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Color name
HEX #F64FBC

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F64FBC it is the complementary color #09B043. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F64FBC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F64FBC shade: #FB4FB7, #FF61CA, #FF73DD, #FF85F0 and #FF97FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F64FBC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F64FBC shade: #F64FBC, #E53DA9, #D42B96, #C31983 and #B20770

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F64FBC shade: #F550BC, #F5508F, #F55063 and #F55050

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F64FBC shade: #F550BC, #F550E8, #D650F5, #A950F5 and #7C50F5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F64FBC shade matches the following richer shades: #F550BC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F64FBC shade: #F550BC, #E65FB7, #D86EB3, #C97DAE and #BA8BAA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F64FBC shade: #D450F5, #F550EA, #F550BE, #F55092 and #F55066

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F64FBC shade: #E70C9B, #F329AD, #F550BC, #F777CB and #F99EDA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F64FBC shade: #F64FBC, #F5A850 and #50F5EA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F64FBC shade: #F64FBC, #BEF550 and #50BEF5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F64FBC shade: #F64FBC, #F5A850, #50F587 and #509DF5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F64FBC shade: #F64FBC, #F5DA50, #50F587 and #506CF5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 68 / 24 / 4

HEX #F64FBC

RGB 246 79 188

HSL 320.84, 0.9%, 0.64%

LAB 60.62, 73.05, -22.72

 

Complementary color

CMYK 95 / 0 / 62 / 31

HEX #09B043

RGB 9 176 67

HSL 140.84, 0.9%, 0.36%

LAB 62.94, -60.48, 44.34

 

CMYK 0 / 69 / 27 / 2

HEX #FB4FB7

RGB 251 79 183

HSL 323.72, 0.96%, 0.65%

LAB 61.24, 73.72, -18.84

 

CMYK 0 / 62 / 21 / 0

HEX #FF61CA

RGB 255 97 202

HSL 320.13, 1%, 0.69%

LAB 65.02, 70.38, -23.81

 

CMYK 0 / 55 / 13 / 0

HEX #FF73DD

RGB 255 115 221

HSL 314.57, 1%, 0.73%

LAB 68.56, 65.42, -29.01

 

CMYK 0 / 48 / 6 / 0

HEX #FF85F0

RGB 255 133 240

HSL 307.38, 1%, 0.76%

LAB 72.45, 60.08, -33.48

 

CMYK 0 / 41 / 0 / 0

HEX #FF97FF

RGB 255 151 255

HSL 300, 1%, 0.8%

LAB 76.44, 53.83, -35.45

 

CMYK 0 / 68 / 24 / 4

HEX #F64FBC

RGB 246 79 188

HSL 320.84, 0.9%, 0.64%

LAB 60.62, 73.05, -22.72

 

CMYK 0 / 73 / 26 / 10

HEX #E53DA9

RGB 229 61 169

HSL 321.43, 0.76%, 0.57%

LAB 54.93, 72.51, -20.69

 

CMYK 0 / 80 / 29 / 17

HEX #D42B96

RGB 212 43 150

HSL 322.01, 0.66%, 0.5%

LAB 49.41, 71.33, -18.16

 

CMYK 0 / 87 / 33 / 24

HEX #C31983

RGB 195 25 131

HSL 322.59, 0.77%, 0.43%

LAB 44.14, 69.25, -14.97

 

CMYK 0 / 96 / 37 / 30

HEX #B20770

RGB 178 7 112

HSL 323.16, 0.92%, 0.36%

LAB 39.22, 65.98, -10.96

 

CMYK 0 / 67 / 23 / 4

HEX #F550BC

RGB 245 80 188

HSL 320.73, 0.89%, 0.64%

LAB 60.59, 72.43, -22.78

 

CMYK 0 / 67 / 42 / 4

HEX #F5508F

RGB 245 80 143

HSL 337.09, 0.89%, 0.64%

LAB 59.1, 67.39, 1.06

 

CMYK 0 / 67 / 60 / 4

HEX #F55063

RGB 245 80 99

HSL 353.09, 0.89%, 0.64%

LAB 58.09, 63.84, 25.42

 

CMYK 0 / 67 / 67 / 4

HEX #F55050

RGB 245 80 80

HSL 0, 0.89%, 0.64%

LAB 57.78, 62.74, 35.95

 

CMYK 0 / 67 / 23 / 4

HEX #F550BC

RGB 245 80 188

HSL 320.73, 0.89%, 0.64%

LAB 60.59, 72.43, -22.78

 

CMYK 0 / 67 / 5 / 4

HEX #F550E8

RGB 245 80 232

HSL 304.73, 0.89%, 0.64%

LAB 62.49, 78.58, -44.71

 

CMYK 13 / 67 / 0 / 4

HEX #D650F5

RGB 214 80 245

HSL 288.73, 0.89%, 0.64%

LAB 58.63, 73.95, -58.36

 

CMYK 31 / 67 / 0 / 4

HEX #A950F5

RGB 169 80 245

HSL 272.36, 0.89%, 0.64%

LAB 52.69, 64.71, -68.22

 

CMYK 49 / 67 / 0 / 4

HEX #7C50F5

RGB 124 80 245

HSL 256, 0.89%, 0.64%

LAB 47.77, 56.47, -76.44

 

CMYK 0 / 67 / 23 / 4

HEX #F550BC

RGB 245 80 188

HSL 320.73, 0.89%, 0.64%

LAB 60.59, 72.43, -22.78

 

CMYK 0 / 67 / 23 / 4

HEX #F550BC

RGB 245 80 188

HSL 320.73, 0.89%, 0.64%

LAB 60.59, 72.43, -22.78

 

CMYK 0 / 59 / 20 / 10

HEX #E65FB7

RGB 230 95 183

HSL 320.89, 0.73%, 0.64%

LAB 60.27, 61.72, -20.61

 

CMYK 0 / 49 / 17 / 15

HEX #D86EB3

RGB 216 110 179

HSL 320.94, 0.58%, 0.64%

LAB 60.79, 49.96, -17.71

 

CMYK 0 / 38 / 13 / 21

HEX #C97DAE

RGB 201 125 174

HSL 321.32, 0.41%, 0.64%

LAB 61.78, 36.5, -13.55

 

CMYK 0 / 25 / 9 / 27

HEX #BA8BAA

RGB 186 139 170

HSL 320.43, 0.25%, 0.64%

LAB 63.18, 22.91, -9.34

 

CMYK 13 / 67 / 0 / 4

HEX #D450F5

RGB 212 80 245

HSL 288, 0.89%, 0.64%

LAB 58.35, 73.53, -58.83

 

CMYK 0 / 67 / 4 / 4

HEX #F550EA

RGB 245 80 234

HSL 304, 0.89%, 0.64%

LAB 62.58, 78.88, -45.67

 

CMYK 0 / 67 / 22 / 4

HEX #F550BE

RGB 245 80 190

HSL 320, 0.89%, 0.64%

LAB 60.66, 72.69, -23.81

 

CMYK 0 / 67 / 40 / 4

HEX #F55092

RGB 245 80 146

HSL 336, 0.89%, 0.64%

LAB 59.18, 67.68, -0.57

 

CMYK 0 / 67 / 58 / 4

HEX #F55066

RGB 245 80 102

HSL 352, 0.89%, 0.64%

LAB 58.14, 64.04, 23.74

 

CMYK 0 / 95 / 33 / 9

HEX #E70C9B

RGB 231 12 155

HSL 320.82, 0.9%, 0.48%

LAB 51.4, 81.02, -17.78

 

CMYK 0 / 83 / 29 / 5

HEX #F329AD

RGB 243 41 173

HSL 320.79, 0.89%, 0.56%

LAB 55.74, 81.32, -21.56

 

CMYK 0 / 67 / 23 / 4

HEX #F550BC

RGB 245 80 188

HSL 320.73, 0.89%, 0.64%

LAB 60.59, 72.43, -22.78

 

CMYK 0 / 52 / 18 / 3

HEX #F777CB

RGB 247 119 203

HSL 320.63, 0.89%, 0.72%

LAB 67.49, 58.65, -20.71

 

CMYK 0 / 37 / 12 / 2

HEX #F99EDA

RGB 249 158 218

HSL 320.44, 0.88%, 0.8%

LAB 75.86, 42.19, -16.31

 

CMYK 0 / 68 / 24 / 4

HEX #F64FBC

RGB 246 79 188

HSL 320.84, 0.9%, 0.64%

LAB 60.62, 73.05, -22.72

 

CMYK 0 / 31 / 67 / 4

HEX #F5A850

RGB 245 168 80

HSL 32, 0.89%, 0.64%

LAB 74.82, 20.34, 55.51

 

CMYK 67 / 0 / 4 / 4

HEX #50F5EA

RGB 80 245 234

HSL 176, 0.89%, 0.64%

LAB 88.42, -44.3, -7.13

 

CMYK 0 / 68 / 24 / 4

HEX #F64FBC

RGB 246 79 188

HSL 320.84, 0.9%, 0.64%

LAB 60.62, 73.05, -22.72

 

CMYK 22 / 0 / 67 / 4

HEX #BEF550

RGB 190 245 80

HSL 80, 0.89%, 0.64%

LAB 90.24, -40.45, 70.44

 

CMYK 67 / 22 / 0 / 4

HEX #50BEF5

RGB 80 190 245

HSL 200, 0.89%, 0.64%

LAB 72.97, -14.51, -36.41

 

CMYK 0 / 68 / 24 / 4

HEX #F64FBC

RGB 246 79 188

HSL 320.84, 0.9%, 0.64%

LAB 60.62, 73.05, -22.72

 

CMYK 0 / 31 / 67 / 4

HEX #F5A850

RGB 245 168 80

HSL 32, 0.89%, 0.64%

LAB 74.82, 20.34, 55.51

 

CMYK 67 / 0 / 45 / 4

HEX #50F587

RGB 80 245 135

HSL 140, 0.89%, 0.64%

LAB 86.38, -65.58, 40.75

 

CMYK 67 / 36 / 0 / 4

HEX #509DF5

RGB 80 157 245

HSL 212, 0.89%, 0.64%

LAB 63.68, 3.82, -50.98

 

CMYK 0 / 68 / 24 / 4

HEX #F64FBC

RGB 246 79 188

HSL 320.84, 0.9%, 0.64%

LAB 60.62, 73.05, -22.72

 

CMYK 0 / 11 / 67 / 4

HEX #F5DA50

RGB 245 218 80

HSL 50.18, 0.89%, 0.64%

LAB 87.06, -5.59, 68.45

 

CMYK 67 / 0 / 45 / 4

HEX #50F587

RGB 80 245 135

HSL 140, 0.89%, 0.64%

LAB 86.38, -65.58, 40.75

 

CMYK 67 / 56 / 0 / 4

HEX #506CF5

RGB 80 108 245

HSL 229.82, 0.89%, 0.64%

LAB 50.71, 33.45, -71.79

 

Description

Color code: HEX #F64FBC | qconv.com Color code: HEX #F64FBC | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 246 red, 79 green and 188 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
246 79 188 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 68 magenta, 24 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 68% 24% 4% C M Y K

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