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Color name
HEX #F6D8AE

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F6D8AE it is the complementary color #092751. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F6D8AE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F6D8AE shade: #FBD8A9, #FFEABC, #FFFCCF, #FFFFE2 and #FFFFF5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F6D8AE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F6D8AE shade: #F6D8AE, #E5C69B, #D4B488, #C3A275 and #B29062

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F6D8AE shade: #F5D7AC, #F5C3AC, #F5AFAC and #F5ACAC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F6D8AE shade: #F5D7AC, #F5EBAC, #ECF5AC, #D9F5AC and #C5F5AC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F6D8AE shade matches the following richer shades: #F5D7AC and #FDD8A4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F6D8AE shade: #F5D7AC, #EED5B3, #E6D4BB, #DFD3C2 and #D8D2CA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F6D8AE shade: #F5B0AC, #F5C3AC, #F5D7AC, #F5EAAC and #EDF5AC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F6D8AE shade: #EDB362, #F1C587, #F5D7AC, #F9E9D1 and #FEFAF6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F6D8AE shade: #F6D8AE, #BCF5AC and #B9ACF5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F6D8AE shade: #F6D8AE, #ACF5D7 and #D7ACF5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F6D8AE shade: #F6D8AE, #BCF5AC, #ACCAF5 and #E5ACF5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F6D8AE shade: #F6D8AE, #ACF5B2, #ACCAF5 and #F5ACEF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 12 / 29 / 4

HEX #F6D8AE

RGB 246 216 174

HSL 35, 0.8%, 0.82%

LAB 87.85, 4.32, 24.56

 

Complementary color

CMYK 89 / 52 / 0 / 68

HEX #092751

RGB 9 39 81

HSL 215, 0.8%, 0.18%

LAB 16.02, 7.09, -28.8

 

CMYK 0 / 14 / 33 / 2

HEX #FBD8A9

RGB 251 216 169

HSL 34.39, 0.91%, 0.82%

LAB 88.2, 5.59, 27.7

 

CMYK 0 / 8 / 26 / 0

HEX #FFEABC

RGB 255 234 188

HSL 41.19, 1%, 0.87%

LAB 93.34, 0.3, 24.96

 

CMYK 0 / 1 / 19 / 0

HEX #FFFCCF

RGB 255 252 207

HSL 56.25, 1%, 0.91%

LAB 98.19, -6.14, 21.96

 

CMYK 0 / 0 / 11 / 0

HEX #FFFFE2

RGB 255 255 226

HSL 60, 1%, 0.94%

LAB 99.33, -4.79, 13.87

 

CMYK 0 / 0 / 4 / 0

HEX #FFFFF5

RGB 255 255 245

HSL 60, 1%, 0.98%

LAB 99.76, -1.71, 4.76

 

CMYK 0 / 12 / 29 / 4

HEX #F6D8AE

RGB 246 216 174

HSL 35, 0.8%, 0.82%

LAB 87.85, 4.32, 24.56

 

CMYK 0 / 14 / 32 / 10

HEX #E5C69B

RGB 229 198 155

HSL 34.86, 0.59%, 0.75%

LAB 81.52, 4.79, 25.62

 

CMYK 0 / 15 / 36 / 17

HEX #D4B488

RGB 212 180 136

HSL 34.74, 0.47%, 0.68%

LAB 75.09, 5.32, 26.74

 

CMYK 0 / 17 / 40 / 24

HEX #C3A275

RGB 195 162 117

HSL 34.62, 0.39%, 0.61%

LAB 68.55, 5.94, 27.95

 

CMYK 0 / 19 / 45 / 30

HEX #B29062

RGB 178 144 98

HSL 34.5, 0.34%, 0.54%

LAB 61.91, 6.65, 29.24

 

CMYK 0 / 12 / 30 / 4

HEX #F5D7AC

RGB 245 215 172

HSL 35.34, 0.78%, 0.82%

LAB 87.48, 4.21, 25.07

 

CMYK 0 / 20 / 30 / 4

HEX #F5C3AC

RGB 245 195 172

HSL 18.9, 0.78%, 0.82%

LAB 82.6, 14.63, 18.35

 

CMYK 0 / 29 / 30 / 4

HEX #F5AFAC

RGB 245 175 172

HSL 2.47, 0.78%, 0.82%

LAB 77.91, 25.18, 11.74

 

CMYK 0 / 30 / 30 / 4

HEX #F5ACAC

RGB 245 172 172

HSL 0, 0.78%, 0.82%

LAB 77.22, 26.77, 10.77

 

CMYK 0 / 12 / 30 / 4

HEX #F5D7AC

RGB 245 215 172

HSL 35.34, 0.78%, 0.82%

LAB 87.48, 4.21, 25.07

 

CMYK 0 / 4 / 30 / 4

HEX #F5EBAC

RGB 245 235 172

HSL 51.78, 0.78%, 0.82%

LAB 92.49, -5.98, 31.85

 

CMYK 4 / 0 / 30 / 4

HEX #ECF5AC

RGB 236 245 172

HSL 67.4, 0.78%, 0.82%

LAB 94.36, -14.3, 34.23

 

CMYK 11 / 0 / 30 / 4

HEX #D9F5AC

RGB 217 245 172

HSL 83.01, 0.78%, 0.82%

LAB 93.03, -21.2, 32.22

 

CMYK 20 / 0 / 30 / 4

HEX #C5F5AC

RGB 197 245 172

HSL 99.45, 0.78%, 0.82%

LAB 91.75, -28.22, 30.28

 

CMYK 0 / 12 / 30 / 4

HEX #F5D7AC

RGB 245 215 172

HSL 35.34, 0.78%, 0.82%

LAB 87.48, 4.21, 25.07

 

CMYK 0 / 15 / 35 / 1

HEX #FDD8A4

RGB 253 216 164

HSL 35.06, 0.96%, 0.82%

LAB 88.29, 5.76, 30.44

 

CMYK 0 / 12 / 30 / 4

HEX #F5D7AC

RGB 245 215 172

HSL 35.34, 0.78%, 0.82%

LAB 87.48, 4.21, 25.07

 

CMYK 0 / 11 / 25 / 7

HEX #EED5B3

RGB 238 213 179

HSL 34.58, 0.63%, 0.82%

LAB 86.51, 3.54, 19.99

 

CMYK 0 / 8 / 19 / 10

HEX #E6D4BB

RGB 230 212 187

HSL 34.88, 0.46%, 0.82%

LAB 85.75, 2.25, 14.62

 

CMYK 0 / 5 / 13 / 13

HEX #DFD3C2

RGB 223 211 194

HSL 35.17, 0.31%, 0.82%

LAB 85.08, 1.31, 9.89

 

CMYK 0 / 3 / 6 / 15

HEX #D8D2CA

RGB 216 210 202

HSL 34.29, 0.15%, 0.82%

LAB 84.46, 0.67, 4.68

 

CMYK 0 / 28 / 30 / 4

HEX #F5B0AC

RGB 245 176 172

HSL 3.29, 0.78%, 0.82%

LAB 78.14, 24.65, 12.07

 

CMYK 0 / 20 / 30 / 4

HEX #F5C3AC

RGB 245 195 172

HSL 18.9, 0.78%, 0.82%

LAB 82.6, 14.63, 18.35

 

CMYK 0 / 12 / 30 / 4

HEX #F5D7AC

RGB 245 215 172

HSL 35.34, 0.78%, 0.82%

LAB 87.48, 4.21, 25.07

 

CMYK 0 / 4 / 30 / 4

HEX #F5EAAC

RGB 245 234 172

HSL 50.96, 0.78%, 0.82%

LAB 92.24, -5.48, 31.51

 

CMYK 3 / 0 / 30 / 4

HEX #EDF5AC

RGB 237 245 172

HSL 66.58, 0.78%, 0.82%

LAB 94.44, -13.93, 34.35

 

CMYK 0 / 24 / 59 / 7

HEX #EDB362

RGB 237 179 98

HSL 34.96, 0.79%, 0.66%

LAB 76.76, 12.38, 48.92

 

CMYK 0 / 18 / 44 / 5

HEX #F1C587

RGB 241 197 135

HSL 35.09, 0.79%, 0.74%

LAB 82.05, 7.77, 36.93

 

CMYK 0 / 12 / 30 / 4

HEX #F5D7AC

RGB 245 215 172

HSL 35.34, 0.78%, 0.82%

LAB 87.48, 4.21, 25.07

 

CMYK 0 / 6 / 16 / 2

HEX #F9E9D1

RGB 249 233 209

HSL 36, 0.77%, 0.9%

LAB 93.02, 1.59, 13.61

HEX #F9E9D1

CMYK 0 / 2 / 3 / 0

HEX #FEFAF6

RGB 254 250 246

HSL 30, 0.8%, 0.98%

LAB 98.47, 0.64, 2.37

HEX #FEFAF6

CMYK 0 / 12 / 29 / 4

HEX #F6D8AE

RGB 246 216 174

HSL 35, 0.8%, 0.82%

LAB 87.85, 4.32, 24.56

 

CMYK 23 / 0 / 30 / 4

HEX #BCF5AC

RGB 188 245 172

HSL 106.85, 0.78%, 0.82%

LAB 91.22, -31.26, 29.48

 

CMYK 24 / 30 / 0 / 4

HEX #B9ACF5

RGB 185 172 245

HSL 250.68, 0.78%, 0.82%

LAB 73.81, 19.82, -34.67

 

CMYK 0 / 12 / 29 / 4

HEX #F6D8AE

RGB 246 216 174

HSL 35, 0.8%, 0.82%

LAB 87.85, 4.32, 24.56

 

CMYK 30 / 0 / 12 / 4

HEX #ACF5D7

RGB 172 245 215

HSL 155.34, 0.78%, 0.82%

LAB 91.23, -28.71, 7.25

 

CMYK 12 / 30 / 0 / 4

HEX #D7ACF5

RGB 215 172 245

HSL 275.34, 0.78%, 0.82%

LAB 76.4, 28.86, -30.46

 

CMYK 0 / 12 / 29 / 4

HEX #F6D8AE

RGB 246 216 174

HSL 35, 0.8%, 0.82%

LAB 87.85, 4.32, 24.56

 

CMYK 23 / 0 / 30 / 4

HEX #BCF5AC

RGB 188 245 172

HSL 106.85, 0.78%, 0.82%

LAB 91.22, -31.26, 29.48

 

CMYK 30 / 18 / 0 / 4

HEX #ACCAF5

RGB 172 202 245

HSL 215.34, 0.78%, 0.82%

LAB 80.52, -0.34, -24.45

 

CMYK 7 / 30 / 0 / 4

HEX #E5ACF5

RGB 229 172 245

HSL 286.85, 0.78%, 0.82%

LAB 77.73, 33.2, -28.3

 

CMYK 0 / 12 / 29 / 4

HEX #F6D8AE

RGB 246 216 174

HSL 35, 0.8%, 0.82%

LAB 87.85, 4.32, 24.56

 

CMYK 30 / 0 / 27 / 4

HEX #ACF5B2

RGB 172 245 178

HSL 124.93, 0.78%, 0.82%

LAB 90.45, -35.49, 25.24

 

CMYK 30 / 18 / 0 / 4

HEX #ACCAF5

RGB 172 202 245

HSL 215.34, 0.78%, 0.82%

LAB 80.52, -0.34, -24.45

 

CMYK 0 / 30 / 2 / 4

HEX #F5ACEF

RGB 245 172 239

HSL 304.93, 0.78%, 0.82%

LAB 79.13, 37.14, -22.79

 

Description

Color code: HEX #F6D8AE | qconv.com Color code: HEX #F6D8AE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 246 red, 216 green and 174 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
246 216 174 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 12 magenta, 29 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 12% 29% 4% C M Y K

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Provide designers and agencies with accurate color values.

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