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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F697B7 it is the complementary color #096848. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F697B7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F697B7 shade: #FB97B2, #FFA9C5, #FFBBD8, #FFCDEB and #FFDFFE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F697B7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F697B7 shade: #F697B7, #E585A4, #D47391, #C3617E and #B24F6B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F697B7 shade: #F697B7, #F6979E and #F69797

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F697B7 shade: #F697B7, #F697D0, #F697EA, #E897F6 and #CE97F6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F697B7 shade matches the following richer shades: #F697B7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F697B7 shade: #F697B7, #ECA0BA, #E3A9BD, #DAB3C0 and #D1BCC3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F697B7 shade: #F697EB, #F697D1, #F697B8, #F6979F and #F6A997

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F697B7 shade: #EF4B82, #F2719D, #F697B7, #F9BDD1 and #FCE3EC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F697B7 shade: #F697B7, #F6E797 and #97DEF6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F697B7 shade: #F697B7, #B8F697 and #97B8F6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F697B7 shade: #F697B7, #F6E797, #97F6D5 and #97A5F6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F697B7 shade: #F697B7, #E7F697, #97F6D5 and #A597F6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 39 / 26 / 4

HEX #F697B7

RGB 246 151 183

HSL 339.79, 0.84%, 0.78%

LAB 72.99, 39.6, -1.36

 

Complementary color

CMYK 91 / 0 / 31 / 59

HEX #096848

RGB 9 104 72

HSL 159.79, 0.84%, 0.22%

LAB 38.6, -33.71, 11.02

 

CMYK 0 / 40 / 29 / 2

HEX #FB97B2

RGB 251 151 178

HSL 343.8, 0.93%, 0.79%

LAB 73.45, 40.68, 2.15

 

CMYK 0 / 34 / 23 / 0

HEX #FFA9C5

RGB 255 169 197

HSL 340.47, 1%, 0.83%

LAB 78.27, 35.33, -1.19

 

CMYK 0 / 27 / 15 / 0

HEX #FFBBD8

RGB 255 187 216

HSL 334.41, 1%, 0.87%

LAB 82.78, 28.74, -4.82

 

CMYK 0 / 20 / 8 / 0

HEX #FFCDEB

RGB 255 205 235

HSL 324, 1%, 0.9%

LAB 87.45, 22.36, -8.06

 

CMYK 0 / 13 / 0 / 0

HEX #FFDFFE

RGB 255 223 254

HSL 301.88, 1%, 0.94%

LAB 92.22, 16.25, -10.97

 

CMYK 0 / 39 / 26 / 4

HEX #F697B7

RGB 246 151 183

HSL 339.79, 0.84%, 0.78%

LAB 72.99, 39.6, -1.36

 

CMYK 0 / 42 / 28 / 10

HEX #E585A4

RGB 229 133 164

HSL 340.63, 0.65%, 0.71%

LAB 66.61, 40.45, -0.33

 

CMYK 0 / 46 / 32 / 17

HEX #D47391

RGB 212 115 145

HSL 341.44, 0.53%, 0.64%

LAB 60.16, 41.33, 0.84

 

CMYK 0 / 50 / 35 / 24

HEX #C3617E

RGB 195 97 126

HSL 342.24, 0.45%, 0.57%

LAB 53.66, 42.22, 2.2

 

CMYK 0 / 56 / 40 / 30

HEX #B24F6B

RGB 178 79 107

HSL 343.03, 0.39%, 0.5%

LAB 47.13, 43.08, 3.82

 

CMYK 0 / 39 / 26 / 4

HEX #F697B7

RGB 246 151 183

HSL 339.79, 0.84%, 0.78%

LAB 72.99, 39.6, -1.36

 

CMYK 0 / 39 / 36 / 4

HEX #F6979E

RGB 246 151 158

HSL 355.58, 0.84%, 0.78%

LAB 72.36, 36.42, 11.57

 

CMYK 0 / 39 / 39 / 4

HEX #F69797

RGB 246 151 151

HSL 0, 0.84%, 0.78%

LAB 72.2, 35.61, 15.22

 

CMYK 0 / 39 / 26 / 4

HEX #F697B7

RGB 246 151 183

HSL 339.79, 0.84%, 0.78%

LAB 72.99, 39.6, -1.36

 

CMYK 0 / 39 / 15 / 4

HEX #F697D0

RGB 246 151 208

HSL 324, 0.84%, 0.78%

LAB 73.73, 43.25, -14.06

 

CMYK 0 / 39 / 5 / 4

HEX #F697EA

RGB 246 151 234

HSL 307.58, 0.84%, 0.78%

LAB 74.61, 47.49, -26.96

 

CMYK 6 / 39 / 0 / 4

HEX #E897F6

RGB 232 151 246

HSL 291.16, 0.84%, 0.78%

LAB 73.51, 45.43, -35.33

 

CMYK 16 / 39 / 0 / 4

HEX #CE97F6

RGB 206 151 246

HSL 274.74, 0.84%, 0.78%

LAB 70.81, 37.77, -39.73

 

CMYK 0 / 39 / 26 / 4

HEX #F697B7

RGB 246 151 183

HSL 339.79, 0.84%, 0.78%

LAB 72.99, 39.6, -1.36

 

CMYK 0 / 39 / 26 / 4

HEX #F697B7

RGB 246 151 183

HSL 339.79, 0.84%, 0.78%

LAB 72.99, 39.6, -1.36

 

CMYK 0 / 32 / 21 / 7

HEX #ECA0BA

RGB 236 160 186

HSL 339.47, 0.67%, 0.78%

LAB 73.88, 31.81, -1.84

 

CMYK 0 / 26 / 17 / 11

HEX #E3A9BD

RGB 227 169 189

HSL 339.31, 0.51%, 0.78%

LAB 75.06, 24.27, -1.87

 

CMYK 0 / 18 / 12 / 15

HEX #DAB3C0

RGB 218 179 192

HSL 340, 0.35%, 0.78%

LAB 76.65, 16.16, -1.29

 

CMYK 0 / 10 / 7 / 18

HEX #D1BCC3

RGB 209 188 195

HSL 340, 0.19%, 0.78%

LAB 78.15, 8.64, -0.82

 

CMYK 0 / 39 / 4 / 4

HEX #F697EB

RGB 246 151 235

HSL 306.95, 0.84%, 0.78%

LAB 74.65, 47.66, -27.45

 

CMYK 0 / 39 / 15 / 4

HEX #F697D1

RGB 246 151 209

HSL 323.37, 0.84%, 0.78%

LAB 73.76, 43.41, -14.57

 

CMYK 0 / 39 / 25 / 4

HEX #F697B8

RGB 246 151 184

HSL 339.16, 0.84%, 0.78%

LAB 73.01, 39.74, -1.88

 

CMYK 0 / 39 / 35 / 4

HEX #F6979F

RGB 246 151 159

HSL 354.95, 0.84%, 0.78%

LAB 72.38, 36.54, 11.05

 

CMYK 0 / 31 / 39 / 4

HEX #F6A997

RGB 246 169 151

HSL 11.37, 0.84%, 0.78%

LAB 76.19, 26.17, 20.76

 

CMYK 0 / 69 / 46 / 6

HEX #EF4B82

RGB 239 75 130

HSL 339.88, 0.84%, 0.62%

LAB 57.07, 66.31, 5.64

 

CMYK 0 / 53 / 35 / 5

HEX #F2719D

RGB 242 113 157

HSL 339.53, 0.83%, 0.7%

LAB 64.26, 53.9, 0.43

 

CMYK 0 / 39 / 26 / 4

HEX #F697B7

RGB 246 151 183

HSL 339.79, 0.84%, 0.78%

LAB 72.99, 39.6, -1.36

 

CMYK 0 / 24 / 16 / 2

HEX #F9BDD1

RGB 249 189 209

HSL 340, 0.83%, 0.86%

LAB 82.45, 24.51, -1.62

 

CMYK 0 / 10 / 6 / 1

HEX #FCE3EC

RGB 252 227 236

HSL 338.4, 0.81%, 0.94%

LAB 92.44, 10.04, -1.26

 

CMYK 0 / 39 / 26 / 4

HEX #F697B7

RGB 246 151 183

HSL 339.79, 0.84%, 0.78%

LAB 72.99, 39.6, -1.36

 

CMYK 0 / 6 / 39 / 4

HEX #F6E797

RGB 246 231 151

HSL 50.53, 0.84%, 0.78%

LAB 91.22, -6.03, 40.78

 

CMYK 39 / 10 / 0 / 4

HEX #97DEF6

RGB 151 222 246

HSL 195.16, 0.84%, 0.78%

LAB 84.73, -16.21, -18.71

 

CMYK 0 / 39 / 26 / 4

HEX #F697B7

RGB 246 151 183

HSL 339.79, 0.84%, 0.78%

LAB 72.99, 39.6, -1.36

 

CMYK 25 / 0 / 39 / 4

HEX #B8F697

RGB 184 246 151

HSL 99.16, 0.84%, 0.78%

LAB 90.93, -36.07, 39.56

 

CMYK 39 / 25 / 0 / 4

HEX #97B8F6

RGB 151 184 246

HSL 219.16, 0.84%, 0.78%

LAB 74.52, 3.93, -34.31

 

CMYK 0 / 39 / 26 / 4

HEX #F697B7

RGB 246 151 183

HSL 339.79, 0.84%, 0.78%

LAB 72.99, 39.6, -1.36

 

CMYK 0 / 6 / 39 / 4

HEX #F6E797

RGB 246 231 151

HSL 50.53, 0.84%, 0.78%

LAB 91.22, -6.03, 40.78

 

CMYK 39 / 0 / 13 / 4

HEX #97F6D5

RGB 151 246 213

HSL 159.16, 0.84%, 0.78%

LAB 90.46, -35.43, 7.05

 

CMYK 39 / 33 / 0 / 4

HEX #97A5F6

RGB 151 165 246

HSL 231.16, 0.84%, 0.78%

LAB 69.57, 14.55, -42

 

CMYK 0 / 39 / 26 / 4

HEX #F697B7

RGB 246 151 183

HSL 339.79, 0.84%, 0.78%

LAB 72.99, 39.6, -1.36

 

CMYK 6 / 0 / 39 / 4

HEX #E7F697

RGB 231 246 151

HSL 69.47, 0.84%, 0.78%

LAB 93.94, -19.16, 44.03

 

CMYK 39 / 0 / 13 / 4

HEX #97F6D5

RGB 151 246 213

HSL 159.16, 0.84%, 0.78%

LAB 90.46, -35.43, 7.05

 

CMYK 33 / 39 / 0 / 4

HEX #A597F6

RGB 165 151 246

HSL 248.84, 0.84%, 0.78%

LAB 67.12, 26.22, -45.78

 

Description

Color code: HEX #F697B7 | qconv.com Color code: HEX #F697B7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 246 red, 151 green and 183 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
246 151 183 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 39 magenta, 26 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 39% 26% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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