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Color name
HEX #F59D6A

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F59D6A it is the complementary color #0A6295. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F59D6A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F59D6A shade: #FA9D65, #FFAF78, #FFC18B, #FFD39E and #FFE5B1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F59D6A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F59D6A shade: #F59D6A, #E48B57, #D37944, #C26731 and #B1551E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F59D6A shade: #F49D6B, #F4786B and #F46B6B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F59D6A shade: #F49D6B, #F4C26B, #F4E76B, #DCF46B and #B7F46B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F59D6A shade matches the following richer shades: #F49D6B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F59D6A shade: #F49D6B, #E7A177, #DBA484, #CEA791 and #C1AB9E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F59D6A shade: #F46B82, #F4786B, #F49D6B, #F4C26B and #F4E66B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F59D6A shade: #EF6A1E, #F28444, #F49D6B, #F7B791 and #FAD0B8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F59D6A shade: #F59D6A, #A6F46B and #6B6FF4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F59D6A shade: #F59D6A, #6BF49D and #9D6BF4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F59D6A shade: #F59D6A, #A6F46B, #6BC2F4 and #B96BF4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F59D6A shade: #F59D6A, #7DF46B, #6BC2F4 and #E26BF4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 36 / 57 / 4

HEX #F59D6A

RGB 245 157 106

HSL 22.01, 0.87%, 0.69%

LAB 72.61, 27.84, 40.07

 

Complementary color

CMYK 93 / 34 / 0 / 42

HEX #0A6295

RGB 10 98 149

HSL 202.01, 0.87%, 0.31%

LAB 39.53, -3.96, -34.44

 

CMYK 0 / 37 / 60 / 2

HEX #FA9D65

RGB 250 157 101

HSL 22.55, 0.94%, 0.69%

LAB 73.14, 29.46, 43.45

 

CMYK 0 / 31 / 53 / 0

HEX #FFAF78

RGB 255 175 120

HSL 24.44, 1%, 0.74%

LAB 78.04, 23.49, 39.84

 

CMYK 0 / 24 / 45 / 0

HEX #FFC18B

RGB 255 193 139

HSL 27.93, 1%, 0.77%

LAB 82.52, 15.79, 35.76

 

CMYK 0 / 17 / 38 / 0

HEX #FFD39E

RGB 255 211 158

HSL 32.78, 1%, 0.81%

LAB 87.15, 8.42, 32.04

 

CMYK 0 / 10 / 31 / 0

HEX #FFE5B1

RGB 255 229 177

HSL 40, 1%, 0.85%

LAB 91.9, 1.43, 28.64

 

CMYK 0 / 36 / 57 / 4

HEX #F59D6A

RGB 245 157 106

HSL 22.01, 0.87%, 0.69%

LAB 72.61, 27.84, 40.07

 

CMYK 0 / 39 / 62 / 11

HEX #E48B57

RGB 228 139 87

HSL 22.13, 0.72%, 0.62%

LAB 66.25, 29.16, 41.75

 

CMYK 0 / 43 / 68 / 17

HEX #D37944

RGB 211 121 68

HSL 22.24, 0.62%, 0.55%

LAB 59.84, 30.63, 43.53

 

CMYK 0 / 47 / 75 / 24

HEX #C26731

RGB 194 103 49

HSL 22.34, 0.6%, 0.48%

LAB 53.38, 32.28, 45.34

 

CMYK 0 / 52 / 83 / 31

HEX #B1551E

RGB 177 85 30

HSL 22.45, 0.71%, 0.41%

LAB 46.89, 34.1, 46.94

 

CMYK 0 / 36 / 56 / 4

HEX #F49D6B

RGB 244 157 107

HSL 21.9, 0.86%, 0.69%

LAB 72.5, 27.52, 39.39

 

CMYK 0 / 51 / 56 / 4

HEX #F4786B

RGB 244 120 107

HSL 5.69, 0.86%, 0.69%

LAB 64.75, 46.44, 29.53

 

CMYK 0 / 56 / 56 / 4

HEX #F46B6B

RGB 244 107 107

HSL 0, 0.86%, 0.69%

LAB 62.35, 52.63, 26.4

 

CMYK 0 / 36 / 56 / 4

HEX #F49D6B

RGB 244 157 107

HSL 21.9, 0.86%, 0.69%

LAB 72.5, 27.52, 39.39

 

CMYK 0 / 20 / 56 / 4

HEX #F4C26B

RGB 244 194 107

HSL 38.1, 0.86%, 0.69%

LAB 81.22, 8.06, 50

 

CMYK 0 / 5 / 56 / 4

HEX #F4E76B

RGB 244 231 107

HSL 54.31, 0.86%, 0.69%

LAB 90.53, -10.8, 60.8

 

CMYK 10 / 0 / 56 / 4

HEX #DCF46B

RGB 220 244 107

HSL 70.51, 0.86%, 0.69%

LAB 92.12, -26.62, 62.12

 

CMYK 25 / 0 / 56 / 4

HEX #B7F46B

RGB 183 244 107

HSL 86.72, 0.86%, 0.69%

LAB 89.78, -40.48, 58.82

 

CMYK 0 / 36 / 56 / 4

HEX #F49D6B

RGB 244 157 107

HSL 21.9, 0.86%, 0.69%

LAB 72.5, 27.52, 39.39

 

CMYK 0 / 36 / 56 / 4

HEX #F49D6B

RGB 244 157 107

HSL 21.9, 0.86%, 0.69%

LAB 72.5, 27.52, 39.39

 

CMYK 0 / 30 / 48 / 9

HEX #E7A177

RGB 231 161 119

HSL 22.5, 0.7%, 0.69%

LAB 72.1, 21.25, 32.23

 

CMYK 0 / 25 / 40 / 14

HEX #DBA484

RGB 219 164 132

HSL 22.07, 0.55%, 0.69%

LAB 71.74, 16.21, 24.52

 

CMYK 0 / 19 / 30 / 19

HEX #CEA791

RGB 206 167 145

HSL 21.64, 0.38%, 0.69%

LAB 71.42, 11.09, 16.78

 

CMYK 0 / 11 / 18 / 24

HEX #C1AB9E

RGB 193 171 158

HSL 22.29, 0.22%, 0.69%

LAB 71.51, 5.83, 9.59

 

CMYK 0 / 56 / 47 / 4

HEX #F46B82

RGB 244 107 130

HSL 349.93, 0.86%, 0.69%

LAB 62.81, 54.55, 13.88

 

CMYK 0 / 51 / 56 / 4

HEX #F4786B

RGB 244 120 107

HSL 5.69, 0.86%, 0.69%

LAB 64.75, 46.44, 29.53

 

CMYK 0 / 36 / 56 / 4

HEX #F49D6B

RGB 244 157 107

HSL 21.9, 0.86%, 0.69%

LAB 72.5, 27.52, 39.39

 

CMYK 0 / 20 / 56 / 4

HEX #F4C26B

RGB 244 194 107

HSL 38.1, 0.86%, 0.69%

LAB 81.22, 8.06, 50

 

CMYK 0 / 6 / 56 / 4

HEX #F4E66B

RGB 244 230 107

HSL 53.87, 0.86%, 0.69%

LAB 90.27, -10.3, 60.51

 

CMYK 0 / 56 / 87 / 6

HEX #EF6A1E

RGB 239 106 30

HSL 21.82, 0.87%, 0.53%

LAB 60.56, 47.73, 62.26

 

CMYK 0 / 45 / 72 / 5

HEX #F28444

RGB 242 132 68

HSL 22.07, 0.87%, 0.61%

LAB 66.36, 37.29, 51.9

 

CMYK 0 / 36 / 56 / 4

HEX #F49D6B

RGB 244 157 107

HSL 21.9, 0.86%, 0.69%

LAB 72.5, 27.52, 39.39

 

CMYK 0 / 26 / 41 / 3

HEX #F7B791

RGB 247 183 145

HSL 22.35, 0.86%, 0.77%

LAB 79.43, 18.52, 28.39

 

CMYK 0 / 17 / 26 / 2

HEX #FAD0B8

RGB 250 208 184

HSL 21.82, 0.87%, 0.85%

LAB 86.45, 11.28, 17.44

 

CMYK 0 / 36 / 57 / 4

HEX #F59D6A

RGB 245 157 106

HSL 22.01, 0.87%, 0.69%

LAB 72.61, 27.84, 40.07

 

CMYK 32 / 0 / 56 / 4

HEX #A6F46B

RGB 166 244 107

HSL 94.16, 0.86%, 0.69%

LAB 88.86, -46.4, 57.52

 

CMYK 56 / 55 / 0 / 4

HEX #6B6FF4

RGB 107 111 244

HSL 238.25, 0.86%, 0.69%

LAB 52.98, 35.68, -67.49

 

CMYK 0 / 36 / 57 / 4

HEX #F59D6A

RGB 245 157 106

HSL 22.01, 0.87%, 0.69%

LAB 72.61, 27.84, 40.07

 

CMYK 56 / 0 / 36 / 4

HEX #6BF49D

RGB 107 244 157

HSL 141.9, 0.86%, 0.69%

LAB 87.12, -56.26, 30.94

 

CMYK 36 / 56 / 0 / 4

HEX #9D6BF4

RGB 157 107 244

HSL 261.9, 0.86%, 0.69%

LAB 56.3, 48.4, -61.91

 

CMYK 0 / 36 / 57 / 4

HEX #F59D6A

RGB 245 157 106

HSL 22.01, 0.87%, 0.69%

LAB 72.61, 27.84, 40.07

 

CMYK 32 / 0 / 56 / 4

HEX #A6F46B

RGB 166 244 107

HSL 94.16, 0.86%, 0.69%

LAB 88.86, -46.4, 57.52

 

CMYK 56 / 20 / 0 / 4

HEX #6BC2F4

RGB 107 194 244

HSL 201.9, 0.86%, 0.69%

LAB 74.98, -12.26, -32.7

 

CMYK 24 / 56 / 0 / 4

HEX #B96BF4

RGB 185 107 244

HSL 274.16, 0.86%, 0.69%

LAB 59.31, 55.01, -56.93

 

CMYK 0 / 36 / 57 / 4

HEX #F59D6A

RGB 245 157 106

HSL 22.01, 0.87%, 0.69%

LAB 72.61, 27.84, 40.07

 

CMYK 49 / 0 / 56 / 4

HEX #7DF46B

RGB 125 244 107

HSL 112.12, 0.86%, 0.69%

LAB 87.06, -59.01, 54.97

 

CMYK 56 / 20 / 0 / 4

HEX #6BC2F4

RGB 107 194 244

HSL 201.9, 0.86%, 0.69%

LAB 74.98, -12.26, -32.7

 

CMYK 7 / 56 / 0 / 4

HEX #E26BF4

RGB 226 107 244

HSL 292.12, 0.86%, 0.69%

LAB 64.34, 65.14, -48.64

 

Description

Color code: HEX #F59D6A | qconv.com Color code: HEX #F59D6A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 245 red, 157 green and 106 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
245 157 106 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 36 magenta, 57 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 36% 57% 4% C M Y K

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Provide designers and agencies with accurate color values.

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