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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F6D4EC it is the complementary color #092B13. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F6D4EC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F6D4EC shade: #FBD4E7, #FFE6FA and #FFF8FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F6D4EC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F6D4EC shade: #F6D4EC, #E5C2D9, #D4B0C6, #C39EB3 and #B28CA0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F6D4EC shade: #F6D4EC, #F6D4E3, #F6D4DA and #F6D4D4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F6D4EC shade: #F6D4EC, #F6D4F5, #EDD4F6, #E5D4F6 and #DCD4F6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F6D4EC shade matches the following richer shades: #F6D4EC, #FAD0EE and #FECCEF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F6D4EC shade: #F6D4EC, #F1D9EA, #EDDDE8, #E9E1E7 and #E5E5E5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F6D4EC shade: #EDD4F6, #F6D4F5, #F6D4EC, #F6D4E3 and #F6D4DB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F6D4EC shade: #E790CE, #EEB2DD, #F6D4EC and #FDF6FB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F6D4EC shade: #F6D4EC, #F6E4D4 and #D4F6F2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F6D4EC shade: #F6D4EC, #ECF6D4 and #D4ECF6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F6D4EC shade: #F6D4EC, #F6E4D4, #D4F6DE and #D4E6F6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F6D4EC shade: #F6D4EC, #F6EED4, #D4F6DE and #D4DCF6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 14 / 4 / 4

HEX #F6D4EC

RGB 246 212 236

HSL 317.65, 0.65%, 0.9%

LAB 88.32, 15.82, -7.38

 

Complementary color

CMYK 79 / 0 / 56 / 83

HEX #092B13

RGB 9 43 19

HSL 137.65, 0.65%, 0.1%

LAB 14.58, -18.93, 12.1

 

CMYK 0 / 16 / 8 / 2

HEX #FBD4E7

RGB 251 212 231

HSL 330.77, 0.83%, 0.91%

LAB 88.62, 16.66, -4.25

 

CMYK 0 / 10 / 2 / 0

HEX #FFE6FA

RGB 255 230 250

HSL 312, 1%, 0.95%

LAB 93.78, 11.9, -6.57

 

CMYK 0 / 3 / 0 / 0

HEX #FFF8FF

RGB 255 248 255

HSL 300, 1%, 0.99%

LAB 98.28, 3.55, -2.53

 

CMYK 0 / 14 / 4 / 4

HEX #F6D4EC

RGB 246 212 236

HSL 317.65, 0.65%, 0.9%

LAB 88.32, 15.82, -7.38

 

CMYK 0 / 15 / 5 / 10

HEX #E5C2D9

RGB 229 194 217

HSL 320.57, 0.4%, 0.83%

LAB 81.97, 16.24, -6.84

 

CMYK 0 / 17 / 7 / 17

HEX #D4B0C6

RGB 212 176 198

HSL 323.33, 0.3%, 0.76%

LAB 75.53, 16.68, -6.27

 

CMYK 0 / 19 / 8 / 24

HEX #C39EB3

RGB 195 158 179

HSL 325.95, 0.24%, 0.69%

LAB 68.98, 17.17, -5.68

 

CMYK 0 / 21 / 10 / 30

HEX #B28CA0

RGB 178 140 160

HSL 328.42, 0.2%, 0.62%

LAB 62.3, 17.71, -5.06

 

CMYK 0 / 14 / 4 / 4

HEX #F6D4EC

RGB 246 212 236

HSL 317.65, 0.65%, 0.9%

LAB 88.32, 15.82, -7.38

 

CMYK 0 / 14 / 8 / 4

HEX #F6D4E3

RGB 246 212 227

HSL 333.53, 0.65%, 0.9%

LAB 88.08, 14.28, -2.99

 

CMYK 0 / 14 / 11 / 4

HEX #F6D4DA

RGB 246 212 218

HSL 349.41, 0.65%, 0.9%

LAB 87.84, 12.79, 1.42

 

CMYK 0 / 14 / 14 / 4

HEX #F6D4D4

RGB 246 212 212

HSL 0, 0.65%, 0.9%

LAB 87.7, 11.84, 4.38

 

CMYK 0 / 14 / 4 / 4

HEX #F6D4EC

RGB 246 212 236

HSL 317.65, 0.65%, 0.9%

LAB 88.32, 15.82, -7.38

 

CMYK 0 / 14 / 0 / 4

HEX #F6D4F5

RGB 246 212 245

HSL 301.76, 0.65%, 0.9%

LAB 88.58, 17.42, -11.75

 

CMYK 4 / 14 / 0 / 4

HEX #EDD4F6

RGB 237 212 246

HSL 284.12, 0.65%, 0.9%

LAB 87.85, 14.64, -13.45

 

CMYK 7 / 14 / 0 / 4

HEX #E5D4F6

RGB 229 212 246

HSL 270, 0.65%, 0.9%

LAB 87.19, 12.03, -14.5

 

CMYK 11 / 14 / 0 / 4

HEX #DCD4F6

RGB 220 212 246

HSL 254.12, 0.65%, 0.9%

LAB 86.48, 9.14, -15.63

 

CMYK 0 / 14 / 4 / 4

HEX #F6D4EC

RGB 246 212 236

HSL 317.65, 0.65%, 0.9%

LAB 88.32, 15.82, -7.38

 

CMYK 0 / 17 / 5 / 2

HEX #FAD0EE

RGB 250 208 238

HSL 317.14, 0.81%, 0.9%

LAB 87.78, 19.61, -9.2

 

CMYK 0 / 20 / 6 / 0

HEX #FECCEF

RGB 254 204 239

HSL 318, 0.96%, 0.9%

LAB 87.24, 23.23, -10.5

 

CMYK 0 / 14 / 4 / 4

HEX #F6D4EC

RGB 246 212 236

HSL 317.65, 0.65%, 0.9%

LAB 88.32, 15.82, -7.38

 

CMYK 0 / 10 / 3 / 5

HEX #F1D9EA

RGB 241 217 234

HSL 317.5, 0.46%, 0.9%

LAB 89.05, 11.16, -5.3

 

CMYK 0 / 7 / 2 / 7

HEX #EDDDE8

RGB 237 221 232

HSL 318.75, 0.31%, 0.9%

LAB 89.65, 7.37, -3.41

 

CMYK 0 / 3 / 1 / 9

HEX #E9E1E7

RGB 233 225 231

HSL 315, 0.15%, 0.9%

LAB 90.3, 3.77, -1.97

HEX #E9E1E7

CMYK 4 / 14 / 0 / 4

HEX #EDD4F6

RGB 237 212 246

HSL 284.12, 0.65%, 0.9%

LAB 87.85, 14.64, -13.45

 

CMYK 0 / 14 / 0 / 4

HEX #F6D4F5

RGB 246 212 245

HSL 301.76, 0.65%, 0.9%

LAB 88.58, 17.42, -11.75

 

CMYK 0 / 14 / 4 / 4

HEX #F6D4EC

RGB 246 212 236

HSL 317.65, 0.65%, 0.9%

LAB 88.32, 15.82, -7.38

 

CMYK 0 / 14 / 8 / 4

HEX #F6D4E3

RGB 246 212 227

HSL 333.53, 0.65%, 0.9%

LAB 88.08, 14.28, -2.99

 

CMYK 0 / 14 / 11 / 4

HEX #F6D4DB

RGB 246 212 219

HSL 347.65, 0.65%, 0.9%

LAB 87.87, 12.96, 0.93

 

CMYK 0 / 38 / 11 / 9

HEX #E790CE

RGB 231 144 206

HSL 317.24, 0.64%, 0.74%

LAB 70.45, 41.66, -18.07

 

CMYK 0 / 25 / 7 / 7

HEX #EEB2DD

RGB 238 178 221

HSL 317, 0.64%, 0.82%

LAB 79.18, 28.52, -13.06

 

CMYK 0 / 14 / 4 / 4

HEX #F6D4EC

RGB 246 212 236

HSL 317.65, 0.65%, 0.9%

LAB 88.32, 15.82, -7.38

 

CMYK 0 / 3 / 1 / 1

HEX #FDF6FB

RGB 253 246 251

HSL 317.14, 0.64%, 0.98%

LAB 97.53, 3.2, -1.58

 

CMYK 0 / 14 / 4 / 4

HEX #F6D4EC

RGB 246 212 236

HSL 317.65, 0.65%, 0.9%

LAB 88.32, 15.82, -7.38

 

CMYK 0 / 7 / 14 / 4

HEX #F6E4D4

RGB 246 228 212

HSL 28.24, 0.65%, 0.9%

LAB 91.61, 3.55, 10.01

 

CMYK 14 / 0 / 2 / 4

HEX #D4F6F2

RGB 212 246 242

HSL 172.94, 0.65%, 0.9%

LAB 94.45, -11.72, -1.78

 

CMYK 0 / 14 / 4 / 4

HEX #F6D4EC

RGB 246 212 236

HSL 317.65, 0.65%, 0.9%

LAB 88.32, 15.82, -7.38

 

CMYK 4 / 0 / 14 / 4

HEX #ECF6D4

RGB 236 246 212

HSL 77.65, 0.65%, 0.9%

LAB 95.37, -9.08, 15.24

 

CMYK 14 / 4 / 0 / 4

HEX #D4ECF6

RGB 212 236 246

HSL 197.65, 0.65%, 0.9%

LAB 91.97, -5.87, -7.51

 

CMYK 0 / 14 / 4 / 4

HEX #F6D4EC

RGB 246 212 236

HSL 317.65, 0.65%, 0.9%

LAB 88.32, 15.82, -7.38

 

CMYK 0 / 7 / 14 / 4

HEX #F6E4D4

RGB 246 228 212

HSL 28.24, 0.65%, 0.9%

LAB 91.61, 3.55, 10.01

 

CMYK 14 / 0 / 10 / 4

HEX #D4F6DE

RGB 212 246 222

HSL 137.65, 0.65%, 0.9%

LAB 93.96, -15.47, 7.86

 

CMYK 14 / 7 / 0 / 4

HEX #D4E6F6

RGB 212 230 246

HSL 208.24, 0.65%, 0.9%

LAB 90.43, -2.8, -9.79

 

CMYK 0 / 14 / 4 / 4

HEX #F6D4EC

RGB 246 212 236

HSL 317.65, 0.65%, 0.9%

LAB 88.32, 15.82, -7.38

 

CMYK 0 / 3 / 14 / 4

HEX #F6EED4

RGB 246 238 212

HSL 45.88, 0.65%, 0.9%

LAB 94.1, -1.56, 13.55

 

CMYK 14 / 0 / 10 / 4

HEX #D4F6DE

RGB 212 246 222

HSL 137.65, 0.65%, 0.9%

LAB 93.96, -15.47, 7.86

 

CMYK 14 / 11 / 0 / 4

HEX #D4DCF6

RGB 212 220 246

HSL 225.88, 0.65%, 0.9%

LAB 87.89, 2.39, -13.58

 

Description

Color code: HEX #F6D4EC | qconv.com Color code: HEX #F6D4EC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 246 red, 212 green and 236 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
246 212 236 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 14 magenta, 4 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 14% 4% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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