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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F59DC0 it is the complementary color #0A623F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F59DC0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F59DC0 shade: #FA9DBB, #FFAFCE, #FFC1E1, #FFD3F4 and #FFE5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F59DC0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F59DC0 shade: #F59DC0, #E48BAD, #D3799A, #C26787 and #B15574

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F59DC0 shade: #F49EC0, #F49EA9 and #F49E9E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F59DC0 shade: #F49EC0, #F49ED7, #F49EEF, #E29EF4 and #CB9EF4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F59DC0 shade matches the following richer shades: #F49EC0 and #FD95BE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F59DC0 shade: #F49EC0, #ECA6C2, #E3AFC4, #DAB8C5 and #D2C0C7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F59DC0 shade: #F49EEF, #F49ED7, #F49EC0, #F49EA9 and #F4A99E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F59DC0 shade: #EC5390, #F078A8, #F49EC0, #F8C3D8 and #FCE8F0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F59DC0 shade: #F59DC0, #F4E39E and #9EE3F4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F59DC0 shade: #F59DC0, #C0F49E and #9EC0F4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F59DC0 shade: #F59DC0, #F4E39E, #9EF4D2 and #9EAFF4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F59DC0 shade: #F59DC0, #ECF49E, #9EF4D2 and #A69EF4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 36 / 22 / 4

HEX #F59DC0

RGB 245 157 192

HSL 336.14, 0.81%, 0.79%

LAB 74.4, 37.41, -4.26

 

Complementary color

CMYK 90 / 0 / 36 / 62

HEX #0A623F

RGB 10 98 63

HSL 156.14, 0.81%, 0.21%

LAB 36.29, -33.28, 13.26

 

CMYK 0 / 37 / 25 / 2

HEX #FA9DBB

RGB 250 157 187

HSL 340.65, 0.9%, 0.8%

LAB 74.84, 38.43, -0.8

 

CMYK 0 / 31 / 19 / 0

HEX #FFAFCE

RGB 255 175 206

HSL 336.75, 1%, 0.84%

LAB 79.83, 33.51, -3.79

 

CMYK 0 / 24 / 12 / 0

HEX #FFC1E1

RGB 255 193 225

HSL 329.03, 1%, 0.88%

LAB 84.4, 27.01, -7.26

 

CMYK 0 / 17 / 4 / 0

HEX #FFD3F4

RGB 255 211 244

HSL 315, 1%, 0.91%

LAB 89.1, 20.75, -10.36

 

CMYK 0 / 10 / 0 / 0

HEX #FFE5FF

RGB 255 229 255

HSL 300, 1%, 0.95%

LAB 93.68, 13.31, -9.32

 

CMYK 0 / 36 / 22 / 4

HEX #F59DC0

RGB 245 157 192

HSL 336.14, 0.81%, 0.79%

LAB 74.4, 37.41, -4.26

 

CMYK 0 / 39 / 24 / 11

HEX #E48BAD

RGB 228 139 173

HSL 337.08, 0.62%, 0.72%

LAB 68, 38.21, -3.36

 

CMYK 0 / 43 / 27 / 17

HEX #D3799A

RGB 211 121 154

HSL 338, 0.51%, 0.65%

LAB 61.53, 39.05, -2.35

 

CMYK 0 / 47 / 30 / 24

HEX #C26787

RGB 194 103 135

HSL 338.9, 0.43%, 0.58%

LAB 54.99, 39.92, -1.18

 

CMYK 0 / 52 / 34 / 31

HEX #B15574

RGB 177 85 116

HSL 339.78, 0.37%, 0.51%

LAB 48.39, 40.8, 0.18

 

CMYK 0 / 35 / 21 / 4

HEX #F49EC0

RGB 244 158 192

HSL 336.28, 0.8%, 0.79%

LAB 74.5, 36.54, -4.13

 

CMYK 0 / 35 / 31 / 4

HEX #F49EA9

RGB 244 158 169

HSL 352.33, 0.8%, 0.79%

LAB 73.9, 33.39, 7.66

 

CMYK 0 / 35 / 35 / 4

HEX #F49E9E

RGB 244 158 158

HSL 0, 0.8%, 0.79%

LAB 73.65, 32.03, 13.36

 

CMYK 0 / 35 / 21 / 4

HEX #F49EC0

RGB 244 158 192

HSL 336.28, 0.8%, 0.79%

LAB 74.5, 36.54, -4.13

 

CMYK 0 / 35 / 12 / 4

HEX #F49ED7

RGB 244 158 215

HSL 320.23, 0.8%, 0.79%

LAB 75.2, 40.07, -15.72

 

CMYK 0 / 35 / 2 / 4

HEX #F49EEF

RGB 244 158 239

HSL 303.49, 0.8%, 0.79%

LAB 76.02, 44.14, -27.55

 

CMYK 7 / 35 / 0 / 4

HEX #E29EF4

RGB 226 158 244

HSL 287.44, 0.8%, 0.79%

LAB 74.29, 39.55, -33.09

 

CMYK 17 / 35 / 0 / 4

HEX #CB9EF4

RGB 203 158 244

HSL 271.4, 0.8%, 0.79%

LAB 72.02, 32.64, -36.79

 

CMYK 0 / 35 / 21 / 4

HEX #F49EC0

RGB 244 158 192

HSL 336.28, 0.8%, 0.79%

LAB 74.5, 36.54, -4.13

 

CMYK 0 / 41 / 25 / 1

HEX #FD95BE

RGB 253 149 190

HSL 336.35, 0.96%, 0.79%

LAB 73.61, 43.99, -4.22

 

CMYK 0 / 35 / 21 / 4

HEX #F49EC0

RGB 244 158 192

HSL 336.28, 0.8%, 0.79%

LAB 74.5, 36.54, -4.13

 

CMYK 0 / 30 / 18 / 7

HEX #ECA6C2

RGB 236 166 194

HSL 336, 0.65%, 0.79%

LAB 75.45, 29.83, -3.93

 

CMYK 0 / 23 / 14 / 11

HEX #E3AFC4

RGB 227 175 196

HSL 335.77, 0.48%, 0.79%

LAB 76.66, 22.16, -3.34

 

CMYK 0 / 16 / 10 / 15

HEX #DAB8C5

RGB 218 184 197

HSL 337.06, 0.31%, 0.79%

LAB 78, 14.31, -2.02

 

CMYK 0 / 9 / 5 / 18

HEX #D2C0C7

RGB 210 192 199

HSL 336.67, 0.17%, 0.79%

LAB 79.34, 7.55, -1.22

 

CMYK 0 / 35 / 2 / 4

HEX #F49EEF

RGB 244 158 239

HSL 303.49, 0.8%, 0.79%

LAB 76.02, 44.14, -27.55

 

CMYK 0 / 35 / 12 / 4

HEX #F49ED7

RGB 244 158 215

HSL 320.23, 0.8%, 0.79%

LAB 75.2, 40.07, -15.72

 

CMYK 0 / 35 / 21 / 4

HEX #F49EC0

RGB 244 158 192

HSL 336.28, 0.8%, 0.79%

LAB 74.5, 36.54, -4.13

 

CMYK 0 / 35 / 31 / 4

HEX #F49EA9

RGB 244 158 169

HSL 352.33, 0.8%, 0.79%

LAB 73.9, 33.39, 7.66

 

CMYK 0 / 31 / 35 / 4

HEX #F4A99E

RGB 244 169 158

HSL 7.67, 0.8%, 0.79%

LAB 76.12, 26.23, 16.82

 

CMYK 0 / 65 / 39 / 7

HEX #EC5390

RGB 236 83 144

HSL 336.08, 0.8%, 0.63%

LAB 58.07, 63.74, -1.21

 

CMYK 0 / 50 / 30 / 6

HEX #F078A8

RGB 240 120 168

HSL 336, 0.8%, 0.71%

LAB 65.58, 51.23, -3.93

 

CMYK 0 / 35 / 21 / 4

HEX #F49EC0

RGB 244 158 192

HSL 336.28, 0.8%, 0.79%

LAB 74.5, 36.54, -4.13

 

CMYK 0 / 21 / 13 / 3

HEX #F8C3D8

RGB 248 195 216

HSL 336.23, 0.79%, 0.87%

LAB 83.94, 22.1, -3.21

 

CMYK 0 / 8 / 5 / 1

HEX #FCE8F0

RGB 252 232 240

HSL 336, 0.77%, 0.95%

LAB 93.75, 8.14, -1.42

 

CMYK 0 / 36 / 22 / 4

HEX #F59DC0

RGB 245 157 192

HSL 336.14, 0.81%, 0.79%

LAB 74.4, 37.41, -4.26

 

CMYK 0 / 7 / 35 / 4

HEX #F4E39E

RGB 244 227 158

HSL 48.14, 0.8%, 0.79%

LAB 90.16, -4, 35.84

 

CMYK 35 / 7 / 0 / 4

HEX #9EE3F4

RGB 158 227 244

HSL 191.86, 0.8%, 0.79%

LAB 86.37, -17.42, -15.14

 

CMYK 0 / 36 / 22 / 4

HEX #F59DC0

RGB 245 157 192

HSL 336.14, 0.81%, 0.79%

LAB 74.4, 37.41, -4.26

 

CMYK 21 / 0 / 35 / 4

HEX #C0F49E

RGB 192 244 158

HSL 96.28, 0.8%, 0.79%

LAB 90.95, -31.46, 36.2

 

CMYK 35 / 21 / 0 / 4

HEX #9EC0F4

RGB 158 192 244

HSL 216.28, 0.8%, 0.79%

LAB 76.98, 0.9, -29.4

 

CMYK 0 / 36 / 22 / 4

HEX #F59DC0

RGB 245 157 192

HSL 336.14, 0.81%, 0.79%

LAB 74.4, 37.41, -4.26

 

CMYK 0 / 7 / 35 / 4

HEX #F4E39E

RGB 244 227 158

HSL 48.14, 0.8%, 0.79%

LAB 90.16, -4, 35.84

 

CMYK 35 / 0 / 14 / 4

HEX #9EF4D2

RGB 158 244 210

HSL 156.28, 0.8%, 0.79%

LAB 90.15, -33.23, 8.21

 

CMYK 35 / 28 / 0 / 4

HEX #9EAFF4

RGB 158 175 244

HSL 228.14, 0.8%, 0.79%

LAB 72.54, 10.26, -36.26

 

CMYK 0 / 36 / 22 / 4

HEX #F59DC0

RGB 245 157 192

HSL 336.14, 0.81%, 0.79%

LAB 74.4, 37.41, -4.26

 

CMYK 3 / 0 / 35 / 4

HEX #ECF49E

RGB 236 244 158

HSL 65.58, 0.8%, 0.79%

LAB 93.88, -15.51, 40.59

 

CMYK 35 / 0 / 14 / 4

HEX #9EF4D2

RGB 158 244 210

HSL 156.28, 0.8%, 0.79%

LAB 90.15, -33.23, 8.21

 

CMYK 32 / 35 / 0 / 4

HEX #A69EF4

RGB 166 158 244

HSL 245.58, 0.8%, 0.79%

LAB 68.82, 22.02, -42.01

 

Description

Color code: HEX #F59DC0 | qconv.com Color code: HEX #F59DC0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 245 red, 157 green and 192 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
245 157 192 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 36 magenta, 22 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 36% 22% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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