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Color name
HEX #F6D091

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F6D091 it is the complementary color #092F6E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F6D091. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F6D091 shade: #FBD08C, #FFE29F, #FFF4B2, #FFFFC5 and #FFFFD8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F6D091. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F6D091 shade: #F6D091, #E5BE7E, #D4AC6B, #C39A58 and #B28845

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F6D091 shade: #F6D092, #F6B592, #F69A92 and #F69292

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F6D091 shade: #F6D092, #F6EB92, #E5F692, #CBF692 and #B0F692

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F6D091 shade matches the following richer shades: #F6D092

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F6D091 shade: #F6D092, #ECCE9B, #E3CBA5, #D9C9AE and #D0C7B8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F6D091 shade: #F69A92, #F6B592, #F6CF92, #F6EA92 and #E7F692

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F6D091 shade: #F0B046, #F3C06C, #F6D092, #F9E0B8 and #FCF1DE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F6D091 shade: #F6D091, #A4F692 and #A892F6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F6D091 shade: #F6D091, #92F6CF and #CF92F6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F6D091 shade: #F6D091, #A4F692, #92B8F6 and #E392F6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F6D091 shade: #F6D091, #92F69E, #92B8F6 and #F692EA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 41 / 4

HEX #F6D091

RGB 246 208 145

HSL 37.43, 0.85%, 0.77%

LAB 85.38, 5.06, 36.22

 

Complementary color

CMYK 92 / 57 / 0 / 57

HEX #092F6E

RGB 9 47 110

HSL 217.43, 0.85%, 0.23%

LAB 20.89, 14.08, -40.06

 

CMYK 0 / 17 / 44 / 2

HEX #FBD08C

RGB 251 208 140

HSL 36.76, 0.93%, 0.77%

LAB 85.76, 6.52, 39.36

 

CMYK 0 / 11 / 38 / 0

HEX #FFE29F

RGB 255 226 159

HSL 41.88, 1%, 0.81%

LAB 90.85, 0.84, 36.42

 

CMYK 0 / 4 / 30 / 0

HEX #FFF4B2

RGB 255 244 178

HSL 51.43, 1%, 0.85%

LAB 95.65, -6, 33.2

 

CMYK 0 / 0 / 23 / 0

HEX #FFFFC5

RGB 255 255 197

HSL 60, 1%, 0.89%

LAB 98.75, -9.01, 27.81

 

CMYK 0 / 0 / 15 / 0

HEX #FFFFD8

RGB 255 255 216

HSL 60, 1%, 0.92%

LAB 99.12, -6.32, 18.67

 

CMYK 0 / 15 / 41 / 4

HEX #F6D091

RGB 246 208 145

HSL 37.43, 0.85%, 0.77%

LAB 85.38, 5.06, 36.22

 

CMYK 0 / 17 / 45 / 10

HEX #E5BE7E

RGB 229 190 126

HSL 37.28, 0.66%, 0.7%

LAB 79.04, 5.73, 37.46

 

CMYK 0 / 19 / 50 / 17

HEX #D4AC6B

RGB 212 172 107

HSL 37.14, 0.55%, 0.63%

LAB 72.6, 6.5, 38.77

 

CMYK 0 / 21 / 55 / 24

HEX #C39A58

RGB 195 154 88

HSL 37.01, 0.47%, 0.55%

LAB 66.07, 7.41, 40.13

 

CMYK 0 / 24 / 61 / 30

HEX #B28845

RGB 178 136 69

HSL 36.88, 0.44%, 0.48%

LAB 59.44, 8.47, 41.51

 

CMYK 0 / 15 / 41 / 4

HEX #F6D092

RGB 246 208 146

HSL 37.2, 0.85%, 0.77%

LAB 85.39, 5.17, 35.73

 

CMYK 0 / 26 / 41 / 4

HEX #F6B592

RGB 246 181 146

HSL 21, 0.85%, 0.77%

LAB 78.88, 19.29, 27.09

 

CMYK 0 / 37 / 41 / 4

HEX #F69A92

RGB 246 154 146

HSL 4.8, 0.85%, 0.77%

LAB 72.75, 33.5, 18.73

 

CMYK 0 / 41 / 41 / 4

HEX #F69292

RGB 246 146 146

HSL 0, 0.85%, 0.77%

LAB 71.03, 37.65, 16.35

 

CMYK 0 / 15 / 41 / 4

HEX #F6D092

RGB 246 208 146

HSL 37.2, 0.85%, 0.77%

LAB 85.39, 5.17, 35.73

 

CMYK 0 / 4 / 41 / 4

HEX #F6EB92

RGB 246 235 146

HSL 53.4, 0.85%, 0.77%

LAB 92.17, -8.56, 44.46

 

CMYK 7 / 0 / 41 / 4

HEX #E5F692

RGB 229 246 146

HSL 70.2, 0.85%, 0.77%

LAB 93.73, -20.46, 46.17

 

CMYK 17 / 0 / 41 / 4

HEX #CBF692

RGB 203 246 146

HSL 85.8, 0.85%, 0.77%

LAB 91.99, -30.05, 43.6

 

CMYK 28 / 0 / 41 / 4

HEX #B0F692

RGB 176 246 146

HSL 102, 0.85%, 0.77%

LAB 90.42, -39.43, 41.27

 

CMYK 0 / 15 / 41 / 4

HEX #F6D092

RGB 246 208 146

HSL 37.2, 0.85%, 0.77%

LAB 85.39, 5.17, 35.73

 

CMYK 0 / 15 / 41 / 4

HEX #F6D092

RGB 246 208 146

HSL 37.2, 0.85%, 0.77%

LAB 85.39, 5.17, 35.73

 

CMYK 0 / 13 / 34 / 7

HEX #ECCE9B

RGB 236 206 155

HSL 37.78, 0.68%, 0.77%

LAB 84.14, 3.33, 29.27

 

CMYK 0 / 11 / 27 / 11

HEX #E3CBA5

RGB 227 203 165

HSL 36.77, 0.53%, 0.77%

LAB 82.79, 2.7, 22.05

 

CMYK 0 / 7 / 20 / 15

HEX #D9C9AE

RGB 217 201 174

HSL 37.67, 0.36%, 0.77%

LAB 81.61, 1.26, 15.52

 

CMYK 0 / 4 / 12 / 18

HEX #D0C7B8

RGB 208 199 184

HSL 37.5, 0.2%, 0.77%

LAB 80.58, 0.58, 8.62

 

CMYK 0 / 37 / 41 / 4

HEX #F69A92

RGB 246 154 146

HSL 4.8, 0.85%, 0.77%

LAB 72.75, 33.5, 18.73

 

CMYK 0 / 26 / 41 / 4

HEX #F6B592

RGB 246 181 146

HSL 21, 0.85%, 0.77%

LAB 78.88, 19.29, 27.09

 

CMYK 0 / 16 / 41 / 4

HEX #F6CF92

RGB 246 207 146

HSL 36.6, 0.85%, 0.77%

LAB 85.15, 5.68, 35.41

 

CMYK 0 / 5 / 41 / 4

HEX #F6EA92

RGB 246 234 146

HSL 52.8, 0.85%, 0.77%

LAB 91.91, -8.06, 44.14

 

CMYK 6 / 0 / 41 / 4

HEX #E7F692

RGB 231 246 146

HSL 69, 0.85%, 0.77%

LAB 93.87, -19.7, 46.38

 

CMYK 0 / 27 / 71 / 6

HEX #F0B046

RGB 240 176 70

HSL 37.41, 0.85%, 0.61%

LAB 76.08, 13.52, 61.1

 

CMYK 0 / 21 / 56 / 5

HEX #F3C06C

RGB 243 192 108

HSL 37.33, 0.85%, 0.69%

LAB 80.65, 8.77, 48.8

 

CMYK 0 / 15 / 41 / 4

HEX #F6D092

RGB 246 208 146

HSL 37.2, 0.85%, 0.77%

LAB 85.39, 5.17, 35.73

 

CMYK 0 / 10 / 26 / 2

HEX #F9E0B8

RGB 249 224 184

HSL 36.92, 0.84%, 0.85%

LAB 90.28, 2.64, 22.74

 

CMYK 0 / 4 / 12 / 1

HEX #FCF1DE

RGB 252 241 222

HSL 38, 0.83%, 0.93%

LAB 95.53, 0.58, 10.48

 

CMYK 0 / 15 / 41 / 4

HEX #F6D091

RGB 246 208 145

HSL 37.43, 0.85%, 0.77%

LAB 85.38, 5.06, 36.22

 

CMYK 33 / 0 / 41 / 4

HEX #A4F692

RGB 164 246 146

HSL 109.2, 0.85%, 0.77%

LAB 89.8, -43.33, 40.36

 

CMYK 32 / 41 / 0 / 4

HEX #A892F6

RGB 168 146 246

HSL 253.2, 0.85%, 0.77%

LAB 66.16, 29.86, -47.26

 

CMYK 0 / 15 / 41 / 4

HEX #F6D091

RGB 246 208 145

HSL 37.43, 0.85%, 0.77%

LAB 85.38, 5.06, 36.22

 

CMYK 41 / 0 / 16 / 4

HEX #92F6CF

RGB 146 246 207

HSL 156.6, 0.85%, 0.77%

LAB 90.1, -38, 9.63

 

CMYK 16 / 41 / 0 / 4

HEX #CF92F6

RGB 207 146 246

HSL 276.6, 0.85%, 0.77%

LAB 69.81, 40.76, -41.29

 

CMYK 0 / 15 / 41 / 4

HEX #F6D091

RGB 246 208 145

HSL 37.43, 0.85%, 0.77%

LAB 85.38, 5.06, 36.22

 

CMYK 33 / 0 / 41 / 4

HEX #A4F692

RGB 164 246 146

HSL 109.2, 0.85%, 0.77%

LAB 89.8, -43.33, 40.36

 

CMYK 41 / 25 / 0 / 4

HEX #92B8F6

RGB 146 184 246

HSL 217.2, 0.85%, 0.77%

LAB 74.22, 2.63, -34.8

 

CMYK 8 / 41 / 0 / 4

HEX #E392F6

RGB 227 146 246

HSL 288.6, 0.85%, 0.77%

LAB 71.92, 46.56, -37.83

 

CMYK 0 / 15 / 41 / 4

HEX #F6D091

RGB 246 208 145

HSL 37.43, 0.85%, 0.77%

LAB 85.38, 5.06, 36.22

 

CMYK 41 / 0 / 36 / 4

HEX #92F69E

RGB 146 246 158

HSL 127.2, 0.85%, 0.77%

LAB 89.15, -47, 33.39

 

CMYK 41 / 25 / 0 / 4

HEX #92B8F6

RGB 146 184 246

HSL 217.2, 0.85%, 0.77%

LAB 74.22, 2.63, -34.8

 

CMYK 0 / 41 / 5 / 4

HEX #F692EA

RGB 246 146 234

HSL 307.2, 0.85%, 0.77%

LAB 73.6, 50.04, -28.51

 

Description

Color code: HEX #F6D091 | qconv.com Color code: HEX #F6D091 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 246 red, 208 green and 145 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
246 208 145 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 41 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 41% 4% C M Y K

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Provide designers and agencies with accurate color values.

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