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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F645D6 it is the complementary color #09BA29. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F645D6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F645D6 shade: #FB45D1, #FF57E4, #FF69F7, #FF7BFF and #FF8DFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F645D6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F645D6 shade: #F645D6, #E533C3, #D421B0, #C30F9D and #B2008A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F645D6 shade: #F645D6, #F645A6, #F64577, #F64547 and #F64545

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F645D6 shade: #F645D6, #E645F6, #B745F6, #8745F6 and #5745F6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F645D6 shade matches the following richer shades: #F645D6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F645D6 shade: #F645D6, #E655CC, #D665C2, #C774B8 and #B784AE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F645D6 shade: #B545F6, #E445F6, #F645D8, #F645A9 and #F6457A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F645D6 shade: #DF0AB8, #F41ECD, #F645D6, #F86DDF and #F994E7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F645D6 shade: #F645D6, #F68645 and #45F6CD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F645D6 shade: #F645D6, #D8F645 and #45D8F6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F645D6 shade: #F645D6, #F68645, #45F663 and #45B5F6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F645D6 shade: #F645D6, #F6BB45, #45F663 and #4580F6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 72 / 13 / 4

HEX #F645D6

RGB 246 69 214

HSL 310.85, 0.91%, 0.62%

LAB 60.52, 79.82, -37.68

 

Complementary color

CMYK 95 / 0 / 78 / 27

HEX #09BA29

RGB 9 186 41

HSL 130.85, 0.91%, 0.38%

LAB 66.01, -65.98, 57.75

 

CMYK 0 / 73 / 17 / 2

HEX #FB45D1

RGB 251 69 209

HSL 313.85, 0.96%, 0.63%

LAB 61.11, 80.28, -33.87

 

CMYK 0 / 66 / 11 / 0

HEX #FF57E4

RGB 255 87 228

HSL 309.64, 1%, 0.67%

LAB 64.71, 77.81, -38.89

 

CMYK 0 / 59 / 3 / 0

HEX #FF69F7

RGB 255 105 247

HSL 303.2, 1%, 0.71%

LAB 68.08, 73.73, -44.13

 

CMYK 0 / 52 / 0 / 0

HEX #FF7BFF

RGB 255 123 255

HSL 300, 1%, 0.74%

LAB 71.31, 67.24, -43.44

 

CMYK 0 / 45 / 0 / 0

HEX #FF8DFF

RGB 255 141 255

HSL 300, 1%, 0.78%

LAB 74.53, 58.77, -38.42

 

CMYK 0 / 72 / 13 / 4

HEX #F645D6

RGB 246 69 214

HSL 310.85, 0.91%, 0.62%

LAB 60.52, 79.82, -37.68

 

CMYK 0 / 78 / 15 / 10

HEX #E533C3

RGB 229 51 195

HSL 311.46, 0.77%, 0.55%

LAB 55.04, 78.67, -35.61

 

CMYK 0 / 84 / 17 / 17

HEX #D421B0

RGB 212 33 176

HSL 312.07, 0.73%, 0.48%

LAB 49.76, 76.74, -33.03

 

CMYK 0 / 92 / 19 / 24

HEX #C30F9D

RGB 195 15 157

HSL 312.67, 0.86%, 0.41%

LAB 44.77, 73.74, -29.78

 

CMYK 0 / 100 / 22 / 30

HEX #B2008A

RGB 178 0 138

HSL 313.48, 1%, 0.35%

LAB 40.08, 69.61, -25.8

 

CMYK 0 / 72 / 13 / 4

HEX #F645D6

RGB 246 69 214

HSL 310.85, 0.91%, 0.62%

LAB 60.52, 79.82, -37.68

 

CMYK 0 / 72 / 33 / 4

HEX #F645A6

RGB 246 69 166

HSL 327.12, 0.91%, 0.62%

LAB 58.6, 73.87, -13.08

 

CMYK 0 / 72 / 52 / 4

HEX #F64577

RGB 246 69 119

HSL 343.05, 0.91%, 0.62%

LAB 57.25, 69.47, 12.56

 

CMYK 0 / 72 / 71 / 4

HEX #F64547

RGB 246 69 71

HSL 359.32, 0.91%, 0.62%

LAB 56.39, 66.59, 39.41

 

CMYK 0 / 72 / 72 / 4

HEX #F64545

RGB 246 69 69

HSL 0, 0.91%, 0.62%

LAB 56.37, 66.51, 40.5

 

CMYK 0 / 72 / 13 / 4

HEX #F645D6

RGB 246 69 214

HSL 310.85, 0.91%, 0.62%

LAB 60.52, 79.82, -37.68

 

CMYK 7 / 72 / 0 / 4

HEX #E645F6

RGB 230 69 246

HSL 294.58, 0.91%, 0.62%

LAB 59.65, 81.28, -57.16

 

CMYK 26 / 72 / 0 / 4

HEX #B745F6

RGB 183 69 246

HSL 278.64, 0.91%, 0.62%

LAB 52.92, 72.19, -68.32

 

CMYK 45 / 72 / 0 / 4

HEX #8745F6

RGB 135 69 246

HSL 262.37, 0.91%, 0.62%

LAB 47.05, 63.87, -78.13

 

CMYK 65 / 72 / 0 / 4

HEX #5745F6

RGB 87 69 246

HSL 246.1, 0.91%, 0.62%

LAB 42.67, 57.31, -85.49

 

CMYK 0 / 72 / 13 / 4

HEX #F645D6

RGB 246 69 214

HSL 310.85, 0.91%, 0.62%

LAB 60.52, 79.82, -37.68

 

CMYK 0 / 72 / 13 / 4

HEX #F645D6

RGB 246 69 214

HSL 310.85, 0.91%, 0.62%

LAB 60.52, 79.82, -37.68

 

CMYK 0 / 63 / 11 / 10

HEX #E655CC

RGB 230 85 204

HSL 310.76, 0.74%, 0.62%

LAB 59.6, 68.92, -33.63

 

CMYK 0 / 53 / 9 / 16

HEX #D665C2

RGB 214 101 194

HSL 310.62, 0.58%, 0.62%

LAB 59.43, 56.07, -28.38

 

CMYK 0 / 42 / 8 / 22

HEX #C774B8

RGB 199 116 184

HSL 310.84, 0.43%, 0.62%

LAB 59.97, 42.32, -22.01

 

CMYK 0 / 28 / 5 / 28

HEX #B784AE

RGB 183 132 174

HSL 310.59, 0.26%, 0.62%

LAB 61.33, 26.49, -14.42

 

CMYK 26 / 72 / 0 / 4

HEX #B545F6

RGB 181 69 246

HSL 277.97, 0.91%, 0.62%

LAB 52.66, 71.82, -68.76

 

CMYK 7 / 72 / 0 / 4

HEX #E445F6

RGB 228 69 246

HSL 293.9, 0.91%, 0.62%

LAB 59.35, 80.89, -57.65

 

CMYK 0 / 72 / 12 / 4

HEX #F645D8

RGB 246 69 216

HSL 310.17, 0.91%, 0.62%

LAB 60.61, 80.1, -38.66

 

CMYK 0 / 72 / 31 / 4

HEX #F645A9

RGB 246 69 169

HSL 326.1, 0.91%, 0.62%

LAB 58.71, 74.2, -14.67

 

CMYK 0 / 72 / 50 / 4

HEX #F6457A

RGB 246 69 122

HSL 342.03, 0.91%, 0.62%

LAB 57.32, 69.71, 10.89

 

CMYK 0 / 96 / 17 / 13

HEX #DF0AB8

RGB 223 10 184

HSL 310.99, 0.91%, 0.46%

LAB 51.11, 82.88, -35.46

 

CMYK 0 / 88 / 16 / 4

HEX #F41ECD

RGB 244 30 205

HSL 310.93, 0.91%, 0.54%

LAB 56.65, 87.19, -38.64

 

CMYK 0 / 72 / 13 / 4

HEX #F645D6

RGB 246 69 214

HSL 310.85, 0.91%, 0.62%

LAB 60.52, 79.82, -37.68

 

CMYK 0 / 56 / 10 / 3

HEX #F86DDF

RGB 248 109 223

HSL 310.79, 0.91%, 0.7%

LAB 66.69, 66.46, -33.09

 

CMYK 0 / 41 / 7 / 2

HEX #F994E7

RGB 249 148 231

HSL 310.69, 0.89%, 0.78%

LAB 74.25, 49.43, -25.85

 

CMYK 0 / 72 / 13 / 4

HEX #F645D6

RGB 246 69 214

HSL 310.85, 0.91%, 0.62%

LAB 60.52, 79.82, -37.68

 

CMYK 0 / 46 / 72 / 4

HEX #F68645

RGB 246 134 69

HSL 22.03, 0.91%, 0.62%

LAB 67.33, 37.89, 52.61

 

CMYK 72 / 0 / 17 / 4

HEX #45F6CD

RGB 69 246 205

HSL 166.1, 0.91%, 0.62%

LAB 87.77, -53.5, 7.02

 

CMYK 0 / 72 / 13 / 4

HEX #F645D6

RGB 246 69 214

HSL 310.85, 0.91%, 0.62%

LAB 60.52, 79.82, -37.68

 

CMYK 12 / 0 / 72 / 4

HEX #D8F645

RGB 216 246 69

HSL 70.17, 0.91%, 0.62%

LAB 92.11, -31.53, 76.69

 

CMYK 72 / 12 / 0 / 4

HEX #45D8F6

RGB 69 216 246

HSL 190.17, 0.91%, 0.62%

LAB 80.2, -28.9, -25.85

 

CMYK 0 / 72 / 13 / 4

HEX #F645D6

RGB 246 69 214

HSL 310.85, 0.91%, 0.62%

LAB 60.52, 79.82, -37.68

 

CMYK 0 / 46 / 72 / 4

HEX #F68645

RGB 246 134 69

HSL 22.03, 0.91%, 0.62%

LAB 67.33, 37.89, 52.61

 

CMYK 72 / 0 / 60 / 4

HEX #45F663

RGB 69 246 99

HSL 130.17, 0.91%, 0.62%

LAB 86.05, -72.6, 56.9

 

CMYK 72 / 26 / 0 / 4

HEX #45B5F6

RGB 69 181 246

HSL 202.03, 0.91%, 0.62%

LAB 70.15, -10.89, -41.37

 

CMYK 0 / 72 / 13 / 4

HEX #F645D6

RGB 246 69 214

HSL 310.85, 0.91%, 0.62%

LAB 60.52, 79.82, -37.68

 

CMYK 0 / 24 / 72 / 4

HEX #F6BB45

RGB 246 187 69

HSL 40, 0.91%, 0.62%

LAB 79.36, 10.22, 65.04

 

CMYK 72 / 0 / 60 / 4

HEX #45F663

RGB 69 246 99

HSL 130.17, 0.91%, 0.62%

LAB 86.05, -72.6, 56.9

 

CMYK 72 / 48 / 0 / 4

HEX #4580F6

RGB 69 128 246

HSL 220, 0.91%, 0.62%

LAB 55.44, 19.98, -64.72

 

Description

Color code: HEX #F645D6 | qconv.com Color code: HEX #F645D6 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 246 red, 69 green and 214 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
246 69 214 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 72 magenta, 13 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 72% 13% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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