, 0.52%

LAB 71.65, 28.23, 74.76

 

CMYK 0 / 33 / 87 / 0

HEX #FFAB21

RGB 255 171 33

HSL 37.3, 1%, 0.56%

LAB 76.37, 21.2, 74.7

 

CMYK 0 / 26 / 80 / 0

HEX #FFBD34

RGB 255 189 52

HSL 40.49, 1%, 0.6%

LAB 80.68, 12.31, 72.82

 

CMYK 0 / 19 / 72 / 0

HEX #FFCF47

RGB 255 207 71

HSL 44.35, 1%, 0.64%

LAB 85.17, 3.74, 70.32

 

CMYK 0 / 12 / 65 / 0

HEX #FFE15A

RGB 255 225 90

HSL 49.09, 1%, 0.68%

LAB 89.79, -4.43, 67.54

 

CMYK 0 / 38 / 92 / 4

HEX #F59913

RGB 245 153 19

HSL 35.58, 0.92%, 0.52%

LAB 71.04, 26.21, 73.21

 

CMYK 0 / 41 / 100 / 11

HEX #E48700

RGB 228 135 0

HSL 35.53, 1%, 0.45%

LAB 64.82, 28.37, 70.79

 

CMYK 0 / 45 / 100 / 17

HEX #D37500

RGB 211 117 0

HSL 33.27, 1%, 0.41%

LAB 58.58, 30.77, 65.74

 

CMYK 0 / 49 / 100 / 24

HEX #C26300

RGB 194 99 0

HSL 30.62, 1%, 0.38%

LAB 52.28, 33.2, 60.66

 

CMYK 0 / 54 / 100 / 31

HEX #B15100

RGB 177 81 0

HSL 27.46, 1%, 0.35%

LAB 45.95, 35.6, 55.59

 

CMYK 0 / 38 / 92 / 4

HEX #F59913

RGB 245 153 19

HSL 35.58, 0.92%, 0.52%

LAB 71.04, 26.21, 73.21

 

CMYK 0 / 62 / 92 / 4

HEX #F55C13

RGB 245 92 19

HSL 19.38, 0.92%, 0.52%

LAB 59.08, 56.01, 64.92

 

CMYK 0 / 87 / 92 / 4

HEX #F52013

RGB 245 32 19

HSL 3.45, 0.92%, 0.52%

LAB 52.39, 74.5, 60.67

 

CMYK 0 / 92 / 92 / 4

HEX #F51313

RGB 245 19 19

HSL 0, 0.92%, 0.52%

LAB 51.75, 76.33, 60.28

 

CMYK 0 / 38 / 92 / 4

HEX #F59913

RGB 245 153 19

HSL 35.58, 0.92%, 0.52%

LAB 71.04, 26.21, 73.21

 

CMYK 0 / 13 / 92 / 4

HEX #F5D613

RGB 245 214 19

HSL 51.77, 0.92%, 0.52%

LAB 85.78, -5.5, 84.07

 

CMYK 12 / 0 / 92 / 4

HEX #D7F513

RGB 215 245 19

HSL 67.96, 0.92%, 0.52%

LAB 91.59, -32.97, 87.5

 

CMYK 37 / 0 / 92 / 4

HEX #9AF513

RGB 154 245 19

HSL 84.16, 0.92%, 0.52%

LAB 88.08, -55.76, 83.21

 

CMYK 62 / 0 / 92 / 4

HEX #5DF513

RGB 93 245 19

HSL 100.35, 0.92%, 0.52%

LAB 85.85, -72.98, 80.47

 

CMYK 0 / 38 / 92 / 4

HEX #F59913

RGB 245 153 19

HSL 35.58, 0.92%, 0.52%

LAB 71.04, 26.21, 73.21

 

CMYK 0 / 38 / 92 / 4

HEX #F59913

RGB 245 153 19

HSL 35.58, 0.92%, 0.52%

LAB 71.04, 26.21, 73.21

 

CMYK 0 / 34 / 83 / 12

HEX #E19527

RGB 225 149 39

HSL 35.48, 0.76%, 0.52%

LAB 67.76, 20.3, 64.43

 

CMYK 0 / 29 / 71 / 20

HEX #CD923B

RGB 205 146 59

HSL 35.75, 0.59%, 0.52%

LAB 64.85, 14.11, 53.04

 

CMYK 0 / 23 / 57 / 27

HEX #B98E4F

RGB 185 142 79

HSL 35.66, 0.43%, 0.52%

LAB 61.85, 8.96, 39.43

 

CMYK 0 / 16 / 40 / 35

HEX #A58A63

RGB 165 138 99

HSL 35.45, 0.27%, 0.52%

LAB 59.05, 4.63, 24.7

 

CMYK 0 / 87 / 92 / 4

HEX #F51F13

RGB 245 31 19

HSL 3.19, 0.92%, 0.52%

LAB 52.33, 74.66, 60.63

 

CMYK 0 / 63 / 92 / 4

HEX #F55B13

RGB 245 91 19

HSL 19.12, 0.92%, 0.52%

LAB 58.92, 56.43, 64.81

 

CMYK 0 / 38 / 92 / 4

HEX #F59713

RGB 245 151 19

HSL 35.04, 0.92%, 0.52%

LAB 70.59, 27.25, 72.89

 

CMYK 0 / 14 / 92 / 4

HEX #F5D313

RGB 245 211 19

HSL 50.97, 0.92%, 0.52%

LAB 85.02, -3.99, 83.5

 

CMYK 11 / 0 / 92 / 4

HEX #DAF513

RGB 218 245 19

HSL 67.17, 0.92%, 0.52%

LAB 91.8, -31.76, 87.74

 

CMYK 0 / 39 / 96 / 31

HEX #AF6A07

RGB 175 106 7

HSL 35.36, 0.92%, 0.36%

LAB 51.2, 21.36, 57.19

 

CMYK 0 / 39 / 96 / 16

HEX #D68308

RGB 214 131 8

HSL 35.83, 0.93%, 0.44%

LAB 62.12, 24.66, 66.94

 

CMYK 0 / 38 / 92 / 4

HEX #F59913

RGB 245 153 19

HSL 35.58, 0.92%, 0.52%

LAB 71.04, 26.21, 73.21

 

CMYK 0 / 31 / 76 / 4

HEX #F6AA3B

RGB 246 170 59

HSL 35.61, 0.91%, 0.6%

LAB 75.24, 18.72, 64.94

 

CMYK 0 / 25 / 60 / 3

HEX #F8BB63

RGB 248 187 99

HSL 35.44, 0.91%, 0.68%

LAB 79.84, 12.78, 52.32

 

CMYK 0 / 38 / 92 / 4

HEX #F59913

RGB 245 153 19

HSL 35.58, 0.92%, 0.52%

LAB 71.04, 26.21, 73.21

 

CMYK 72 / 0 / 92 / 4

HEX #44F513

RGB 68 245 19

HSL 106.99, 0.92%, 0.52%

LAB 85.29, -77.7, 79.79

 

CMYK 75 / 92 / 0 / 4

HEX #3D13F5

RGB 61 19 245

HSL 251.15, 0.92%, 0.52%

LAB 34.09, 74.59, -99.2

 

CMYK 0 / 38 / 92 / 4

HEX #F59913

RGB 245 153 19

HSL 35.58, 0.92%, 0.52%

LAB 71.04, 26.21, 73.21

 

CMYK 92 / 0 / 38 / 4

HEX #13F597

RGB 19 245 151

HSL 155.04, 0.92%, 0.52%

LAB 85.84, -69.01, 31.98

 

CMYK 38 / 92 / 0 / 4

HEX #9713F5

RGB 151 19 245

HSL 275.04, 0.92%, 0.52%

LAB 43.71, 81.08, -82.97

 

CMYK 0 / 38 / 92 / 4

HEX #F59913

RGB 245 153 19

HSL 35.58, 0.92%, 0.52%

LAB 71.04, 26.21, 73.21

 

CMYK 72 / 0 / 92 / 4

HEX #44F513

RGB 68 245 19

HSL 106.99, 0.92%, 0.52%

LAB 85.29, -77.7, 79.79

 

CMYK 92 / 54 / 0 / 4

HEX #1371F5

RGB 19 113 245

HSL 215.04, 0.92%, 0.52%

LAB 50.15, 24.9, -72.79

 

CMYK 20 / 92 / 0 / 4

HEX #C413F5

RGB 196 19 245

HSL 286.99, 0.92%, 0.52%

LAB 50.45, 86.66, -71.69

 

CMYK 0 / 38 / 92 / 4

HEX #F59913

RGB 245 153 19

HSL 35.58, 0.92%, 0.52%

LAB 71.04, 26.21, 73.21

 

CMYK 92 / 0 / 84 / 4

HEX #13F526

RGB 19 245 38

HSL 125.04, 0.92%, 0.52%

LAB 84.78, -82.03, 75.95

 

CMYK 92 / 54 / 0 / 4

HEX #1371F5

RGB 19 113 245

HSL 215.04, 0.92%, 0.52%

LAB 50.15, 24.9, -72.79

 

CMYK 0 / 92 / 8 / 4

HEX #F513E2

RGB 245 19 226

HSL 305.04, 0.92%, 0.52%

LAB 57.43, 91.41, -49.33

 

Description

Color code: HEX #F59913 | qconv.com Color code: HEX #F59913 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 245 red, 153 green and 19 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
245 153 19 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 38 magenta, 92 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 38% 92% 4% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

50% - 木津川市・奈良市・生駒市・精華町・井手町...
Link: http://www.ho-yu-koumuten.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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