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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F65C09 it is the complementary color #09A3F6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F65C09. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F65C09 shade: #FB5C04, #FF6E17, #FF802A, #FF923D and #FFA450

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F65C09. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F65C09 shade: #F65C09, #E54A00, #D43800, #C32600 and #B21400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F65C09 shade: #F65B08, #F61C08 and #F60808

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F65C09 shade: #F65B08, #F69B08, #F6DB08, #D0F608 and #90F608

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F65C09 shade matches the following richer shades: #F65B08

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F65C09 shade: #F65B08, #E1621D, #CC6832, #B86E46 and #A3745B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F65C09 shade: #F60834, #F61C08, #F65B08, #F69B08 and #F6DA08

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F65C09 shade: #A63E06, #CE4D07, #F65B08, #F77630 and #F89058

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F65C09 shade: #F65C09, #73F608 and #0814F6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F65C09 shade: #F65C09, #08F65B and #5B08F6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F65C09 shade: #F65C09, #73F608, #08A3F6 and #8B08F6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F65C09 shade: #F65C09, #2CF608, #08A3F6 and #D208F6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 63 / 96 / 4

HEX #F65C09

RGB 246 92 9

HSL 21.01, 0.93%, 0.5%

LAB 59.22, 56.26, 67.25

 

Complementary color

CMYK 96 / 34 / 0 / 4

HEX #09A3F6

RGB 9 163 246

HSL 201.01, 0.93%, 0.5%

LAB 64.08, -5.35, -50.98

 

CMYK 0 / 63 / 98 / 2

HEX #FB5C04

RGB 251 92 4

HSL 21.38, 0.97%, 0.5%

LAB 60.04, 57.93, 69.05

 

CMYK 0 / 57 / 91 / 0

HEX #FF6E17

RGB 255 110 23

HSL 22.5, 1%, 0.55%

LAB 63.73, 51.63, 67.8

 

CMYK 0 / 50 / 84 / 0

HEX #FF802A

RGB 255 128 42

HSL 24.23, 1%, 0.58%

LAB 67.18, 43.43, 64.43

 

CMYK 0 / 43 / 76 / 0

HEX #FF923D

RGB 255 146 61

HSL 26.29, 1%, 0.62%

LAB 70.98, 34.98, 60.36

 

CMYK 0 / 36 / 69 / 0

HEX #FFA450

RGB 255 164 80

HSL 28.8, 1%, 0.66%

LAB 75.07, 26.53, 56.12

 

CMYK 0 / 63 / 96 / 4

HEX #F65C09

RGB 246 92 9

HSL 21.01, 0.93%, 0.5%

LAB 59.22, 56.26, 67.25

 

CMYK 0 / 68 / 100 / 10

HEX #E54A00

RGB 229 74 0

HSL 19.39, 1%, 0.45%

LAB 53.55, 57.77, 64.4

 

CMYK 0 / 74 / 100 / 17

HEX #D43800

RGB 212 56 0

HSL 15.85, 1%, 0.42%

LAB 48.04, 58.89, 60.02

 

CMYK 0 / 81 / 100 / 24

HEX #C32600

RGB 195 38 0

HSL 11.69, 1%, 0.38%

LAB 42.75, 59.26, 55.76

 

CMYK 0 / 89 / 100 / 30

HEX #B21400

RGB 178 20 0

HSL 6.74, 1%, 0.35%

LAB 37.78, 58.53, 51.66

 

CMYK 0 / 63 / 97 / 4

HEX #F65B08

RGB 246 91 8

HSL 20.92, 0.94%, 0.5%

LAB 59.06, 56.67, 67.33

 

CMYK 0 / 89 / 97 / 4

HEX #F61C08

RGB 246 28 8

HSL 5.04, 0.94%, 0.5%

LAB 52.33, 75.3, 63.77

 

CMYK 0 / 97 / 97 / 4

HEX #F60808

RGB 246 8 8

HSL 0, 0.94%, 0.5%

LAB 51.59, 77.44, 63.43

 

CMYK 0 / 63 / 97 / 4

HEX #F65B08

RGB 246 91 8

HSL 20.92, 0.94%, 0.5%

LAB 59.06, 56.67, 67.33

 

CMYK 0 / 37 / 97 / 4

HEX #F69B08

RGB 246 155 8

HSL 37.06, 0.94%, 0.5%

LAB 71.59, 25.46, 75.27

 

CMYK 0 / 11 / 97 / 4

HEX #F6DB08

RGB 246 219 8

HSL 53.19, 0.94%, 0.5%

LAB 87.13, -7.7, 86.23

 

CMYK 15 / 0 / 97 / 4

HEX #D0F608

RGB 208 246 8

HSL 69.58, 0.94%, 0.5%

LAB 91.39, -36.33, 88.12

 

CMYK 41 / 0 / 97 / 4

HEX #90F608

RGB 144 246 8

HSL 85.71, 0.94%, 0.5%

LAB 87.9, -59.59, 83.91

 

CMYK 0 / 63 / 97 / 4

HEX #F65B08

RGB 246 91 8

HSL 20.92, 0.94%, 0.5%

LAB 59.06, 56.67, 67.33

 

CMYK 0 / 63 / 97 / 4

HEX #F65B08

RGB 246 91 8

HSL 20.92, 0.94%, 0.5%

LAB 59.06, 56.67, 67.33

 

CMYK 0 / 56 / 87 / 12

HEX #E1621D

RGB 225 98 29

HSL 21.12, 0.77%, 0.5%

LAB 56.91, 46.28, 58.8

 

CMYK 0 / 49 / 75 / 20

HEX #CC6832

RGB 204 104 50

HSL 21.04, 0.61%, 0.5%

LAB 55.04, 35.84, 47.03

 

CMYK 0 / 40 / 62 / 28

HEX #B86E46

RGB 184 110 70

HSL 21.05, 0.45%, 0.5%

LAB 53.8, 25.58, 34.51

 

CMYK 0 / 29 / 44 / 36

HEX #A3745B

RGB 163 116 91

HSL 20.83, 0.28%, 0.5%

LAB 52.99, 15.3, 21.14

 

CMYK 0 / 97 / 79 / 4

HEX #F60834

RGB 246 8 52

HSL 348.91, 0.94%, 0.5%

LAB 51.85, 78.16, 45.03

 

CMYK 0 / 89 / 97 / 4

HEX #F61C08

RGB 246 28 8

HSL 5.04, 0.94%, 0.5%

LAB 52.33, 75.3, 63.77

 

CMYK 0 / 63 / 97 / 4

HEX #F65B08

RGB 246 91 8

HSL 20.92, 0.94%, 0.5%

LAB 59.06, 56.67, 67.33

 

CMYK 0 / 37 / 97 / 4

HEX #F69B08

RGB 246 155 8

HSL 37.06, 0.94%, 0.5%

LAB 71.59, 25.46, 75.27

 

CMYK 0 / 11 / 97 / 4

HEX #F6DA08

RGB 246 218 8

HSL 52.94, 0.94%, 0.5%

LAB 86.88, -7.2, 86.05

 

CMYK 0 / 63 / 96 / 35

HEX #A63E06

RGB 166 62 6

HSL 21, 0.93%, 0.34%

LAB 40.52, 40.74, 49.68

 

CMYK 0 / 63 / 97 / 19

HEX #CE4D07

RGB 206 77 7

HSL 21.11, 0.93%, 0.42%

LAB 50.03, 48.65, 58.74

 

CMYK 0 / 63 / 97 / 4

HEX #F65B08

RGB 246 91 8

HSL 20.92, 0.94%, 0.5%

LAB 59.06, 56.67, 67.33

 

CMYK 0 / 52 / 81 / 3

HEX #F77630

RGB 247 118 48

HSL 21.11, 0.93%, 0.58%

LAB 64.12, 45.44, 58.92

 

CMYK 0 / 42 / 65 / 3

HEX #F89058

RGB 248 144 88

HSL 21, 0.92%, 0.66%

LAB 69.9, 34.57, 46.18

 

CMYK 0 / 63 / 96 / 4

HEX #F65C09

RGB 246 92 9

HSL 21.01, 0.93%, 0.5%

LAB 59.22, 56.26, 67.25

 

CMYK 53 / 0 / 97 / 4

HEX #73F608

RGB 115 246 8

HSL 93.03, 0.94%, 0.5%

LAB 86.79, -68.14, 82.55

 

CMYK 97 / 92 / 0 / 4

HEX #0814F6

RGB 8 20 246

HSL 236.97, 0.94%, 0.5%

LAB 32.27, 73.57, -102.85

 

CMYK 0 / 63 / 96 / 4

HEX #F65C09

RGB 246 92 9

HSL 21.01, 0.93%, 0.5%

LAB 59.22, 56.26, 67.25

 

CMYK 97 / 0 / 63 / 4

HEX #08F65B

RGB 8 246 91

HSL 140.92, 0.94%, 0.5%

LAB 85.36, -78.71, 59.33

 

CMYK 63 / 97 / 0 / 4

HEX #5B08F6

RGB 91 8 246

HSL 260.92, 0.94%, 0.5%

LAB 36.08, 77.94, -96.38

 

CMYK 0 / 63 / 96 / 4

HEX #F65C09

RGB 246 92 9

HSL 21.01, 0.93%, 0.5%

LAB 59.22, 56.26, 67.25

 

CMYK 53 / 0 / 97 / 4

HEX #73F608

RGB 115 246 8

HSL 93.03, 0.94%, 0.5%

LAB 86.79, -68.14, 82.55

 

CMYK 97 / 34 / 0 / 4

HEX #08A3F6

RGB 8 163 246

HSL 200.92, 0.94%, 0.5%

LAB 64.08, -5.38, -50.99

 

CMYK 43 / 97 / 0 / 4

HEX #8B08F6

RGB 139 8 246

HSL 273.03, 0.94%, 0.5%

LAB 41.71, 81.4, -86.88

 

CMYK 0 / 63 / 96 / 4

HEX #F65C09

RGB 246 92 9

HSL 21.01, 0.93%, 0.5%

LAB 59.22, 56.26, 67.25

 

CMYK 82 / 0 / 97 / 4

HEX #2CF608

RGB 44 246 8

HSL 110.92, 0.94%, 0.5%

LAB 85.23, -81.28, 80.65

 

CMYK 97 / 34 / 0 / 4

HEX #08A3F6

RGB 8 163 246

HSL 200.92, 0.94%, 0.5%

LAB 64.08, -5.38, -50.99

 

CMYK 15 / 97 / 0 / 4

HEX #D208F6

RGB 210 8 246

HSL 290.92, 0.94%, 0.5%

LAB 52.43, 89.77, -68.92

 

Description

Color code: HEX #F65C09 | qconv.com Color code: HEX #F65C09 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 246 red, 92 green and 9 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
246 92 9 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 63 magenta, 96 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 63% 96% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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