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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F655F3 it is the complementary color #09AA0C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F655F3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F655F3 shade: #FB55EE, #FF67FF, #FF79FF, #FF8BFF and #FF9DFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F655F3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F655F3 shade: #F655F3, #E543E0, #D431CD, #C31FBA and #B20DA7

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F655F3 shade: #F655F3, #F655C7, #F6559C, #F65571 and #F65555

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F655F3 shade: #F655F3, #CD55F6, #A255F6, #7755F6 and #5555F6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F655F3 shade matches the following richer shades: #F655F3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F655F3 shade: #F655F3, #E763E5, #D972D7, #CA80C9 and #BC8FBB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F655F3 shade: #A355F6, #CD55F6, #F655F3, #F655C8 and #F6559D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F655F3 shade: #EC0CE8, #F42EF0, #F655F3, #F87CF5 and #FAA3F8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F655F3 shade: #F655F3, #F67855 and #55F6B8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F655F3 shade: #F655F3, #F3F655 and #55F3F6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F655F3 shade: #F655F3, #F67855, #55F658 and #55D3F6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F655F3 shade: #F655F3, #F6A855, #55F658 and #55A3F6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 65 / 1 / 4

HEX #F655F3

RGB 246 85 243

HSL 301.12, 0.9%, 0.65%

LAB 63.8, 78.73, -48.74

 

Complementary color

CMYK 95 / 0 / 93 / 33

HEX #09AA0C

RGB 9 170 12

HSL 121.12, 0.9%, 0.35%

LAB 60.63, -62.83, 59.82

 

CMYK 0 / 66 / 5 / 2

HEX #FB55EE

RGB 251 85 238

HSL 304.7, 0.95%, 0.66%

LAB 64.31, 79.08, -45.13

 

CMYK 0 / 60 / 0 / 0

HEX #FF67FF

RGB 255 103 255

HSL 300, 1%, 0.7%

LAB 68.15, 75.83, -48.4

 

CMYK 0 / 53 / 0 / 0

HEX #FF79FF

RGB 255 121 255

HSL 300, 1%, 0.74%

LAB 70.98, 68.15, -43.96

 

CMYK 0 / 45 / 0 / 0

HEX #FF8BFF

RGB 255 139 255

HSL 300, 1%, 0.77%

LAB 74.15, 59.74, -39

 

CMYK 0 / 38 / 0 / 0

HEX #FF9DFF

RGB 255 157 255

HSL 300, 1%, 0.81%

LAB 77.63, 50.81, -33.61

 

CMYK 0 / 65 / 1 / 4

HEX #F655F3

RGB 246 85 243

HSL 301.12, 0.9%, 0.65%

LAB 63.8, 78.73, -48.74

 

CMYK 0 / 71 / 2 / 10

HEX #E543E0

RGB 229 67 224

HSL 301.85, 0.76%, 0.58%

LAB 58.09, 78.2, -47.33

 

CMYK 0 / 77 / 3 / 17

HEX #D431CD

RGB 212 49 205

HSL 302.58, 0.65%, 0.51%

LAB 52.51, 77.09, -45.54

 

CMYK 0 / 84 / 5 / 24

HEX #C31FBA

RGB 195 31 186

HSL 303.29, 0.73%, 0.44%

LAB 47.14, 75.16, -43.23

 

CMYK 0 / 93 / 6 / 30

HEX #B20DA7

RGB 178 13 167

HSL 304, 0.86%, 0.37%

LAB 42.07, 72.11, -40.25

 

CMYK 0 / 65 / 1 / 4

HEX #F655F3

RGB 246 85 243

HSL 301.12, 0.9%, 0.65%

LAB 63.8, 78.73, -48.74

 

CMYK 0 / 65 / 19 / 4

HEX #F655C7

RGB 246 85 199

HSL 317.52, 0.9%, 0.65%

LAB 61.84, 72.28, -27.12

 

CMYK 0 / 65 / 37 / 4

HEX #F6559C

RGB 246 85 156

HSL 333.54, 0.9%, 0.65%

LAB 60.33, 67.1, -4.7

 

CMYK 0 / 65 / 54 / 4

HEX #F65571

RGB 246 85 113

HSL 349.57, 0.9%, 0.65%

LAB 59.23, 63.19, 18.83

 

CMYK 0 / 65 / 65 / 4

HEX #F65555

RGB 246 85 85

HSL 0, 0.9%, 0.65%

LAB 58.74, 61.37, 34.33

 

CMYK 0 / 65 / 1 / 4

HEX #F655F3

RGB 246 85 243

HSL 301.12, 0.9%, 0.65%

LAB 63.8, 78.73, -48.74

 

CMYK 17 / 65 / 0 / 4

HEX #CD55F6

RGB 205 85 246

HSL 284.72, 0.9%, 0.65%

LAB 58.16, 70.21, -59.74

 

CMYK 34 / 65 / 0 / 4

HEX #A255F6

RGB 162 85 246

HSL 268.7, 0.9%, 0.65%

LAB 52.77, 61.24, -68.7

 

CMYK 52 / 65 / 0 / 4

HEX #7755F6

RGB 119 85 246

HSL 252.67, 0.9%, 0.65%

LAB 48.35, 53.29, -76.07

 

CMYK 65 / 65 / 0 / 4

HEX #5555F6

RGB 85 85 246

HSL 240, 0.9%, 0.65%

LAB 45.75, 48.25, -80.44

 

CMYK 0 / 65 / 1 / 4

HEX #F655F3

RGB 246 85 243

HSL 301.12, 0.9%, 0.65%

LAB 63.8, 78.73, -48.74

 

CMYK 0 / 65 / 1 / 4

HEX #F655F3

RGB 246 85 243

HSL 301.12, 0.9%, 0.65%

LAB 63.8, 78.73, -48.74

 

CMYK 0 / 57 / 1 / 9

HEX #E763E5

RGB 231 99 229

HSL 300.91, 0.73%, 0.65%

LAB 62.99, 67.33, -42.39

 

CMYK 0 / 47 / 1 / 15

HEX #D972D7

RGB 217 114 215

HSL 301.17, 0.58%, 0.65%

LAB 63.09, 54.21, -34.54

 

CMYK 0 / 37 / 0 / 21

HEX #CA80C9

RGB 202 128 201

HSL 300.81, 0.41%, 0.65%

LAB 63.52, 39.95, -26.16

 

CMYK 0 / 24 / 1 / 26

HEX #BC8FBB

RGB 188 143 187

HSL 301.33, 0.25%, 0.65%

LAB 64.9, 24.51, -16.32

 

CMYK 34 / 65 / 0 / 4

HEX #A355F6

RGB 163 85 246

HSL 269.07, 0.9%, 0.65%

LAB 52.88, 61.44, -68.51

 

CMYK 17 / 65 / 0 / 4

HEX #CD55F6

RGB 205 85 246

HSL 284.72, 0.9%, 0.65%

LAB 58.16, 70.21, -59.74

 

CMYK 0 / 65 / 1 / 4

HEX #F655F3

RGB 246 85 243

HSL 301.12, 0.9%, 0.65%

LAB 63.8, 78.73, -48.74

 

CMYK 0 / 65 / 19 / 4

HEX #F655C8

RGB 246 85 200

HSL 317.14, 0.9%, 0.65%

LAB 61.88, 72.42, -27.63

 

CMYK 0 / 65 / 36 / 4

HEX #F6559D

RGB 246 85 157

HSL 333.17, 0.9%, 0.65%

LAB 60.36, 67.2, -5.23

 

CMYK 0 / 95 / 2 / 7

HEX #EC0CE8

RGB 236 12 232

HSL 301.07, 0.9%, 0.49%

LAB 56.01, 91.32, -55.08

 

CMYK 0 / 81 / 2 / 4

HEX #F42EF0

RGB 244 46 240

HSL 301.21, 0.9%, 0.57%

LAB 59.41, 89.09, -54.05

 

CMYK 0 / 65 / 1 / 4

HEX #F655F3

RGB 246 85 243

HSL 301.12, 0.9%, 0.65%

LAB 63.8, 78.73, -48.74

 

CMYK 0 / 50 / 1 / 3

HEX #F87CF5

RGB 248 124 245

HSL 301.45, 0.9%, 0.73%

LAB 70.15, 63.22, -39.86

 

CMYK 0 / 35 / 1 / 2

HEX #FAA3F8

RGB 250 163 248

HSL 301.38, 0.9%, 0.81%

LAB 78.05, 44.99, -29.25

 

CMYK 0 / 65 / 1 / 4

HEX #F655F3

RGB 246 85 243

HSL 301.12, 0.9%, 0.65%

LAB 63.8, 78.73, -48.74

 

CMYK 0 / 51 / 65 / 4

HEX #F67855

RGB 246 120 85

HSL 13.04, 0.9%, 0.65%

LAB 64.71, 45.71, 41.56

 

CMYK 65 / 0 / 25 / 4

HEX #55F6B8

RGB 85 246 184

HSL 156.89, 0.9%, 0.65%

LAB 87.63, -55.97, 17.75

 

CMYK 0 / 65 / 1 / 4

HEX #F655F3

RGB 246 85 243

HSL 301.12, 0.9%, 0.65%

LAB 63.8, 78.73, -48.74

 

CMYK 1 / 0 / 65 / 4

HEX #F3F655

RGB 243 246 85

HSL 61.12, 0.9%, 0.65%

LAB 94.15, -19.93, 73.72

 

CMYK 65 / 1 / 0 / 4

HEX #55F3F6

RGB 85 243 246

HSL 181.12, 0.9%, 0.65%

LAB 88.3, -39.49, -13.58

 

CMYK 0 / 65 / 1 / 4

HEX #F655F3

RGB 246 85 243

HSL 301.12, 0.9%, 0.65%

LAB 63.8, 78.73, -48.74

 

CMYK 0 / 51 / 65 / 4

HEX #F67855

RGB 246 120 85

HSL 13.04, 0.9%, 0.65%

LAB 64.71, 45.71, 41.56

 

CMYK 65 / 0 / 64 / 4

HEX #55F658

RGB 85 246 88

HSL 121.12, 0.9%, 0.65%

LAB 86.28, -71.03, 61.83

 

CMYK 65 / 14 / 0 / 4

HEX #55D3F6

RGB 85 211 246

HSL 193.04, 0.9%, 0.65%

LAB 79.14, -24.26, -27.43

 

CMYK 0 / 65 / 1 / 4

HEX #F655F3

RGB 246 85 243

HSL 301.12, 0.9%, 0.65%

LAB 63.8, 78.73, -48.74

 

CMYK 0 / 32 / 65 / 4

HEX #F6A855

RGB 246 168 85

HSL 30.93, 0.9%, 0.65%

LAB 74.98, 21.04, 53.39

 

CMYK 65 / 0 / 64 / 4

HEX #55F658

RGB 85 246 88

HSL 121.12, 0.9%, 0.65%

LAB 86.28, -71.03, 61.83

 

CMYK 65 / 34 / 0 / 4

HEX #55A3F6

RGB 85 163 246

HSL 210.93, 0.9%, 0.65%

LAB 65.58, 1.49, -48.52

 

Description

Color code: HEX #F655F3 | qconv.com Color code: HEX #F655F3 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 246 red, 85 green and 243 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
246 85 243 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 65 magenta, 1 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 65% 1% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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