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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F68EFE it is the complementary color #097101. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F68EFE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F68EFE shade: #FB8EF9, #FFA0FF, #FFB2FF, #FFC4FF and #FFD6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F68EFE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F68EFE shade: #F68EFE, #E57CEB, #D46AD8, #C358C5 and #B246B2

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F68EFE shade: #F68FFD, #FD8FE8, #FD8FCA, #FD8FAC and #FD8F8F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F68EFE shade: #F68FFD, #D88FFD, #BA8FFD, #9D8FFD and #8F8FFD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F68EFE shade matches the following richer shades: #F68FFD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F68EFE shade: #F68FFD, #EE98F4, #E6A2EB, #DEABE2 and #D6B4D9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F68EFE shade: #BA8FFD, #D78FFD, #F48FFD, #FD8FE9 and #FD8FCC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F68EFE shade: #EF3EFD, #F267FD, #F68FFD, #F9B8FE and #FCE1FE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F68EFE shade: #F68EFE, #FD9C8F and #8FFDC8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F68EFE shade: #F68EFE, #FDF48F and #8FFDF4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F68EFE shade: #F68EFE, #FD9C8F, #99FD8F and #8FF1FD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F68EFE shade: #F68EFE, #FDBD8F, #99FD8F and #8FD0FD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 44 / 0 / 0

HEX #F68EFE

RGB 246 142 254

HSL 295.71, 0.98%, 0.78%

LAB 73.61, 55.56, -39.4

 

Complementary color

CMYK 92 / 0 / 99 / 56

HEX #097101

RGB 9 113 1

HSL 115.71, 0.98%, 0.22%

LAB 41.01, -46.39, 45.5

 

CMYK 0 / 43 / 1 / 2

HEX #FB8EF9

RGB 251 142 249

HSL 301.1, 0.93%, 0.77%

LAB 73.99, 56.1, -36.03

 

CMYK 0 / 37 / 0 / 0

HEX #FFA0FF

RGB 255 160 255

HSL 300, 1%, 0.81%

LAB 78.24, 49.29, -32.68

 

CMYK 0 / 30 / 0 / 0

HEX #FFB2FF

RGB 255 178 255

HSL 300, 1%, 0.85%

LAB 82.01, 40, -26.89

 

CMYK 0 / 23 / 0 / 0

HEX #FFC4FF

RGB 255 196 255

HSL 300, 1%, 0.88%

LAB 85.99, 30.57, -20.85

 

CMYK 0 / 16 / 0 / 0

HEX #FFD6FF

RGB 255 214 255

HSL 300, 1%, 0.92%

LAB 90.12, 21.12, -14.62

 

CMYK 3 / 44 / 0 / 0

HEX #F68EFE

RGB 246 142 254

HSL 295.71, 0.98%, 0.78%

LAB 73.61, 55.56, -39.4

 

CMYK 3 / 47 / 0 / 8

HEX #E57CEB

RGB 229 124 235

HSL 296.76, 0.74%, 0.7%

LAB 67.33, 56.25, -38.94

 

CMYK 2 / 51 / 0 / 15

HEX #D46AD8

RGB 212 106 216

HSL 297.82, 0.59%, 0.63%

LAB 61.01, 56.88, -38.39

 

CMYK 1 / 55 / 0 / 23

HEX #C358C5

RGB 195 88 197

HSL 298.9, 0.48%, 0.56%

LAB 54.67, 57.39, -37.71

 

CMYK 0 / 61 / 0 / 30

HEX #B246B2

RGB 178 70 178

HSL 300, 0.44%, 0.49%

LAB 48.34, 57.69, -36.84

 

CMYK 3 / 43 / 0 / 1

HEX #F68FFD

RGB 246 143 253

HSL 296.18, 0.96%, 0.78%

LAB 73.76, 54.88, -38.62

 

CMYK 0 / 43 / 8 / 1

HEX #FD8FE8

RGB 253 143 232

HSL 311.45, 0.96%, 0.78%

LAB 73.77, 53.32, -27.08

 

CMYK 0 / 43 / 20 / 1

HEX #FD8FCA

RGB 253 143 202

HSL 327.82, 0.96%, 0.78%

LAB 72.75, 48.7, -12.13

 

CMYK 0 / 43 / 32 / 1

HEX #FD8FAC

RGB 253 143 172

HSL 344.18, 0.96%, 0.78%

LAB 71.9, 44.69, 3.26

 

CMYK 0 / 43 / 43 / 1

HEX #FD8F8F

RGB 253 143 143

HSL 0, 0.96%, 0.78%

LAB 71.22, 41.43, 18.42

 

CMYK 3 / 43 / 0 / 1

HEX #F68FFD

RGB 246 143 253

HSL 296.18, 0.96%, 0.78%

LAB 73.76, 54.88, -38.62

 

CMYK 15 / 43 / 0 / 1

HEX #D88FFD

RGB 216 143 253

HSL 279.82, 0.96%, 0.78%

LAB 70.41, 46.39, -44.09

 

CMYK 26 / 43 / 0 / 1

HEX #BA8FFD

RGB 186 143 253

HSL 263.45, 0.96%, 0.78%

LAB 67.41, 38.1, -49.02

 

CMYK 38 / 43 / 0 / 1

HEX #9D8FFD

RGB 157 143 253

HSL 247.64, 0.96%, 0.78%

LAB 64.89, 30.54, -53.17

 

CMYK 43 / 43 / 0 / 1

HEX #8F8FFD

RGB 143 143 253

HSL 240, 0.96%, 0.78%

LAB 63.82, 27.13, -54.94

 

CMYK 3 / 43 / 0 / 1

HEX #F68FFD

RGB 246 143 253

HSL 296.18, 0.96%, 0.78%

LAB 73.76, 54.88, -38.62

 

CMYK 3 / 43 / 0 / 1

HEX #F68FFD

RGB 246 143 253

HSL 296.18, 0.96%, 0.78%

LAB 73.76, 54.88, -38.62

 

CMYK 2 / 38 / 0 / 4

HEX #EE98F4

RGB 238 152 244

HSL 296.09, 0.81%, 0.78%

LAB 74.3, 46.32, -32.97

 

CMYK 2 / 31 / 0 / 8

HEX #E6A2EB

RGB 230 162 235

HSL 295.89, 0.65%, 0.78%

LAB 75.24, 36.94, -26.7

 

CMYK 2 / 24 / 0 / 11

HEX #DEABE2

RGB 222 171 226

HSL 295.64, 0.49%, 0.78%

LAB 76.16, 27.87, -20.48

 

CMYK 1 / 17 / 0 / 15

HEX #D6B4D9

RGB 214 180 217

HSL 295.14, 0.33%, 0.78%

LAB 77.25, 18.66, -14.02

 

CMYK 26 / 43 / 0 / 1

HEX #BA8FFD

RGB 186 143 253

HSL 263.45, 0.96%, 0.78%

LAB 67.41, 38.1, -49.02

 

CMYK 15 / 43 / 0 / 1

HEX #D78FFD

RGB 215 143 253

HSL 279.27, 0.96%, 0.78%

LAB 70.3, 46.1, -44.27

 

CMYK 4 / 43 / 0 / 1

HEX #F48FFD

RGB 244 143 253

HSL 295.09, 0.96%, 0.78%

LAB 73.53, 54.31, -39

 

CMYK 0 / 43 / 8 / 1

HEX #FD8FE9

RGB 253 143 233

HSL 310.91, 0.96%, 0.78%

LAB 73.81, 53.49, -27.57

 

CMYK 0 / 43 / 19 / 1

HEX #FD8FCC

RGB 253 143 204

HSL 326.73, 0.96%, 0.78%

LAB 72.82, 48.99, -13.14

 

CMYK 6 / 75 / 0 / 1

HEX #EF3EFD

RGB 239 62 253

HSL 295.6, 0.98%, 0.62%

LAB 60.68, 86.25, -59.3

 

CMYK 4 / 59 / 0 / 1

HEX #F267FD

RGB 242 103 253

HSL 295.6, 0.97%, 0.7%

LAB 66.27, 72.4, -50.4

 

CMYK 3 / 43 / 0 / 1

HEX #F68FFD

RGB 246 143 253

HSL 296.18, 0.96%, 0.78%

LAB 73.76, 54.88, -38.62

 

CMYK 2 / 28 / 0 / 0

HEX #F9B8FE

RGB 249 184 254

HSL 295.71, 0.97%, 0.86%

LAB 82.69, 34.8, -25.38

 

CMYK 1 / 11 / 0 / 0

HEX #FCE1FE

RGB 252 225 254

HSL 295.86, 0.94%, 0.94%

LAB 92.44, 14.22, -10.66

 

CMYK 3 / 44 / 0 / 0

HEX #F68EFE

RGB 246 142 254

HSL 295.71, 0.98%, 0.78%

LAB 73.61, 55.56, -39.4

 

CMYK 0 / 38 / 43 / 1

HEX #FD9C8F

RGB 253 156 143

HSL 7.09, 0.96%, 0.78%

LAB 73.96, 34.76, 22.18

 

CMYK 43 / 0 / 21 / 1

HEX #8FFDC8

RGB 143 253 200

HSL 151.09, 0.96%, 0.78%

LAB 91.8, -43.32, 15.64

 

CMYK 3 / 44 / 0 / 0

HEX #F68EFE

RGB 246 142 254

HSL 295.71, 0.98%, 0.78%

LAB 73.61, 55.56, -39.4

 

CMYK 0 / 4 / 43 / 1

HEX #FDF48F

RGB 253 244 143

HSL 55.09, 0.96%, 0.78%

LAB 94.98, -10.6, 49.56

 

CMYK 43 / 0 / 4 / 1

HEX #8FFDF4

RGB 143 253 244

HSL 175.09, 0.96%, 0.78%

LAB 92.85, -33.73, -5.58

 

CMYK 3 / 44 / 0 / 0

HEX #F68EFE

RGB 246 142 254

HSL 295.71, 0.98%, 0.78%

LAB 73.61, 55.56, -39.4

 

CMYK 0 / 38 / 43 / 1

HEX #FD9C8F

RGB 253 156 143

HSL 7.09, 0.96%, 0.78%

LAB 73.96, 34.76, 22.18

 

CMYK 40 / 0 / 43 / 1

HEX #99FD8F

RGB 153 253 143

HSL 114.55, 0.96%, 0.78%

LAB 91.24, -50.12, 43.55

 

CMYK 43 / 5 / 0 / 1

HEX #8FF1FD

RGB 143 241 253

HSL 186.55, 0.96%, 0.78%

LAB 89.79, -25.84, -14.81

 

CMYK 3 / 44 / 0 / 0

HEX #F68EFE

RGB 246 142 254

HSL 295.71, 0.98%, 0.78%

LAB 73.61, 55.56, -39.4

 

CMYK 0 / 25 / 43 / 1

HEX #FDBD8F

RGB 253 189 143

HSL 25.09, 0.96%, 0.78%

LAB 81.43, 17.5, 32.21

 

CMYK 40 / 0 / 43 / 1

HEX #99FD8F

RGB 153 253 143

HSL 114.55, 0.96%, 0.78%

LAB 91.24, -50.12, 43.55

 

CMYK 43 / 18 / 0 / 1

HEX #8FD0FD

RGB 143 208 253

HSL 204.55, 0.96%, 0.78%

LAB 80.76, -9.16, -28.48

 

Description

Color code: HEX #F68EFE | qconv.com Color code: HEX #F68EFE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 246 red, 142 green and 254 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
246 142 254 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, 44 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 44% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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