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Color name
HEX #F63BDD

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F63BDD it is the complementary color #09C422. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F63BDD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F63BDD shade: #FB3BD8, #FF4DEB, #FF5FFE, #FF71FF and #FF83FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F63BDD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F63BDD shade: #F63BDD, #E529CA, #D417B7, #C305A4 and #B20091

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F63BDD shade: #F53CDD, #F53CAA, #F53C78, #F53C46 and #F53C3C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F63BDD shade: #F53CDD, #DC3CF5, #AA3CF5, #783CF5 and #463CF5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F63BDD shade matches the following richer shades: #F53CDD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F63BDD shade: #F53CDD, #E54CD0, #D45DC4, #C46DB8 and #B37EAC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F63BDD shade: #AB3CF5, #DD3CF5, #F53CDD, #F53CAB and #F53C7A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F63BDD shade: #D50ABA, #F314D6, #F53CDD, #F763E3 and #F98AEA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F63BDD shade: #F63BDD, #F57A3C and #3CF5C4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F63BDD shade: #F63BDD, #DDF53C and #3CDDF5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F63BDD shade: #F63BDD, #F57A3C, #3CF554 and #3CB7F5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F63BDD shade: #F63BDD, #F5B13C, #3CF554 and #3C80F5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 76 / 10 / 4

HEX #F63BDD

RGB 246 59 221

HSL 308.02, 0.91%, 0.6%

LAB 59.84, 83.68, -42.7

 

Complementary color

CMYK 95 / 0 / 83 / 23

HEX #09C422

RGB 9 196 34

HSL 128.02, 0.91%, 0.4%

LAB 69.22, -69.24, 62.8

 

CMYK 0 / 76 / 14 / 2

HEX #FB3BD8

RGB 251 59 216

HSL 310.94, 0.96%, 0.61%

LAB 60.42, 84.05, -38.9

 

CMYK 0 / 70 / 8 / 0

HEX #FF4DEB

RGB 255 77 235

HSL 306.74, 1%, 0.65%

LAB 63.81, 82.26, -44.2

 

CMYK 0 / 63 / 0 / 0

HEX #FF5FFE

RGB 255 95 254

HSL 300.38, 1%, 0.69%

LAB 66.98, 78.81, -49.71

 

CMYK 0 / 56 / 0 / 0

HEX #FF71FF

RGB 255 113 255

HSL 300, 1%, 0.72%

LAB 69.68, 71.66, -46.01

 

CMYK 0 / 49 / 0 / 0

HEX #FF83FF

RGB 255 131 255

HSL 300, 1%, 0.76%

LAB 72.7, 63.55, -41.27

 

CMYK 0 / 76 / 10 / 4

HEX #F63BDD

RGB 246 59 221

HSL 308.02, 0.91%, 0.6%

LAB 59.84, 83.68, -42.7

 

CMYK 0 / 82 / 12 / 10

HEX #E529CA

RGB 229 41 202

HSL 308.62, 0.78%, 0.53%

LAB 54.56, 81.96, -40.39

 

CMYK 0 / 89 / 14 / 17

HEX #D417B7

RGB 212 23 183

HSL 309.21, 0.8%, 0.46%

LAB 49.53, 79.32, -37.5

 

CMYK 0 / 97 / 16 / 24

HEX #C305A4

RGB 195 5 164

HSL 309.79, 0.95%, 0.39%

LAB 44.79, 75.59, -33.94

 

CMYK 0 / 100 / 19 / 30

HEX #B20091

RGB 178 0 145

HSL 311.12, 1%, 0.35%

LAB 40.43, 70.48, -29.55

 

CMYK 0 / 76 / 10 / 4

HEX #F53CDD

RGB 245 60 221

HSL 307.78, 0.9%, 0.6%

LAB 59.77, 83.21, -42.82

 

CMYK 0 / 76 / 31 / 4

HEX #F53CAA

RGB 245 60 170

HSL 324.32, 0.9%, 0.6%

LAB 57.6, 76.8, -16.94

 

CMYK 0 / 76 / 51 / 4

HEX #F53C78

RGB 245 60 120

HSL 340.54, 0.9%, 0.6%

LAB 56.09, 72.1, 10.31

 

CMYK 0 / 76 / 71 / 4

HEX #F53C46

RGB 245 60 70

HSL 356.76, 0.9%, 0.6%

LAB 55.16, 69.14, 38.5

 

CMYK 0 / 76 / 76 / 4

HEX #F53C3C

RGB 245 60 60

HSL 0, 0.9%, 0.6%

LAB 55.04, 68.75, 43.94

 

CMYK 0 / 76 / 10 / 4

HEX #F53CDD

RGB 245 60 221

HSL 307.78, 0.9%, 0.6%

LAB 59.77, 83.21, -42.82

 

CMYK 10 / 76 / 0 / 4

HEX #DC3CF5

RGB 220 60 245

HSL 291.89, 0.9%, 0.6%

LAB 57.11, 81.95, -60.74

 

CMYK 31 / 76 / 0 / 4

HEX #AA3CF5

RGB 170 60 245

HSL 275.68, 0.9%, 0.6%

LAB 49.94, 73.04, -72.68

 

CMYK 51 / 76 / 0 / 4

HEX #783CF5

RGB 120 60 245

HSL 259.46, 0.9%, 0.6%

LAB 43.97, 65.43, -82.68

 

CMYK 71 / 76 / 0 / 4

HEX #463CF5

RGB 70 60 245

HSL 243.24, 0.9%, 0.6%

LAB 39.79, 59.97, -89.71

 

CMYK 0 / 76 / 10 / 4

HEX #F53CDD

RGB 245 60 221

HSL 307.78, 0.9%, 0.6%

LAB 59.77, 83.21, -42.82

 

CMYK 0 / 76 / 10 / 4

HEX #F53CDD

RGB 245 60 221

HSL 307.78, 0.9%, 0.6%

LAB 59.77, 83.21, -42.82

 

CMYK 0 / 67 / 9 / 10

HEX #E54CD0

RGB 229 76 208

HSL 308.24, 0.75%, 0.6%

LAB 58.4, 72.69, -37.79

 

CMYK 0 / 56 / 8 / 17

HEX #D45DC4

RGB 212 93 196

HSL 308.07, 0.58%, 0.6%

LAB 57.86, 59.53, -31.98

 

CMYK 0 / 44 / 6 / 23

HEX #C46DB8

RGB 196 109 184

HSL 308.28, 0.42%, 0.6%

LAB 58.16, 45.03, -24.82

 

CMYK 0 / 30 / 4 / 30

HEX #B37EAC

RGB 179 126 172

HSL 307.92, 0.26%, 0.6%

LAB 59.42, 28.09, -16.21

 

CMYK 30 / 76 / 0 / 4

HEX #AB3CF5

RGB 171 60 245

HSL 276, 0.9%, 0.6%

LAB 50.08, 73.2, -72.45

 

CMYK 10 / 76 / 0 / 4

HEX #DD3CF5

RGB 221 60 245

HSL 292.22, 0.9%, 0.6%

LAB 57.27, 82.14, -60.48

 

CMYK 0 / 76 / 10 / 4

HEX #F53CDD

RGB 245 60 221

HSL 307.78, 0.9%, 0.6%

LAB 59.77, 83.21, -42.82

 

CMYK 0 / 76 / 30 / 4

HEX #F53CAB

RGB 245 60 171

HSL 324, 0.9%, 0.6%

LAB 57.64, 76.91, -17.47

 

CMYK 0 / 76 / 50 / 4

HEX #F53C7A

RGB 245 60 122

HSL 339.89, 0.9%, 0.6%

LAB 56.14, 72.26, 9.19

 

CMYK 0 / 95 / 13 / 16

HEX #D50ABA

RGB 213 10 186

HSL 307.98, 0.91%, 0.44%

LAB 49.38, 81.31, -39.47

 

CMYK 0 / 92 / 12 / 5

HEX #F314D6

RGB 243 20 214

HSL 307.8, 0.9%, 0.52%

LAB 56.5, 89.39, -44.04

 

CMYK 0 / 76 / 10 / 4

HEX #F53CDD

RGB 245 60 221

HSL 307.78, 0.9%, 0.6%

LAB 59.77, 83.21, -42.82

 

CMYK 0 / 60 / 8 / 3

HEX #F763E3

RGB 247 99 227

HSL 308.11, 0.9%, 0.68%

LAB 65.16, 71.06, -37.72

 

CMYK 0 / 45 / 6 / 2

HEX #F98AEA

RGB 249 138 234

HSL 308.11, 0.9%, 0.76%

LAB 72.4, 54.93, -30.33

 

CMYK 0 / 76 / 10 / 4

HEX #F63BDD

RGB 246 59 221

HSL 308.02, 0.91%, 0.6%

LAB 59.84, 83.68, -42.7

 

CMYK 0 / 50 / 76 / 4

HEX #F57A3C

RGB 245 122 60

HSL 20.11, 0.9%, 0.6%

LAB 64.69, 43.14, 54.06

 

CMYK 76 / 0 / 20 / 4

HEX #3CF5C4

RGB 60 245 196

HSL 164.11, 0.9%, 0.6%

LAB 87.12, -56.29, 10.75

 

CMYK 0 / 76 / 10 / 4

HEX #F63BDD

RGB 246 59 221

HSL 308.02, 0.91%, 0.6%

LAB 59.84, 83.68, -42.7

 

CMYK 10 / 0 / 76 / 4

HEX #DDF53C

RGB 221 245 60

HSL 67.78, 0.9%, 0.6%

LAB 92.13, -29.48, 79.65

 

CMYK 76 / 10 / 0 / 4

HEX #3CDDF5

RGB 60 221 245

HSL 187.78, 0.9%, 0.6%

LAB 81.44, -32.61, -23.45

 

CMYK 0 / 76 / 10 / 4

HEX #F63BDD

RGB 246 59 221

HSL 308.02, 0.91%, 0.6%

LAB 59.84, 83.68, -42.7

 

CMYK 0 / 50 / 76 / 4

HEX #F57A3C

RGB 245 122 60

HSL 20.11, 0.9%, 0.6%

LAB 64.69, 43.14, 54.06

 

CMYK 76 / 0 / 66 / 4

HEX #3CF554

RGB 60 245 84

HSL 127.78, 0.9%, 0.6%

LAB 85.46, -75.16, 62.39

 

CMYK 76 / 25 / 0 / 4

HEX #3CB7F5

RGB 60 183 245

HSL 200.11, 0.9%, 0.6%

LAB 70.47, -13.38, -40.35

 

CMYK 0 / 76 / 10 / 4

HEX #F63BDD

RGB 246 59 221

HSL 308.02, 0.91%, 0.6%

LAB 59.84, 83.68, -42.7

 

CMYK 0 / 28 / 76 / 4

HEX #F5B13C

RGB 245 177 60

HSL 37.95, 0.9%, 0.6%

LAB 76.79, 14.66, 66

 

CMYK 76 / 0 / 66 / 4

HEX #3CF554

RGB 60 245 84

HSL 127.78, 0.9%, 0.6%

LAB 85.46, -75.16, 62.39

 

CMYK 76 / 48 / 0 / 4

HEX #3C80F5

RGB 60 128 245

HSL 217.95, 0.9%, 0.6%

LAB 55.06, 18.53, -64.79

 

Description

Color code: HEX #F63BDD | qconv.com Color code: HEX #F63BDD | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 246 red, 59 green and 221 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
246 59 221 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 76 magenta, 10 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 76% 10% 4% C M Y K

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