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Color name
HEX #F5C2AC

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F5C2AC it is the complementary color #0A3D53. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F5C2AC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F5C2AC shade: #FAC2A7, #FFD4BA, #FFE6CD, #FFF8E0 and #FFFFF3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F5C2AC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F5C2AC shade: #F5C2AC, #E4B099, #D39E86, #C28C73 and #B17A60

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F5C2AC shade: #F4C2AD, #F4AFAD and #F4ADAD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F5C2AC shade: #F4C2AD, #F4D6AD, #F4E9AD, #EDF4AD and #D9F4AD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F5C2AC shade matches the following richer shades: #F4C2AD and #FCBFA5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F5C2AC shade: #F4C2AD, #EDC5B4, #E6C8BC, #DECBC3 and #D7CECB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F5C2AC shade: #F4ADBE, #F4AFAD, #F4C2AD, #F4D5AD and #F4E8AD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F5C2AC shade: #EB8C63, #F0A788, #F4C2AD, #F9DDD2 and #FDF8F6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F5C2AC shade: #F5C2AC, #D1F4AD and #ADB4F4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F5C2AC shade: #F5C2AC, #ADF4C2 and #C2ADF4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F5C2AC shade: #F5C2AC, #D1F4AD, #ADDFF4 and #D1ADF4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F5C2AC shade: #F5C2AC, #BBF4AD, #ADDFF4 and #E6ADF4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 30 / 4

HEX #F5C2AC

RGB 245 194 172

HSL 18.08, 0.78%, 0.82%

LAB 82.37, 15.16, 18.01

 

Complementary color

CMYK 88 / 27 / 0 / 67

HEX #0A3D53

RGB 10 61 83

HSL 198.08, 0.78%, 0.18%

LAB 23.76, -7.35, -17.87

 

CMYK 0 / 22 / 33 / 2

HEX #FAC2A7

RGB 250 194 167

HSL 19.52, 0.89%, 0.82%

LAB 82.75, 16.42, 21.28

 

CMYK 0 / 17 / 27 / 0

HEX #FFD4BA

RGB 255 212 186

HSL 22.61, 1%, 0.86%

LAB 87.92, 11.32, 18.5

 

CMYK 0 / 10 / 20 / 0

HEX #FFE6CD

RGB 255 230 205

HSL 30, 1%, 0.9%

LAB 92.69, 4.69, 15.29

 

CMYK 0 / 3 / 12 / 0

HEX #FFF8E0

RGB 255 248 224

HSL 46.45, 1%, 0.94%

LAB 97.54, -1.6, 12.35

 

CMYK 0 / 0 / 5 / 0

HEX #FFFFF3

RGB 255 255 243

HSL 60, 1%, 0.98%

LAB 99.71, -2.05, 5.72

 

CMYK 0 / 21 / 30 / 4

HEX #F5C2AC

RGB 245 194 172

HSL 18.08, 0.78%, 0.82%

LAB 82.37, 15.16, 18.01

 

CMYK 0 / 23 / 33 / 11

HEX #E4B099

RGB 228 176 153

HSL 18.4, 0.58%, 0.75%

LAB 75.97, 15.8, 19.07

 

CMYK 0 / 25 / 36 / 17

HEX #D39E86

RGB 211 158 134

HSL 18.7, 0.47%, 0.68%

LAB 69.49, 16.53, 20.22

 

CMYK 0 / 28 / 41 / 24

HEX #C28C73

RGB 194 140 115

HSL 18.99, 0.39%, 0.61%

LAB 62.9, 17.35, 21.47

 

CMYK 0 / 31 / 46 / 31

HEX #B17A60

RGB 177 122 96

HSL 19.26, 0.34%, 0.54%

LAB 56.2, 18.3, 22.85

 

CMYK 0 / 20 / 29 / 4

HEX #F4C2AD

RGB 244 194 173

HSL 17.75, 0.76%, 0.82%

LAB 82.29, 14.91, 17.36

 

CMYK 0 / 28 / 29 / 4

HEX #F4AFAD

RGB 244 175 173

HSL 1.69, 0.76%, 0.82%

LAB 77.82, 24.94, 11.07

 

CMYK 0 / 29 / 29 / 4

HEX #F4ADAD

RGB 244 173 173

HSL 0, 0.76%, 0.82%

LAB 77.36, 26, 10.42

 

CMYK 0 / 20 / 29 / 4

HEX #F4C2AD

RGB 244 194 173

HSL 17.75, 0.76%, 0.82%

LAB 82.29, 14.91, 17.36

 

CMYK 0 / 12 / 29 / 4

HEX #F4D6AD

RGB 244 214 173

HSL 34.65, 0.76%, 0.82%

LAB 87.16, 4.47, 24.11

 

CMYK 0 / 5 / 29 / 4

HEX #F4E9AD

RGB 244 233 173

HSL 50.7, 0.76%, 0.82%

LAB 91.92, -5.22, 30.57

 

CMYK 3 / 0 / 29 / 4

HEX #EDF4AD

RGB 237 244 173

HSL 65.92, 0.76%, 0.82%

LAB 94.19, -13.31, 33.52

 

CMYK 11 / 0 / 29 / 4

HEX #D9F4AD

RGB 217 244 173

HSL 82.82, 0.76%, 0.82%

LAB 92.78, -20.58, 31.38

 

CMYK 0 / 20 / 29 / 4

HEX #F4C2AD

RGB 244 194 173

HSL 17.75, 0.76%, 0.82%

LAB 82.29, 14.91, 17.36

 

CMYK 0 / 24 / 35 / 1

HEX #FCBFA5

RGB 252 191 165

HSL 17.93, 0.94%, 0.82%

LAB 82.2, 18.5, 21.62

 

CMYK 0 / 20 / 29 / 4

HEX #F4C2AD

RGB 244 194 173

HSL 17.75, 0.76%, 0.82%

LAB 82.29, 14.91, 17.36

 

CMYK 0 / 17 / 24 / 7

HEX #EDC5B4

RGB 237 197 180

HSL 17.89, 0.61%, 0.82%

LAB 82.5, 11.67, 13.83

 

CMYK 0 / 13 / 18 / 10

HEX #E6C8BC

RGB 230 200 188

HSL 17.14, 0.46%, 0.82%

LAB 82.79, 8.67, 9.88

 

CMYK 0 / 9 / 12 / 13

HEX #DECBC3

RGB 222 203 195

HSL 17.78, 0.29%, 0.82%

LAB 83.01, 5.3, 6.38

 

CMYK 0 / 4 / 6 / 16

HEX #D7CECB

RGB 215 206 203

HSL 15, 0.13%, 0.82%

LAB 83.39, 2.59, 2.59

 

CMYK 0 / 29 / 22 / 4

HEX #F4ADBE

RGB 244 173 190

HSL 345.63, 0.76%, 0.82%

LAB 77.78, 28.35, 1.76

 

CMYK 0 / 28 / 29 / 4

HEX #F4AFAD

RGB 244 175 173

HSL 1.69, 0.76%, 0.82%

LAB 77.82, 24.94, 11.07

 

CMYK 0 / 20 / 29 / 4

HEX #F4C2AD

RGB 244 194 173

HSL 17.75, 0.76%, 0.82%

LAB 82.29, 14.91, 17.36

 

CMYK 0 / 13 / 29 / 4

HEX #F4D5AD

RGB 244 213 173

HSL 33.8, 0.76%, 0.82%

LAB 86.92, 4.99, 23.77

 

CMYK 0 / 5 / 29 / 4

HEX #F4E8AD

RGB 244 232 173

HSL 49.86, 0.76%, 0.82%

LAB 91.67, -4.72, 30.23

 

CMYK 0 / 40 / 58 / 8

HEX #EB8C63

RGB 235 140 99

HSL 18.09, 0.77%, 0.65%

LAB 67.52, 32.27, 37.17

 

CMYK 0 / 30 / 43 / 6

HEX #F0A788

RGB 240 167 136

HSL 17.88, 0.78%, 0.74%

LAB 74.79, 23.3, 26.84

 

CMYK 0 / 20 / 29 / 4

HEX #F4C2AD

RGB 244 194 173

HSL 17.75, 0.76%, 0.82%

LAB 82.29, 14.91, 17.36

 

CMYK 0 / 11 / 16 / 2

HEX #F9DDD2

RGB 249 221 210

HSL 16.92, 0.76%, 0.9%

LAB 90.09, 7.91, 8.92

 

CMYK 0 / 2 / 3 / 1

HEX #FDF8F6

RGB 253 248 246

HSL 17.14, 0.64%, 0.98%

LAB 97.9, 1.32, 1.54

 

CMYK 0 / 21 / 30 / 4

HEX #F5C2AC

RGB 245 194 172

HSL 18.08, 0.78%, 0.82%

LAB 82.37, 15.16, 18.01

 

CMYK 14 / 0 / 29 / 4

HEX #D1F4AD

RGB 209 244 173

HSL 89.58, 0.76%, 0.82%

LAB 92.25, -23.43, 30.58

 

CMYK 29 / 26 / 0 / 4

HEX #ADB4F4

RGB 173 180 244

HSL 234.08, 0.76%, 0.82%

LAB 74.86, 11.67, -32.58

 

CMYK 0 / 21 / 30 / 4

HEX #F5C2AC

RGB 245 194 172

HSL 18.08, 0.78%, 0.82%

LAB 82.37, 15.16, 18.01

 

CMYK 29 / 0 / 20 / 4

HEX #ADF4C2

RGB 173 244 194

HSL 137.75, 0.76%, 0.82%

LAB 90.54, -31.94, 17.15

 

CMYK 20 / 29 / 0 / 4

HEX #C2ADF4

RGB 194 173 244

HSL 257.75, 0.76%, 0.82%

LAB 74.75, 21.7, -32.61

 

CMYK 0 / 21 / 30 / 4

HEX #F5C2AC

RGB 245 194 172

HSL 18.08, 0.78%, 0.82%

LAB 82.37, 15.16, 18.01

 

CMYK 14 / 0 / 29 / 4

HEX #D1F4AD

RGB 209 244 173

HSL 89.58, 0.76%, 0.82%

LAB 92.25, -23.43, 30.58

 

CMYK 29 / 9 / 0 / 4

HEX #ADDFF4

RGB 173 223 244

HSL 197.75, 0.76%, 0.82%

LAB 86.1, -11.3, -15.47

 

CMYK 14 / 29 / 0 / 4

HEX #D1ADF4

RGB 209 173 244

HSL 270.42, 0.76%, 0.82%

LAB 76.05, 26.26, -30.5

 

CMYK 0 / 21 / 30 / 4

HEX #F5C2AC

RGB 245 194 172

HSL 18.08, 0.78%, 0.82%

LAB 82.37, 15.16, 18.01

 

CMYK 23 / 0 / 29 / 4

HEX #BBF4AD

RGB 187 244 173

HSL 108.17, 0.76%, 0.82%

LAB 90.91, -30.98, 28.54

 

CMYK 29 / 9 / 0 / 4

HEX #ADDFF4

RGB 173 223 244

HSL 197.75, 0.76%, 0.82%

LAB 86.1, -11.3, -15.47

 

CMYK 6 / 29 / 0 / 4

HEX #E6ADF4

RGB 230 173 244

HSL 288.17, 0.76%, 0.82%

LAB 78.02, 32.78, -27.32

 

Description

Color code: HEX #F5C2AC | qconv.com Color code: HEX #F5C2AC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 245 red, 194 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
245 194 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 30 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 30% 4% C M Y K

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Provide designers and agencies with accurate color values.

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