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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F6E0AD it is the complementary color #091F52. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F6E0AD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F6E0AD shade: #FBE0A8, #FFF2BB, #FFFFCE, #FFFFE1 and #FFFFF4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F6E0AD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F6E0AD shade: #F6E0AD, #E5CE9A, #D4BC87, #C3AA74 and #B29861

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F6E0AD shade: #F5DFAC, #F5CBAC, #F5B8AC and #F5ACAC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F6E0AD shade: #F5DFAC, #F5F3AC, #E4F5AC, #D0F5AC and #BCF5AC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F6E0AD shade matches the following richer shades: #F5DFAC and #FDE2A4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F6E0AD shade: #F5DFAC, #EEDCB3, #E6D9BB, #DFD6C2 and #D8D3CA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F6E0AD shade: #F5B7AC, #F5CAAC, #F5DEAC, #F5F2AC and #E5F5AC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F6E0AD shade: #EDC362, #F1D187, #F5DFAC, #F9EDD1 and #FEFBF6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F6E0AD shade: #F6E0AD, #B4F5AC and #C1ACF5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F6E0AD shade: #F6E0AD, #ACF5DE and #DEACF5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F6E0AD shade: #F6E0AD, #B4F5AC, #ACC3F5 and #EDACF5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F6E0AD shade: #F6E0AD, #ACF5B9, #ACC3F5 and #F5ACE8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 9 / 30 / 4

HEX #F6E0AD

RGB 246 224 173

HSL 41.92, 0.8%, 0.82%

LAB 89.82, 0.09, 27.76

 

Complementary color

CMYK 89 / 62 / 0 / 68

HEX #091F52

RGB 9 31 82

HSL 221.92, 0.8%, 0.18%

LAB 13.52, 13.65, -33.53

 

CMYK 0 / 11 / 33 / 2

HEX #FBE0A8

RGB 251 224 168

HSL 40.48, 0.91%, 0.82%

LAB 90.16, 1.37, 30.85

 

CMYK 0 / 5 / 27 / 0

HEX #FFF2BB

RGB 255 242 187

HSL 48.53, 1%, 0.87%

LAB 95.31, -3.87, 28.17

 

CMYK 0 / 0 / 19 / 0

HEX #FFFFCE

RGB 255 255 206

HSL 60, 1%, 0.9%

LAB 98.92, -7.77, 23.48

 

CMYK 0 / 0 / 12 / 0

HEX #FFFFE1

RGB 255 255 225

HSL 60, 1%, 0.94%

LAB 99.31, -4.95, 14.35

 

CMYK 0 / 0 / 4 / 0

HEX #FFFFF4

RGB 255 255 244

HSL 60, 1%, 0.98%

LAB 99.73, -1.88, 5.24

 

CMYK 0 / 9 / 30 / 4

HEX #F6E0AD

RGB 246 224 173

HSL 41.92, 0.8%, 0.82%

LAB 89.82, 0.09, 27.76

 

CMYK 0 / 10 / 33 / 10

HEX #E5CE9A

RGB 229 206 154

HSL 41.6, 0.59%, 0.75%

LAB 83.51, 0.5, 28.83

 

CMYK 0 / 11 / 36 / 17

HEX #D4BC87

RGB 212 188 135

HSL 41.3, 0.47%, 0.68%

LAB 77.11, 0.97, 29.97

 

CMYK 0 / 13 / 41 / 24

HEX #C3AA74

RGB 195 170 116

HSL 41.01, 0.4%, 0.61%

LAB 70.6, 1.51, 31.17

 

CMYK 0 / 15 / 46 / 30

HEX #B29861

RGB 178 152 97

HSL 40.74, 0.34%, 0.54%

LAB 63.99, 2.15, 32.45

 

CMYK 0 / 9 / 30 / 4

HEX #F5DFAC

RGB 245 223 172

HSL 41.92, 0.78%, 0.82%

LAB 89.47, 0.1, 27.78

 

CMYK 0 / 17 / 30 / 4

HEX #F5CBAC

RGB 245 203 172

HSL 25.48, 0.78%, 0.82%

LAB 84.54, 10.44, 21.03

 

CMYK 0 / 25 / 30 / 4

HEX #F5B8AC

RGB 245 184 172

HSL 9.86, 0.78%, 0.82%

LAB 79.99, 20.43, 14.69

 

CMYK 0 / 30 / 30 / 4

HEX #F5ACAC

RGB 245 172 172

HSL 0, 0.78%, 0.82%

LAB 77.22, 26.77, 10.77

 

CMYK 0 / 9 / 30 / 4

HEX #F5DFAC

RGB 245 223 172

HSL 41.92, 0.78%, 0.82%

LAB 89.47, 0.1, 27.78

 

CMYK 0 / 1 / 30 / 4

HEX #F5F3AC

RGB 245 243 172

HSL 58.36, 0.78%, 0.82%

LAB 94.52, -9.97, 34.57

 

CMYK 7 / 0 / 30 / 4

HEX #E4F5AC

RGB 228 245 172

HSL 73.97, 0.78%, 0.82%

LAB 93.79, -17.23, 33.37

 

CMYK 15 / 0 / 30 / 4

HEX #D0F5AC

RGB 208 245 172

HSL 90.41, 0.78%, 0.82%

LAB 92.44, -24.4, 31.32

 

CMYK 23 / 0 / 30 / 4

HEX #BCF5AC

RGB 188 245 172

HSL 106.85, 0.78%, 0.82%

LAB 91.22, -31.26, 29.48

 

CMYK 0 / 9 / 30 / 4

HEX #F5DFAC

RGB 245 223 172

HSL 41.92, 0.78%, 0.82%

LAB 89.47, 0.1, 27.78

 

CMYK 0 / 11 / 35 / 1

HEX #FDE2A4

RGB 253 226 164

HSL 41.8, 0.96%, 0.82%

LAB 90.76, 0.64, 33.73

 

CMYK 0 / 9 / 30 / 4

HEX #F5DFAC

RGB 245 223 172

HSL 41.92, 0.78%, 0.82%

LAB 89.47, 0.1, 27.78

 

CMYK 0 / 8 / 25 / 7

HEX #EEDCB3

RGB 238 220 179

HSL 41.69, 0.63%, 0.82%

LAB 88.27, -0.07, 22.41

 

CMYK 0 / 6 / 19 / 10

HEX #E6D9BB

RGB 230 217 187

HSL 41.86, 0.46%, 0.82%

LAB 87.01, -0.34, 16.39

 

CMYK 0 / 4 / 13 / 13

HEX #DFD6C2

RGB 223 214 194

HSL 41.38, 0.31%, 0.82%

LAB 85.84, -0.25, 10.97

 

CMYK 0 / 2 / 6 / 15

HEX #D8D3CA

RGB 216 211 202

HSL 38.57, 0.15%, 0.82%

LAB 84.72, 0.15, 5.05

 

CMYK 0 / 25 / 30 / 4

HEX #F5B7AC

RGB 245 183 172

HSL 9.04, 0.78%, 0.82%

LAB 79.76, 20.96, 14.36

 

CMYK 0 / 18 / 30 / 4

HEX #F5CAAC

RGB 245 202 172

HSL 24.66, 0.78%, 0.82%

LAB 84.29, 10.96, 20.69

 

CMYK 0 / 9 / 30 / 4

HEX #F5DEAC

RGB 245 222 172

HSL 41.1, 0.78%, 0.82%

LAB 89.22, 0.61, 27.44

 

CMYK 0 / 1 / 30 / 4

HEX #F5F2AC

RGB 245 242 172

HSL 57.53, 0.78%, 0.82%

LAB 94.27, -9.48, 34.23

 

CMYK 7 / 0 / 30 / 4

HEX #E5F5AC

RGB 229 245 172

HSL 73.15, 0.78%, 0.82%

LAB 93.86, -16.86, 33.47

 

CMYK 0 / 18 / 59 / 7

HEX #EDC362

RGB 237 195 98

HSL 41.87, 0.79%, 0.66%

LAB 80.69, 3.99, 53.5

 

CMYK 0 / 13 / 44 / 5

HEX #F1D187

RGB 241 209 135

HSL 41.89, 0.79%, 0.74%

LAB 85.02, 1.54, 40.75

 

CMYK 0 / 9 / 30 / 4

HEX #F5DFAC

RGB 245 223 172

HSL 41.92, 0.78%, 0.82%

LAB 89.47, 0.1, 27.78

 

CMYK 0 / 5 / 16 / 2

HEX #F9EDD1

RGB 249 237 209

HSL 42, 0.77%, 0.9%

LAB 94.02, -0.44, 15.02

 

CMYK 0 / 1 / 3 / 0

HEX #FEFBF6

RGB 254 251 246

HSL 37.5, 0.8%, 0.98%

LAB 98.72, 0.14, 2.73

 

CMYK 0 / 9 / 30 / 4

HEX #F6E0AD

RGB 246 224 173

HSL 41.92, 0.8%, 0.82%

LAB 89.82, 0.09, 27.76

 

CMYK 27 / 0 / 30 / 4

HEX #B4F5AC

RGB 180 245 172

HSL 113.42, 0.78%, 0.82%

LAB 90.77, -33.9, 28.79

 

CMYK 21 / 30 / 0 / 4

HEX #C1ACF5

RGB 193 172 245

HSL 257.26, 0.78%, 0.82%

LAB 74.47, 22.18, -33.6

 

CMYK 0 / 9 / 30 / 4

HEX #F6E0AD

RGB 246 224 173

HSL 41.92, 0.8%, 0.82%

LAB 89.82, 0.09, 27.76

 

CMYK 30 / 0 / 9 / 4

HEX #ACF5DE

RGB 172 245 222

HSL 161.1, 0.78%, 0.82%

LAB 91.39, -27.29, 3.86

 

CMYK 9 / 30 / 0 / 4

HEX #DEACF5

RGB 222 172 245

HSL 281.1, 0.78%, 0.82%

LAB 77.06, 31.02, -29.4

 

CMYK 0 / 9 / 30 / 4

HEX #F6E0AD

RGB 246 224 173

HSL 41.92, 0.8%, 0.82%

LAB 89.82, 0.09, 27.76

 

CMYK 27 / 0 / 30 / 4

HEX #B4F5AC

RGB 180 245 172

HSL 113.42, 0.78%, 0.82%

LAB 90.77, -33.9, 28.79

 

CMYK 30 / 20 / 0 / 4

HEX #ACC3F5

RGB 172 195 245

HSL 221.1, 0.78%, 0.82%

LAB 78.69, 3.42, -27.24

 

CMYK 3 / 30 / 0 / 4

HEX #EDACF5

RGB 237 172 245

HSL 293.42, 0.78%, 0.82%

LAB 78.52, 35.7, -27.02

 

CMYK 0 / 9 / 30 / 4

HEX #F6E0AD

RGB 246 224 173

HSL 41.92, 0.8%, 0.82%

LAB 89.82, 0.09, 27.76

 

CMYK 30 / 0 / 24 / 4

HEX #ACF5B9

RGB 172 245 185

HSL 130.68, 0.78%, 0.82%

LAB 90.59, -34.3, 21.84

 

CMYK 30 / 20 / 0 / 4

HEX #ACC3F5

RGB 172 195 245

HSL 221.1, 0.78%, 0.82%

LAB 78.69, 3.42, -27.24

 

CMYK 0 / 30 / 5 / 4

HEX #F5ACE8

RGB 245 172 232

HSL 310.68, 0.78%, 0.82%

LAB 78.89, 35.91, -19.37

 

Description

Color code: HEX #F6E0AD | qconv.com Color code: HEX #F6E0AD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 246 red, 224 green and 173 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
246 224 173 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 9 magenta, 30 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 9% 30% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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