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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F73281 it is the complementary color #08CD7E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F73281. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F73281 shade: #FC327C, #FF448F, #FF56A2, #FF68B5 and #FF7AC8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F73281. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F73281 shade: #F73281, #E6206E, #D50E5B, #C40048 and #B30035

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F73281 shade: #F63180, #F6314B and #F63131

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F73281 shade: #F63180, #F631B5, #F631EA, #CD31F6 and #9731F6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F73281 shade matches the following richer shades: #F63180

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F73281 shade: #F63180, #E54283, #D35487, #C2658A and #B1768E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F73281 shade: #F631EC, #F631B8, #F63183, #F6314E and #F64831

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F73281 shade: #CC0857, #F40A68, #F63180, #F85898 and #F980B1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F73281 shade: #F73281, #F6CB31 and #31D2F6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F73281 shade: #F73281, #83F631 and #3183F6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F73281 shade: #F73281, #F6CB31, #31F6A4 and #315CF6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F73281 shade: #F73281, #E6F631, #31F6A4 and #4131F6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 80 / 48 / 3

HEX #F73281

RGB 247 50 129

HSL 335.94, 0.92%, 0.58%

LAB 55.73, 76.04, 4.48

 

Complementary color

CMYK 96 / 0 / 39 / 20

HEX #08CD7E

RGB 8 205 126

HSL 155.94, 0.92%, 0.42%

LAB 73.04, -60.47, 27.69

 

CMYK 0 / 80 / 51 / 1

HEX #FC327C

RGB 252 50 124

HSL 338.02, 0.97%, 0.59%

LAB 56.52, 76.9, 8.72

 

CMYK 0 / 73 / 44 / 0

HEX #FF448F

RGB 255 68 143

HSL 335.94, 1%, 0.63%

LAB 59.32, 74.24, 1.59

 

CMYK 0 / 66 / 36 / 0

HEX #FF56A2

RGB 255 86 162

HSL 333.02, 1%, 0.67%

LAB 62.1, 69.88, -5.38

 

CMYK 0 / 59 / 29 / 0

HEX #FF68B5

RGB 255 104 181

HSL 329.4, 1%, 0.7%

LAB 65.36, 64.8, -11.42

 

CMYK 0 / 52 / 22 / 0

HEX #FF7AC8

RGB 255 122 200

HSL 324.81, 1%, 0.74%

LAB 69, 59.22, -16.63

 

CMYK 0 / 80 / 48 / 3

HEX #F73281

RGB 247 50 129

HSL 335.94, 0.92%, 0.58%

LAB 55.73, 76.04, 4.48

 

CMYK 0 / 86 / 52 / 10

HEX #E6206E

RGB 230 32 110

HSL 336.36, 0.8%, 0.51%

LAB 50.67, 74.29, 8.27

 

CMYK 0 / 93 / 57 / 16

HEX #D50E5B

RGB 213 14 91

HSL 336.78, 0.88%, 0.45%

LAB 45.93, 71.55, 12.84

 

CMYK 0 / 100 / 63 / 23

HEX #C40048

RGB 196 0 72

HSL 337.96, 1%, 0.38%

LAB 41.54, 67.73, 18.23

 

CMYK 0 / 100 / 70 / 30

HEX #B30035

RGB 179 0 53

HSL 342.23, 1%, 0.35%

LAB 37.56, 62.7, 24.47

 

CMYK 0 / 80 / 48 / 4

HEX #F63180

RGB 246 49 128

HSL 335.94, 0.92%, 0.58%

LAB 55.43, 75.96, 4.63

 

CMYK 0 / 80 / 70 / 4

HEX #F6314B

RGB 246 49 75

HSL 352.08, 0.92%, 0.58%

LAB 54.34, 72.66, 34.7

 

CMYK 0 / 80 / 80 / 4

HEX #F63131

RGB 246 49 49

HSL 0, 0.92%, 0.58%

LAB 54.04, 71.73, 48.83

 

CMYK 0 / 80 / 48 / 4

HEX #F63180

RGB 246 49 128

HSL 335.94, 0.92%, 0.58%

LAB 55.43, 75.96, 4.63

 

CMYK 0 / 80 / 26 / 4

HEX #F631B5

RGB 246 49 181

HSL 319.8, 0.92%, 0.58%

LAB 57.2, 81.12, -23.94

 

CMYK 0 / 80 / 5 / 4

HEX #F631EA

RGB 246 49 234

HSL 303.65, 0.92%, 0.58%

LAB 59.64, 87.95, -50.31

 

CMYK 17 / 80 / 0 / 4

HEX #CD31F6

RGB 205 49 246

HSL 287.51, 0.92%, 0.58%

LAB 53.85, 82.51, -66.67

 

CMYK 39 / 80 / 0 / 4

HEX #9731F6

RGB 151 49 246

HSL 271.07, 0.92%, 0.58%

LAB 46.22, 74.12, -79.42

 

CMYK 0 / 80 / 48 / 4

HEX #F63180

RGB 246 49 128

HSL 335.94, 0.92%, 0.58%

LAB 55.43, 75.96, 4.63

 

CMYK 0 / 80 / 48 / 4

HEX #F63180

RGB 246 49 128

HSL 335.94, 0.92%, 0.58%

LAB 55.43, 75.96, 4.63

 

CMYK 0 / 71 / 43 / 10

HEX #E54283

RGB 229 66 131

HSL 336.07, 0.76%, 0.58%

LAB 54.23, 66.77, 0.72

 

CMYK 0 / 60 / 36 / 17

HEX #D35487

RGB 211 84 135

HSL 335.91, 0.59%, 0.58%

LAB 53.96, 54.79, -2.4

 

CMYK 0 / 48 / 29 / 24

HEX #C2658A

RGB 194 101 138

HSL 336.13, 0.43%, 0.58%

LAB 54.67, 41.36, -3.42

 

CMYK 0 / 33 / 20 / 31

HEX #B1768E

RGB 177 118 142

HSL 335.59, 0.27%, 0.58%

LAB 56.34, 26.67, -3.53

 

CMYK 0 / 80 / 4 / 4

HEX #F631EC

RGB 246 49 236

HSL 303.05, 0.92%, 0.58%

LAB 59.75, 88.24, -51.27

 

CMYK 0 / 80 / 25 / 4

HEX #F631B8

RGB 246 49 184

HSL 318.88, 0.92%, 0.58%

LAB 57.32, 81.47, -25.49

 

CMYK 0 / 80 / 47 / 4

HEX #F63183

RGB 246 49 131

HSL 335.03, 0.92%, 0.58%

LAB 55.51, 76.2, 2.96

 

CMYK 0 / 80 / 68 / 4

HEX #F6314E

RGB 246 49 78

HSL 351.17, 0.92%, 0.58%

LAB 54.39, 72.8, 33

 

CMYK 0 / 71 / 80 / 4

HEX #F64831

RGB 246 72 49

HSL 7.01, 0.92%, 0.58%

LAB 56.53, 64.77, 51.26

 

CMYK 0 / 96 / 57 / 20

HEX #CC0857

RGB 204 8 87

HSL 335.82, 0.92%, 0.42%

LAB 43.8, 69.75, 12.11

 

CMYK 0 / 96 / 57 / 4

HEX #F40A68

RGB 244 10 104

HSL 335.9, 0.92%, 0.5%

LAB 52.34, 79.85, 14.67

 

CMYK 0 / 80 / 48 / 4

HEX #F63180

RGB 246 49 128

HSL 335.94, 0.92%, 0.58%

LAB 55.43, 75.96, 4.63

 

CMYK 0 / 65 / 39 / 3

HEX #F85898

RGB 248 88 152

HSL 336, 0.92%, 0.66%

LAB 60.96, 66.08, -1.41

 

CMYK 0 / 49 / 29 / 2

HEX #F980B1

RGB 249 128 177

HSL 335.7, 0.91%, 0.74%

LAB 68.57, 51.42, -4.46

 

CMYK 0 / 80 / 48 / 3

HEX #F73281

RGB 247 50 129

HSL 335.94, 0.92%, 0.58%

LAB 55.73, 76.04, 4.48

 

CMYK 0 / 17 / 80 / 4

HEX #F6CB31

RGB 246 203 49

HSL 46.9, 0.92%, 0.58%

LAB 83.19, 1.16, 75.62

 

CMYK 80 / 15 / 0 / 4

HEX #31D2F6

RGB 49 210 246

HSL 190.96, 0.92%, 0.58%

LAB 78.11, -28.02, -29.08

 

CMYK 0 / 80 / 48 / 3

HEX #F73281

RGB 247 50 129

HSL 335.94, 0.92%, 0.58%

LAB 55.73, 76.04, 4.48

 

CMYK 47 / 0 / 80 / 4

HEX #83F631

RGB 131 246 49

HSL 95.03, 0.92%, 0.58%

LAB 87.46, -62.52, 76.63

 

CMYK 80 / 47 / 0 / 4

HEX #3183F6

RGB 49 131 246

HSL 215.03, 0.92%, 0.58%

LAB 55.62, 15.93, -64.46

 

CMYK 0 / 80 / 48 / 3

HEX #F73281

RGB 247 50 129

HSL 335.94, 0.92%, 0.58%

LAB 55.73, 76.04, 4.48

 

CMYK 0 / 17 / 80 / 4

HEX #F6CB31

RGB 246 203 49

HSL 46.9, 0.92%, 0.58%

LAB 83.19, 1.16, 75.62

 

CMYK 80 / 0 / 33 / 4

HEX #31F6A4

RGB 49 246 164

HSL 155.03, 0.92%, 0.58%

LAB 86.63, -64.79, 26.51

 

CMYK 80 / 63 / 0 / 4

HEX #315CF6

RGB 49 92 246

HSL 226.9, 0.92%, 0.58%

LAB 45.58, 40.29, -80.78

 

CMYK 0 / 80 / 48 / 3

HEX #F73281

RGB 247 50 129

HSL 335.94, 0.92%, 0.58%

LAB 55.73, 76.04, 4.48

 

CMYK 7 / 0 / 80 / 4

HEX #E6F631

RGB 230 246 49

HSL 64.87, 0.92%, 0.58%

LAB 93, -26.72, 83.65

 

CMYK 80 / 0 / 33 / 4

HEX #31F6A4

RGB 49 246 164

HSL 155.03, 0.92%, 0.58%

LAB 86.63, -64.79, 26.51

 

CMYK 74 / 80 / 0 / 4

HEX #4131F6

RGB 65 49 246

HSL 244.87, 0.92%, 0.58%

LAB 37.8, 65.08, -93.59

 

Description

Color code: HEX #F73281 | qconv.com Color code: HEX #F73281 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 247 red, 50 green and 129 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
247 50 129 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 80 magenta, 48 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 80% 48% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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