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Color name
HEX #F6698A

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F6698A it is the complementary color #099675. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F6698A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F6698A shade: #FB6985, #FF7B98, #FF8DAB, #FF9FBE and #FFB1D1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F6698A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F6698A shade: #F6698A, #E55777, #D44564, #C33351 and #B2213E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F6698A shade: #F6698A and #F66969

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F6698A shade: #F6698A, #F669B0, #F669D6, #F069F6 and #CA69F6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F6698A shade matches the following richer shades: #F6698A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F6698A shade: #F6698A, #E97691, #DC8398, #CF8F9E and #C39CA5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F6698A shade: #F669D7, #F669B2, #F6698C, #F66B69 and #F69169

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F6698A shade: #F11B4D, #F4426C, #F6698A, #F890A8 and #FAB7C7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F6698A shade: #F6698A, #F6EF69 and #69C5F6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F6698A shade: #F6698A, #8CF669 and #698CF6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F6698A shade: #F6698A, #F6EF69, #69F6D3 and #6970F6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F6698A shade: #F6698A, #D3F669, #69F6D3 and #8C69F6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 57 / 44 / 4

HEX #F6698A

RGB 246 105 138

HSL 345.96, 0.89%, 0.69%

LAB 62.95, 56.87, 9.52

 

Complementary color

CMYK 94 / 0 / 22 / 41

HEX #099675

RGB 9 150 117

HSL 165.96, 0.89%, 0.31%

LAB 55.23, -41.54, 8.09

 

CMYK 0 / 58 / 47 / 2

HEX #FB6985

RGB 251 105 133

HSL 348.49, 0.95%, 0.7%

LAB 63.59, 58.02, 13.41

 

CMYK 0 / 52 / 40 / 0

HEX #FF7B98

RGB 255 123 152

HSL 346.82, 1%, 0.74%

LAB 67.79, 52.91, 8.61

 

CMYK 0 / 45 / 33 / 0

HEX #FF8DAB

RGB 255 141 171

HSL 344.21, 1%, 0.78%

LAB 71.72, 46.26, 3.6

 

CMYK 0 / 38 / 25 / 0

HEX #FF9FBE

RGB 255 159 190

HSL 340.63, 1%, 0.81%

LAB 75.93, 39.54, -0.79

 

CMYK 0 / 31 / 18 / 0

HEX #FFB1D1

RGB 255 177 209

HSL 335.38, 1%, 0.85%

LAB 80.35, 32.91, -4.64

 

CMYK 0 / 57 / 44 / 4

HEX #F6698A

RGB 246 105 138

HSL 345.96, 0.89%, 0.69%

LAB 62.95, 56.87, 9.52

 

CMYK 0 / 62 / 48 / 10

HEX #E55777

RGB 229 87 119

HSL 346.48, 0.73%, 0.62%

LAB 56.89, 57.54, 11.63

 

CMYK 0 / 67 / 53 / 17

HEX #D44564

RGB 212 69 100

HSL 346.99, 0.62%, 0.55%

LAB 50.89, 57.99, 14.16

 

CMYK 0 / 74 / 58 / 24

HEX #C33351

RGB 195 51 81

HSL 347.5, 0.59%, 0.48%

LAB 45.03, 58.04, 17.25

 

CMYK 0 / 81 / 65 / 30

HEX #B2213E

RGB 178 33 62

HSL 348, 0.69%, 0.41%

LAB 39.41, 57.42, 21.08

 

CMYK 0 / 57 / 44 / 4

HEX #F6698A

RGB 246 105 138

HSL 345.96, 0.89%, 0.69%

LAB 62.95, 56.87, 9.52

 

CMYK 0 / 57 / 57 / 4

HEX #F66969

RGB 246 105 105

HSL 0, 0.89%, 0.69%

LAB 62.27, 54.09, 27.48

 

CMYK 0 / 57 / 44 / 4

HEX #F6698A

RGB 246 105 138

HSL 345.96, 0.89%, 0.69%

LAB 62.95, 56.87, 9.52

 

CMYK 0 / 57 / 28 / 4

HEX #F669B0

RGB 246 105 176

HSL 329.79, 0.89%, 0.69%

LAB 64.02, 61.09, -10.7

 

CMYK 0 / 57 / 13 / 4

HEX #F669D6

RGB 246 105 214

HSL 313.62, 0.89%, 0.69%

LAB 65.4, 66.3, -30.09

 

CMYK 2 / 57 / 0 / 4

HEX #F069F6

RGB 240 105 246

HSL 297.45, 0.89%, 0.69%

LAB 65.97, 69.86, -47.04

 

CMYK 18 / 57 / 0 / 4

HEX #CA69F6

RGB 202 105 246

HSL 281.28, 0.89%, 0.69%

LAB 61.06, 60.54, -55.13

 

CMYK 0 / 57 / 44 / 4

HEX #F6698A

RGB 246 105 138

HSL 345.96, 0.89%, 0.69%

LAB 62.95, 56.87, 9.52

 

CMYK 0 / 57 / 44 / 4

HEX #F6698A

RGB 246 105 138

HSL 345.96, 0.89%, 0.69%

LAB 62.95, 56.87, 9.52

 

CMYK 0 / 49 / 38 / 9

HEX #E97691

RGB 233 118 145

HSL 345.91, 0.72%, 0.69%

LAB 63.61, 47.11, 6.19

 

CMYK 0 / 40 / 31 / 14

HEX #DC8398

RGB 220 131 152

HSL 345.84, 0.56%, 0.69%

LAB 64.74, 36.72, 3.6

 

CMYK 0 / 31 / 24 / 19

HEX #CF8F9E

RGB 207 143 158

HSL 345.94, 0.4%, 0.69%

LAB 66.04, 26.38, 1.92

 

CMYK 0 / 20 / 15 / 24

HEX #C39CA5

RGB 195 156 165

HSL 346.15, 0.25%, 0.69%

LAB 68.09, 15.9, 0.82

 

CMYK 0 / 57 / 13 / 4

HEX #F669D7

RGB 246 105 215

HSL 313.19, 0.89%, 0.69%

LAB 65.44, 66.45, -30.59

 

CMYK 0 / 57 / 28 / 4

HEX #F669B2

RGB 246 105 178

HSL 328.94, 0.89%, 0.69%

LAB 64.09, 61.34, -11.75

 

CMYK 0 / 57 / 43 / 4

HEX #F6698C

RGB 246 105 140

HSL 345.11, 0.89%, 0.69%

LAB 63, 57.07, 8.44

 

CMYK 0 / 57 / 57 / 4

HEX #F66B69

RGB 246 107 105

HSL 0.85, 0.89%, 0.69%

LAB 62.62, 53.17, 27.94

 

CMYK 0 / 41 / 57 / 4

HEX #F69169

RGB 246 145 105

HSL 17.02, 0.89%, 0.69%

LAB 70.08, 34.42, 37.48

 

CMYK 0 / 89 / 68 / 5

HEX #F11B4D

RGB 241 27 77

HSL 345.98, 0.88%, 0.53%

LAB 51.86, 75.86, 30.26

 

CMYK 0 / 73 / 56 / 4

HEX #F4426C

RGB 244 66 108

HSL 345.84, 0.89%, 0.61%

LAB 56.3, 69.09, 17.71

 

CMYK 0 / 57 / 44 / 4

HEX #F6698A

RGB 246 105 138

HSL 345.96, 0.89%, 0.69%

LAB 62.95, 56.87, 9.52

 

CMYK 0 / 42 / 32 / 3

HEX #F890A8

RGB 248 144 168

HSL 346.15, 0.88%, 0.77%

LAB 71.37, 41.95, 4.64

 

CMYK 0 / 27 / 20 / 2

HEX #FAB7C7

RGB 250 183 199

HSL 345.67, 0.87%, 0.85%

LAB 80.91, 26.52, 1.52

 

CMYK 0 / 57 / 44 / 4

HEX #F6698A

RGB 246 105 138

HSL 345.96, 0.89%, 0.69%

LAB 62.95, 56.87, 9.52

 

CMYK 0 / 3 / 57 / 4

HEX #F6EF69

RGB 246 239 105

HSL 57.02, 0.89%, 0.69%

LAB 92.73, -14.08, 64.19

 

CMYK 57 / 20 / 0 / 4

HEX #69C5F6

RGB 105 197 246

HSL 200.85, 0.89%, 0.69%

LAB 75.82, -13.64, -32.49

 

CMYK 0 / 57 / 44 / 4

HEX #F6698A

RGB 246 105 138

HSL 345.96, 0.89%, 0.69%

LAB 62.95, 56.87, 9.52

 

CMYK 43 / 0 / 57 / 4

HEX #8CF669

RGB 140 246 105

HSL 105.11, 0.89%, 0.69%

LAB 88.21, -55.72, 57.34

 

CMYK 57 / 43 / 0 / 4

HEX #698CF6

RGB 105 140 246

HSL 225.11, 0.89%, 0.69%

LAB 60.26, 18.54, -56.9

 

CMYK 0 / 57 / 44 / 4

HEX #F6698A

RGB 246 105 138

HSL 345.96, 0.89%, 0.69%

LAB 62.95, 56.87, 9.52

 

CMYK 0 / 3 / 57 / 4

HEX #F6EF69

RGB 246 239 105

HSL 57.02, 0.89%, 0.69%

LAB 92.73, -14.08, 64.19

 

CMYK 57 / 0 / 14 / 4

HEX #69F6D3

RGB 105 246 211

HSL 165.11, 0.89%, 0.69%

LAB 88.74, -46.4, 5.4

 

CMYK 57 / 54 / 0 / 4

HEX #6970F6

RGB 105 112 246

HSL 237.02, 0.89%, 0.69%

LAB 53.22, 35.35, -68.22

 

CMYK 0 / 57 / 44 / 4

HEX #F6698A

RGB 246 105 138

HSL 345.96, 0.89%, 0.69%

LAB 62.95, 56.87, 9.52

 

CMYK 14 / 0 / 57 / 4

HEX #D3F669

RGB 211 246 105

HSL 74.89, 0.89%, 0.69%

LAB 92.03, -31.17, 62.71

 

CMYK 57 / 0 / 14 / 4

HEX #69F6D3

RGB 105 246 211

HSL 165.11, 0.89%, 0.69%

LAB 88.74, -46.4, 5.4

 

CMYK 43 / 57 / 0 / 4

HEX #8C69F6

RGB 140 105 246

HSL 254.89, 0.89%, 0.69%

LAB 54.38, 46.29, -66.21

 

Description

Color code: HEX #F6698A | qconv.com Color code: HEX #F6698A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 246 red, 105 green and 138 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
246 105 138 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 57 magenta, 44 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 57% 44% 4% C M Y K

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Provide designers and agencies with accurate color values.

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