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Color name
HEX #F5B70F

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F5B70F it is the complementary color #0A48F0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F5B70F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F5B70F shade: #FAB70A, #FFC91D, #FFDB30, #FFED43 and #FFFF56

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F5B70F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F5B70F shade: #F5B70F, #E4A500, #D39300, #C28100 and #B16F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F5B70F shade: #F5B70F, #F5790F, #F53B0F and #F50F0F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F5B70F shade: #F5B70F, #F4F50F, #B6F50F, #78F50F and #3AF50F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F5B70F shade matches the following richer shades: #F5B70F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F5B70F shade: #F5B70F, #E0AD23, #CCA437, #B89B4B and #A4915F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F5B70F shade: #F5390F, #F5760F, #F5B30F, #F5F10F and #BBF50F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F5B70F shade: #AA7E07, #D29B08, #F5B70F, #F6C236 and #F8CE5E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F5B70F shade: #F5B70F, #22F50F and #570FF5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F5B70F shade: #F5B70F, #0FF5B3 and #B30FF5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F5B70F shade: #F5B70F, #22F50F, #0F50F5 and #E10FF5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F5B70F shade: #F5B70F, #0FF540, #0F50F5 and #F50FC3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 25 / 94 / 4

HEX #F5B70F

RGB 245 183 15

HSL 43.83, 0.92%, 0.51%

LAB 78.06, 10.41, 78.89

 

Complementary color

CMYK 96 / 70 / 0 / 6

HEX #0A48F0

RGB 10 72 240

HSL 223.83, 0.92%, 0.49%

LAB 39.56, 48.53, -87.34

 

CMYK 0 / 27 / 96 / 2

HEX #FAB70A

RGB 250 183 10

HSL 43.25, 0.96%, 0.51%

LAB 78.59, 12.5, 80.09

 

CMYK 0 / 21 / 89 / 0

HEX #FFC91D

RGB 255 201 29

HSL 45.66, 1%, 0.56%

LAB 83.51, 5.54, 81.15

 

CMYK 0 / 14 / 81 / 0

HEX #FFDB30

RGB 255 219 48

HSL 49.57, 1%, 0.59%

LAB 88.03, -3.2, 80.43

 

CMYK 0 / 7 / 74 / 0

HEX #FFED43

RGB 255 237 67

HSL 54.26, 1%, 0.63%

LAB 92.68, -11.51, 78.93

 

CMYK 0 / 0 / 66 / 0

HEX #FFFF56

RGB 255 255 86

HSL 60, 1%, 0.67%

LAB 97.41, -19.37, 76.95

 

CMYK 0 / 25 / 94 / 4

HEX #F5B70F

RGB 245 183 15

HSL 43.83, 0.92%, 0.51%

LAB 78.06, 10.41, 78.89

 

CMYK 0 / 28 / 100 / 11

HEX #E4A500

RGB 228 165 0

HSL 43.42, 1%, 0.45%

LAB 71.83, 12.42, 75.4

 

CMYK 0 / 30 / 100 / 17

HEX #D39300

RGB 211 147 0

HSL 41.8, 1%, 0.41%

LAB 65.53, 14.65, 70.23

 

CMYK 0 / 34 / 100 / 24

HEX #C28100

RGB 194 129 0

HSL 39.9, 1%, 0.38%

LAB 59.13, 16.96, 65

 

CMYK 0 / 37 / 100 / 31

HEX #B16F00

RGB 177 111 0

HSL 37.63, 1%, 0.35%

LAB 52.64, 19.37, 59.71

 

CMYK 0 / 25 / 94 / 4

HEX #F5B70F

RGB 245 183 15

HSL 43.83, 0.92%, 0.51%

LAB 78.06, 10.41, 78.89

 

CMYK 0 / 51 / 94 / 4

HEX #F5790F

RGB 245 121 15

HSL 27.65, 0.92%, 0.51%

LAB 64.26, 42.54, 69.25

 

CMYK 0 / 76 / 94 / 4

HEX #F53B0F

RGB 245 59 15

HSL 11.48, 0.92%, 0.51%

LAB 54.63, 68.07, 63.19

 

CMYK 0 / 94 / 94 / 4

HEX #F50F0F

RGB 245 15 15

HSL 0, 0.92%, 0.51%

LAB 51.6, 76.69, 61.48

 

CMYK 0 / 25 / 94 / 4

HEX #F5B70F

RGB 245 183 15

HSL 43.83, 0.92%, 0.51%

LAB 78.06, 10.41, 78.89

 

CMYK 0 / 0 / 94 / 4

HEX #F4F50F

RGB 244 245 15

HSL 60.26, 0.92%, 0.51%

LAB 93.7, -21.2, 90.44

 

CMYK 26 / 0 / 94 / 4

HEX #B6F50F

RGB 182 245 15

HSL 76.43, 0.92%, 0.51%

LAB 89.53, -45.84, 85.41

 

CMYK 51 / 0 / 94 / 4

HEX #78F50F

RGB 120 245 15

HSL 92.61, 0.92%, 0.51%

LAB 86.67, -66.34, 81.93

 

CMYK 76 / 0 / 94 / 4

HEX #3AF50F

RGB 58 245 15

HSL 108.78, 0.92%, 0.51%

LAB 85.12, -79.24, 80.02

 

CMYK 0 / 25 / 94 / 4

HEX #F5B70F

RGB 245 183 15

HSL 43.83, 0.92%, 0.51%

LAB 78.06, 10.41, 78.89

 

CMYK 0 / 25 / 94 / 4

HEX #F5B70F

RGB 245 183 15

HSL 43.83, 0.92%, 0.51%

LAB 78.06, 10.41, 78.89

 

CMYK 0 / 23 / 84 / 12

HEX #E0AD23

RGB 224 173 35

HSL 43.81, 0.75%, 0.51%

LAB 73.45, 6.96, 70.4

 

CMYK 0 / 20 / 73 / 20

HEX #CCA437

RGB 204 164 55

HSL 43.89, 0.59%, 0.51%

LAB 69.23, 3.75, 59.12

 

CMYK 0 / 16 / 59 / 28

HEX #B89B4B

RGB 184 155 75

HSL 44.04, 0.43%, 0.51%

LAB 65.07, 1.1, 45.19

 

CMYK 0 / 12 / 42 / 36

HEX #A4915F

RGB 164 145 95

HSL 43.48, 0.27%, 0.51%

LAB 60.75, -0.14, 29.11

 

CMYK 0 / 77 / 94 / 4

HEX #F5390F

RGB 245 57 15

HSL 10.96, 0.92%, 0.51%

LAB 54.42, 68.66, 63.06

 

CMYK 0 / 52 / 94 / 4

HEX #F5760F

RGB 245 118 15

HSL 26.87, 0.92%, 0.51%

LAB 63.68, 44.01, 68.87

 

CMYK 0 / 27 / 94 / 4

HEX #F5B30F

RGB 245 179 15

HSL 42.78, 0.92%, 0.51%

LAB 77.09, 12.5, 78.2

 

CMYK 0 / 2 / 94 / 4

HEX #F5F10F

RGB 245 241 15

HSL 58.96, 0.92%, 0.51%

LAB 92.73, -18.87, 89.75

 

CMYK 24 / 0 / 94 / 4

HEX #BBF50F

RGB 187 245 15

HSL 75.13, 0.92%, 0.51%

LAB 89.81, -43.95, 85.76

 

CMYK 0 / 26 / 96 / 33

HEX #AA7E07

RGB 170 126 7

HSL 43.8, 0.92%, 0.35%

LAB 55.57, 7.89, 60.01

 

CMYK 0 / 26 / 96 / 18

HEX #D29B08

RGB 210 155 8

HSL 43.66, 0.93%, 0.43%

LAB 67.4, 9.97, 70.39

 

CMYK 0 / 25 / 94 / 4

HEX #F5B70F

RGB 245 183 15

HSL 43.83, 0.92%, 0.51%

LAB 78.06, 10.41, 78.89

 

CMYK 0 / 21 / 78 / 4

HEX #F6C236

RGB 246 194 54

HSL 43.75, 0.91%, 0.59%

LAB 80.98, 5.97, 72.09

 

CMYK 0 / 17 / 62 / 3

HEX #F8CE5E

RGB 248 206 94

HSL 43.64, 0.92%, 0.67%

LAB 84.44, 2.58, 59.84

 

CMYK 0 / 25 / 94 / 4

HEX #F5B70F

RGB 245 183 15

HSL 43.83, 0.92%, 0.51%

LAB 78.06, 10.41, 78.89

 

CMYK 86 / 0 / 94 / 4

HEX #22F50F

RGB 34 245 15

HSL 115.04, 0.92%, 0.51%

LAB 84.83, -81.79, 79.67

 

CMYK 64 / 94 / 0 / 4

HEX #570FF5

RGB 87 15 245

HSL 258.78, 0.92%, 0.51%

LAB 35.91, 76.51, -96.11

 

CMYK 0 / 25 / 94 / 4

HEX #F5B70F

RGB 245 183 15

HSL 43.83, 0.92%, 0.51%

LAB 78.06, 10.41, 78.89

 

CMYK 94 / 0 / 27 / 4

HEX #0FF5B3

RGB 15 245 179

HSL 162.78, 0.92%, 0.51%

LAB 86.34, -63.35, 18.39

 

CMYK 27 / 94 / 0 / 4

HEX #B30FF5

RGB 179 15 245

HSL 282.78, 0.92%, 0.51%

LAB 47.65, 84.87, -76.36

 

CMYK 0 / 25 / 94 / 4

HEX #F5B70F

RGB 245 183 15

HSL 43.83, 0.92%, 0.51%

LAB 78.06, 10.41, 78.89

 

CMYK 86 / 0 / 94 / 4

HEX #22F50F

RGB 34 245 15

HSL 115.04, 0.92%, 0.51%

LAB 84.83, -81.79, 79.67

 

CMYK 94 / 67 / 0 / 4

HEX #0F50F5

RGB 15 80 245

HSL 223.04, 0.92%, 0.51%

LAB 41.89, 45.59, -86.31

 

CMYK 8 / 94 / 0 / 4

HEX #E10FF5

RGB 225 15 245

HSL 294.78, 0.92%, 0.51%

LAB 55.01, 91.26, -64.07

 

CMYK 0 / 25 / 94 / 4

HEX #F5B70F

RGB 245 183 15

HSL 43.83, 0.92%, 0.51%

LAB 78.06, 10.41, 78.89

 

CMYK 94 / 0 / 74 / 4

HEX #0FF540

RGB 15 245 64

HSL 132.78, 0.92%, 0.51%

LAB 84.88, -80.69, 68.91

 

CMYK 94 / 67 / 0 / 4

HEX #0F50F5

RGB 15 80 245

HSL 223.04, 0.92%, 0.51%

LAB 41.89, 45.59, -86.31

 

CMYK 0 / 94 / 20 / 4

HEX #F50FC3

RGB 245 15 195

HSL 313.04, 0.92%, 0.51%

LAB 55.78, 87.88, -34.25

 

Description

Color code: HEX #F5B70F | qconv.com Color code: HEX #F5B70F | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 245 red, 183 green and 15 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
245 183 15 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 25 magenta, 94 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 25% 94% 4% C M Y K

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Provide designers and agencies with accurate color values.

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