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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F5FD72 it is the complementary color #0A028D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F5FD72. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F5FD72 shade: #FAFD6D, #FFFF80, #FFFF93, #FFFFA6 and #FFFFB9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F5FD72. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F5FD72 shade: #F5FD72, #E4EB5F, #D3D94C, #C2C739 and #B1B526

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F5FD72 shade: #F4FC72, #FCDF72, #FCBA72, #FC9472 and #FC7272

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F5FD72 shade: #F4FC72, #CFFC72, #AAFC72, #84FC72 and #72FC85

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F5FD72 shade matches the following richer shades: #F4FC72

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F5FD72 shade: #F4FC72, #EAF17D, #E0E589, #D6DA94 and #CBCEA0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F5FD72 shade: #FCB972, #FCDE72, #F5FC72, #D0FC72 and #ACFC72

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F5FD72 shade: #EFFB21, #F1FC49, #F4FC72, #F7FD9A and #FAFEC3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F5FD72 shade: #F5FD72, #72FC94 and #CC72FC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F5FD72 shade: #F5FD72, #72F5FC and #FC72F5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F5FD72 shade: #F5FD72, #72FC94, #7972FC and #FC72DA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F5FD72 shade: #F5FD72, #72FCBE, #7972FC and #FC72B0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 0 / 55 / 1

HEX #F5FD72

RGB 245 253 114

HSL 63.45, 0.97%, 0.72%

LAB 96.36, -20.6, 64.36

 

Complementary color

CMYK 93 / 99 / 0 / 45

HEX #0A028D

RGB 10 2 141

HSL 243.45, 0.97%, 0.28%

LAB 15.65, 50.36, -68.44

 

CMYK 1 / 0 / 57 / 1

HEX #FAFD6D

RGB 250 253 109

HSL 61.25, 0.97%, 0.71%

LAB 96.69, -18.99, 66.97

 

CMYK 0 / 0 / 50 / 0

HEX #FFFF80

RGB 255 255 128

HSL 60, 1%, 0.75%

LAB 97.77, -16.54, 59.98

 

CMYK 0 / 0 / 42 / 0

HEX #FFFF93

RGB 255 255 147

HSL 60, 1%, 0.79%

LAB 97.99, -14.83, 51.43

 

CMYK 0 / 0 / 35 / 0

HEX #FFFFA6

RGB 255 255 166

HSL 60, 1%, 0.83%

LAB 98.25, -12.84, 42.58

 

CMYK 0 / 0 / 27 / 0

HEX #FFFFB9

RGB 255 255 185

HSL 60, 1%, 0.86%

LAB 98.54, -10.58, 33.56

 

CMYK 3 / 0 / 55 / 1

HEX #F5FD72

RGB 245 253 114

HSL 63.45, 0.97%, 0.72%

LAB 96.36, -20.6, 64.36

 

CMYK 3 / 0 / 60 / 8

HEX #E4EB5F

RGB 228 235 95

HSL 63, 0.78%, 0.65%

LAB 90.2, -20.04, 65.25

 

CMYK 3 / 0 / 65 / 15

HEX #D3D94C

RGB 211 217 76

HSL 62.55, 0.65%, 0.57%

LAB 83.96, -19.38, 65.94

 

CMYK 3 / 0 / 71 / 22

HEX #C2C739

RGB 194 199 57

HSL 62.11, 0.56%, 0.5%

LAB 77.65, -18.59, 66.27

 

CMYK 2 / 0 / 79 / 29

HEX #B1B526

RGB 177 181 38

HSL 61.68, 0.65%, 0.43%

LAB 71.24, -17.63, 65.96

 

CMYK 3 / 0 / 55 / 1

HEX #F4FC72

RGB 244 252 114

HSL 63.48, 0.96%, 0.72%

LAB 96.03, -20.51, 63.96

 

CMYK 0 / 12 / 55 / 1

HEX #FCDF72

RGB 252 223 114

HSL 47.39, 0.96%, 0.72%

LAB 89.25, -3.04, 56.32

 

CMYK 0 / 26 / 55 / 1

HEX #FCBA72

RGB 252 186 114

HSL 31.3, 0.96%, 0.72%

LAB 80.2, 16.04, 45.5

 

CMYK 0 / 41 / 55 / 1

HEX #FC9472

RGB 252 148 114

HSL 14.78, 0.96%, 0.72%

LAB 71.62, 35.88, 34.77

 

CMYK 0 / 55 / 55 / 1

HEX #FC7272

RGB 252 114 114

HSL 0, 0.96%, 0.72%

LAB 64.92, 52.67, 26.06

 

CMYK 3 / 0 / 55 / 1

HEX #F4FC72

RGB 244 252 114

HSL 63.48, 0.96%, 0.72%

LAB 96.03, -20.51, 63.96

 

CMYK 18 / 0 / 55 / 1

HEX #CFFC72

RGB 207 252 114

HSL 79.57, 0.96%, 0.72%

LAB 93.49, -34.67, 60.4

 

CMYK 33 / 0 / 55 / 1

HEX #AAFC72

RGB 170 252 114

HSL 95.65, 0.96%, 0.72%

LAB 91.41, -47.76, 57.44

 

CMYK 48 / 0 / 55 / 1

HEX #84FC72

RGB 132 252 114

HSL 112.17, 0.96%, 0.72%

LAB 89.74, -59.37, 55.06

 

CMYK 55 / 0 / 47 / 1

HEX #72FC85

RGB 114 252 133

HSL 128.26, 0.96%, 0.72%

LAB 89.34, -61.54, 45.64

 

CMYK 3 / 0 / 55 / 1

HEX #F4FC72

RGB 244 252 114

HSL 63.48, 0.96%, 0.72%

LAB 96.03, -20.51, 63.96

 

CMYK 3 / 0 / 55 / 1

HEX #F4FC72

RGB 244 252 114

HSL 63.48, 0.96%, 0.72%

LAB 96.03, -20.51, 63.96

 

CMYK 3 / 0 / 48 / 5

HEX #EAF17D

RGB 234 241 125

HSL 63.62, 0.81%, 0.72%

LAB 92.52, -18.21, 54.74

 

CMYK 2 / 0 / 40 / 10

HEX #E0E589

RGB 224 229 137

HSL 63.26, 0.64%, 0.72%

LAB 88.78, -15.04, 44.23

 

CMYK 2 / 0 / 32 / 15

HEX #D6DA94

RGB 214 218 148

HSL 63.43, 0.49%, 0.72%

LAB 85.29, -12.14, 34.07

 

CMYK 1 / 0 / 22 / 19

HEX #CBCEA0

RGB 203 206 160

HSL 63.91, 0.32%, 0.72%

LAB 81.5, -8.59, 22.6

 

CMYK 0 / 27 / 55 / 1

HEX #FCB972

RGB 252 185 114

HSL 30.87, 0.96%, 0.72%

LAB 79.96, 16.56, 45.21

 

CMYK 0 / 12 / 55 / 1

HEX #FCDE72

RGB 252 222 114

HSL 46.96, 0.96%, 0.72%

LAB 88.99, -2.53, 56.03

 

CMYK 3 / 0 / 55 / 1

HEX #F5FC72

RGB 245 252 114

HSL 63.04, 0.96%, 0.72%

LAB 96.1, -20.12, 64.07

 

CMYK 17 / 0 / 55 / 1

HEX #D0FC72

RGB 208 252 114

HSL 79.13, 0.96%, 0.72%

LAB 93.56, -34.3, 60.49

 

CMYK 32 / 0 / 55 / 1

HEX #ACFC72

RGB 172 252 114

HSL 94.78, 0.96%, 0.72%

LAB 91.51, -47.09, 57.58

 

CMYK 5 / 0 / 87 / 2

HEX #EFFB21

RGB 239 251 33

HSL 63.3, 0.96%, 0.56%

LAB 94.93, -25.83, 88.87

 

CMYK 4 / 0 / 71 / 1

HEX #F1FC49

RGB 241 252 73

HSL 63.69, 0.97%, 0.64%

LAB 95.5, -24.19, 79.25

 

CMYK 3 / 0 / 55 / 1

HEX #F4FC72

RGB 244 252 114

HSL 63.48, 0.96%, 0.72%

LAB 96.03, -20.51, 63.96

 

CMYK 2 / 0 / 39 / 1

HEX #F7FD9A

RGB 247 253 154

HSL 63.64, 0.96%, 0.8%

LAB 96.97, -16.19, 46.66

 

CMYK 2 / 0 / 23 / 0

HEX #FAFEC3

RGB 250 254 195

HSL 64.07, 0.97%, 0.88%

LAB 98.09, -10.59, 27.85

 

CMYK 3 / 0 / 55 / 1

HEX #F5FD72

RGB 245 253 114

HSL 63.45, 0.97%, 0.72%

LAB 96.36, -20.6, 64.36

 

CMYK 55 / 0 / 41 / 1

HEX #72FC94

RGB 114 252 148

HSL 134.78, 0.96%, 0.72%

LAB 89.55, -59.3, 38.65

 

CMYK 19 / 55 / 0 / 1

HEX #CC72FC

RGB 204 114 252

HSL 279.13, 0.96%, 0.72%

LAB 63.26, 57.88, -54.92

 

CMYK 3 / 0 / 55 / 1

HEX #F5FD72

RGB 245 253 114

HSL 63.45, 0.97%, 0.72%

LAB 96.36, -20.6, 64.36

 

CMYK 55 / 3 / 0 / 1

HEX #72F5FC

RGB 114 245 252

HSL 183.04, 0.96%, 0.72%

LAB 89.82, -34.06, -14.35

 

CMYK 0 / 55 / 3 / 1

HEX #FC72F5

RGB 252 114 245

HSL 303.04, 0.96%, 0.72%

LAB 68.98, 68.82, -41.64

 

CMYK 3 / 0 / 55 / 1

HEX #F5FD72

RGB 245 253 114

HSL 63.45, 0.97%, 0.72%

LAB 96.36, -20.6, 64.36

 

CMYK 55 / 0 / 41 / 1

HEX #72FC94

RGB 114 252 148

HSL 134.78, 0.96%, 0.72%

LAB 89.55, -59.3, 38.65

 

CMYK 52 / 55 / 0 / 1

HEX #7972FC

RGB 121 114 252

HSL 243.04, 0.96%, 0.72%

LAB 55.2, 39, -68.28

 

CMYK 0 / 55 / 13 / 1

HEX #FC72DA

RGB 252 114 218

HSL 314.78, 0.96%, 0.72%

LAB 67.87, 64.58, -28.45

 

CMYK 3 / 0 / 55 / 1

HEX #F5FD72

RGB 245 253 114

HSL 63.45, 0.97%, 0.72%

LAB 96.36, -20.6, 64.36

 

CMYK 55 / 0 / 25 / 1

HEX #72FCBE

RGB 114 252 190

HSL 153.04, 0.96%, 0.72%

LAB 90.28, -51.7, 18.49

 

CMYK 52 / 55 / 0 / 1

HEX #7972FC

RGB 121 114 252

HSL 243.04, 0.96%, 0.72%

LAB 55.2, 39, -68.28

 

CMYK 0 / 55 / 30 / 1

HEX #FC72B0

RGB 252 114 176

HSL 333.04, 0.96%, 0.72%

LAB 66.42, 58.87, -7.04

 

Description

Color code: HEX #F5FD72 | qconv.com Color code: HEX #F5FD72 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 245 red, 253 green and 114 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
245 253 114 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, none magenta, 55 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 0% 55% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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