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Color name
HEX #F6B321

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F6B321 it is the complementary color #094CDE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F6B321. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F6B321 shade: #FBB31C, #FFC52F, #FFD742, #FFE955 and #FFFB68

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F6B321. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F6B321 shade: #F6B321, #E5A10E, #D48F00, #C37D00 and #B26B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F6B321 shade: #F5B322, #F57A22, #F54122 and #F52222

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F6B321 shade: #F5B322, #F5EC22, #C6F522, #8DF522 and #54F522

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F6B321 shade matches the following richer shades: #F5B322

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F6B321 shade: #F5B322, #E3AC35, #D0A547, #BE9E5A and #AB976C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F6B321 shade: #F54222, #F57A22, #F5B222, #F5EB22 and #C8F522

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F6B321 shade: #BE8407, #E5A009, #F5B322, #F7C14A and #F9CE71

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F6B321 shade: #F6B321, #3BF522 and #5E22F5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F6B321 shade: #F6B321, #22F5B2 and #B222F5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F6B321 shade: #F6B321, #3BF522, #2265F5 and #DD22F5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F6B321 shade: #F6B321, #22F549, #2265F5 and #F522CF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 27 / 87 / 4

HEX #F6B321

RGB 246 179 33

HSL 41.13, 0.92%, 0.55%

LAB 77.25, 13.21, 74.97

 

Complementary color

CMYK 96 / 66 / 0 / 13

HEX #094CDE

RGB 9 76 222

HSL 221.13, 0.92%, 0.45%

LAB 38.73, 39.5, -78.5

 

CMYK 0 / 29 / 89 / 2

HEX #FBB31C

RGB 251 179 28

HSL 40.63, 0.97%, 0.55%

LAB 77.78, 15.24, 76.75

 

CMYK 0 / 23 / 82 / 0

HEX #FFC52F

RGB 255 197 47

HSL 43.27, 1%, 0.59%

LAB 82.59, 8.01, 76.03

 

CMYK 0 / 16 / 74 / 0

HEX #FFD742

RGB 255 215 66

HSL 47.3, 1%, 0.63%

LAB 87.12, -0.56, 74.03

 

CMYK 0 / 9 / 67 / 0

HEX #FFE955

RGB 255 233 85

HSL 52.24, 1%, 0.67%

LAB 91.77, -8.7, 71.6

 

CMYK 0 / 2 / 59 / 0

HEX #FFFB68

RGB 255 251 104

HSL 58.41, 1%, 0.7%

LAB 96.51, -16.39, 68.98

 

CMYK 0 / 27 / 87 / 4

HEX #F6B321

RGB 246 179 33

HSL 41.13, 0.92%, 0.55%

LAB 77.25, 13.21, 74.97

 

CMYK 0 / 30 / 94 / 10

HEX #E5A10E

RGB 229 161 14

HSL 41.02, 0.88%, 0.48%

LAB 70.99, 15.12, 73.14

 

CMYK 0 / 33 / 100 / 17

HEX #D48F00

RGB 212 143 0

HSL 40.47, 1%, 0.42%

LAB 64.68, 17.25, 69.72

 

CMYK 0 / 36 / 100 / 24

HEX #C37D00

RGB 195 125 0

HSL 38.46, 1%, 0.38%

LAB 58.29, 19.6, 64.51

 

CMYK 0 / 40 / 100 / 30

HEX #B26B00

RGB 178 107 0

HSL 36.07, 1%, 0.35%

LAB 51.82, 22.04, 59.24

 

CMYK 0 / 27 / 86 / 4

HEX #F5B322

RGB 245 179 34

HSL 41.23, 0.91%, 0.55%

LAB 77.14, 12.81, 74.59

 

CMYK 0 / 50 / 86 / 4

HEX #F57A22

RGB 245 122 34

HSL 25.02, 0.91%, 0.55%

LAB 64.52, 42.35, 64.44

 

CMYK 0 / 73 / 86 / 4

HEX #F54122

RGB 245 65 34

HSL 8.82, 0.91%, 0.55%

LAB 55.39, 66.47, 57.08

 

CMYK 0 / 86 / 86 / 4

HEX #F52222

RGB 245 34 34

HSL 0, 0.91%, 0.55%

LAB 52.59, 74.36, 54.83

 

CMYK 0 / 27 / 86 / 4

HEX #F5B322

RGB 245 179 34

HSL 41.23, 0.91%, 0.55%

LAB 77.14, 12.81, 74.59

 

CMYK 0 / 4 / 86 / 4

HEX #F5EC22

RGB 245 236 34

HSL 57.44, 0.91%, 0.55%

LAB 91.47, -16.17, 86.1

 

CMYK 19 / 0 / 86 / 4

HEX #C6F522

RGB 198 245 34

HSL 73.36, 0.91%, 0.55%

LAB 90.52, -39.39, 83.94

 

CMYK 42 / 0 / 86 / 4

HEX #8DF522

RGB 141 245 34

HSL 89.57, 0.91%, 0.55%

LAB 87.53, -59.66, 80.22

 

CMYK 66 / 0 / 86 / 4

HEX #54F522

RGB 84 245 34

HSL 105.78, 0.91%, 0.55%

LAB 85.66, -74.43, 77.87

 

CMYK 0 / 27 / 86 / 4

HEX #F5B322

RGB 245 179 34

HSL 41.23, 0.91%, 0.55%

LAB 77.14, 12.81, 74.59

 

CMYK 0 / 27 / 86 / 4

HEX #F5B322

RGB 245 179 34

HSL 41.23, 0.91%, 0.55%

LAB 77.14, 12.81, 74.59

 

CMYK 0 / 24 / 77 / 11

HEX #E3AC35

RGB 227 172 53

HSL 41.03, 0.76%, 0.55%

LAB 73.61, 9.36, 64.91

 

CMYK 0 / 21 / 66 / 18

HEX #D0A547

RGB 208 165 71

HSL 41.17, 0.59%, 0.55%

LAB 70.02, 5.81, 53.25

 

CMYK 0 / 17 / 53 / 25

HEX #BE9E5A

RGB 190 158 90

HSL 40.8, 0.43%, 0.55%

LAB 66.63, 3.28, 39.66

 

CMYK 0 / 12 / 37 / 33

HEX #AB976C

RGB 171 151 108

HSL 40.95, 0.27%, 0.55%

LAB 63.24, 1.02, 25.39

 

CMYK 0 / 73 / 86 / 4

HEX #F54222

RGB 245 66 34

HSL 9.1, 0.91%, 0.55%

LAB 55.51, 66.14, 57.18

 

CMYK 0 / 50 / 86 / 4

HEX #F57A22

RGB 245 122 34

HSL 25.02, 0.91%, 0.55%

LAB 64.52, 42.35, 64.44

 

CMYK 0 / 27 / 86 / 4

HEX #F5B222

RGB 245 178 34

HSL 40.95, 0.91%, 0.55%

LAB 76.9, 13.33, 74.4

 

CMYK 0 / 4 / 86 / 4

HEX #F5EB22

RGB 245 235 34

HSL 57.16, 0.91%, 0.55%

LAB 91.21, -15.68, 85.9

 

CMYK 18 / 0 / 86 / 4

HEX #C8F522

RGB 200 245 34

HSL 72.8, 0.91%, 0.55%

LAB 90.64, -38.61, 84.09

 

CMYK 0 / 31 / 96 / 25

HEX #BE8407

RGB 190 132 7

HSL 40.98, 0.93%, 0.39%

LAB 59.4, 13.62, 63.82

 

CMYK 0 / 30 / 96 / 10

HEX #E5A009

RGB 229 160 9

HSL 41.18, 0.92%, 0.47%

LAB 70.75, 15.6, 73.62

 

CMYK 0 / 27 / 86 / 4

HEX #F5B322

RGB 245 179 34

HSL 41.23, 0.91%, 0.55%

LAB 77.14, 12.81, 74.59

 

CMYK 0 / 22 / 70 / 3

HEX #F7C14A

RGB 247 193 74

HSL 41.27, 0.92%, 0.63%

LAB 80.97, 7.76, 64.67

 

CMYK 0 / 17 / 55 / 2

HEX #F9CE71

RGB 249 206 113

HSL 41.03, 0.92%, 0.71%

LAB 84.73, 4.35, 51.39

 

CMYK 0 / 27 / 87 / 4

HEX #F6B321

RGB 246 179 33

HSL 41.13, 0.92%, 0.55%

LAB 77.25, 13.21, 74.97

 

CMYK 76 / 0 / 86 / 4

HEX #3BF522

RGB 59 245 34

HSL 112.89, 0.91%, 0.55%

LAB 85.17, -78.59, 77.26

 

CMYK 62 / 86 / 0 / 4

HEX #5E22F5

RGB 94 34 245

HSL 257.06, 0.91%, 0.55%

LAB 38.05, 72.47, -92.54

 

CMYK 0 / 27 / 87 / 4

HEX #F6B321

RGB 246 179 33

HSL 41.13, 0.92%, 0.55%

LAB 77.25, 13.21, 74.97

 

CMYK 86 / 0 / 27 / 4

HEX #22F5B2

RGB 34 245 178

HSL 160.95, 0.91%, 0.55%

LAB 86.43, -62.67, 19.06

 

CMYK 27 / 86 / 0 / 4

HEX #B222F5

RGB 178 34 245

HSL 280.95, 0.91%, 0.55%

LAB 48.51, 81.71, -74.95

 

CMYK 0 / 27 / 87 / 4

HEX #F6B321

RGB 246 179 33

HSL 41.13, 0.92%, 0.55%

LAB 77.25, 13.21, 74.97

 

CMYK 76 / 0 / 86 / 4

HEX #3BF522

RGB 59 245 34

HSL 112.89, 0.91%, 0.55%

LAB 85.17, -78.59, 77.26

 

CMYK 86 / 59 / 0 / 4

HEX #2265F5

RGB 34 101 245

HSL 220.95, 0.91%, 0.55%

LAB 47.29, 33.25, -77.44

 

CMYK 10 / 86 / 0 / 4

HEX #DD22F5

RGB 221 34 245

HSL 293.18, 0.91%, 0.55%

LAB 55.18, 88.2, -63.83

 

CMYK 0 / 27 / 87 / 4

HEX #F6B321

RGB 246 179 33

HSL 41.13, 0.92%, 0.55%

LAB 77.25, 13.21, 74.97

 

CMYK 86 / 0 / 70 / 4

HEX #22F549

RGB 34 245 73

HSL 131.09, 0.91%, 0.55%

LAB 85.06, -78.89, 66.03

 

CMYK 86 / 59 / 0 / 4

HEX #2265F5

RGB 34 101 245

HSL 220.95, 0.91%, 0.55%

LAB 47.29, 33.25, -77.44

 

CMYK 0 / 86 / 16 / 4

HEX #F522CF

RGB 245 34 207

HSL 310.81, 0.91%, 0.55%

LAB 57.14, 87.01, -39.01

 

Description

Color code: HEX #F6B321 | qconv.com Color code: HEX #F6B321 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 246 red, 179 green and 33 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
246 179 33 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 27 magenta, 87 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 27% 87% 4% C M Y K

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