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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F69F1C it is the complementary color #0960E3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F69F1C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F69F1C shade: #FB9F17, #FFB12A, #FFC33D, #FFD550 and #FFE763

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F69F1C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F69F1C shade: #F69F1C, #E58D09, #D47B00, #C36900 and #B25700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F69F1C shade: #F59F1D, #F5651D, #F52B1D and #F51D1D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F69F1C shade: #F59F1D, #F5D91D, #D7F51D, #9DF51D and #62F51D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F69F1C shade matches the following richer shades: #F59F1D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F69F1C shade: #F59F1D, #E29B30, #CF9743, #BC9356 and #A99069

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F69F1C shade: #F52C1D, #F5651D, #F59F1D, #F5D81D and #D8F51D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F69F1C shade: #B97207, #E08A09, #F59F1D, #F7B045 and #F8C16D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F69F1C shade: #F69F1C, #48F51D and #481DF5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F69F1C shade: #F69F1C, #1DF59F and #9F1DF5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F69F1C shade: #F69F1C, #48F51D, #1D74F5 and #CA1DF5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F69F1C shade: #F69F1C, #1DF533, #1D74F5 and #F51DE0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 35 / 89 / 4

HEX #F69F1C

RGB 246 159 28

HSL 36.06, 0.92%, 0.54%

LAB 72.54, 23.62, 72.48

 

Complementary color

CMYK 96 / 58 / 0 / 11

HEX #0960E3

RGB 9 96 227

HSL 216.06, 0.92%, 0.46%

LAB 44.19, 28.55, -72.39

 

CMYK 0 / 37 / 91 / 2

HEX #FB9F17

RGB 251 159 23

HSL 35.79, 0.97%, 0.54%

LAB 73.13, 25.62, 74.29

 

CMYK 0 / 31 / 84 / 0

HEX #FFB12A

RGB 255 177 42

HSL 38.03, 1%, 0.58%

LAB 77.8, 18.28, 73.42

 

CMYK 0 / 24 / 76 / 0

HEX #FFC33D

RGB 255 195 61

HSL 41.44, 1%, 0.62%

LAB 82.18, 9.51, 71.12

 

CMYK 0 / 16 / 69 / 0

HEX #FFD550

RGB 255 213 80

HSL 45.6, 1%, 0.66%

LAB 86.72, 1.1, 68.38

 

CMYK 0 / 9 / 61 / 0

HEX #FFE763

RGB 255 231 99

HSL 50.77, 1%, 0.69%

LAB 91.38, -6.89, 65.48

 

CMYK 0 / 35 / 89 / 4

HEX #F69F1C

RGB 246 159 28

HSL 36.06, 0.92%, 0.54%

LAB 72.54, 23.62, 72.48

 

CMYK 0 / 38 / 96 / 10

HEX #E58D09

RGB 229 141 9

HSL 36, 0.92%, 0.47%

LAB 66.31, 25.71, 70.55

 

CMYK 0 / 42 / 100 / 17

HEX #D47B00

RGB 212 123 0

HSL 34.81, 1%, 0.42%

LAB 60.04, 28.01, 66.72

 

CMYK 0 / 46 / 100 / 24

HEX #C36900

RGB 195 105 0

HSL 32.31, 1%, 0.38%

LAB 53.71, 30.44, 61.61

 

CMYK 0 / 51 / 100 / 30

HEX #B25700

RGB 178 87 0

HSL 29.33, 1%, 0.35%

LAB 47.34, 32.89, 56.48

 

CMYK 0 / 35 / 88 / 4

HEX #F59F1D

RGB 245 159 29

HSL 36.11, 0.92%, 0.54%

LAB 72.43, 23.22, 72.1

 

CMYK 0 / 59 / 88 / 4

HEX #F5651D

RGB 245 101 29

HSL 20, 0.92%, 0.54%

LAB 60.61, 52.21, 63.04

 

CMYK 0 / 82 / 88 / 4

HEX #F52B1D

RGB 245 43 29

HSL 3.89, 0.92%, 0.54%

LAB 53.2, 72.45, 57.47

 

CMYK 0 / 88 / 88 / 4

HEX #F51D1D

RGB 245 29 29

HSL 0, 0.92%, 0.54%

LAB 52.26, 75.12, 56.78

 

CMYK 0 / 35 / 88 / 4

HEX #F59F1D

RGB 245 159 29

HSL 36.11, 0.92%, 0.54%

LAB 72.43, 23.22, 72.1

 

CMYK 0 / 11 / 88 / 4

HEX #F5D91D

RGB 245 217 29

HSL 52.22, 0.92%, 0.54%

LAB 86.57, -6.86, 83.13

 

CMYK 12 / 0 / 88 / 4

HEX #D7F51D

RGB 215 245 29

HSL 68.33, 0.92%, 0.54%

LAB 91.61, -32.8, 86.15

 

CMYK 36 / 0 / 88 / 4

HEX #9DF51D

RGB 157 245 29

HSL 84.44, 0.92%, 0.54%

LAB 88.24, -54.54, 82

 

CMYK 60 / 0 / 88 / 4

HEX #62F51D

RGB 98 245 29

HSL 100.83, 0.92%, 0.54%

LAB 86, -71.61, 79.22

 

CMYK 0 / 35 / 88 / 4

HEX #F59F1D

RGB 245 159 29

HSL 36.11, 0.92%, 0.54%

LAB 72.43, 23.22, 72.1

 

CMYK 0 / 35 / 88 / 4

HEX #F59F1D

RGB 245 159 29

HSL 36.11, 0.92%, 0.54%

LAB 72.43, 23.22, 72.1

 

CMYK 0 / 31 / 79 / 11

HEX #E29B30

RGB 226 155 48

HSL 36.07, 0.75%, 0.54%

LAB 69.34, 17.8, 62.74

 

CMYK 0 / 27 / 68 / 19

HEX #CF9743

RGB 207 151 67

HSL 36, 0.59%, 0.54%

LAB 66.37, 12.69, 51.1

 

CMYK 0 / 22 / 54 / 26

HEX #BC9356

RGB 188 147 86

HSL 35.88, 0.43%, 0.54%

LAB 63.53, 8.08, 37.91

 

CMYK 0 / 15 / 38 / 34

HEX #A99069

RGB 169 144 105

HSL 36.56, 0.27%, 0.54%

LAB 61.13, 3.69, 24.21

 

CMYK 0 / 82 / 88 / 4

HEX #F52C1D

RGB 245 44 29

HSL 4.17, 0.92%, 0.54%

LAB 53.28, 72.22, 57.53

 

CMYK 0 / 59 / 88 / 4

HEX #F5651D

RGB 245 101 29

HSL 20, 0.92%, 0.54%

LAB 60.61, 52.21, 63.04

 

CMYK 0 / 35 / 88 / 4

HEX #F59F1D

RGB 245 159 29

HSL 36.11, 0.92%, 0.54%

LAB 72.43, 23.22, 72.1

 

CMYK 0 / 12 / 88 / 4

HEX #F5D81D

RGB 245 216 29

HSL 51.94, 0.92%, 0.54%

LAB 86.31, -6.36, 82.93

 

CMYK 12 / 0 / 88 / 4

HEX #D8F51D

RGB 216 245 29

HSL 68.06, 0.92%, 0.54%

LAB 91.68, -32.4, 86.23

 

CMYK 0 / 38 / 96 / 27

HEX #B97207

RGB 185 114 7

HSL 36.07, 0.93%, 0.38%

LAB 54.41, 21.34, 60.04

 

CMYK 0 / 38 / 96 / 12

HEX #E08A09

RGB 224 138 9

HSL 36, 0.92%, 0.46%

LAB 65, 25.19, 69.36

 

CMYK 0 / 35 / 88 / 4

HEX #F59F1D

RGB 245 159 29

HSL 36.11, 0.92%, 0.54%

LAB 72.43, 23.22, 72.1

 

CMYK 0 / 29 / 72 / 3

HEX #F7B045

RGB 247 176 69

HSL 36.07, 0.92%, 0.62%

LAB 76.83, 16.41, 62.53

 

CMYK 0 / 22 / 56 / 3

HEX #F8C16D

RGB 248 193 109

HSL 36.26, 0.91%, 0.7%

LAB 81.4, 10.37, 49.34

 

CMYK 0 / 35 / 89 / 4

HEX #F69F1C

RGB 246 159 28

HSL 36.06, 0.92%, 0.54%

LAB 72.54, 23.62, 72.48

 

CMYK 71 / 0 / 88 / 4

HEX #48F51D

RGB 72 245 29

HSL 108.06, 0.92%, 0.54%

LAB 85.39, -76.78, 78.45

 

CMYK 71 / 88 / 0 / 4

HEX #481DF5

RGB 72 29 245

HSL 251.94, 0.92%, 0.54%

LAB 35.69, 72.56, -96.51

 

CMYK 0 / 35 / 89 / 4

HEX #F69F1C

RGB 246 159 28

HSL 36.06, 0.92%, 0.54%

LAB 72.54, 23.62, 72.48

 

CMYK 88 / 0 / 35 / 4

HEX #1DF59F

RGB 29 245 159

HSL 156.11, 0.92%, 0.54%

LAB 86.04, -66.97, 28.22

 

CMYK 35 / 88 / 0 / 4

HEX #9F1DF5

RGB 159 29 245

HSL 276.11, 0.92%, 0.54%

LAB 45.42, 80.25, -80.13

 

CMYK 0 / 35 / 89 / 4

HEX #F69F1C

RGB 246 159 28

HSL 36.06, 0.92%, 0.54%

LAB 72.54, 23.62, 72.48

 

CMYK 71 / 0 / 88 / 4

HEX #48F51D

RGB 72 245 29

HSL 108.06, 0.92%, 0.54%

LAB 85.39, -76.78, 78.45

 

CMYK 88 / 53 / 0 / 4

HEX #1D74F5

RGB 29 116 245

HSL 215.83, 0.92%, 0.54%

LAB 51.09, 23.46, -71.26

 

CMYK 18 / 88 / 0 / 4

HEX #CA1DF5

RGB 202 29 245

HSL 288.06, 0.92%, 0.54%

LAB 51.87, 86.11, -69.34

 

CMYK 0 / 35 / 89 / 4

HEX #F69F1C

RGB 246 159 28

HSL 36.06, 0.92%, 0.54%

LAB 72.54, 23.62, 72.48

 

CMYK 88 / 0 / 79 / 4

HEX #1DF533

RGB 29 245 51

HSL 126.11, 0.92%, 0.54%

LAB 84.9, -80.81, 72.88

 

CMYK 88 / 53 / 0 / 4

HEX #1D74F5

RGB 29 116 245

HSL 215.83, 0.92%, 0.54%

LAB 51.09, 23.46, -71.26

 

CMYK 0 / 88 / 9 / 4

HEX #F51DE0

RGB 245 29 224

HSL 305.83, 0.92%, 0.54%

LAB 57.73, 89.97, -47.74

 

Description

Color code: HEX #F69F1C | qconv.com Color code: HEX #F69F1C | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 246 red, 159 green and 28 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
246 159 28 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 35 magenta, 89 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 35% 89% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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