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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F6964F it is the complementary color #0969B0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F6964F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F6964F shade: #FB964A, #FFA85D, #FFBA70, #FFCC83 and #FFDE96

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F6964F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F6964F shade: #F6964F, #E5843C, #D47229, #C36016 and #B24E03

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F6964F shade: #F59650, #F56A50 and #F55050

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F6964F shade: #F59650, #F5C350, #F5EF50, #CFF550 and #A2F550

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F6964F shade matches the following richer shades: #F59650

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F6964F shade: #F59650, #E6995F, #D89B6E, #C99D7D and #BA9F8B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F6964F shade: #F55063, #F56950, #F59550, #F5C150 and #F5ED50

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F6964F shade: #E7690C, #F37F29, #F59650, #F7AE77 and #F9C59E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F6964F shade: #F6964F, #8FF550 and #5350F5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F6964F shade: #F6964F, #50F595 and #9550F5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F6964F shade: #F6964F, #8FF550, #50B0F5 and #B650F5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F6964F shade: #F6964F, #5EF550, #50B0F5 and #E850F5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 39 / 68 / 4

HEX #F6964F

RGB 246 150 79

HSL 25.51, 0.9%, 0.64%

LAB 70.85, 30.14, 51.65

 

Complementary color

CMYK 95 / 40 / 0 / 31

HEX #0969B0

RGB 9 105 176

HSL 205.51, 0.9%, 0.36%

LAB 43.21, 2.42, -44.61

 

CMYK 0 / 40 / 71 / 2

HEX #FB964A

RGB 251 150 74

HSL 25.76, 0.96%, 0.64%

LAB 71.43, 31.89, 54.84

 

CMYK 0 / 34 / 64 / 0

HEX #FFA85D

RGB 255 168 93

HSL 27.78, 1%, 0.68%

LAB 76.1, 25.19, 51.1

 

CMYK 0 / 27 / 56 / 0

HEX #FFBA70

RGB 255 186 112

HSL 31.05, 1%, 0.72%

LAB 80.49, 17.1, 46.93

 

CMYK 0 / 20 / 49 / 0

HEX #FFCC83

RGB 255 204 131

HSL 35.32, 1%, 0.76%

LAB 85.04, 9.32, 43.06

 

CMYK 0 / 13 / 41 / 0

HEX #FFDE96

RGB 255 222 150

HSL 41.14, 1%, 0.79%

LAB 89.72, 1.92, 39.49

 

CMYK 0 / 39 / 68 / 4

HEX #F6964F

RGB 246 150 79

HSL 25.51, 0.9%, 0.64%

LAB 70.85, 30.14, 51.65

 

CMYK 0 / 42 / 74 / 10

HEX #E5843C

RGB 229 132 60

HSL 25.56, 0.76%, 0.57%

LAB 64.55, 31.74, 53.22

 

CMYK 0 / 46 / 81 / 17

HEX #D47229

RGB 212 114 41

HSL 25.61, 0.68%, 0.5%

LAB 58.22, 33.52, 54.55

 

CMYK 0 / 51 / 89 / 24

HEX #C36016

RGB 195 96 22

HSL 25.66, 0.8%, 0.43%

LAB 51.87, 35.48, 55.23

 

CMYK 0 / 56 / 98 / 30

HEX #B24E03

RGB 178 78 3

HSL 25.71, 0.97%, 0.35%

LAB 45.52, 37.56, 54.62

 

CMYK 0 / 39 / 67 / 4

HEX #F59650

RGB 245 150 80

HSL 25.45, 0.89%, 0.64%

LAB 70.74, 29.79, 51.01

 

CMYK 0 / 57 / 67 / 4

HEX #F56A50

RGB 245 106 80

HSL 9.45, 0.89%, 0.64%

LAB 61.91, 51.72, 40.89

 

CMYK 0 / 67 / 67 / 4

HEX #F55050

RGB 245 80 80

HSL 0, 0.89%, 0.64%

LAB 57.78, 62.74, 35.95

 

CMYK 0 / 39 / 67 / 4

HEX #F59650

RGB 245 150 80

HSL 25.45, 0.89%, 0.64%

LAB 70.74, 29.79, 51.01

 

CMYK 0 / 20 / 67 / 4

HEX #F5C350

RGB 245 195 80

HSL 41.82, 0.89%, 0.64%

LAB 81.3, 6.19, 62.46

 

CMYK 0 / 2 / 67 / 4

HEX #F5EF50

RGB 245 239 80

HSL 57.82, 0.89%, 0.64%

LAB 92.45, -16, 73.92

 

CMYK 16 / 0 / 67 / 4

HEX #CFF550

RGB 207 245 80

HSL 73.82, 0.89%, 0.64%

LAB 91.3, -33.99, 71.86

 

CMYK 34 / 0 / 67 / 4

HEX #A2F550

RGB 162 245 80

HSL 90.18, 0.89%, 0.64%

LAB 88.72, -50.44, 68.38

 

CMYK 0 / 39 / 67 / 4

HEX #F59650

RGB 245 150 80

HSL 25.45, 0.89%, 0.64%

LAB 70.74, 29.79, 51.01

 

CMYK 0 / 39 / 67 / 4

HEX #F59650

RGB 245 150 80

HSL 25.45, 0.89%, 0.64%

LAB 70.74, 29.79, 51.01

 

CMYK 0 / 33 / 59 / 10

HEX #E6995F

RGB 230 153 95

HSL 25.78, 0.73%, 0.64%

LAB 69.78, 23.1, 41.91

 

CMYK 0 / 28 / 49 / 15

HEX #D89B6E

RGB 216 155 110

HSL 25.47, 0.58%, 0.64%

LAB 68.87, 17.57, 32.54

 

CMYK 0 / 22 / 38 / 21

HEX #C99D7D

RGB 201 157 125

HSL 25.26, 0.41%, 0.64%

LAB 68.03, 12.02, 23

 

CMYK 0 / 15 / 25 / 27

HEX #BA9F8B

RGB 186 159 139

HSL 25.53, 0.25%, 0.64%

LAB 67.35, 6.82, 14.12

 

CMYK 0 / 67 / 60 / 4

HEX #F55063

RGB 245 80 99

HSL 353.09, 0.89%, 0.64%

LAB 58.09, 63.84, 25.42

 

CMYK 0 / 57 / 67 / 4

HEX #F56950

RGB 245 105 80

HSL 9.09, 0.89%, 0.64%

LAB 61.74, 52.18, 40.68

 

CMYK 0 / 39 / 67 / 4

HEX #F59550

RGB 245 149 80

HSL 25.09, 0.89%, 0.64%

LAB 70.52, 30.32, 50.76

 

CMYK 0 / 21 / 67 / 4

HEX #F5C150

RGB 245 193 80

HSL 41.09, 0.89%, 0.64%

LAB 80.81, 7.23, 61.94

 

CMYK 0 / 3 / 67 / 4

HEX #F5ED50

RGB 245 237 80

HSL 57.09, 0.89%, 0.64%

LAB 91.94, -15.03, 73.4

 

CMYK 0 / 55 / 95 / 9

HEX #E7690C

RGB 231 105 12

HSL 25.48, 0.9%, 0.48%

LAB 59.08, 44.94, 65.41

 

CMYK 0 / 48 / 83 / 5

HEX #F37F29

RGB 243 127 41

HSL 25.54, 0.89%, 0.56%

LAB 65.27, 39.24, 62.5

 

CMYK 0 / 39 / 67 / 4

HEX #F59650

RGB 245 150 80

HSL 25.45, 0.89%, 0.64%

LAB 70.74, 29.79, 51.01

 

CMYK 0 / 30 / 52 / 3

HEX #F7AE77

RGB 247 174 119

HSL 25.78, 0.89%, 0.72%

LAB 76.91, 20.75, 38.75

 

CMYK 0 / 21 / 37 / 2

HEX #F9C59E

RGB 249 197 158

HSL 25.71, 0.88%, 0.8%

LAB 83.2, 13.39, 26.63

 

CMYK 0 / 39 / 68 / 4

HEX #F6964F

RGB 246 150 79

HSL 25.51, 0.9%, 0.64%

LAB 70.85, 30.14, 51.65

 

CMYK 42 / 0 / 67 / 4

HEX #8FF550

RGB 143 245 80

HSL 97.09, 0.89%, 0.64%

LAB 87.84, -56.64, 67.19

 

CMYK 66 / 67 / 0 / 4

HEX #5350F5

RGB 83 80 245

HSL 241.09, 0.89%, 0.64%

LAB 44.47, 50.54, -81.97

 

CMYK 0 / 39 / 68 / 4

HEX #F6964F

RGB 246 150 79

HSL 25.51, 0.9%, 0.64%

LAB 70.85, 30.14, 51.65

 

CMYK 67 / 0 / 39 / 4

HEX #50F595

RGB 80 245 149

HSL 145.09, 0.89%, 0.64%

LAB 86.59, -63.24, 34.12

 

CMYK 39 / 67 / 0 / 4

HEX #9550F5

RGB 149 80 245

HSL 265.09, 0.89%, 0.64%

LAB 50.36, 60.88, -72.12

 

CMYK 0 / 39 / 68 / 4

HEX #F6964F

RGB 246 150 79

HSL 25.51, 0.9%, 0.64%

LAB 70.85, 30.14, 51.65

 

CMYK 42 / 0 / 67 / 4

HEX #8FF550

RGB 143 245 80

HSL 97.09, 0.89%, 0.64%

LAB 87.84, -56.64, 67.19

 

CMYK 67 / 28 / 0 / 4

HEX #50B0F5

RGB 80 176 245

HSL 205.09, 0.89%, 0.64%

LAB 69, -6.94, -42.6

 

CMYK 26 / 67 / 0 / 4

HEX #B650F5

RGB 182 80 245

HSL 277.09, 0.89%, 0.64%

LAB 54.32, 67.31, -65.52

 

CMYK 0 / 39 / 68 / 4

HEX #F6964F

RGB 246 150 79

HSL 25.51, 0.9%, 0.64%

LAB 70.85, 30.14, 51.65

 

CMYK 62 / 0 / 67 / 4

HEX #5EF550

RGB 94 245 80

HSL 114.91, 0.89%, 0.64%

LAB 86.14, -69.61, 64.88

 

CMYK 67 / 28 / 0 / 4

HEX #50B0F5

RGB 80 176 245

HSL 205.09, 0.89%, 0.64%

LAB 69, -6.94, -42.6

 

CMYK 5 / 67 / 0 / 4

HEX #E850F5

RGB 232 80 245

HSL 295.27, 0.89%, 0.64%

LAB 61.21, 77.79, -54.09

 

Description

Color code: HEX #F6964F | qconv.com Color code: HEX #F6964F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 246 red, 150 green and 79 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
246 150 79 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 39 magenta, 68 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 39% 68% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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