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Color name
HEX #F6DFA2

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F6DFA2 it is the complementary color #09205D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F6DFA2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F6DFA2 shade: #FBDF9D, #FFF1B0, #FFFFC3, #FFFFD6 and #FFFFE9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F6DFA2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F6DFA2 shade: #F6DFA2, #E5CD8F, #D4BB7C, #C3A969 and #B29756

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F6DFA2 shade: #F5DEA2, #F5C8A2, #F5B1A2 and #F5A2A2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F6DFA2 shade: #F5DEA2, #F5F5A2, #DFF5A2, #C9F5A2 and #B2F5A2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F6DFA2 shade matches the following richer shades: #F5DEA2 and #FEE299

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F6DFA2 shade: #F5DEA2, #EDDBAA, #E5D7B2, #DDD3BA and #D4CFC3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F6DFA2 shade: #F5B1A2, #F5C7A2, #F5DEA2, #F5F4A2 and #E0F5A2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F6DFA2 shade: #EEC457, #F2D17C, #F5DEA2, #F9EBC7 and #FDF8ED

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F6DFA2 shade: #F6DFA2, #A9F5A2 and #BCA2F5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F6DFA2 shade: #F6DFA2, #A2F5DE and #DEA2F5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F6DFA2 shade: #F6DFA2, #A9F5A2, #A2B9F5 and #EEA2F5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F6DFA2 shade: #F6DFA2, #A2F5B4, #A2B9F5 and #F5A2E3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 9 / 34 / 4

HEX #F6DFA2

RGB 246 223 162

HSL 43.57, 0.82%, 0.8%

LAB 89.38, -0.74, 32.81

 

Complementary color

CMYK 90 / 66 / 0 / 64

HEX #09205D

RGB 9 32 93

HSL 223.57, 0.82%, 0.2%

LAB 14.85, 17.77, -38.76

 

CMYK 0 / 11 / 37 / 2

HEX #FBDF9D

RGB 251 223 157

HSL 42.13, 0.92%, 0.8%

LAB 89.73, 0.61, 35.89

 

CMYK 0 / 5 / 31 / 0

HEX #FFF1B0

RGB 255 241 176

HSL 49.37, 1%, 0.85%

LAB 94.87, -4.75, 33.15

 

CMYK 0 / 0 / 24 / 0

HEX #FFFFC3

RGB 255 255 195

HSL 60, 1%, 0.88%

LAB 98.72, -9.28, 28.77

 

CMYK 0 / 0 / 16 / 0

HEX #FFFFD6

RGB 255 255 214

HSL 60, 1%, 0.92%

LAB 99.08, -6.61, 19.64

 

CMYK 0 / 0 / 9 / 0

HEX #FFFFE9

RGB 255 255 233

HSL 60, 1%, 0.96%

LAB 99.48, -3.69, 10.51

 

CMYK 0 / 9 / 34 / 4

HEX #F6DFA2

RGB 246 223 162

HSL 43.57, 0.82%, 0.8%

LAB 89.38, -0.74, 32.81

 

CMYK 0 / 10 / 38 / 10

HEX #E5CD8F

RGB 229 205 143

HSL 43.26, 0.62%, 0.73%

LAB 83.07, -0.28, 33.95

 

CMYK 0 / 12 / 42 / 17

HEX #D4BB7C

RGB 212 187 124

HSL 42.95, 0.51%, 0.66%

LAB 76.67, 0.25, 35.15

 

CMYK 0 / 13 / 46 / 24

HEX #C3A969

RGB 195 169 105

HSL 42.67, 0.43%, 0.59%

LAB 70.17, 0.88, 36.41

 

CMYK 0 / 15 / 52 / 30

HEX #B29756

RGB 178 151 86

HSL 42.39, 0.37%, 0.52%

LAB 63.57, 1.61, 37.72

 

CMYK 0 / 9 / 34 / 4

HEX #F5DEA2

RGB 245 222 162

HSL 43.37, 0.81%, 0.8%

LAB 89.05, -0.61, 32.35

 

CMYK 0 / 18 / 34 / 4

HEX #F5C8A2

RGB 245 200 162

HSL 27.47, 0.81%, 0.8%

LAB 83.62, 10.76, 25.03

 

CMYK 0 / 28 / 34 / 4

HEX #F5B1A2

RGB 245 177 162

HSL 10.84, 0.81%, 0.8%

LAB 78.15, 22.86, 17.5

 

CMYK 0 / 34 / 34 / 4

HEX #F5A2A2

RGB 245 162 162

HSL 0, 0.81%, 0.8%

LAB 74.74, 30.78, 12.72

 

CMYK 0 / 9 / 34 / 4

HEX #F5DEA2

RGB 245 222 162

HSL 43.37, 0.81%, 0.8%

LAB 89.05, -0.61, 32.35

 

CMYK 0 / 0 / 34 / 4

HEX #F5F5A2

RGB 245 245 162

HSL 60, 0.81%, 0.8%

LAB 94.88, -12.15, 40.03

 

CMYK 9 / 0 / 34 / 4

HEX #DFF5A2

RGB 223 245 162

HSL 75.9, 0.81%, 0.8%

LAB 93.28, -20.34, 37.63

 

CMYK 18 / 0 / 34 / 4

HEX #C9F5A2

RGB 201 245 162

HSL 91.81, 0.81%, 0.8%

LAB 91.83, -28.25, 35.46

 

CMYK 27 / 0 / 34 / 4

HEX #B2F5A2

RGB 178 245 162

HSL 108.43, 0.81%, 0.8%

LAB 90.5, -36.07, 33.45

 

CMYK 0 / 9 / 34 / 4

HEX #F5DEA2

RGB 245 222 162

HSL 43.37, 0.81%, 0.8%

LAB 89.05, -0.61, 32.35

 

CMYK 0 / 11 / 40 / 0

HEX #FEE299

RGB 254 226 153

HSL 43.37, 0.98%, 0.8%

LAB 90.67, -0.19, 39.19

 

CMYK 0 / 9 / 34 / 4

HEX #F5DEA2

RGB 245 222 162

HSL 43.37, 0.81%, 0.8%

LAB 89.05, -0.61, 32.35

 

CMYK 0 / 8 / 28 / 7

HEX #EDDBAA

RGB 237 219 170

HSL 43.88, 0.65%, 0.8%

LAB 87.76, -1.13, 26.38

 

CMYK 0 / 6 / 22 / 10

HEX #E5D7B2

RGB 229 215 178

HSL 43.53, 0.5%, 0.8%

LAB 86.24, -0.98, 20.02

 

CMYK 0 / 5 / 16 / 13

HEX #DDD3BA

RGB 221 211 186

HSL 42.86, 0.34%, 0.8%

LAB 84.74, -0.66, 13.62

 

CMYK 0 / 2 / 8 / 17

HEX #D4CFC3

RGB 212 207 195

HSL 42.35, 0.17%, 0.8%

LAB 83.21, -0.36, 6.56

 

CMYK 0 / 28 / 34 / 4

HEX #F5B1A2

RGB 245 177 162

HSL 10.84, 0.81%, 0.8%

LAB 78.15, 22.86, 17.5

 

CMYK 0 / 19 / 34 / 4

HEX #F5C7A2

RGB 245 199 162

HSL 26.75, 0.81%, 0.8%

LAB 83.37, 11.28, 24.7

 

CMYK 0 / 9 / 34 / 4

HEX #F5DEA2

RGB 245 222 162

HSL 43.37, 0.81%, 0.8%

LAB 89.05, -0.61, 32.35

 

CMYK 0 / 0 / 34 / 4

HEX #F5F4A2

RGB 245 244 162

HSL 59.28, 0.81%, 0.8%

LAB 94.62, -11.66, 39.69

 

CMYK 9 / 0 / 34 / 4

HEX #E0F5A2

RGB 224 245 162

HSL 75.18, 0.81%, 0.8%

LAB 93.35, -19.97, 37.74

 

CMYK 0 / 18 / 63 / 7

HEX #EEC457

RGB 238 196 87

HSL 43.31, 0.82%, 0.64%

LAB 80.93, 3.15, 58.82

 

CMYK 0 / 14 / 49 / 5

HEX #F2D17C

RGB 242 209 124

HSL 43.22, 0.82%, 0.72%

LAB 84.96, 0.9, 46.18

 

CMYK 0 / 9 / 34 / 4

HEX #F5DEA2

RGB 245 222 162

HSL 43.37, 0.81%, 0.8%

LAB 89.05, -0.61, 32.35

 

CMYK 0 / 6 / 20 / 2

HEX #F9EBC7

RGB 249 235 199

HSL 43.2, 0.81%, 0.88%

LAB 93.31, -0.89, 19.19

 

CMYK 0 / 2 / 6 / 1

HEX #FDF8ED

RGB 253 248 237

HSL 41.25, 0.8%, 0.96%

LAB 97.69, -0.2, 5.86

 

CMYK 0 / 9 / 34 / 4

HEX #F6DFA2

RGB 246 223 162

HSL 43.57, 0.82%, 0.8%

LAB 89.38, -0.74, 32.81

 

CMYK 31 / 0 / 34 / 4

HEX #A9F5A2

RGB 169 245 162

HSL 114.94, 0.81%, 0.8%

LAB 90.02, -38.98, 32.73

 

CMYK 23 / 34 / 0 / 4

HEX #BCA2F5

RGB 188 162 245

HSL 258.8, 0.81%, 0.8%

LAB 71.64, 26.25, -38.02

 

CMYK 0 / 9 / 34 / 4

HEX #F6DFA2

RGB 246 223 162

HSL 43.57, 0.82%, 0.8%

LAB 89.38, -0.74, 32.81

 

CMYK 34 / 0 / 9 / 4

HEX #A2F5DE

RGB 162 245 222

HSL 163.37, 0.81%, 0.8%

LAB 90.9, -30.1, 3.08

 

CMYK 9 / 34 / 0 / 4

HEX #DEA2F5

RGB 222 162 245

HSL 283.37, 0.81%, 0.8%

LAB 74.8, 36.4, -32.87

 

CMYK 0 / 9 / 34 / 4

HEX #F6DFA2

RGB 246 223 162

HSL 43.57, 0.82%, 0.8%

LAB 89.38, -0.74, 32.81

 

CMYK 31 / 0 / 34 / 4

HEX #A9F5A2

RGB 169 245 162

HSL 114.94, 0.81%, 0.8%

LAB 90.02, -38.98, 32.73

 

CMYK 34 / 24 / 0 / 4

HEX #A2B9F5

RGB 162 185 245

HSL 223.37, 0.81%, 0.8%

LAB 75.43, 6.07, -32.3

 

CMYK 3 / 34 / 0 / 4

HEX #EEA2F5

RGB 238 162 245

HSL 294.94, 0.81%, 0.8%

LAB 76.44, 41.29, -30.2

 

CMYK 0 / 9 / 34 / 4

HEX #F6DFA2

RGB 246 223 162

HSL 43.57, 0.82%, 0.8%

LAB 89.38, -0.74, 32.81

 

CMYK 34 / 0 / 27 / 4

HEX #A2F5B4

RGB 162 245 180

HSL 133.01, 0.81%, 0.8%

LAB 89.99, -38.21, 23.5

 

CMYK 34 / 24 / 0 / 4

HEX #A2B9F5

RGB 162 185 245

HSL 223.37, 0.81%, 0.8%

LAB 75.43, 6.07, -32.3

 

CMYK 0 / 34 / 7 / 4

HEX #F5A2E3

RGB 245 162 227

HSL 313.01, 0.81%, 0.8%

LAB 76.56, 40.3, -20.2

 

Description

Color code: HEX #F6DFA2 | qconv.com Color code: HEX #F6DFA2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 246 red, 223 green and 162 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
246 223 162 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 9 magenta, 34 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 9% 34% 4% C M Y K

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Provide designers and agencies with accurate color values.

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