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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F5B6AE it is the complementary color #0A4951. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F5B6AE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F5B6AE shade: #FAB6A9, #FFC8BC, #FFDACF, #FFECE2 and #FFFEF5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F5B6AE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F5B6AE shade: #F5B6AE, #E4A49B, #D39288, #C28075 and #B16E62

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F5B6AE shade: #F4B5AD and #F4ADAD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F5B6AE shade: #F4B5AD, #F4C8AD, #F4DBAD, #F4EFAD and #E7F4AD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F5B6AE shade matches the following richer shades: #F4B5AD and #FCAFA5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F5B6AE shade: #F4B5AD, #EDBBB4, #E6C0BC, #DEC6C3 and #D7CCCB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F5B6AE shade: #F4ADCC, #F4ADB9, #F4B4AD, #F4C7AD and #F4DAAD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F5B6AE shade: #EB7363, #F09488, #F4B5AD, #F9D6D2 and #FDF7F6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F5B6AE shade: #F5B6AE, #DFF4AD and #ADC2F4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F5B6AE shade: #F5B6AE, #ADF4B4 and #B4ADF4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F5B6AE shade: #F5B6AE, #DFF4AD, #ADEDF4 and #C2ADF4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F5B6AE shade: #F5B6AE, #C9F4AD, #ADEDF4 and #D8ADF4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 26 / 29 / 4

HEX #F5B6AE

RGB 245 182 174

HSL 6.76, 0.78%, 0.82%

LAB 79.57, 21.75, 13.02

 

Complementary color

CMYK 88 / 10 / 0 / 68

HEX #0A4951

RGB 10 73 81

HSL 186.76, 0.78%, 0.18%

LAB 27.91, -15.45, -10.18

 

CMYK 0 / 27 / 32 / 2

HEX #FAB6A9

RGB 250 182 169

HSL 9.63, 0.89%, 0.82%

LAB 79.98, 22.97, 16.36

 

CMYK 0 / 22 / 26 / 0

HEX #FFC8BC

RGB 255 200 188

HSL 10.75, 1%, 0.87%

LAB 85.1, 17.85, 13.48

 

CMYK 0 / 15 / 19 / 0

HEX #FFDACF

RGB 255 218 207

HSL 13.75, 1%, 0.91%

LAB 89.82, 11.16, 10.16

 

CMYK 0 / 7 / 11 / 0

HEX #FFECE2

RGB 255 236 226

HSL 20.69, 1%, 0.94%

LAB 94.63, 4.8, 7.15

 

CMYK 0 / 0 / 4 / 0

HEX #FFFEF5

RGB 255 254 245

HSL 54, 1%, 0.98%

LAB 99.51, -1.21, 4.4

 

CMYK 0 / 26 / 29 / 4

HEX #F5B6AE

RGB 245 182 174

HSL 6.76, 0.78%, 0.82%

LAB 79.57, 21.75, 13.02

 

CMYK 0 / 28 / 32 / 11

HEX #E4A49B

RGB 228 164 155

HSL 7.4, 0.57%, 0.75%

LAB 73.16, 22.48, 14.06

 

CMYK 0 / 31 / 36 / 17

HEX #D39288

RGB 211 146 136

HSL 8, 0.46%, 0.68%

LAB 66.66, 23.29, 15.21

 

CMYK 0 / 34 / 40 / 24

HEX #C28075

RGB 194 128 117

HSL 8.57, 0.39%, 0.61%

LAB 60.06, 24.2, 16.47

 

CMYK 0 / 38 / 45 / 31

HEX #B16E62

RGB 177 110 98

HSL 9.11, 0.34%, 0.54%

LAB 53.36, 25.23, 17.89

 

CMYK 0 / 26 / 29 / 4

HEX #F4B5AD

RGB 244 181 173

HSL 6.76, 0.76%, 0.82%

LAB 79.21, 21.77, 13.04

 

CMYK 0 / 29 / 29 / 4

HEX #F4ADAD

RGB 244 173 173

HSL 0, 0.76%, 0.82%

LAB 77.36, 26, 10.42

 

CMYK 0 / 26 / 29 / 4

HEX #F4B5AD

RGB 244 181 173

HSL 6.76, 0.76%, 0.82%

LAB 79.21, 21.77, 13.04

 

CMYK 0 / 18 / 29 / 4

HEX #F4C8AD

RGB 244 200 173

HSL 22.82, 0.76%, 0.82%

LAB 83.74, 11.76, 19.37

 

CMYK 0 / 10 / 29 / 4

HEX #F4DBAD

RGB 244 219 173

HSL 38.87, 0.76%, 0.82%

LAB 88.41, 1.9, 25.8

 

CMYK 0 / 2 / 29 / 4

HEX #F4EFAD

RGB 244 239 173

HSL 55.77, 0.76%, 0.82%

LAB 93.44, -8.23, 32.61

 

CMYK 5 / 0 / 29 / 4

HEX #E7F4AD

RGB 231 244 173

HSL 70.99, 0.76%, 0.82%

LAB 93.76, -15.51, 32.86

 

CMYK 0 / 26 / 29 / 4

HEX #F4B5AD

RGB 244 181 173

HSL 6.76, 0.76%, 0.82%

LAB 79.21, 21.77, 13.04

 

CMYK 0 / 31 / 35 / 1

HEX #FCAFA5

RGB 252 175 165

HSL 6.9, 0.94%, 0.82%

LAB 78.5, 26.91, 16.48

 

CMYK 0 / 26 / 29 / 4

HEX #F4B5AD

RGB 244 181 173

HSL 6.76, 0.76%, 0.82%

LAB 79.21, 21.77, 13.04

 

CMYK 0 / 21 / 24 / 7

HEX #EDBBB4

RGB 237 187 180

HSL 7.37, 0.61%, 0.82%

LAB 80.09, 16.95, 10.41

 

CMYK 0 / 17 / 18 / 10

HEX #E6C0BC

RGB 230 192 188

HSL 5.71, 0.46%, 0.82%

LAB 80.82, 12.9, 7.07

 

CMYK 0 / 11 / 12 / 13

HEX #DEC6C3

RGB 222 198 195

HSL 6.67, 0.29%, 0.82%

LAB 81.76, 7.94, 4.57

 

CMYK 0 / 5 / 6 / 16

HEX #D7CCCB

RGB 215 204 203

HSL 5, 0.13%, 0.82%

LAB 82.88, 3.64, 1.85

 

CMYK 0 / 29 / 16 / 4

HEX #F4ADCC

RGB 244 173 204

HSL 333.8, 0.76%, 0.82%

LAB 78.16, 30.45, -5.3

 

CMYK 0 / 29 / 24 / 4

HEX #F4ADB9

RGB 244 173 185

HSL 349.86, 0.76%, 0.82%

LAB 77.65, 27.64, 4.3

 

CMYK 0 / 26 / 29 / 4

HEX #F4B4AD

RGB 244 180 173

HSL 5.92, 0.76%, 0.82%

LAB 78.98, 22.3, 12.71

 

CMYK 0 / 18 / 29 / 4

HEX #F4C7AD

RGB 244 199 173

HSL 21.97, 0.76%, 0.82%

LAB 83.49, 12.28, 19.04

 

CMYK 0 / 11 / 29 / 4

HEX #F4DAAD

RGB 244 218 173

HSL 38.03, 0.76%, 0.82%

LAB 88.16, 2.41, 25.46

 

CMYK 0 / 51 / 58 / 8

HEX #EB7363

RGB 235 115 99

HSL 7.06, 0.77%, 0.65%

LAB 62.36, 45.02, 30.66

 

CMYK 0 / 38 / 43 / 6

HEX #F09488

RGB 240 148 136

HSL 6.92, 0.78%, 0.74%

LAB 70.51, 33.32, 21.06

 

CMYK 0 / 26 / 29 / 4

HEX #F4B5AD

RGB 244 181 173

HSL 6.76, 0.76%, 0.82%

LAB 79.21, 21.77, 13.04

 

CMYK 0 / 14 / 16 / 2

HEX #F9D6D2

RGB 249 214 210

HSL 6.15, 0.76%, 0.9%

LAB 88.39, 11.55, 6.47

 

CMYK 0 / 2 / 3 / 1

HEX #FDF7F6

RGB 253 247 246

HSL 8.57, 0.64%, 0.98%

LAB 97.66, 1.83, 1.18

 

CMYK 0 / 26 / 29 / 4

HEX #F5B6AE

RGB 245 182 174

HSL 6.76, 0.78%, 0.82%

LAB 79.57, 21.75, 13.02

 

CMYK 9 / 0 / 29 / 4

HEX #DFF4AD

RGB 223 244 173

HSL 77.75, 0.76%, 0.82%

LAB 93.19, -18.42, 32

 

CMYK 29 / 20 / 0 / 4

HEX #ADC2F4

RGB 173 194 244

HSL 222.25, 0.76%, 0.82%

LAB 78.46, 4.01, -27.05

 

CMYK 0 / 26 / 29 / 4

HEX #F5B6AE

RGB 245 182 174

HSL 6.76, 0.78%, 0.82%

LAB 79.57, 21.75, 13.02

 

CMYK 29 / 0 / 26 / 4

HEX #ADF4B4

RGB 173 244 180

HSL 125.92, 0.76%, 0.82%

LAB 90.27, -34.38, 23.96

 

CMYK 26 / 29 / 0 / 4

HEX #B4ADF4

RGB 180 173 244

HSL 245.92, 0.76%, 0.82%

LAB 73.62, 17.57, -34.45

 

CMYK 0 / 26 / 29 / 4

HEX #F5B6AE

RGB 245 182 174

HSL 6.76, 0.78%, 0.82%

LAB 79.57, 21.75, 13.02

 

CMYK 9 / 0 / 29 / 4

HEX #DFF4AD

RGB 223 244 173

HSL 77.75, 0.76%, 0.82%

LAB 93.19, -18.42, 32

 

CMYK 29 / 3 / 0 / 4

HEX #ADEDF4

RGB 173 237 244

HSL 185.92, 0.76%, 0.82%

LAB 89.85, -18.36, -9.87

 

CMYK 20 / 29 / 0 / 4

HEX #C2ADF4

RGB 194 173 244

HSL 257.75, 0.76%, 0.82%

LAB 74.75, 21.7, -32.61

 

CMYK 0 / 26 / 29 / 4

HEX #F5B6AE

RGB 245 182 174

HSL 6.76, 0.78%, 0.82%

LAB 79.57, 21.75, 13.02

 

CMYK 18 / 0 / 29 / 4

HEX #C9F4AD

RGB 201 244 173

HSL 96.34, 0.76%, 0.82%

LAB 91.75, -26.22, 29.81

 

CMYK 29 / 3 / 0 / 4

HEX #ADEDF4

RGB 173 237 244

HSL 185.92, 0.76%, 0.82%

LAB 89.85, -18.36, -9.87

 

CMYK 11 / 29 / 0 / 4

HEX #D8ADF4

RGB 216 173 244

HSL 276.34, 0.76%, 0.82%

LAB 76.69, 28.42, -29.47

 

Description

Color code: HEX #F5B6AE | qconv.com Color code: HEX #F5B6AE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 245 red, 182 green and 174 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
245 182 174 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 26 magenta, 29 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 26% 29% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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