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Color name
HEX #F5C0F3

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F5C0F3 it is the complementary color #0A3F0C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F5C0F3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F5C0F3 shade: #FAC0EE, #FFD2FF, #FFE4FF and #FFF6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F5C0F3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F5C0F3 shade: #F5C0F3, #E4AEE0, #D39CCD, #C28ABA and #B178A7

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F5C0F3 shade: #F5C1F3, #F5C1E5, #F5C1D7, #F5C1C9 and #F5C1C1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F5C0F3 shade: #F5C1F3, #E9C1F5, #DBC1F5, #CDC1F5 and #C1C1F5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F5C0F3 shade matches the following richer shades: #F5C1F3 and #FBBBF8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F5C0F3 shade: #F5C1F3, #EFC7EE, #E9CCE8, #E4D2E3 and #DED8DE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F5C0F3 shade: #DBC1F5, #E9C1F5, #F5C1F3, #F5C1E5 and #F5C1D7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F5C0F3 shade: #EA79E5, #EF9DEC, #F5C1F3 and #FAE4FA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F5C0F3 shade: #F5C0F3, #F5CDC1 and #C1F5E2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F5C0F3 shade: #F5C0F3, #F3F5C1 and #C1F3F5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F5C0F3 shade: #F5C0F3, #F5CDC1, #C1F5C2 and #C1E9F5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F5C0F3 shade: #F5C0F3, #F5DDC1, #C1F5C2 and #C1D9F5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 22 / 1 / 4

HEX #F5C0F3

RGB 245 192 243

HSL 302.26, 0.73%, 0.86%

LAB 83.75, 27.28, -17.94

 

Complementary color

CMYK 84 / 0 / 81 / 75

HEX #0A3F0C

RGB 10 63 12

HSL 122.26, 0.73%, 0.14%

LAB 22.47, -28.48, 25.18

 

CMYK 0 / 23 / 5 / 2

HEX #FAC0EE

RGB 250 192 238

HSL 312.41, 0.85%, 0.87%

LAB 84.07, 28.04, -14.74

 

CMYK 0 / 18 / 0 / 0

HEX #FFD2FF

RGB 255 210 255

HSL 300, 1%, 0.91%

LAB 89.19, 23.22, -16.01

 

CMYK 0 / 11 / 0 / 0

HEX #FFE4FF

RGB 255 228 255

HSL 300, 1%, 0.95%

LAB 93.44, 13.83, -9.68

 

CMYK 0 / 4 / 0 / 0

HEX #FFF6FF

RGB 255 246 255

HSL 300, 1%, 0.98%

LAB 97.79, 4.57, -3.25

 

CMYK 0 / 22 / 1 / 4

HEX #F5C0F3

RGB 245 192 243

HSL 302.26, 0.73%, 0.86%

LAB 83.75, 27.28, -17.94

 

CMYK 0 / 24 / 2 / 11

HEX #E4AEE0

RGB 228 174 224

HSL 304.44, 0.5%, 0.79%

LAB 77.37, 27.86, -17.51

 

CMYK 0 / 26 / 3 / 17

HEX #D39CCD

RGB 211 156 205

HSL 306.55, 0.38%, 0.72%

LAB 70.89, 28.47, -17.06

 

CMYK 0 / 29 / 4 / 24

HEX #C28ABA

RGB 194 138 186

HSL 308.57, 0.31%, 0.65%

LAB 64.32, 29.13, -16.58

 

CMYK 0 / 32 / 6 / 31

HEX #B178A7

RGB 177 120 167

HSL 310.53, 0.27%, 0.58%

LAB 57.63, 29.84, -16.08

 

CMYK 0 / 21 / 1 / 4

HEX #F5C1F3

RGB 245 193 243

HSL 302.31, 0.72%, 0.86%

LAB 83.98, 26.75, -17.59

 

CMYK 0 / 21 / 7 / 4

HEX #F5C1E5

RGB 245 193 229

HSL 318.46, 0.72%, 0.86%

LAB 83.55, 24.29, -10.76

 

CMYK 0 / 21 / 12 / 4

HEX #F5C1D7

RGB 245 193 215

HSL 334.62, 0.72%, 0.86%

LAB 83.16, 21.96, -3.85

 

CMYK 0 / 21 / 18 / 4

HEX #F5C1C9

RGB 245 193 201

HSL 350.77, 0.72%, 0.86%

LAB 82.79, 19.76, 3.11

 

CMYK 0 / 21 / 21 / 4

HEX #F5C1C1

RGB 245 193 193

HSL 0, 0.72%, 0.86%

LAB 82.59, 18.57, 7.12

 

CMYK 0 / 21 / 1 / 4

HEX #F5C1F3

RGB 245 193 243

HSL 302.31, 0.72%, 0.86%

LAB 83.98, 26.75, -17.59

 

CMYK 5 / 21 / 0 / 4

HEX #E9C1F5

RGB 233 193 245

HSL 286.15, 0.72%, 0.86%

LAB 82.94, 23.23, -20.33

 

CMYK 11 / 21 / 0 / 4

HEX #DBC1F5

RGB 219 193 245

HSL 270, 0.72%, 0.86%

LAB 81.73, 18.75, -22.29

 

CMYK 16 / 21 / 0 / 4

HEX #CDC1F5

RGB 205 193 245

HSL 253.85, 0.72%, 0.86%

LAB 80.58, 14.36, -24.14

 

CMYK 21 / 21 / 0 / 4

HEX #C1C1F5

RGB 193 193 245

HSL 240, 0.72%, 0.86%

LAB 79.65, 10.68, -25.64

 

CMYK 0 / 21 / 1 / 4

HEX #F5C1F3

RGB 245 193 243

HSL 302.31, 0.72%, 0.86%

LAB 83.98, 26.75, -17.59

 

CMYK 0 / 25 / 1 / 2

HEX #FBBBF8

RGB 251 187 248

HSL 302.81, 0.89%, 0.86%

LAB 83.35, 32.76, -21.15

 

CMYK 0 / 21 / 1 / 4

HEX #F5C1F3

RGB 245 193 243

HSL 302.31, 0.72%, 0.86%

LAB 83.98, 26.75, -17.59

 

CMYK 0 / 17 / 0 / 6

HEX #EFC7EE

RGB 239 199 238

HSL 301.5, 0.56%, 0.86%

LAB 84.67, 20.69, -13.94

 

CMYK 0 / 12 / 0 / 9

HEX #E9CCE8

RGB 233 204 232

HSL 302.07, 0.4%, 0.86%

LAB 85.17, 14.96, -10.07

 

CMYK 0 / 8 / 0 / 11

HEX #E4D2E3

RGB 228 210 227

HSL 303.33, 0.25%, 0.86%

LAB 86.07, 9.2, -6.12

HEX #E4D2E3

CMYK 0 / 3 / 0 / 13

HEX #DED8DE

RGB 222 216 222

HSL 300, 0.08%, 0.86%

LAB 86.96, 3.12, -2.23

HEX #DED8DE

CMYK 11 / 21 / 0 / 4

HEX #DBC1F5

RGB 219 193 245

HSL 270, 0.72%, 0.86%

LAB 81.73, 18.75, -22.29

 

CMYK 5 / 21 / 0 / 4

HEX #E9C1F5

RGB 233 193 245

HSL 286.15, 0.72%, 0.86%

LAB 82.94, 23.23, -20.33

 

CMYK 0 / 21 / 1 / 4

HEX #F5C1F3

RGB 245 193 243

HSL 302.31, 0.72%, 0.86%

LAB 83.98, 26.75, -17.59

 

CMYK 0 / 21 / 7 / 4

HEX #F5C1E5

RGB 245 193 229

HSL 318.46, 0.72%, 0.86%

LAB 83.55, 24.29, -10.76

 

CMYK 0 / 21 / 12 / 4

HEX #F5C1D7

RGB 245 193 215

HSL 334.62, 0.72%, 0.86%

LAB 83.16, 21.96, -3.85

 

CMYK 0 / 48 / 2 / 8

HEX #EA79E5

RGB 234 121 229

HSL 302.65, 0.73%, 0.7%

LAB 67.15, 58.05, -35.86

 

CMYK 0 / 34 / 1 / 6

HEX #EF9DEC

RGB 239 157 236

HSL 302.2, 0.72%, 0.78%

LAB 75.15, 42.58, -27.29

 

CMYK 0 / 21 / 1 / 4

HEX #F5C1F3

RGB 245 193 243

HSL 302.31, 0.72%, 0.86%

LAB 83.98, 26.75, -17.59

 

CMYK 0 / 9 / 0 / 2

HEX #FAE4FA

RGB 250 228 250

HSL 300, 0.69%, 0.94%

LAB 92.89, 11.28, -7.93

 

CMYK 0 / 22 / 1 / 4

HEX #F5C0F3

RGB 245 192 243

HSL 302.26, 0.73%, 0.86%

LAB 83.75, 27.28, -17.94

 

CMYK 0 / 16 / 21 / 4

HEX #F5CDC1

RGB 245 205 193

HSL 13.85, 0.72%, 0.86%

LAB 85.47, 12.26, 11.22

 

CMYK 21 / 0 / 8 / 4

HEX #C1F5E2

RGB 193 245 226

HSL 158.08, 0.72%, 0.86%

LAB 92.63, -20.24, 3.72

 

CMYK 0 / 22 / 1 / 4

HEX #F5C0F3

RGB 245 192 243

HSL 302.26, 0.73%, 0.86%

LAB 83.75, 27.28, -17.94

 

CMYK 1 / 0 / 21 / 4

HEX #F3F5C1

RGB 243 245 193

HSL 62.31, 0.72%, 0.86%

LAB 95.25, -8.94, 24.89

 

CMYK 21 / 1 / 0 / 4

HEX #C1F3F5

RGB 193 243 245

HSL 182.31, 0.72%, 0.86%

LAB 92.59, -15.4, -6.21

 

CMYK 0 / 22 / 1 / 4

HEX #F5C0F3

RGB 245 192 243

HSL 302.26, 0.73%, 0.86%

LAB 83.75, 27.28, -17.94

 

CMYK 0 / 16 / 21 / 4

HEX #F5CDC1

RGB 245 205 193

HSL 13.85, 0.72%, 0.86%

LAB 85.47, 12.26, 11.22

 

CMYK 21 / 0 / 21 / 4

HEX #C1F5C2

RGB 193 245 194

HSL 121.15, 0.72%, 0.86%

LAB 91.93, -26.08, 19.25

 

CMYK 21 / 5 / 0 / 4

HEX #C1E9F5

RGB 193 233 245

HSL 193.85, 0.72%, 0.86%

LAB 89.96, -10.37, -10.11

 

CMYK 0 / 22 / 1 / 4

HEX #F5C0F3

RGB 245 192 243

HSL 302.26, 0.73%, 0.86%

LAB 83.75, 27.28, -17.94

 

CMYK 0 / 10 / 21 / 4

HEX #F5DDC1

RGB 245 221 193

HSL 32.31, 0.72%, 0.86%

LAB 89.38, 3.95, 16.76

 

CMYK 21 / 0 / 21 / 4

HEX #C1F5C2

RGB 193 245 194

HSL 121.15, 0.72%, 0.86%

LAB 91.93, -26.08, 19.25

 

CMYK 21 / 11 / 0 / 4

HEX #C1D9F5

RGB 193 217 245

HSL 212.31, 0.72%, 0.86%

LAB 85.78, -2.11, -16.35

 

Description

Color code: HEX #F5C0F3 | qconv.com Color code: HEX #F5C0F3 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 245 red, 192 green and 243 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
245 192 243 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 22 magenta, 1 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 22% 1% 4% C M Y K

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Provide designers and agencies with accurate color values.

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