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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F5EDCC it is the complementary color #0A1233. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F5EDCC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F5EDCC shade: #FAEDC7, #FFFFDA and #FFFFED

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F5EDCC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F5EDCC shade: #F5EDCC, #E4DBB9, #D3C9A6, #C2B793 and #B1A580

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F5EDCC shade: #F4ECCB, #F4E1CB, #F4D6CB and #F4CBCB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F5EDCC shade: #F4ECCB, #F1F4CB, #E6F4CB, #DBF4CB and #D0F4CB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F5EDCC shade matches the following richer shades: #F4ECCB, #F9EFC6 and #FEF2C1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F5EDCC shade: #F4ECCB, #EFE9D0, #EAE6D5, #E6E3DA and #E1E0DF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F5EDCC shade: #F4D6CB, #F4E1CB, #F4ECCB, #F2F4CB and #E7F4CB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F5EDCC shade: #E7D486, #EEE0A9, #F4ECCB and #FBF9EE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F5EDCC shade: #F5EDCC, #CBF4CB and #DCCBF4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F5EDCC shade: #F5EDCC, #CBF4EC and #ECCBF4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F5EDCC shade: #F5EDCC, #CBF4CB, #CBD4F4 and #F4CBF4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F5EDCC shade: #F5EDCC, #CBF4D8, #CBD4F4 and #F4CBE8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 3 / 17 / 4

HEX #F5EDCC

RGB 245 237 204

HSL 48.29, 0.67%, 0.88%

LAB 93.6, -2.61, 16.97

 

Complementary color

CMYK 80 / 65 / 0 / 80

HEX #0A1233

RGB 10 18 51

HSL 228.29, 0.67%, 0.12%

LAB 6.65, 9.66, -22.83

 

CMYK 0 / 5 / 20 / 2

HEX #FAEDC7

RGB 250 237 199

HSL 44.71, 0.84%, 0.88%

LAB 93.89, -1.54, 20.01

 

CMYK 0 / 0 / 15 / 0

HEX #FFFFDA

RGB 255 255 218

HSL 60, 1%, 0.93%

LAB 99.16, -6.02, 17.71

 

CMYK 0 / 0 / 7 / 0

HEX #FFFFED

RGB 255 255 237

HSL 60, 1%, 0.96%

LAB 99.57, -3.04, 8.59

 

CMYK 0 / 3 / 17 / 4

HEX #F5EDCC

RGB 245 237 204

HSL 48.29, 0.67%, 0.88%

LAB 93.6, -2.61, 16.97

 

CMYK 0 / 4 / 19 / 11

HEX #E4DBB9

RGB 228 219 185

HSL 47.44, 0.44%, 0.81%

LAB 87.32, -2.39, 17.84

 

CMYK 0 / 5 / 21 / 17

HEX #D3C9A6

RGB 211 201 166

HSL 46.67, 0.34%, 0.74%

LAB 80.95, -2.15, 18.77

 

CMYK 0 / 6 / 24 / 24

HEX #C2B793

RGB 194 183 147

HSL 45.96, 0.28%, 0.67%

LAB 74.47, -1.87, 19.75

 

CMYK 0 / 7 / 28 / 31

HEX #B1A580

RGB 177 165 128

HSL 45.31, 0.24%, 0.6%

LAB 67.88, -1.55, 20.79

 

CMYK 0 / 3 / 17 / 4

HEX #F4ECCB

RGB 244 236 203

HSL 48.29, 0.65%, 0.88%

LAB 93.25, -2.61, 16.98

 

CMYK 0 / 8 / 17 / 4

HEX #F4E1CB

RGB 244 225 203

HSL 32.2, 0.65%, 0.88%

LAB 90.5, 3, 13.1

 

CMYK 0 / 12 / 17 / 4

HEX #F4D6CB

RGB 244 214 203

HSL 16.1, 0.65%, 0.88%

LAB 87.79, 8.69, 9.25

 

CMYK 0 / 17 / 17 / 4

HEX #F4CBCB

RGB 244 203 203

HSL 0, 0.65%, 0.88%

LAB 85.13, 14.44, 5.41

 

CMYK 0 / 3 / 17 / 4

HEX #F4ECCB

RGB 244 236 203

HSL 48.29, 0.65%, 0.88%

LAB 93.25, -2.61, 16.98

 

CMYK 1 / 0 / 17 / 4

HEX #F1F4CB

RGB 241 244 203

HSL 64.39, 0.65%, 0.88%

LAB 95.04, -7.71, 19.46

 

CMYK 6 / 0 / 17 / 4

HEX #E6F4CB

RGB 230 244 203

HSL 80.49, 0.65%, 0.88%

LAB 94.24, -11.58, 18.22

 

CMYK 10 / 0 / 17 / 4

HEX #DBF4CB

RGB 219 244 203

HSL 96.59, 0.65%, 0.88%

LAB 93.48, -15.39, 17.05

 

CMYK 15 / 0 / 17 / 4

HEX #D0F4CB

RGB 208 244 203

HSL 112.68, 0.65%, 0.88%

LAB 92.76, -19.12, 15.93

 

CMYK 0 / 3 / 17 / 4

HEX #F4ECCB

RGB 244 236 203

HSL 48.29, 0.65%, 0.88%

LAB 93.25, -2.61, 16.98

 

CMYK 0 / 4 / 20 / 2

HEX #F9EFC6

RGB 249 239 198

HSL 48.24, 0.81%, 0.88%

LAB 94.29, -3.06, 21.07

 

CMYK 0 / 5 / 24 / 0

HEX #FEF2C1

RGB 254 242 193

HSL 48.2, 0.97%, 0.88%

LAB 95.34, -3.44, 25.15

 

CMYK 0 / 3 / 17 / 4

HEX #F4ECCB

RGB 244 236 203

HSL 48.29, 0.65%, 0.88%

LAB 93.25, -2.61, 16.98

 

CMYK 0 / 3 / 13 / 6

HEX #EFE9D0

RGB 239 233 208

HSL 48.39, 0.49%, 0.88%

LAB 92.21, -2.11, 12.87

 

CMYK 0 / 2 / 9 / 8

HEX #EAE6D5

RGB 234 230 213

HSL 48.57, 0.33%, 0.88%

LAB 91.18, -1.53, 8.75

 

CMYK 0 / 1 / 5 / 10

HEX #E6E3DA

RGB 230 227 218

HSL 45, 0.19%, 0.88%

LAB 90.24, -0.55, 4.74

 

CMYK 0 / 0 / 1 / 12

HEX #E1E0DF

RGB 225 224 223

HSL 30, 0.03%, 0.88%

LAB 89.23, 0.16, 0.6

 

CMYK 0 / 12 / 17 / 4

HEX #F4D6CB

RGB 244 214 203

HSL 16.1, 0.65%, 0.88%

LAB 87.79, 8.69, 9.25

 

CMYK 0 / 8 / 17 / 4

HEX #F4E1CB

RGB 244 225 203

HSL 32.2, 0.65%, 0.88%

LAB 90.5, 3, 13.1

 

CMYK 0 / 3 / 17 / 4

HEX #F4ECCB

RGB 244 236 203

HSL 48.29, 0.65%, 0.88%

LAB 93.25, -2.61, 16.98

 

CMYK 1 / 0 / 17 / 4

HEX #F2F4CB

RGB 242 244 203

HSL 62.93, 0.65%, 0.88%

LAB 95.11, -7.35, 19.57

 

CMYK 5 / 0 / 17 / 4

HEX #E7F4CB

RGB 231 244 203

HSL 79.02, 0.65%, 0.88%

LAB 94.31, -11.23, 18.33

 

CMYK 0 / 8 / 42 / 9

HEX #E7D486

RGB 231 212 134

HSL 48.25, 0.67%, 0.72%

LAB 84.89, -4.06, 40.91

 

CMYK 0 / 6 / 29 / 7

HEX #EEE0A9

RGB 238 224 169

HSL 47.83, 0.67%, 0.8%

LAB 89.09, -3.43, 28.71

 

CMYK 0 / 3 / 17 / 4

HEX #F4ECCB

RGB 244 236 203

HSL 48.29, 0.65%, 0.88%

LAB 93.25, -2.61, 16.98

 

CMYK 0 / 1 / 5 / 2

HEX #FBF9EE

RGB 251 249 238

HSL 50.77, 0.62%, 0.96%

LAB 97.81, -1.21, 5.5

 

CMYK 0 / 3 / 17 / 4

HEX #F5EDCC

RGB 245 237 204

HSL 48.29, 0.67%, 0.88%

LAB 93.6, -2.61, 16.97

 

CMYK 17 / 0 / 17 / 4

HEX #CBF4CB

RGB 203 244 203

HSL 120, 0.65%, 0.88%

LAB 92.45, -20.78, 15.44

 

CMYK 10 / 17 / 0 / 4

HEX #DCCBF4

RGB 220 203 244

HSL 264.88, 0.65%, 0.88%

LAB 84.2, 13.52, -18

 

CMYK 0 / 3 / 17 / 4

HEX #F5EDCC

RGB 245 237 204

HSL 48.29, 0.67%, 0.88%

LAB 93.6, -2.61, 16.97

 

CMYK 17 / 0 / 3 / 4

HEX #CBF4EC

RGB 203 244 236

HSL 168.29, 0.65%, 0.88%

LAB 93.21, -14.7, -0.55

 

CMYK 3 / 17 / 0 / 4

HEX #ECCBF4

RGB 236 203 244

HSL 288.29, 0.65%, 0.88%

LAB 85.54, 18.69, -15.85

 

CMYK 0 / 3 / 17 / 4

HEX #F5EDCC

RGB 245 237 204

HSL 48.29, 0.67%, 0.88%

LAB 93.6, -2.61, 16.97

 

CMYK 17 / 0 / 17 / 4

HEX #CBF4CB

RGB 203 244 203

HSL 120, 0.65%, 0.88%

LAB 92.45, -20.78, 15.44

 

CMYK 17 / 13 / 0 / 4

HEX #CBD4F4

RGB 203 212 244

HSL 226.83, 0.65%, 0.88%

LAB 85.16, 3.37, -16.69

 

CMYK 0 / 17 / 0 / 4

HEX #F4CBF4

RGB 244 203 244

HSL 300, 0.65%, 0.88%

LAB 86.24, 21.32, -14.73

 

CMYK 0 / 3 / 17 / 4

HEX #F5EDCC

RGB 245 237 204

HSL 48.29, 0.67%, 0.88%

LAB 93.6, -2.61, 16.97

 

CMYK 17 / 0 / 11 / 4

HEX #CBF4D8

RGB 203 244 216

HSL 139.02, 0.65%, 0.88%

LAB 92.73, -18.49, 9.12

 

CMYK 17 / 13 / 0 / 4

HEX #CBD4F4

RGB 203 212 244

HSL 226.83, 0.65%, 0.88%

LAB 85.16, 3.37, -16.69

 

CMYK 0 / 17 / 5 / 4

HEX #F4CBE8

RGB 244 203 232

HSL 317.56, 0.65%, 0.88%

LAB 85.89, 19.18, -8.89

 

Description

Color code: HEX #F5EDCC | qconv.com Color code: HEX #F5EDCC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 245 red, 237 green and 204 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
245 237 204 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 3 magenta, 17 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 3% 17% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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