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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F67DE1 it is the complementary color #09821E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F67DE1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F67DE1 shade: #FB7DDC, #FF8FEF, #FFA1FF, #FFB3FF and #FFC5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F67DE1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F67DE1 shade: #F67DE1, #E56BCE, #D459BB, #C347A8 and #B23595

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F67DE1 shade: #F67EE1, #F67EC0, #F67EA0, #F67E80 and #F67E7E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F67DE1 shade: #F67EE1, #EA7EF6, #CA7EF6, #A97EF6 and #897EF6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F67DE1 shade matches the following richer shades: #F67EE1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F67DE1 shade: #F67EE1, #EA89D9, #DF94D2, #D49FCB and #C9AAC4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F67DE1 shade: #CA7EF6, #EA7EF6, #F67EE2, #F67EC2 and #F67EA2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F67DE1 shade: #F031CF, #F357D8, #F67EE1, #F8A4EA and #FBCBF3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F67DE1 shade: #F67DE1, #F6AA7E and #7EF6DA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F67DE1 shade: #F67DE1, #E2F67E and #7EE2F6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F67DE1 shade: #F67DE1, #F6AA7E, #7EF692 and #7ECAF6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F67DE1 shade: #F67DE1, #F6CE7E, #7EF692 and #7EA6F6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 49 / 9 / 4

HEX #F67DE1

RGB 246 125 225

HSL 310.41, 0.87%, 0.73%

LAB 69.25, 58.89, -30.26

 

Complementary color

CMYK 93 / 0 / 77 / 49

HEX #09821E

RGB 9 130 30

HSL 130.41, 0.87%, 0.27%

LAB 47.13, -50.01, 42.91

 

CMYK 0 / 50 / 12 / 2

HEX #FB7DDC

RGB 251 125 220

HSL 314.76, 0.94%, 0.74%

LAB 69.71, 59.55, -26.73

 

CMYK 0 / 44 / 6 / 0

HEX #FF8FEF

RGB 255 143 239

HSL 308.57, 1%, 0.78%

LAB 74.28, 55.07, -30.11

 

CMYK 0 / 37 / 0 / 0

HEX #FFA1FF

RGB 255 161 255

HSL 300, 1%, 0.82%

LAB 78.44, 48.78, -32.36

 

CMYK 0 / 30 / 0 / 0

HEX #FFB3FF

RGB 255 179 255

HSL 300, 1%, 0.85%

LAB 82.23, 39.48, -26.56

 

CMYK 0 / 23 / 0 / 0

HEX #FFC5FF

RGB 255 197 255

HSL 300, 1%, 0.89%

LAB 86.21, 30.05, -20.51

 

CMYK 0 / 49 / 9 / 4

HEX #F67DE1

RGB 246 125 225

HSL 310.41, 0.87%, 0.73%

LAB 69.25, 58.89, -30.26

 

CMYK 0 / 53 / 10 / 10

HEX #E56BCE

RGB 229 107 206

HSL 311.31, 0.7%, 0.66%

LAB 63.04, 59.46, -29.44

 

CMYK 0 / 58 / 12 / 17

HEX #D459BB

RGB 212 89 187

HSL 312.2, 0.59%, 0.59%

LAB 56.81, 59.89, -28.45

 

CMYK 0 / 64 / 14 / 24

HEX #C347A8

RGB 195 71 168

HSL 313.06, 0.51%, 0.52%

LAB 50.61, 60.09, -27.22

 

CMYK 0 / 70 / 16 / 30

HEX #B23595

RGB 178 53 149

HSL 313.92, 0.54%, 0.45%

LAB 44.49, 59.87, -25.63

 

CMYK 0 / 49 / 9 / 4

HEX #F67EE1

RGB 246 126 225

HSL 310.5, 0.87%, 0.73%

LAB 69.43, 58.41, -29.98

 

CMYK 0 / 49 / 22 / 4

HEX #F67EC0

RGB 246 126 192

HSL 327, 0.87%, 0.73%

LAB 68.26, 53.44, -13.4

 

CMYK 0 / 49 / 35 / 4

HEX #F67EA0

RGB 246 126 160

HSL 343, 0.87%, 0.73%

LAB 67.32, 49.32, 3.24

 

CMYK 0 / 49 / 48 / 4

HEX #F67E80

RGB 246 126 128

HSL 359, 0.87%, 0.73%

LAB 66.58, 45.98, 20.26

 

CMYK 0 / 49 / 49 / 4

HEX #F67E7E

RGB 246 126 126

HSL 0, 0.87%, 0.73%

LAB 66.54, 45.79, 21.33

 

CMYK 0 / 49 / 9 / 4

HEX #F67EE1

RGB 246 126 225

HSL 310.5, 0.87%, 0.73%

LAB 69.43, 58.41, -29.98

 

CMYK 5 / 49 / 0 / 4

HEX #EA7EF6

RGB 234 126 246

HSL 294, 0.87%, 0.73%

LAB 68.8, 58.65, -42.64

 

CMYK 18 / 49 / 0 / 4

HEX #CA7EF6

RGB 202 126 246

HSL 278, 0.87%, 0.73%

LAB 65.07, 49.99, -48.77

 

CMYK 31 / 49 / 0 / 4

HEX #A97EF6

RGB 169 126 246

HSL 261.5, 0.87%, 0.73%

LAB 61.66, 41.36, -54.38

 

CMYK 44 / 49 / 0 / 4

HEX #897EF6

RGB 137 126 246

HSL 245.5, 0.87%, 0.73%

LAB 58.88, 33.62, -58.99

 

CMYK 0 / 49 / 9 / 4

HEX #F67EE1

RGB 246 126 225

HSL 310.5, 0.87%, 0.73%

LAB 69.43, 58.41, -29.98

 

CMYK 0 / 49 / 9 / 4

HEX #F67EE1

RGB 246 126 225

HSL 310.5, 0.87%, 0.73%

LAB 69.43, 58.41, -29.98

 

CMYK 0 / 41 / 7 / 8

HEX #EA89D9

RGB 234 137 217

HSL 310.52, 0.7%, 0.73%

LAB 69.75, 48.06, -25.2

 

CMYK 0 / 34 / 6 / 13

HEX #DF94D2

RGB 223 148 210

HSL 310.4, 0.54%, 0.73%

LAB 70.54, 37.63, -20.24

 

CMYK 0 / 25 / 4 / 17

HEX #D49FCB

RGB 212 159 203

HSL 310.19, 0.38%, 0.73%

LAB 71.63, 26.81, -14.84

 

CMYK 0 / 15 / 2 / 21

HEX #C9AAC4

RGB 201 170 196

HSL 309.68, 0.22%, 0.73%

LAB 72.99, 15.76, -9.05

 

CMYK 18 / 49 / 0 / 4

HEX #CA7EF6

RGB 202 126 246

HSL 278, 0.87%, 0.73%

LAB 65.07, 49.99, -48.77

 

CMYK 5 / 49 / 0 / 4

HEX #EA7EF6

RGB 234 126 246

HSL 294, 0.87%, 0.73%

LAB 68.8, 58.65, -42.64

 

CMYK 0 / 49 / 8 / 4

HEX #F67EE2

RGB 246 126 226

HSL 310, 0.87%, 0.73%

LAB 69.47, 58.57, -30.47

 

CMYK 0 / 49 / 21 / 4

HEX #F67EC2

RGB 246 126 194

HSL 326, 0.87%, 0.73%

LAB 68.32, 53.72, -14.42

 

CMYK 0 / 49 / 34 / 4

HEX #F67EA2

RGB 246 126 162

HSL 342, 0.87%, 0.73%

LAB 67.37, 49.56, 2.18

 

CMYK 0 / 80 / 14 / 6

HEX #F031CF

RGB 240 49 207

HSL 310.37, 0.86%, 0.57%

LAB 57.3, 83.06, -38.82

 

CMYK 0 / 64 / 11 / 5

HEX #F357D8

RGB 243 87 216

HSL 310.38, 0.87%, 0.65%

LAB 62.36, 73.16, -35.96

 

CMYK 0 / 49 / 9 / 4

HEX #F67EE1

RGB 246 126 225

HSL 310.5, 0.87%, 0.73%

LAB 69.43, 58.41, -29.98

 

CMYK 0 / 34 / 6 / 3

HEX #F8A4EA

RGB 248 164 234

HSL 310, 0.86%, 0.81%

LAB 77.55, 41.41, -22.46

 

CMYK 0 / 19 / 3 / 2

HEX #FBCBF3

RGB 251 203 243

HSL 310, 0.86%, 0.89%

LAB 86.85, 23.45, -13.23

 

CMYK 0 / 49 / 9 / 4

HEX #F67DE1

RGB 246 125 225

HSL 310.41, 0.87%, 0.73%

LAB 69.25, 58.89, -30.26

 

CMYK 0 / 31 / 49 / 4

HEX #F6AA7E

RGB 246 170 126

HSL 22, 0.87%, 0.73%

LAB 75.98, 23.08, 33.87

 

CMYK 49 / 0 / 11 / 4

HEX #7EF6DA

RGB 126 246 218

HSL 166, 0.87%, 0.73%

LAB 89.58, -40.44, 3.07

 

CMYK 0 / 49 / 9 / 4

HEX #F67DE1

RGB 246 125 225

HSL 310.41, 0.87%, 0.73%

LAB 69.25, 58.89, -30.26

 

CMYK 8 / 0 / 49 / 4

HEX #E2F67E

RGB 226 246 126

HSL 70, 0.87%, 0.73%

LAB 93.27, -23.62, 55.03

 

CMYK 49 / 8 / 0 / 4

HEX #7EE2F6

RGB 126 226 246

HSL 190, 0.87%, 0.73%

LAB 84.73, -24.11, -18.81

 

CMYK 0 / 49 / 9 / 4

HEX #F67DE1

RGB 246 125 225

HSL 310.41, 0.87%, 0.73%

LAB 69.25, 58.89, -30.26

 

CMYK 0 / 31 / 49 / 4

HEX #F6AA7E

RGB 246 170 126

HSL 22, 0.87%, 0.73%

LAB 75.98, 23.08, 33.87

 

CMYK 49 / 0 / 41 / 4

HEX #7EF692

RGB 126 246 146

HSL 130, 0.87%, 0.73%

LAB 88.17, -54.33, 37.92

 

CMYK 49 / 18 / 0 / 4

HEX #7ECAF6

RGB 126 202 246

HSL 202, 0.87%, 0.73%

LAB 78.07, -11.89, -28.95

 

CMYK 0 / 49 / 9 / 4

HEX #F67DE1

RGB 246 125 225

HSL 310.41, 0.87%, 0.73%

LAB 69.25, 58.89, -30.26

 

CMYK 0 / 16 / 49 / 4

HEX #F6CE7E

RGB 246 206 126

HSL 40, 0.87%, 0.73%

LAB 84.61, 4.23, 44.83

 

CMYK 49 / 0 / 41 / 4

HEX #7EF692

RGB 126 246 146

HSL 130, 0.87%, 0.73%

LAB 88.17, -54.33, 37.92

 

CMYK 49 / 33 / 0 / 4

HEX #7EA6F6

RGB 126 166 246

HSL 220, 0.87%, 0.73%

LAB 68.29, 7.84, -44.13

 

Description

Color code: HEX #F67DE1 | qconv.com Color code: HEX #F67DE1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 246 red, 125 green and 225 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
246 125 225 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 49 magenta, 9 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 49% 9% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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