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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F5ED7E it is the complementary color #0A1281. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F5ED7E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F5ED7E shade: #FAED79, #FFFF8C, #FFFF9F, #FFFFB2 and #FFFFC5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F5ED7E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F5ED7E shade: #F5ED7E, #E4DB6B, #D3C958, #C2B745 and #B1A532

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F5ED7E shade: #F5ED7E, #F5CD7E, #F5AD7E, #F58D7E and #F57E7E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F5ED7E shade: #F5ED7E, #DDF57E, #BDF57E, #9DF57E and #7EF580

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F5ED7E shade matches the following richer shades: #F5ED7E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F5ED7E shade: #F5ED7E, #EAE38A, #DFDA95, #D3D0A0 and #C8C6AB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F5ED7E shade: #F5AC7E, #F5CB7E, #F5EB7E, #DFF57E and #C0F57E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F5ED7E shade: #EFE232, #F2E858, #F5ED7E, #F8F2A5 and #FBF7CB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F5ED7E shade: #F5ED7E, #7EF58C and #BC7EF5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F5ED7E shade: #F5ED7E, #7EF5EB and #EB7EF5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F5ED7E shade: #F5ED7E, #7EF58C, #7E88F5 and #F57EE7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F5ED7E shade: #F5ED7E, #7EF5B0, #7E88F5 and #F57EC4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 3 / 49 / 4

HEX #F5ED7E

RGB 245 237 126

HSL 55.97, 0.86%, 0.73%

LAB 92.35, -11.84, 54.27

 

Complementary color

CMYK 92 / 86 / 0 / 49

HEX #0A1281

RGB 10 18 129

HSL 235.97, 0.86%, 0.27%

LAB 15.91, 40.66, -60.43

 

CMYK 0 / 5 / 52 / 2

HEX #FAED79

RGB 250 237 121

HSL 53.95, 0.93%, 0.73%

LAB 92.7, -10.29, 57.1

 

CMYK 0 / 0 / 45 / 0

HEX #FFFF8C

RGB 255 255 140

HSL 60, 1%, 0.77%

LAB 97.9, -15.49, 54.62

 

CMYK 0 / 0 / 38 / 0

HEX #FFFF9F

RGB 255 255 159

HSL 60, 1%, 0.81%

LAB 98.15, -13.6, 45.86

 

CMYK 0 / 0 / 30 / 0

HEX #FFFFB2

RGB 255 255 178

HSL 60, 1%, 0.85%

LAB 98.43, -11.44, 36.89

 

CMYK 0 / 0 / 23 / 0

HEX #FFFFC5

RGB 255 255 197

HSL 60, 1%, 0.89%

LAB 98.75, -9.01, 27.81

 

CMYK 0 / 3 / 49 / 4

HEX #F5ED7E

RGB 245 237 126

HSL 55.97, 0.86%, 0.73%

LAB 92.35, -11.84, 54.27

 

CMYK 0 / 4 / 53 / 11

HEX #E4DB6B

RGB 228 219 107

HSL 55.54, 0.69%, 0.66%

LAB 86.12, -11.28, 55.39

 

CMYK 0 / 5 / 58 / 17

HEX #D3C958

RGB 211 201 88

HSL 55.12, 0.58%, 0.59%

LAB 79.8, -10.62, 56.44

 

CMYK 0 / 6 / 64 / 24

HEX #C2B745

RGB 194 183 69

HSL 54.72, 0.51%, 0.52%

LAB 73.39, -9.83, 57.33

 

CMYK 0 / 7 / 72 / 31

HEX #B1A532

RGB 177 165 50

HSL 54.33, 0.56%, 0.45%

LAB 66.89, -8.87, 57.89

 

CMYK 0 / 3 / 49 / 4

HEX #F5ED7E

RGB 245 237 126

HSL 55.97, 0.86%, 0.73%

LAB 92.35, -11.84, 54.27

 

CMYK 0 / 16 / 49 / 4

HEX #F5CD7E

RGB 245 205 126

HSL 39.83, 0.86%, 0.73%

LAB 84.27, 4.35, 44.39

 

CMYK 0 / 29 / 49 / 4

HEX #F5AD7E

RGB 245 173 126

HSL 23.7, 0.86%, 0.73%

LAB 76.56, 21.11, 34.6

 

CMYK 0 / 42 / 49 / 4

HEX #F58D7E

RGB 245 141 126

HSL 7.56, 0.86%, 0.73%

LAB 69.45, 37.85, 25.23

 

CMYK 0 / 49 / 49 / 4

HEX #F57E7E

RGB 245 126 126

HSL 0, 0.86%, 0.73%

LAB 66.4, 45.44, 21.12

 

CMYK 0 / 3 / 49 / 4

HEX #F5ED7E

RGB 245 237 126

HSL 55.97, 0.86%, 0.73%

LAB 92.35, -11.84, 54.27

 

CMYK 10 / 0 / 49 / 4

HEX #DDF57E

RGB 221 245 126

HSL 72.1, 0.86%, 0.73%

LAB 92.66, -25.05, 54.21

 

CMYK 23 / 0 / 49 / 4

HEX #BDF57E

RGB 189 245 126

HSL 88.24, 0.86%, 0.73%

LAB 90.61, -36.89, 51.26

 

CMYK 36 / 0 / 49 / 4

HEX #9DF57E

RGB 157 245 126

HSL 104.37, 0.86%, 0.73%

LAB 88.91, -47.72, 48.8

 

CMYK 49 / 0 / 48 / 4

HEX #7EF580

RGB 126 245 128

HSL 121.01, 0.86%, 0.73%

LAB 87.63, -56.54, 45.97

 

CMYK 0 / 3 / 49 / 4

HEX #F5ED7E

RGB 245 237 126

HSL 55.97, 0.86%, 0.73%

LAB 92.35, -11.84, 54.27

 

CMYK 0 / 3 / 49 / 4

HEX #F5ED7E

RGB 245 237 126

HSL 55.97, 0.86%, 0.73%

LAB 92.35, -11.84, 54.27

 

CMYK 0 / 3 / 41 / 8

HEX #EAE38A

RGB 234 227 138

HSL 55.63, 0.7%, 0.73%

LAB 89.05, -10.06, 44.24

 

CMYK 0 / 2 / 33 / 13

HEX #DFDA95

RGB 223 218 149

HSL 55.95, 0.54%, 0.73%

LAB 86.01, -8.57, 34.63

 

CMYK 0 / 1 / 24 / 17

HEX #D3D0A0

RGB 211 208 160

HSL 56.47, 0.37%, 0.73%

LAB 82.65, -6.62, 24.27

 

CMYK 0 / 1 / 15 / 22

HEX #C8C6AB

RGB 200 198 171

HSL 55.86, 0.21%, 0.73%

LAB 79.39, -3.9, 13.79

 

CMYK 0 / 30 / 49 / 4

HEX #F5AC7E

RGB 245 172 126

HSL 23.19, 0.86%, 0.73%

LAB 76.33, 21.63, 34.3

 

CMYK 0 / 17 / 49 / 4

HEX #F5CB7E

RGB 245 203 126

HSL 38.82, 0.86%, 0.73%

LAB 83.77, 5.38, 43.77

 

CMYK 0 / 4 / 49 / 4

HEX #F5EB7E

RGB 245 235 126

HSL 54.96, 0.86%, 0.73%

LAB 91.84, -10.86, 53.65

 

CMYK 9 / 0 / 49 / 4

HEX #DFF57E

RGB 223 245 126

HSL 71.09, 0.86%, 0.73%

LAB 92.79, -24.29, 54.41

 

CMYK 22 / 0 / 49 / 4

HEX #C0F57E

RGB 192 245 126

HSL 86.72, 0.86%, 0.73%

LAB 90.79, -35.81, 51.52

 

CMYK 0 / 5 / 79 / 6

HEX #EFE232

RGB 239 226 50

HSL 55.87, 0.86%, 0.57%

LAB 88.44, -13.35, 79.69

 

CMYK 0 / 4 / 64 / 5

HEX #F2E858

RGB 242 232 88

HSL 56.1, 0.86%, 0.65%

LAB 90.46, -13.36, 68.72

 

CMYK 0 / 3 / 49 / 4

HEX #F5ED7E

RGB 245 237 126

HSL 55.97, 0.86%, 0.73%

LAB 92.35, -11.84, 54.27

 

CMYK 0 / 2 / 33 / 3

HEX #F8F2A5

RGB 248 242 165

HSL 55.66, 0.86%, 0.81%

LAB 94.39, -9.19, 37.94

 

CMYK 0 / 2 / 19 / 2

HEX #FBF7CB

RGB 251 247 203

HSL 55, 0.86%, 0.89%

LAB 96.55, -5.64, 21.68

 

CMYK 0 / 3 / 49 / 4

HEX #F5ED7E

RGB 245 237 126

HSL 55.97, 0.86%, 0.73%

LAB 92.35, -11.84, 54.27

 

CMYK 49 / 0 / 43 / 4

HEX #7EF58C

RGB 126 245 140

HSL 127.06, 0.86%, 0.73%

LAB 87.79, -54.84, 40.38

 

CMYK 23 / 49 / 0 / 4

HEX #BC7EF5

RGB 188 126 245

HSL 271.26, 0.86%, 0.73%

LAB 63.51, 46.05, -50.78

 

CMYK 0 / 3 / 49 / 4

HEX #F5ED7E

RGB 245 237 126

HSL 55.97, 0.86%, 0.73%

LAB 92.35, -11.84, 54.27

 

CMYK 49 / 0 / 4 / 4

HEX #7EF5EB

RGB 126 245 235

HSL 174.96, 0.86%, 0.73%

LAB 89.74, -35.97, -5.57

 

CMYK 4 / 49 / 0 / 4

HEX #EB7EF5

RGB 235 126 245

HSL 294.96, 0.86%, 0.73%

LAB 68.88, 58.74, -41.96

 

CMYK 0 / 3 / 49 / 4

HEX #F5ED7E

RGB 245 237 126

HSL 55.97, 0.86%, 0.73%

LAB 92.35, -11.84, 54.27

 

CMYK 49 / 0 / 43 / 4

HEX #7EF58C

RGB 126 245 140

HSL 127.06, 0.86%, 0.73%

LAB 87.79, -54.84, 40.38

 

CMYK 49 / 44 / 0 / 4

HEX #7E88F5

RGB 126 136 245

HSL 234.96, 0.86%, 0.73%

LAB 60.46, 24.99, -55.96

 

CMYK 0 / 49 / 6 / 4

HEX #F57EE7

RGB 245 126 231

HSL 307.06, 0.86%, 0.73%

LAB 69.54, 59.1, -33.14

 

CMYK 0 / 3 / 49 / 4

HEX #F5ED7E

RGB 245 237 126

HSL 55.97, 0.86%, 0.73%

LAB 92.35, -11.84, 54.27

 

CMYK 49 / 0 / 28 / 4

HEX #7EF5B0

RGB 126 245 176

HSL 145.21, 0.86%, 0.73%

LAB 88.39, -48.78, 23.1

 

CMYK 49 / 44 / 0 / 4

HEX #7E88F5

RGB 126 136 245

HSL 234.96, 0.86%, 0.73%

LAB 60.46, 24.99, -55.96

 

CMYK 0 / 49 / 20 / 4

HEX #F57EC4

RGB 245 126 196

HSL 324.71, 0.86%, 0.73%

LAB 68.26, 53.69, -15.65

 

Description

Color code: HEX #F5ED7E | qconv.com Color code: HEX #F5ED7E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 245 red, 237 green and 126 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
245 237 126 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 3 magenta, 49 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 3% 49% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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