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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F59B04 it is the complementary color #0A64FB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F59B04. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F59B04 shade: #FA9B00, #FFAD12, #FFBF25, #FFD138 and #FFE34B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F59B04. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F59B04 shade: #F59B04, #E48900, #D37700, #C26500 and #B15300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F59B04 shade: #F69B03, #F65A03, #F61803 and #F60303

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F59B04 shade: #F69B03, #F6DC03, #CDF603, #8CF603 and #4BF603

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F59B04 shade matches the following richer shades: #F69B03

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F59B04 shade: #F69B03, #E19617, #CD912C, #B98C40 and #A58754

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F59B04 shade: #F61703, #F65803, #F69903, #F6D903 and #D1F603

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F59B04 shade: #A46802, #CD8103, #F69B03, #FBAC27 and #FCBB50

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F59B04 shade: #F59B04, #30F603 and #3803F6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F59B04 shade: #F59B04, #03F699 and #9903F6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F59B04 shade: #F59B04, #30F603, #0360F6 and #C903F6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F59B04 shade: #F59B04, #03F620, #0360F6 and #F603D9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 37 / 98 / 4

HEX #F59B04

RGB 245 155 4

HSL 37.59, 0.97%, 0.49%

LAB 71.46, 25.01, 75.61

 

Complementary color

CMYK 96 / 60 / 0 / 2

HEX #0A64FB

RGB 10 100 251

HSL 217.59, 0.97%, 0.51%

LAB 47.16, 35.18, -81.01

 

CMYK 0 / 38 / 100 / 2

HEX #FA9B00

RGB 250 155 0

HSL 37.2, 1%, 0.49%

LAB 72.07, 27.07, 76.8

 

CMYK 0 / 32 / 93 / 0

HEX #FFAD12

RGB 255 173 18

HSL 39.24, 1%, 0.54%

LAB 76.79, 19.92, 78.06

 

CMYK 0 / 25 / 85 / 0

HEX #FFBF25

RGB 255 191 37

HSL 42.39, 1%, 0.57%

LAB 81.1, 10.86, 77.49

 

CMYK 0 / 18 / 78 / 0

HEX #FFD138

RGB 255 209 56

HSL 46.13, 1%, 0.61%

LAB 85.58, 2.12, 75.93

 

CMYK 0 / 11 / 71 / 0

HEX #FFE34B

RGB 255 227 75

HSL 50.67, 1%, 0.65%

LAB 90.19, -6.21, 73.77

 

CMYK 0 / 37 / 98 / 4

HEX #F59B04

RGB 245 155 4

HSL 37.59, 0.97%, 0.49%

LAB 71.46, 25.01, 75.61

 

CMYK 0 / 40 / 100 / 11

HEX #E48900

RGB 228 137 0

HSL 36.05, 1%, 0.45%

LAB 65.27, 27.32, 71.07

 

CMYK 0 / 44 / 100 / 17

HEX #D37700

RGB 211 119 0

HSL 33.84, 1%, 0.41%

LAB 59.01, 29.71, 66.01

 

CMYK 0 / 48 / 100 / 24

HEX #C26500

RGB 194 101 0

HSL 31.24, 1%, 0.38%

LAB 52.7, 32.15, 60.92

 

CMYK 0 / 53 / 100 / 31

HEX #B15300

RGB 177 83 0

HSL 28.14, 1%, 0.35%

LAB 46.36, 34.57, 55.82

 

CMYK 0 / 37 / 99 / 4

HEX #F69B03

RGB 246 155 3

HSL 37.53, 0.98%, 0.49%

LAB 71.58, 25.42, 75.87

 

CMYK 0 / 63 / 99 / 4

HEX #F65A03

RGB 246 90 3

HSL 21.48, 0.98%, 0.49%

LAB 58.89, 57.05, 68.16

 

CMYK 0 / 90 / 99 / 4

HEX #F61803

RGB 246 24 3

HSL 5.19, 0.98%, 0.49%

LAB 52.12, 75.84, 64.91

 

CMYK 0 / 99 / 99 / 4

HEX #F60303

RGB 246 3 3

HSL 0, 0.98%, 0.49%

LAB 51.46, 77.76, 64.65

 

CMYK 0 / 37 / 99 / 4

HEX #F69B03

RGB 246 155 3

HSL 37.53, 0.98%, 0.49%

LAB 71.58, 25.42, 75.87

 

CMYK 0 / 11 / 99 / 4

HEX #F6DC03

RGB 246 220 3

HSL 53.58, 0.98%, 0.49%

LAB 87.38, -8.24, 86.83

 

CMYK 17 / 0 / 99 / 4

HEX #CDF603

RGB 205 246 3

HSL 70.12, 0.98%, 0.49%

LAB 91.19, -37.56, 88.26

 

CMYK 43 / 0 / 99 / 4

HEX #8CF603

RGB 140 246 3

HSL 86.17, 0.98%, 0.49%

LAB 87.72, -60.92, 84.08

 

CMYK 70 / 0 / 99 / 4

HEX #4BF603

RGB 75 246 3

HSL 102.22, 0.98%, 0.49%

LAB 85.71, -77.08, 81.64

 

CMYK 0 / 37 / 99 / 4

HEX #F69B03

RGB 246 155 3

HSL 37.53, 0.98%, 0.49%

LAB 71.58, 25.42, 75.87

 

CMYK 0 / 37 / 99 / 4

HEX #F69B03

RGB 246 155 3

HSL 37.53, 0.98%, 0.49%

LAB 71.58, 25.42, 75.87

 

CMYK 0 / 33 / 90 / 12

HEX #E19617

RGB 225 150 23

HSL 37.72, 0.81%, 0.49%

LAB 67.93, 19.39, 69.02

 

CMYK 0 / 29 / 79 / 20

HEX #CD912C

RGB 205 145 44

HSL 37.64, 0.65%, 0.49%

LAB 64.49, 13.99, 58.86

 

CMYK 0 / 24 / 65 / 27

HEX #B98C40

RGB 185 140 64

HSL 37.69, 0.49%, 0.49%

LAB 61.17, 8.98, 46.14

 

CMYK 0 / 18 / 49 / 35

HEX #A58754

RGB 165 135 84

HSL 37.78, 0.33%, 0.49%

LAB 58.01, 4.67, 31.6

 

CMYK 0 / 91 / 99 / 4

HEX #F61703

RGB 246 23 3

HSL 4.94, 0.98%, 0.49%

LAB 52.08, 75.97, 64.89

 

CMYK 0 / 64 / 99 / 4

HEX #F65803

RGB 246 88 3

HSL 20.99, 0.98%, 0.49%

LAB 58.58, 57.88, 67.99

 

CMYK 0 / 38 / 99 / 4

HEX #F69903

RGB 246 153 3

HSL 37.04, 0.98%, 0.49%

LAB 71.13, 26.47, 75.58

 

CMYK 0 / 12 / 99 / 4

HEX #F6D903

RGB 246 217 3

HSL 52.84, 0.98%, 0.49%

LAB 86.62, -6.74, 86.28

 

CMYK 15 / 0 / 99 / 4

HEX #D1F603

RGB 209 246 3

HSL 69.14, 0.98%, 0.49%

LAB 91.45, -35.97, 88.57

 

CMYK 0 / 37 / 99 / 36

HEX #A46802

RGB 164 104 2

HSL 37.78, 0.98%, 0.33%

LAB 49.25, 17.48, 56.23

 

CMYK 0 / 37 / 99 / 20

HEX #CD8103

RGB 205 129 3

HSL 37.43, 0.97%, 0.41%

LAB 60.5, 21.82, 66.08

 

CMYK 0 / 37 / 99 / 4

HEX #F69B03

RGB 246 155 3

HSL 37.53, 0.98%, 0.49%

LAB 71.58, 25.42, 75.87

 

CMYK 0 / 31 / 84 / 2

HEX #FBAC27

RGB 251 172 39

HSL 37.64, 0.96%, 0.57%

LAB 76.17, 19.13, 72.74

 

CMYK 0 / 26 / 68 / 1

HEX #FCBB50

RGB 252 187 80

HSL 37.33, 0.97%, 0.65%

LAB 80.08, 13.28, 61.38

 

CMYK 0 / 37 / 98 / 4

HEX #F59B04

RGB 245 155 4

HSL 37.59, 0.97%, 0.49%

LAB 71.46, 25.01, 75.61

 

CMYK 80 / 0 / 99 / 4

HEX #30F603

RGB 48 246 3

HSL 108.89, 0.98%, 0.49%

LAB 85.27, -80.93, 81.1

 

CMYK 77 / 99 / 0 / 4

HEX #3803F6

RGB 56 3 246

HSL 253.09, 0.98%, 0.49%

LAB 33.05, 77.29, -101.51

 

CMYK 0 / 37 / 98 / 4

HEX #F59B04

RGB 245 155 4

HSL 37.59, 0.97%, 0.49%

LAB 71.46, 25.01, 75.61

 

CMYK 99 / 0 / 38 / 4

HEX #03F699

RGB 3 246 153

HSL 157.04, 0.98%, 0.49%

LAB 86.12, -69.45, 31.34

 

CMYK 38 / 99 / 0 / 4

HEX #9903F6

RGB 153 3 246

HSL 277.04, 0.98%, 0.49%

LAB 43.49, 83.25, -83.88

 

CMYK 0 / 37 / 98 / 4

HEX #F59B04

RGB 245 155 4

HSL 37.59, 0.97%, 0.49%

LAB 71.46, 25.01, 75.61

 

CMYK 80 / 0 / 99 / 4

HEX #30F603

RGB 48 246 3

HSL 108.89, 0.98%, 0.49%

LAB 85.27, -80.93, 81.1

 

CMYK 99 / 61 / 0 / 4

HEX #0360F6

RGB 3 96 246

HSL 217.04, 0.98%, 0.49%

LAB 45.69, 35.68, -80.64

 

CMYK 18 / 99 / 0 / 4

HEX #C903F6

RGB 201 3 246

HSL 288.89, 0.98%, 0.49%

LAB 50.85, 88.9, -71.56

 

CMYK 0 / 37 / 98 / 4

HEX #F59B04

RGB 245 155 4

HSL 37.59, 0.97%, 0.49%

LAB 71.46, 25.01, 75.61

 

CMYK 99 / 0 / 87 / 4

HEX #03F620

RGB 3 246 32

HSL 127.16, 0.98%, 0.49%

LAB 85.01, -83.09, 77.32

 

CMYK 99 / 61 / 0 / 4

HEX #0360F6

RGB 3 96 246

HSL 217.04, 0.98%, 0.49%

LAB 45.69, 35.68, -80.64

 

CMYK 0 / 99 / 12 / 4

HEX #F603D9

RGB 246 3 217

HSL 307.16, 0.98%, 0.49%

LAB 56.75, 91.56, -45.31

 

Description

Color code: HEX #F59B04 | qconv.com Color code: HEX #F59B04 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 245 red, 155 green and 4 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
245 155 4 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 37 magenta, 98 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 37% 98% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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