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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F5AAF7 it is the complementary color #0A5508. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F5AAF7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F5AAF7 shade: #FAAAF2, #FFBCFF, #FFCEFF, #FFE0FF and #FFF2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F5AAF7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F5AAF7 shade: #F5AAF7, #E498E4, #D386D1, #C274BE and #B162AB

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F5AAF7 shade: #F5ABF7, #F7ABE4, #F7ABD0, #F7ABBB and #F7ABAB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F5AAF7 shade: #F5ABF7, #E0ABF7, #CCABF7, #B7ABF7 and #ABABF7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F5AAF7 shade matches the following richer shades: #F5ABF7 and #FCA3FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F5AAF7 shade: #F5ABF7, #EEB2EF, #E7B9E8, #E0C1E0 and #D9C8D9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F5AAF7 shade: #CCABF7, #E0ABF7, #F4ABF7, #F7ABE5 and #F7ABD1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F5AAF7 shade: #EC5FF0, #F085F3, #F5ABF7, #F9D0FA and #FEF6FE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F5AAF7 shade: #F5AAF7, #F7B7AB and #ABF7D6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F5AAF7 shade: #F5AAF7, #F7F4AB and #ABF7F4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F5AAF7 shade: #F5AAF7, #F7B7AB, #ADF7AB and #ABEAF7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F5AAF7 shade: #F5AAF7, #F7CEAB, #ADF7AB and #ABD3F7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 31 / 0 / 3

HEX #F5AAF7

RGB 245 170 247

HSL 298.44, 0.83%, 0.82%

LAB 78.97, 39.62, -27.34

 

Complementary color

CMYK 88 / 0 / 91 / 67

HEX #0A5508

RGB 10 85 8

HSL 118.44, 0.83%, 0.18%

LAB 30.83, -36.82, 34.8

 

CMYK 0 / 32 / 3 / 2

HEX #FAAAF2

RGB 250 170 242

HSL 306, 0.89%, 0.82%

LAB 79.32, 40.3, -24.07

 

CMYK 0 / 26 / 0 / 0

HEX #FFBCFF

RGB 255 188 255

HSL 300, 1%, 0.87%

LAB 84.2, 34.77, -23.56

 

CMYK 0 / 19 / 0 / 0

HEX #FFCEFF

RGB 255 206 255

HSL 300, 1%, 0.9%

LAB 88.27, 25.32, -17.41

 

CMYK 0 / 12 / 0 / 0

HEX #FFE0FF

RGB 255 224 255

HSL 300, 1%, 0.94%

LAB 92.48, 15.9, -11.1

 

CMYK 0 / 5 / 0 / 0

HEX #FFF2FF

RGB 255 242 255

HSL 300, 1%, 0.97%

LAB 96.81, 6.61, -4.68

 

CMYK 1 / 31 / 0 / 3

HEX #F5AAF7

RGB 245 170 247

HSL 298.44, 0.83%, 0.82%

LAB 78.97, 39.62, -27.34

 

CMYK 0 / 33 / 0 / 11

HEX #E498E4

RGB 228 152 228

HSL 300, 0.58%, 0.75%

LAB 72.6, 40.33, -26.95

 

CMYK 0 / 36 / 1 / 17

HEX #D386D1

RGB 211 134 209

HSL 301.56, 0.47%, 0.68%

LAB 66.14, 41.06, -26.53

 

CMYK 0 / 40 / 2 / 24

HEX #C274BE

RGB 194 116 190

HSL 303.08, 0.39%, 0.61%

LAB 59.6, 41.81, -26.06

 

CMYK 0 / 45 / 3 / 31

HEX #B162AB

RGB 177 98 171

HSL 304.56, 0.34%, 0.54%

LAB 52.97, 42.56, -25.52

 

CMYK 1 / 31 / 0 / 3

HEX #F5ABF7

RGB 245 171 247

HSL 298.42, 0.83%, 0.82%

LAB 79.19, 39.1, -27.01

 

CMYK 0 / 31 / 8 / 3

HEX #F7ABE4

RGB 247 171 228

HSL 315, 0.83%, 0.82%

LAB 78.75, 36.4, -17.4

 

CMYK 0 / 31 / 16 / 3

HEX #F7ABD0

RGB 247 171 208

HSL 330.79, 0.83%, 0.82%

LAB 78.14, 33.16, -7.46

 

CMYK 0 / 31 / 24 / 3

HEX #F7ABBB

RGB 247 171 187

HSL 347.37, 0.83%, 0.82%

LAB 77.57, 30.05, 3.14

 

CMYK 0 / 31 / 31 / 3

HEX #F7ABAB

RGB 247 171 171

HSL 0, 0.83%, 0.82%

LAB 77.19, 27.9, 11.3

 

CMYK 1 / 31 / 0 / 3

HEX #F5ABF7

RGB 245 171 247

HSL 298.42, 0.83%, 0.82%

LAB 79.19, 39.1, -27.01

 

CMYK 9 / 31 / 0 / 3

HEX #E0ABF7

RGB 224 171 247

HSL 281.84, 0.83%, 0.82%

LAB 77.09, 32.58, -30.4

 

CMYK 17 / 31 / 0 / 3

HEX #CCABF7

RGB 204 171 247

HSL 266.05, 0.83%, 0.82%

LAB 75.25, 26.47, -33.4

 

CMYK 26 / 31 / 0 / 3

HEX #B7ABF7

RGB 183 171 247

HSL 249.47, 0.83%, 0.82%

LAB 73.49, 20.27, -36.27

 

CMYK 31 / 31 / 0 / 3

HEX #ABABF7

RGB 171 171 247

HSL 240, 0.83%, 0.82%

LAB 72.56, 16.85, -37.78

 

CMYK 1 / 31 / 0 / 3

HEX #F5ABF7

RGB 245 171 247

HSL 298.42, 0.83%, 0.82%

LAB 79.19, 39.1, -27.01

 

CMYK 1 / 36 / 0 / 0

HEX #FCA3FE

RGB 252 163 254

HSL 298.68, 0.98%, 0.82%

LAB 78.49, 46.68, -31.79

 

CMYK 1 / 31 / 0 / 3

HEX #F5ABF7

RGB 245 171 247

HSL 298.42, 0.83%, 0.82%

LAB 79.19, 39.1, -27.01

 

CMYK 0 / 26 / 0 / 6

HEX #EEB2EF

RGB 238 178 239

HSL 299.02, 0.66%, 0.82%

LAB 79.76, 31.72, -21.9

 

CMYK 0 / 20 / 0 / 9

HEX #E7B9E8

RGB 231 185 232

HSL 298.72, 0.51%, 0.82%

LAB 80.47, 24.41, -17.13

 

CMYK 0 / 14 / 0 / 12

HEX #E0C1E0

RGB 224 193 224

HSL 300, 0.33%, 0.82%

LAB 81.49, 16.33, -11.35

 

CMYK 0 / 8 / 0 / 15

HEX #D9C8D9

RGB 217 200 217

HSL 300, 0.18%, 0.82%

LAB 82.42, 8.94, -6.3

 

CMYK 17 / 31 / 0 / 3

HEX #CCABF7

RGB 204 171 247

HSL 266.05, 0.83%, 0.82%

LAB 75.25, 26.47, -33.4

 

CMYK 9 / 31 / 0 / 3

HEX #E0ABF7

RGB 224 171 247

HSL 281.84, 0.83%, 0.82%

LAB 77.09, 32.58, -30.4

 

CMYK 1 / 31 / 0 / 3

HEX #F4ABF7

RGB 244 171 247

HSL 297.63, 0.83%, 0.82%

LAB 79.08, 38.79, -27.18

 

CMYK 0 / 31 / 7 / 3

HEX #F7ABE5

RGB 247 171 229

HSL 314.21, 0.83%, 0.82%

LAB 78.79, 36.57, -17.89

 

CMYK 0 / 31 / 15 / 3

HEX #F7ABD1

RGB 247 171 209

HSL 330, 0.83%, 0.82%

LAB 78.17, 33.31, -7.96

 

CMYK 2 / 60 / 0 / 6

HEX #EC5FF0

RGB 236 95 240

HSL 298.34, 0.83%, 0.66%

LAB 63.6, 72.08, -47.5

 

CMYK 1 / 45 / 0 / 5

HEX #F085F3

RGB 240 133 243

HSL 298.36, 0.82%, 0.74%

LAB 70.71, 56.34, -37.96

 

CMYK 1 / 31 / 0 / 3

HEX #F5ABF7

RGB 245 171 247

HSL 298.42, 0.83%, 0.82%

LAB 79.19, 39.1, -27.01

 

CMYK 0 / 17 / 0 / 2

HEX #F9D0FA

RGB 249 208 250

HSL 298.57, 0.81%, 0.9%

LAB 88.04, 21.41, -15.16

 

CMYK 0 / 3 / 0 / 0

HEX #FEF6FE

RGB 254 246 254

HSL 300, 0.8%, 0.98%

LAB 97.69, 4.06, -2.89

 

CMYK 1 / 31 / 0 / 3

HEX #F5AAF7

RGB 245 170 247

HSL 298.44, 0.83%, 0.82%

LAB 78.97, 39.62, -27.34

 

CMYK 0 / 26 / 31 / 3

HEX #F7B7AB

RGB 247 183 171

HSL 9.47, 0.83%, 0.82%

LAB 79.94, 21.57, 15.19

 

CMYK 31 / 0 / 13 / 3

HEX #ABF7D6

RGB 171 247 214

HSL 153.95, 0.83%, 0.82%

LAB 91.7, -30.14, 8.44

 

CMYK 1 / 31 / 0 / 3

HEX #F5AAF7

RGB 245 170 247

HSL 298.44, 0.83%, 0.82%

LAB 78.97, 39.62, -27.34

 

CMYK 0 / 1 / 31 / 3

HEX #F7F4AB

RGB 247 244 171

HSL 57.63, 0.83%, 0.82%

LAB 94.91, -9.84, 35.62

 

CMYK 31 / 0 / 1 / 3

HEX #ABF7F4

RGB 171 247 244

HSL 177.63, 0.83%, 0.82%

LAB 92.45, -23.82, -6.03

 

CMYK 1 / 31 / 0 / 3

HEX #F5AAF7

RGB 245 170 247

HSL 298.44, 0.83%, 0.82%

LAB 78.97, 39.62, -27.34

 

CMYK 0 / 26 / 31 / 3

HEX #F7B7AB

RGB 247 183 171

HSL 9.47, 0.83%, 0.82%

LAB 79.94, 21.57, 15.19

 

CMYK 30 / 0 / 31 / 3

HEX #ADF7AB

RGB 173 247 171

HSL 118.42, 0.83%, 0.82%

LAB 90.94, -37.22, 29.46

 

CMYK 31 / 5 / 0 / 3

HEX #ABEAF7

RGB 171 234 247

HSL 190.26, 0.83%, 0.82%

LAB 89.03, -16.73, -12.68

 

CMYK 1 / 31 / 0 / 3

HEX #F5AAF7

RGB 245 170 247

HSL 298.44, 0.83%, 0.82%

LAB 78.97, 39.62, -27.34

 

CMYK 0 / 17 / 31 / 3

HEX #F7CEAB

RGB 247 206 171

HSL 27.63, 0.83%, 0.82%

LAB 85.43, 9.5, 22.82

 

CMYK 30 / 0 / 31 / 3

HEX #ADF7AB

RGB 173 247 171

HSL 118.42, 0.83%, 0.82%

LAB 90.94, -37.22, 29.46

 

CMYK 31 / 15 / 0 / 3

HEX #ABD3F7

RGB 171 211 247

HSL 208.42, 0.83%, 0.82%

LAB 82.89, -4.92, -21.91

 

Description

Color code: HEX #F5AAF7 | qconv.com Color code: HEX #F5AAF7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 245 red, 170 green and 247 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
245 170 247 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, 31 magenta, none yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 31% 0% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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