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Color name
HEX #F5C793

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F5C793 it is the complementary color #0A386C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F5C793. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F5C793 shade: #FAC78E, #FFD9A1, #FFEBB4, #FFFDC7 and #FFFFDA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F5C793. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F5C793 shade: #F5C793, #E4B580, #D3A36D, #C2915A and #B17F47

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F5C793 shade: #F5C793, #F5AD93 and #F59393

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F5C793 shade: #F5C793, #F5E193, #EEF593, #D3F593 and #B9F593

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F5C793 shade matches the following richer shades: #F5C793 and #FEC78A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F5C793 shade: #F5C793, #EBC69D, #E2C6A6, #D8C5B0 and #CFC5B9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F5C793 shade: #F59395, #F5AC93, #F5C593, #F5DF93 and #F0F593

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F5C793 shade: #EEA048, #F1B36D, #F5C793, #F8DAB9 and #FCEEDF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F5C793 shade: #F5C793, #AFF593 and #9F93F5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F5C793 shade: #F5C793, #93F5C5 and #C593F5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F5C793 shade: #F5C793, #AFF593, #93C2F5 and #D993F5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F5C793 shade: #F5C793, #93F595, #93C2F5 and #F593F3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 19 / 40 / 4

HEX #F5C793

RGB 245 199 147

HSL 31.84, 0.83%, 0.77%

LAB 83.11, 9.56, 32.19

 

Complementary color

CMYK 91 / 48 / 0 / 58

HEX #0A386C

RGB 10 56 108

HSL 211.84, 0.83%, 0.23%

LAB 23.59, 6.77, -34.41

 

CMYK 0 / 20 / 43 / 2

HEX #FAC78E

RGB 250 199 142

HSL 31.67, 0.92%, 0.77%

LAB 83.51, 10.99, 35.4

 

CMYK 0 / 15 / 37 / 0

HEX #FFD9A1

RGB 255 217 161

HSL 35.74, 1%, 0.82%

LAB 88.67, 5.67, 32.51

 

CMYK 0 / 8 / 29 / 0

HEX #FFEBB4

RGB 255 235 180

HSL 44, 1%, 0.85%

LAB 93.44, -1.24, 29.2

 

CMYK 0 / 1 / 22 / 0

HEX #FFFDC7

RGB 255 253 199

HSL 57.86, 1%, 0.89%

LAB 98.29, -7.75, 26.16

 

CMYK 0 / 0 / 15 / 0

HEX #FFFFDA

RGB 255 255 218

HSL 60, 1%, 0.93%

LAB 99.16, -6.02, 17.71

 

CMYK 0 / 19 / 40 / 4

HEX #F5C793

RGB 245 199 147

HSL 31.84, 0.83%, 0.77%

LAB 83.11, 9.56, 32.19

 

CMYK 0 / 21 / 44 / 11

HEX #E4B580

RGB 228 181 128

HSL 31.8, 0.65%, 0.7%

LAB 76.74, 10.28, 33.44

 

CMYK 0 / 23 / 48 / 17

HEX #D3A36D

RGB 211 163 109

HSL 31.76, 0.54%, 0.63%

LAB 70.28, 11.11, 34.77

 

CMYK 0 / 25 / 54 / 24

HEX #C2915A

RGB 194 145 90

HSL 31.73, 0.46%, 0.56%

LAB 63.72, 12.08, 36.18

 

CMYK 0 / 28 / 60 / 31

HEX #B17F47

RGB 177 127 71

HSL 31.7, 0.43%, 0.49%

LAB 57.06, 13.21, 37.67

 

CMYK 0 / 19 / 40 / 4

HEX #F5C793

RGB 245 199 147

HSL 31.84, 0.83%, 0.77%

LAB 83.11, 9.56, 32.19

 

CMYK 0 / 29 / 40 / 4

HEX #F5AD93

RGB 245 173 147

HSL 15.92, 0.83%, 0.77%

LAB 76.92, 23.24, 23.9

 

CMYK 0 / 40 / 40 / 4

HEX #F59393

RGB 245 147 147

HSL 0, 0.83%, 0.77%

LAB 71.14, 36.88, 15.93

 

CMYK 0 / 19 / 40 / 4

HEX #F5C793

RGB 245 199 147

HSL 31.84, 0.83%, 0.77%

LAB 83.11, 9.56, 32.19

 

CMYK 0 / 8 / 40 / 4

HEX #F5E193

RGB 245 225 147

HSL 47.76, 0.83%, 0.77%

LAB 89.57, -3.82, 40.62

 

CMYK 3 / 0 / 40 / 4

HEX #EEF593

RGB 238 245 147

HSL 64.29, 0.83%, 0.77%

LAB 94.14, -16.46, 46.33

 

CMYK 14 / 0 / 40 / 4

HEX #D3F593

RGB 211 245 147

HSL 80.82, 0.83%, 0.77%

LAB 92.25, -26.56, 43.54

 

CMYK 24 / 0 / 40 / 4

HEX #B9F593

RGB 185 245 147

HSL 96.73, 0.83%, 0.77%

LAB 90.65, -35.8, 41.18

 

CMYK 0 / 19 / 40 / 4

HEX #F5C793

RGB 245 199 147

HSL 31.84, 0.83%, 0.77%

LAB 83.11, 9.56, 32.19

 

CMYK 0 / 22 / 46 / 0

HEX #FEC78A

RGB 254 199 138

HSL 31.55, 0.98%, 0.77%

LAB 83.84, 12.17, 37.96

 

CMYK 0 / 19 / 40 / 4

HEX #F5C793

RGB 245 199 147

HSL 31.84, 0.83%, 0.77%

LAB 83.11, 9.56, 32.19

 

CMYK 0 / 16 / 33 / 8

HEX #EBC69D

RGB 235 198 157

HSL 31.54, 0.66%, 0.77%

LAB 82.1, 7.35, 25.45

 

CMYK 0 / 12 / 27 / 11

HEX #E2C6A6

RGB 226 198 166

HSL 32, 0.51%, 0.77%

LAB 81.46, 5.08, 19.68

 

CMYK 0 / 9 / 19 / 15

HEX #D8C5B0

RGB 216 197 176

HSL 31.5, 0.34%, 0.77%

LAB 80.55, 3.29, 12.95

 

CMYK 0 / 5 / 11 / 19

HEX #CFC5B9

RGB 207 197 185

HSL 32.73, 0.19%, 0.77%

LAB 80.01, 1.44, 7.25

 

CMYK 0 / 40 / 39 / 4

HEX #F59395

RGB 245 147 149

HSL 358.78, 0.83%, 0.77%

LAB 71.18, 37.1, 14.88

 

CMYK 0 / 30 / 40 / 4

HEX #F5AC93

RGB 245 172 147

HSL 15.31, 0.83%, 0.77%

LAB 76.69, 23.76, 23.58

 

CMYK 0 / 20 / 40 / 4

HEX #F5C593

RGB 245 197 147

HSL 30.61, 0.83%, 0.77%

LAB 82.62, 10.6, 31.55

 

CMYK 0 / 9 / 40 / 4

HEX #F5DF93

RGB 245 223 147

HSL 46.53, 0.83%, 0.77%

LAB 89.06, -2.81, 39.97

 

CMYK 2 / 0 / 40 / 4

HEX #F0F593

RGB 240 245 147

HSL 63.06, 0.83%, 0.77%

LAB 94.29, -15.69, 46.55

 

CMYK 0 / 33 / 70 / 7

HEX #EEA048

RGB 238 160 72

HSL 31.81, 0.83%, 0.61%

LAB 72.09, 21.24, 55.98

 

CMYK 0 / 26 / 55 / 5

HEX #F1B36D

RGB 241 179 109

HSL 31.82, 0.83%, 0.69%

LAB 77.31, 14.86, 44.22

 

CMYK 0 / 19 / 40 / 4

HEX #F5C793

RGB 245 199 147

HSL 31.84, 0.83%, 0.77%

LAB 83.11, 9.56, 32.19

 

CMYK 0 / 12 / 25 / 3

HEX #F8DAB9

RGB 248 218 185

HSL 31.43, 0.82%, 0.85%

LAB 88.73, 5.49, 20.07

 

CMYK 0 / 6 / 12 / 1

HEX #FCEEDF

RGB 252 238 223

HSL 31.03, 0.83%, 0.93%

LAB 94.81, 2.26, 8.94

 

CMYK 0 / 19 / 40 / 4

HEX #F5C793

RGB 245 199 147

HSL 31.84, 0.83%, 0.77%

LAB 83.11, 9.56, 32.19

 

CMYK 29 / 0 / 40 / 4

HEX #AFF593

RGB 175 245 147

HSL 102.86, 0.83%, 0.77%

LAB 90.1, -39.18, 40.36

 

CMYK 35 / 40 / 0 / 4

HEX #9F93F5

RGB 159 147 245

HSL 247.35, 0.83%, 0.77%

LAB 65.62, 26.65, -47.63

 

CMYK 0 / 19 / 40 / 4

HEX #F5C793

RGB 245 199 147

HSL 31.84, 0.83%, 0.77%

LAB 83.11, 9.56, 32.19

 

CMYK 40 / 0 / 20 / 4

HEX #93F5C5

RGB 147 245 197

HSL 150.61, 0.83%, 0.77%

LAB 89.64, -39.31, 14.16

 

CMYK 20 / 40 / 0 / 4

HEX #C593F5

RGB 197 147 245

HSL 270.61, 0.83%, 0.77%

LAB 68.99, 37.13, -42.09

 

CMYK 0 / 19 / 40 / 4

HEX #F5C793

RGB 245 199 147

HSL 31.84, 0.83%, 0.77%

LAB 83.11, 9.56, 32.19

 

CMYK 29 / 0 / 40 / 4

HEX #AFF593

RGB 175 245 147

HSL 102.86, 0.83%, 0.77%

LAB 90.1, -39.18, 40.36

 

CMYK 40 / 21 / 0 / 4

HEX #93C2F5

RGB 147 194 245

HSL 211.22, 0.83%, 0.77%

LAB 76.91, -2.83, -30.1

 

CMYK 11 / 40 / 0 / 4

HEX #D993F5

RGB 217 147 245

HSL 282.86, 0.83%, 0.77%

LAB 71.02, 42.92, -38.78

 

CMYK 0 / 19 / 40 / 4

HEX #F5C793

RGB 245 199 147

HSL 31.84, 0.83%, 0.77%

LAB 83.11, 9.56, 32.19

 

CMYK 40 / 0 / 39 / 4

HEX #93F595

RGB 147 245 149

HSL 121.22, 0.83%, 0.77%

LAB 88.77, -47.67, 37.38

 

CMYK 40 / 21 / 0 / 4

HEX #93C2F5

RGB 147 194 245

HSL 211.22, 0.83%, 0.77%

LAB 76.91, -2.83, -30.1

 

CMYK 0 / 40 / 1 / 4

HEX #F593F3

RGB 245 147 243

HSL 301.22, 0.83%, 0.77%

LAB 74.03, 50.79, -32.77

 

Description

Color code: HEX #F5C793 | qconv.com Color code: HEX #F5C793 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 245 red, 199 green and 147 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
245 199 147 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 19 magenta, 40 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 19% 40% 4% C M Y K

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Provide designers and agencies with accurate color values.

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